London Explained – English Heritage’s Blue Plaques…

Walk the streets of London and chances are you’ll soon come across an English Heritage Blue Plaque commemorating someone famous.

There are now more than 990 Blue Plaques in London, commemorating everyone from diarist Samuel Pepys to writer Virginia Woolf and comedian Tony Hancock.

An English Heritage Blue Plaque commemorating singer and actor Paul Robson. PICTURE: Brett Jordan/Unsplash

The scheme was started in 1866 by the Society of Arts (later the Royal Society of Arts) having been proposed by MP William Ewart three years before. The first two plaques were erected in 1867 – one commemorating poet Lord Byron at his birthplace, 24 Holles Street in Cavendish Square (although this property was later demolished) and the other commemorating Napoleon III in King Street, Westminster (this is now the oldest survivor of the scheme).

Thirty-five years – and 35 plaques – later, the London County Council took over the scheme. It was this body that standardised the plaque’s appearance (early plaques come in various shapes and colours) and while ceramic blue plaques were standard by 1921, the modern simplified Blue Plaque didn’t appear until 1938 when an unnamed student at the Central School of Arts and Crafts, who was paid just four guineas for their troubles, came up with what is now an iconic design.

In 1965, the LCC, having created almost 250 new Blue Plaques, was abolished and its successor, the Greater London Council, took over the scheme, expanding its area of coverage to includes places like Richmond, Redbridge and Croydon. In 1984, the GLC appointed artisan ceramicists Frank and Sue Ashworth of London Plaques to make the Blue Plaques (and they continue to do so).

The GLC placed some 262 Blue Plaques before, in 1986, English Heritage took over management of the scheme. Since then it’s placed more than 360 plaques.

The plaques, which are 495mm (19½ inches) in diameter and 50mm (two inches) thick, are slightly domed in a bid to encourage self-cleaning in the rain.

Anyone can propose a subject for a new plaque – but generally only one plaque is erected per person (although there have been some exceptions to this), only a maximum of two plaques are allowed per building (there are 18 buildings with two), and proposals, if turned down, must wait 10 years before they are reconsidered.

In addition, new Blue Plaques are only erected a minimum of 20 years after the subject’s death, the building on which one is placed must “survive in a form that the commemorated person would have recognised, and be visible from a public highway”, and buildings which may have many different personal associations, such as churches, schools and theatres, are not normally considered.

The Blue Plaques panel meet three times a year to decide on proposals. Among those currently serving on the 12 person body are architectural historian Professor William Whyte, who chairs the panel, award-winning journalist and author Mihir Bose, Emily Gee, regional director for London and the South East at Historic England, and, Susie Thornberry, assistant director at Imperial War Museums.

The plaques don’t confer any legal protection to buildings but English Heritage says they can help preserve them through raising awareness.

Recently unveiled plaques have commemorated pioneering social research organisation Mass-Observation, lawyer Hersch Lauterpacht – who played a key role in prosecuting the Nazis at the Nuremberg trials, and, Dadabhai Naoroji, an Indian Nationalist and the first Indian to win a popular election to Parliament in the UK. Among those being unveiled this year are plaques commemorating anti-racist activist Claudia Jones, suffragette Emily Wilding Davison and Ada Salter, the first female mayor of a London borough.

English Heritage’s Blue Plaques scheme isn’t the only one commemorating people in London. Others include the City of London’s Blue Plaques scheme (there is only one English Heritage Blue Plaque in the City of London – it commemorates Dr Samuel Johnson), Westminster City Council’s Green Plaques and Heritage Foundation plaques which commemorate figures who worked in entertainment.

For more, head to www.english-heritage.org.uk/visit/blue-plaques/.

