The world famous Notting Hill Carnival takes places in London’s west this weekend. The biggest event of its kind in Europe, the programme kicks off Saturday evening (from 6pm to 10pm) with a steel band music competition and more Caribbean-themed outdoor entertainment in Emslie Horniman Pleasance Park. Sunday features the Children’s Parade, performances at the World Music Stage in Powis Square and static sound systems and food stalls at Emslie Horniman Pleasance Park (from 9am to 8.30pm). The Grand Finale parade on Monday features dancers, performers, 60 steel bands and mobile sound systems with more music and food stalls in the parade area as well as on the World Music Stage in Powis Square. This year’s event will also feature a minute’s silence at 3pm on both Sunday and Monday to remember the victims of the Grenfell Tower fire disaster. For more, see www.thelondonnottinghillcarnival.com or Visit London’s special guide. PICTURE: Eddie Starck/Flickr/CC-BY-2.0

Tate Modern is offering a limited number of free tickets to Soul of a Nation: Art in an Age of Black Power exhibition this Friday night (August’s Uniqlo Tate Late event) to coincide with the Notting Hill Carnival weekend. The tickets will be offered a first come, first serve basis from 6pm. The exhibition, which explores what is meant to be an African American artist during the civil rights movement and at the birth of the Black Power movement, runs until 22nd October. For more, see www.tate.org.uk.

On Now: The City is Ours. This major interactive exhibition at the Museum of London explores some of the key issues that affect Londoners and city dwellers elsewhere the world – from housing affordability and urban planning to transport, green spaces and air quality. Spread across three of the museum’s temporary exhibition spaces, key exhibits include a nine metre wide film, Urban Earth, which visualises and compares data from major cities around the world, an Oculus Rift headset which delivers a virtual view from the top of a Hong Kong skyscraper illustrating the impact of building upwards instead of outwards, and an exhibit which allows visitors to control and monitor CCTV cameras as they reflect on the impacts of increased surveillance. The free exhibition – at the heart of the museum’s year long focus on City Now City Future – can be seen until 2nd January. For more, see www.museumoflondon.org.uk/thecityisours.

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And so the day has finally arrived. Following its usual bonging at midday today, the famous bell nick-named Big Ben has now controversially fallen silent as what have been described as “critical” conservation works are carried out.

How long the 13.7 tonne bell, which sits at the top of Elizabeth Tower (formerly known as the Clock Tower) at the northern end of the Palace of Westminster (also known as the Houses of Parliament) and is officially known as the “Great Bell”, will be silent remains something of a mystery.

Following uproar over the initial announcement that the bell would be silent for four years (until 2021), officials have now said that the plan will now be reviewed. There have also been claims that the bell will continue to toll for significance events such as Remembrance Sunday and New Year’s Eve (Conservative MPs also reportedly want the bell to toll as the UK leaves the EU on 29th March, 2019).

It should be noted that while the mechanism which strikes the bell will be stopped from doing so during works to protect the ears of those working on it, the clock faces on the tower will continue to show the time.

The giant bell, which was cast by the Whitechapel Bell Foundry, went into action on 11th July, 1859, and has been bonging almost continually since. It apparently stopped for two years during World War I for fears it would attract Zeppelins to the site and was silent during the funerals of former PMs Winston Churchill and Margaret Thatcher. It was last silent in 2007 when maintenance was carried out.

PICTURE: Athena/Unsplash

 

 

 

PICTURE: Gordon Williams/Unsplash

London’s Docklands Light Railway – the DLR as it’s better known – is celebrating 30 years of operation. The railway was officially opened by Queen Elizabeth II in the summer of 1987 and then had just 11 single carriage trains serving 15 stations. Extended six times since and now including some 38 kilometres of track, it now serves 45 stations using mainly three carriage trains. Carrying some 6.7 million passengers in its first year, it now carries a massive 122 million people annually. To mark the occasion, Transport for London has released a Destination DLR travel guide featuring 30 attractions across east and south-east London all easily reached by the DLR, ranging from the National Maritime Museum at Greenwich and the Tower of London to Queen Elizabeth Olympic Park and Wilton’s Music Hall. Transport for London have also released a new diagram of the DLR system (pictured below). PICTURES: Transport for London.

The lives of three German princesses whose marriages into the British royal family during the Georgian era placed them right at the heart of progressive thinking in 18th century Britain are the subject of a new exhibition which opens at Kensington Palace today. Enlightened Princesses: Caroline, Augusta, Charlotte and the Shaping of the Modern World looks at how these three women – committed patrons of the arts and sciences – “broke the mould” in terms of their contributions to society, through everything from advocating for the latest scientific and medical advances to supporting the work of charities, changing forever the role women played in the British royal family. Caroline and Charlotte became queens consort to King George I and King George III respectively while Princess Augusta was at various times Princess of Wales, Regent and Princess Dowager (as mother to King George III) and between them, they had more than 30 children. But alongside their busy family lives, they also were at the centre of glittering courts where the likes of writers Alexander Pope and Jonathan Swift, scientist Isaac Newton and composer George Frideric Handel as well as successive Prime Ministers and international statesmen were welcomed. The display features almost 200 objects owned by the princesses, such as Charlotte’s hand-embroidered needlework pocketbook, pastels painted by their children and artworks and fine ceramics commissioned by some of the greatest artists and craftsmen of their day. The exhibition, which has previously been at the Yale Center for British Art, runs until 12th November. Admission charge applies. For more, see www.hrp.org.uk/kensington-palace/.

The UK’s first major exhibition featuring the watercolours of Anglo-American artist John Singer Sargent in almost 100 years has opened at the Dulwich Picture Gallery in south London. Sargent: The Watercolours features almost 80 works produced between 1900 and 1918, what was arguably his greatest period of watercolour production. Sargent mastered the art during expeditions in southern Europe and the Middle East and the show features landscapes, architecture and figurative scenes, drawing attention to the most radical aspects of his work – his use of close-up, his unusual use of perspective and the dynamic poses of his figures. The works include The Church of Santa Maria della Salute in Venice (c1904-1909), the mountain landscape Bed of a Torrent (1904), and figure study The lady with the umbrella (1911). The exhibition runs until 8th October. Admission charge applies. For more, see www.dulwichpicturegallery.org.uk. PICTURE: John Singer Sargent – Pool in the Garden of La Granja, c. 1903, Private Collection

The 249th Summer Exhibition has opened at the Royal Academy with Mark Wallinger, Yinka Shonibare and Antony Gormley among those with works on show. About 1,200 works are featured in the display with highlights including Shonibare’s Wind Sculpture VI, a new large scale work from Gilbert & George’s ‘Beard Speak’ series and, for the first time, a focus on construction coordination drawings, showing the full complexity of a building, in the Architecture Gallery. Runs until 20th August. Admission charge applies. For more, see www.royalacademy.org.uk.

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PICTURE: Rob Bye/Unsplash

King’s Cross railway station, the western concourse. Designed by John McAslan, the semi-circular building – which opened in 2012 – features a steel roof engineered by Arup, claimed to be the longer single-span station structure in Europe. The image was taken with a fisheye lens. PICTURE:  Colin/Wikimedia Commons/CC BY-SA 3.0.

Looking over the River Thames from the Tate Modern at the dome of St Paul’s. PICTURE: Christian Battaglia/Unsplash

PICTURE: Negative Space/CC0. Taken in 2015.

Located in Chance Street in Shoreditch, the hedgehog mural was created in 2012 by Belgian street artist ROA. It’s recently had a make over by Jim Vision who added cavemen along the base attacking the poor creature with spears (as well as a self-referencing caveman version of the