LondonLife – Tributes to a Queen…

Flowers left outside Buckingham Palace. PICTURE: Samuel Regan-Asante
Left – Flowers and tributes left outside Buckingham Palace and, right, a bus shelter in Shoreditch. PICTURE: Samuel Regan-Asante
A electronic billboard at Piccadilly Circus. PICTURE: Samuel Regan-Asante
Prime Minister Liz Truss writes in a book of condolence at Number 10 Downing Street to mark the passing of Queen Elizabeth II. PICTURE: Andrew Parsons/No 10 Downing Street (licensed under CC BY-NC-ND 2.0)
The flags at Number 10 Downing Street have been lowered to half mast after the death of Majesty Queen Elizabeth II. PICTURE: Rory Arnold/No 10 Downing Street (licensed under CC BY-NC-ND 2.0

King Charles III proclaimed monarch in London…

The Principal Proclamation of King Charles III was read by the Garter King of Arms at 11am from the balcony above Friary Court, St James’s Palace on Saturday. 10th September. PICTURE: LSgt Galvin/UK MOD © Crown copyright 2022
A wider view of the crowd gathered outside St James’s Palace. PICTURE: Sgt Donald C Todd RLC Photographer//UK MOD © Crown copyright 2022
A Gun Salute at the Tower of London for the Principal Proclamation of King Charles III. Immediately following the Principal Proclamation, a Royal Salute of 41 rounds was fired by the King’s Troop Royal Horse Artillery in Hyde Park, and a Royal Salute of 62 rounds from HM Tower of London was fired by the Honourable Artillery Company (below). PICTURES: Above – Corporal Cameron Eden, RLC/UK MOD © Crown copyright 2022; Below – Sgt Jimmy Wise/UK MOD © Crown copyright 2022
At noon, the Proclamation was read from the steps of The Royal Exchange (pictured) by Clarenceux King of Arms. The Lord Mayor of the City of London, together with the Court of Aldermen and Members of Common Council, were present. The Company of Pikemen and Musketeers of the Honourable Artillery Company, the Lord Mayor’s Body Guard in the City of London, were on duty at the Royal Exchange, accompanied by The Band of the Honourable Artillery Company and eight State Trumpeters of The Household Cavalry. PICTURE: PO Phot Joel Rouse/UK MOD © Crown copyright 2022
One of the State Trumpeters positioned on the steps of the Royal Exchange echoing the fanfare from four State Trumpeters at Mansion House as part of the ceremony of the Proclamation of His Majesty King Charles III from the Royal Exchange. PICTURE: Giles Anderson/©MoD Crown Copyright 2022
The Company of Pikemen and Musketeers (pictured) of the Honourable Artillery Company, the Lord Mayor’s Body Guard in the City of London, were on duty at the Royal Exchange. PICTURE: PO Phot Joel Rouse/UK MOD © Crown copyright 2022

Famous Londoners – Great Paul…

The bell casing used by Taylor’s Bell Foundry to cast Great Paul in Loughborough. PICTURE: Phil McIver (licensed under CC BY-NC 2.0)

Not the name of a person, Great Paul is in fact the name of the largest of four bells in south-west tower of St Paul’s Cathedral.

The south-west tower at St Paul’s Cathedral which contains Great Paul. PICTURE: jan buchholtz (licensed under CC BY-NC-ND 2.0)

The bronze bell was cast in 1881 by JW Taylor of Taylor’s bell foundry in Loughborough. With a diameter of some 11 metres, it weighs an impressive 16.8 tons (in fact, until the casting of the Olympic Bell for the 2012 London Olympics, it was the largest bell in the UK).

Brought to London from Loughborough on a train over a period of 11 days, Great Paul was hung in the tower in May, 1882.

The bell was traditionally sounded at 1pm every day but was silent for more than 40 years after its ringing apparatus broke in the 1970s.

Following a restoration, Great Paul started being rung again last year when it was rung during a festival of church bells to mark the easing of COVID-19 restrictions. Earlier this year, it led a bell ringing tribute marking Queen Elizabeth II’s Platinum Jubilee.

Previous historic occasions on which the bell was rung included Queen Victoria’s Diamond Jubilee in 1897 and the marriage of Prince Charles and Lady Diana Spencer at the cathedral in 1981.

The south-east tower of the cathedral is also home to the storied bell known as Great Tom – but we’ll deal with that in a future post.

LondonLife – Buckingham Palace…

Buckingham Palace. PICTURE: Debbie Fan/Unsplash.

Buckingham Palace is among the sites across London which will be hosting events to mark Queen Elizabeth II’s Platinum Jubilee this June. The Queen’s 70th year on the throne will be marked with four days of celebrations across the June bank holiday weekend which will include the Queen’s Birthday Parade (known as Trooping the Colour), the lighting of Platinum Jubilee Beacons – including the principal beacon at Buckingham Palace, a Service of Thanksgiving at St Paul’s Cathedral, the ‘Platinum Party at the Palace’ – a celebration concert in the gardens of Buckingham Palace, The Big Jubilee Lunch in communities across the city, and a special Platinum Jubilee Pageant, part of which will see a moving river of flags rippling down The Mall. For more information, head to www.royal.uk/platinum-jubilee-central-weekend.

10 sites of (historic) musical significance in London – 6. Royal Albert Hall… 

PICTURE: Raphael Tomi-Tricot/Unsplash

Arguably the grandest music venue in London, the Royal Albert Hall, named in memory of Queen Victoria’s husband Prince Albert, has been hosting musical events since it first hosted a concert in 1871.

The Grade I-listed hall, which has a seating capacity of more than 5,000 and which did suffer from acoustic problems for many years (until mushroom-shaped fibreglass acoustic diffusers were hung from the ceiling following tests in the late 1960s), has been the setting for some of the most important – and, in some cases, poignant – music events of the past 150 years, not just in London but the world at large.

Among some of the most memorable are the Titanic Band Memorial Concert – held on 24th May, 1912, just six weeks after the sinking of the iconic ship to remember the 1514 people who died with a particular focus on the eight musicians who played on as the stricken vessal sank, the ‘Great Pop Prom’ of 15th September, 1963 – only one of a handful of occasions when The Beatles and Rolling Stones played on the same stage, and Pink Floyd’s gig of 26th June, 1969 – coming at the end of a UK tour, the on-stage antics saw the band banned (it was short-lived, however, they returned just a few years later in 1973).

Other musical figures to have taken to the stage here include everyone from composers Richard Wagner, John Philip Sousa, and Benjamin Britten to the Von Trapp family, jazz greats Billie Holiday and Ella Fitzgerald, and the likes of Shirley Bassey, Bob Dylan and Elton John – a veritable musical who’s who of the past 150 years. The venue also hosted the 13th Eurovision Song Contest in 1968.

Of course, Royal Albert Hall is famous for The Proms, an annual festival of classical music which was first performed here in 1941 after the venue where it had been held since 1895 – the Queen’s Hall on Langham Place – was lost to an incendiary bomb during World War II.

Prom stands for ‘Promenade Concert’,  a phrase which originally referred to the outdoor concerts in London’s pleasure gardens during which the audience was free to walk around while the orchestra was playing (there are still standing areas during performances). The most famous night of the season is the ‘Last Night of the Proms’ which, broadcast by the BBC, features popular classics and ends with a series of patriotic tunes to stir the blood.

10 London memorials commemorating foreign leaders – 10. Skanderbeg…

Des Blenkinsopp / An Albanian Hero (licensed under CC BY-SA 2.0)

Unveiled just nine years ago, this bust in Bayswater commemorates George Kastrioti Skanderbeg, a 15th century Albanian lord who led a rebellion against the Ottoman Empire (and who later became a central figure of inspiration in the Albanian National Awakening of the 19th century).

Located on the corner of Inverness Terrace and Porchester Gardens, the bronze bust was created by Kreshnik Xhiku.

An inscription on the front reads “George Kastrioti Skanderbeg, 1405 – 1468, invincible Albanian national hero, defender of western civilization.”

It was unveiled on the 100th anniversary of Albanian independence on 28th November, 2012, with Westminster City Councillor Robert Davis and  Albanian Charge d’affaires, Mal Berisha, in attendance.

The bust was installed as part of Westminster’s City of Sculpture initiative.

10 London memorials commemorating foreign leaders – 6. Nelson Mandela…

Back to Parliament Square this week where we look at a bronze statue of anti-apartheid activist and former President of South Africa, Nelson Mandela.

PICTURE: Prioryman (licensed under CC BY-SA 4.0)

Unveiled on 29th August, 2007, this larger-than-life statue is the work of English sculpture Ian Walters (he completed a clay sculpture of the Parliament Square statue before his death in 2006 but sadly didn’t live to see it cast in bronze in London.)

The statue was proposed by South African journalist and anti-apartheid activist Donald Woods but after his death in 2001, the fundraising effort, officially launched in 2003, was led by his wife Wendy and Sir Richard Attenborough.

It depicts Mandela standing on a low plinth with his arms outstretched as though making a speech. He is shown wearing a flowery shirt.

It was originally proposed the statue be located outside of the South African High Commission in Trafalgar Square but after planning approval was refused, the alternative site of Parliament Square was eventually decided upon.

The unveiling in the south-west corner of the square was attended by Mandela himself along with his wife Graça Machel and then Mayor of London Ken Livingstone while then PM Gordon Brown did the official duties.

Interestingly it’s not the only work of Walters depicting Mandela – he was also the sculptor behind the bust of Mandela which stands outside Royal Festival Hall in South Bank.

It’s also not the only South African who has a statue in Parliament Square – there’s also one of Jan Smuts, twice Prime Minister of the Union of South Africa in the early 20th century (in fact Mandela recalled at the unveiling that he and his friend Oliver Tambo, who went on to become president of the ANC, had once joked about seeing the statue of a Black man one day erected in the square – Tambo never lived to see it, but Mandela, at age 89, did).

LondonLife – Shared experiences…

Julietta and her artwork which is among those in the exhibition..

Works by young Londoners depicting their COVID-19 experiences as well as their feelings in support of the Black Lives Matter movement have gone on show in an exhibition at the Saatchi Gallery and online. A Westminster City Council project, called Creative Collective, asked young people to produce works in any medium – audio clips, short films, poems, paintings, drawings, statements or digital works – responding to themes including lockdown, resilience and hope, community and Black Lives Matter. The results, which have previously been on display at libraries across Westminster, can now be viewed until 31st August at in the Learning Gallery at the Saatchi Gallery as part of the JR Chronicles Exhibition. The display is also available to see online here. The project is the work of the council’s cultural youth engagement programme – City Lions – in partnership with children’s services, local schools, professional artists, libraries and archives.

LondonLife – The Bow Street Police Museum opens its doors…

The Bow Street Magistrates’ Court in 2006, the year of its closure. PICTURE: Edward (public domain)

The Bow Street Police Museum, located on the site of the 1881 Bow Street Magistrates’ Court and Police Station, has opened its doors in Covent Garden. The museum tells the story of the early Bow Street Runners, the first official law enforcement service in the city, and the Metropolitan Police officers who came after. Visitors can explore the former cells and hear the stories of those who once worked in the building. The connections between Bow Street and the constabulary dates back to 1740 when Thomas de Veil opened a Magistrates’ Court in his family home at number four Bow Street in the 18th century and continued until the closure of the Bow Street Magistrates’ Court in 2006. Among the famous faces who passed through Bow Street’s police station and court over that time were Oscar Wilde, Suffragettes Sylvia Pankhurst, Christabel Pankhurst and Mrs Drummond, and the Kray twins. For more, head to https://bowstreetpolicemuseum.org.uk.

This Week in London – Nero at the British Museum; Stephen Hawking’s office to be recreated at the Science Museum; and, Blue Plaque for Indian engineer Ardaseer Cursetjee Wadia…

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Head from a bronze statue of the emperor Nero. Found in England, AD 54– 61. PICTURE: © The Trustees of the British Museum.

A bronze head of the Roman Emperor Nero found in the River Alde in Suffolk – long wrongly identified as being that of the Emperor Claudius – and the Fenwick Hoard – which includes Roman coins, military armlets and jewellery – are among the star sights at a new exhibition on Nero at the British Museum. Nero: the man behind the myth is the first major exhibition in the UK which takes Rome’s fifth emperor as its subject. The display features more than 200 objects charting Nero’s rise to power and his actions during a period of profound social change and range from graffiti and sculptures to manuscripts and slave chains. Other highlights include gladiatorial weapons from Pompeii, a warped iron window grating burnt during the Great Fire of Rome of 64 AD, and frescoes and wall decorations which give some insight into the opulent palace he built after the fire. The exhibition, which opens today, runs until 24th October in the Sainsbury Exhibitions Gallery. Admission charge applies. For more, see www.britishmuseum.org/whats_on/exhibitions/nero/events.aspx.

The office of late theoretical physicist Professor Stephen Hawking will be recreated at the Science Museum, it was announced this week. The contents of the office, which Hawking, the author of the best-selling A Brief History of Time, occupied at Cambridge’s department of applied mathematics and theoretical physics from 2002 until shortly before his death in 2018, includes reference books, blackboards, medals, a coffee maker and Star Trek mementoes as well as six of his wheelchairs and the innovative equipment he used to communicate. The museum, which reportedly initially plans to put the objects on display in 2022 and later recreate the office itself, has acquired the contents through the Acceptance in Lieu scheme, which allows families to offset tax (his archive will go to the Cambridge University Library under the same scheme).

Nineteenth century civil engineer Ardaseer Cursetjee Wadia – the first Indian Fellow of the Royal Society – has been honoured with an English Heritage Blue Plaque at his former Richmond home. The plaque, which can be found on 55 Sheen Road – the villa Cursetjee and his British family moved to upon his retirement in 1868, was installed to mark the 180th anniversary of his election as a Fellow of the Royal Society. Cursetjee is considered the first modern engineer of India and was the first Indian at the East India Company to be placed in charge of Europeans. He was at the forefront of introducing technological innovations to Mumbai including gaslight, photography, electro-plating and the sewing machine. Cursetjee first visited London in 1839 and travelled regularly been Mumbai (formerly Bombay) and London until his retirement. For more, see www.english-heritage.org.uk/visit/blue-plaques.

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LondonLife – Signs of the Times (V)…

Spotted in Sloane Square Tube station. PICTURE: John Cameron/Unsplash

LondonLife – The Shard under a mackerel sky…

PICTURE: Bex Walton/licensed under CC BY 2.0)

This Week in London – A 10 year ‘Larryversary’; Westminster street sign auction; and, recalling the Cichociemni…

Larry the cat outside Number 10 in 2014. PICTURE: Andy Thornley (licensed under CC BY 2.0)

Larry the cat celebrated his 10th anniversary in Downing Street this week. Officially the “Chief Mouser to the Cabinet Office”, Larry first came to Number 10 on 15th February, 2011, from the Battersea Dogs & Cats Home and has since been spotted many times in and around the property going about his duties (or seeing off rivals like the now retired Palmerston, the Foreign Office cat). Larry has served three Prime Ministers during his time in the seat of power – David Cameron, Theresa May and now Boris Johnson – and met with various world leaders (famously apparently taking a liking to US President Barack Obama and being spotted sleeping under Donald Trump’s car). Larry tweeted on Tuesday – the day of his “Larryversary” – that he has no plans of retiring at this stage.

A series of auctions involving a collection of 260 London street signs started this week. Westminster City Council is selling the signs – which include Abbey Road NW8 (estimated price tag of £1,000-£2,000), Pimlico Road SW1 (£100-£200), Westbourne Park Road W2 (£100-£200) and Belgrave Place SW1 (£80-£120) – through Catherine Southon Auctioneers until 3rd March. The distinct signs were first created by Sir Misha Black in 1967. Head here for details.

Looking further afield and English Heritage has put out a call for people with connections to the Cichociemni – the name for a group of Polish Home Army parachutists, many of whom trained at Audley End House, who were dropped behind enemy lines in Poland to begin fighting for the liberation of their homeland – to share their stories. Monday marked the 80th anniversary of the operation involving the elite fighters. Some 527 of them completed their training at the Jacobean stately home in Essex where their presence is today remembered in a memorial and fragmentary remains such as a scrap of graffiti in the coal gallery candle store, remnants of a timetable in a former briefing room and insulators for telephone wires which remain in some trees. “We’d love to hear from the public who have a connection or story to share about the Cichociemni at Audley,” said Andrew Hann, an historian with English Heritage which looks after Audley End House. “We’re particularly interested in hearing from those in the local area at the time, who may remember hearing bangs in the night, or seeing troops crossing fields in the darkness. Perhaps unsurprisingly, given that they were highly trained to be both ‘silent and unseen’ they left little obvious trace.”

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This Week in London – Exploring the ‘Raphael Cartoons’; using art to bridge Brexit divide; a 21st century police box; and, COVID’s viral tweets…

One of the Raphael Cartoons depicting ‘The Death of Ananias (Acts 5: 1-5)’, by Raphael, 1515 –16, Italy. Photo: © Victoria and Albert Museum, London. Courtesy Royal Collection Trust / Her Majesty Queen Elizabeth II 2021as.

An in-depth exploration of the so-called ‘Raphael Cartoons’ has gone online at the V&A ahead of the reopening of the newly transformed Raphael Court later this year. Among the greatest Renaissance treasures in the UK, the cartoons were commissioned by Pope Leo X for the Sistine Chapel in the Vatican shortly after his election in 1513. The Pope asked artist Raphael to create a series of 10 designs illustrating the lives of St Peter and St Paul which could then be turned into tapestries to grace the walls of the chapel. Created in the workshop of merchant-weaver Pieter van Aelst in Brussels, the 10 tapestries were each five metres wide and 3.5 metres high. Seven of Raphael’s original cartoons survive – they were brought to Britain in the early 17th century by the Prince of Wales (later King Charles I) and remained behind closed doors in the Royal Collection until they were lent to the South Kensington Museum – now the V&A – by Queen Victoria in 1865 in memory of Prince Albert. The cartoons have been on public display in the museum ever since. The new online offering traces the story of the cartoons and using ultra- high-resolution photography, infrared imagery, and 3D scans, and is the first time people have been able to explore the cartoons in such detail. It was produced as part of the V&A’s ‘Raphael Project’, marking the 500th anniversary of Raphael’s death in 2020, which includes a landmark renovation of the Raphael Court – home to the cartoons. The refurbished gallery will be unveiled when the museum reopens. To see the new online display, head to vam.ac.uk/raphael-cartoons.

A participatory art project exploring the relationship between the UK and France in a post-Brexit world has commenced this week. I Love You, Moi Non Plus – presented in partnership by Somerset House, Dover Street Market London, The Adonyeva Foundation, Collectif Coulanges, Eurostar and coordinated by Sabir, invites artists to share their interpretation of what the British-French relationship means to them with works to be displayed in a new online gallery alongside bespoke pieces from “project ambassadors” including Chinese artist Ai Weiwei, fashion designer Stella McCartney, English electronic musician Brian Eno, English National Ballet artistic director Tamara Rojo,and British artist Bob and Roberta Smith. The project seeks to highlight how art and creativity can “maintain connections between communities across the channels, unifying voices from across Britain and the EU”. Participants are asked to contribute either by sharing their creations on social media with hashtags #ILoveYouMoiNonPlus, #ILYMNP and #LifeAfterBrexit or submit them directly to the website here

Does this mean a new Tardis for Dr Who? The City of London Corporation is calling on architects, landscape architects, designers and artists to submit ideas for the design of a “21st century police box”. The competition, which is being run by the City in conjunction with the City of London Police, New London Architecture (NLA) and Bloomberg Associates, aims to provide “a modern and engaging way to provide information and safety” to the Square Mile’s residents, workers and visitors. Up to six shortlisted teams will be awarded funding to develop their idea into a design proposal and the winning design will be unveiled in the summer. For more, head to nla.london/submissions/digital-service-point-open-call-competition.

The Museum of London has acquired 13 tweets shared by Londoners during the initial coronavirus-related lockdown as part of its ongoing ‘Collecting COVID’ project. The tweets, which were collected under the ‘Going Viral’ strand of the Collecting COVID project, now form part of the museum’s permanent collection and lay bare what people were experiencing during 2020. The Going Viral project focused on collecting text, memes, videos and images that were ‘shared’ or ‘liked’ on Twitter more than 30,000 times. Additional tweets will be considered for acquisition this year.

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LondonLife – Signs of the Times (VI)…

Seen in Oxford Street. PICTURE: Samuel Regan-Asante/Unsplash

Treasures of London: The Diana Fountain, Green Park

The statue atop the fountain. Neil Turner (licensed under CC BY-SA 2.0)
The fountain. David Short (licensed under CC BY 2.0)

This fountain and statue ensemble – also known as Diana of the Treetops and the Constance Fountain (and not to be confused with the Diana, Princess of Wales Memorial Fountain in Hyde Park or the Diana Fountain in Bushy Park) – for many years stood at the centre of Green Park.

The fountain replaced an earlier one by Sidney Smirke – installed in 1860 – that had fallen into disrepair.

The Ministry of Works approached the Constance Fund – which had been established by artist Sigismund Goetze and was administered by his wife Constance following his death – to provide finances for a replacement and after they agreed, a competition for the design was held overseen by Sir William Reid.

Escourt J “Jim” Clack, a teacher from Devon, won and designed a bronze statue of the Greek goddess Diana to top the fountain. Depicting a naked Diana unleashing a hunting dog, it sits atop a stylised tree under which sit the fountain basins. The fountain was unveiled in 1954.

In 2011, the statue was removed, restored and some gilding added and then placed near the entrance to Green Park tube station in the north-east corner of the park.

This Week in London – Museum of London takes delivery of ‘Trump Baby’; and, a call-out for African fashions…

As the inauguration of US President Joe Biden took place in the US this week, the Museum of London announced it had taken possession of the larger-than-life ‘Trump Baby’ balloon. The blimp first appeared at protests in July, 2018, during then-US President Donald Trump’s first visit to the city, and has since followed the President around the world. The museum said it will now form part of its protest collection which also includes objects relating to the Suffrage movement, banners, flags, and tents that belonged to Houses of Parliament protestor Brian Haw and placards used recently by protestors against public spending cuts. Sharon Ament, director of the museum, said: “From the Suffragettes of the early twentieth century to the anti-austerity marches, free speech and Black Lives Matter most recently – the capital has always been the place to have your say. By collecting the baby blimp we can mark the wave of feeling that washed over the city that day and capture a particular moment of resistance – a feeling still relevant today as we live through these exceptionally challenging times – that ultimately shows Londoners banding together in the face of extreme adversity.” The Trump Baby team added that it was their hope the blimp “will stand as a reminder of when London stood against Trump – but will prompt those who see it to examine how they can continue the fight against the politics of hate”. “Most of all we hope the Trump Baby serves as a reminder of the politics of resistance that took place during Trump’s time in office.”

Kofi Ansah ‘Indigo’ Couture 1997 – Narh & Linda – PICTURE: © 1997 Eric Don-Arthur http://www.EricDonArthur.com

The V&A is seeking to contact people who have worn fashions designed by the likes of Shade Thomas-Fahm, Chris Seydou, Kofi Ansah, and Alphadi – a group who, along with their peers, represent the first generation of African designers to gain international attention. The call out comes as the South Kensington museum announces plans to hold an exhibition, supported by GRoW @ Annenberg, which aims to celebrate the creativity, ingenuity and global impact of contemporary African fashions in June. The display will feature more than 250 objects, drawn from the personal archives of African fashion creatives, alongside textiles and photographs from the V&A’s collection (many of which are being displayed for the first time). Alongside the objects, the museum is seeking a range of items – and the stories that go with them – from the public. They include Chris Seydou’s 1980s experimental garments in bògòlanfini, 20th century kente, bògòlanfini, khanga and commemorative cloths from the independence and liberation years in Africa, and family portraits and home movies showing African and African diasporic fashion trends. Members of the public with objects that fit the above description are asked to get in touch by email at africafashion@vam.ac.uk, and to share their pictures and memories on social media, using the hashtag #AfricaFashion. For the full list of sought after items, head to www.vam.ac.uk/blog/news/va-africa-fashion-call-out.

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LondonLife – Signs of the times (IV)…

Taken at Bank Underground station. PICTURE: Étienne Godiard/Unsplash

This Week in London – Christmas Tree lighting goes virtual; Ottobah Cugoano’s Blue Plaque; and, see ‘Leila Alaoui: Rite of Passage’ online…

The Christmas Tree in Trafalgar Square in 2017. PICTURE: Raphaël Chekroun (licensed under CC BY-ND 2.0)

The traditional Trafalgar Square tree lighting ceremony has gone virtual for the first time this year due to coronavirus restrictions. The online event, which will be held at 6pm on 3rd December via YouTube and Facebook, will include messages from the Lord Mayor of Westminster and the Mayor of Oslo as well as information on the history behind the gift of the tree, footage of its journey from the forests of Norway to London, and performances from the Salvation Army, the Poetry Society and the St Martin-in-the-Fields Choir. While the tree felling ceremony in Norway is usually attended by the Lord Mayor of Westminster, this year COVID restrictions meant he was represented by the British Ambassador to Norway, Richard Wood, who was joined by the Mayor of Oslo, Marianne Borgen, and school children from Maridalen school in Oslo, to witness the tree begin its journey to London. A Norwegian spruce has been given by the people of Oslo to the people of the UK in thanks for their support during World War II in the lead-up to every Christmas since 1947. Once the tree arrives in London, it is decorated with Christmas lights in a traditional Norwegian manner.  For more on the tree, see westminster.gov.uk/trafalgar-square-christmas-tree.

Eighteenth century anti-slavery campaigner Ottobah Cugoano – a former slave himself – has been honoured with an English Heritage Blue Plaque. The plaque is located at Schomberg House at 80–82 Pall Mall, the property where he was employed as a servant by artists Richard and Maria Cosway. It was while living here in the 1780’s that Cugoano wrote the book, Thoughts and Sentiments on the Evil and Wicked Traffic of the Slavery and Commerce of the Human Species, Humbly Submitted to the Inhabitants of Great-Britain, one of the first black-authored anti-slavery books to be published in Britain. The house was actually mentioned in the frontispiece of the 1787 edition of Thoughts and Sentiments as one of the places where copies of the book might be obtained. It is, says English Heritage, “evidence of the Cosways’ support for their servant’s endeavours as an author and a campaigner”. For more, see www.english-heritage.org.uk/visit/blue-plaques/.

Somerset House is offering virtual tours of its exhibition Leila Alaoui: Rite of Passage. The exhibition is the first major retrospective of the work of Alaoui, a celebrated French-Moroccan photographer, video artist and activist who died in a terrorist attack at the age of 33 while working on a photography project promoting women’s rights in Burkina Faso in 2016. ​  ​Guided by award-winning broadcaster and cultural commentator Ekow Eshun, the tour of the exhibition takes in three of the artist’s defining series – No Pasara, which documents the lives of North African migrants trying to reach Europe; Natreen (We Wait), which follows families trying to flee the Syrian conflict, and Les Marocains, which, inspired by Robert Frank’s The Americans, meets the many individuals who make up the multifaceted fabric of contemporary Morocco.  The exhibition also includes an unfinished video project L’Ile du Diable ​(Devil’s Island) which Alaoui was working at the time of her death, featuring dispossessed migrant workers at the old Renault factory in Paris.  The free tour can be accessed at www.somersethouse.org.uk/blog/virtual-tour-leila-alaoui-rite-passage.

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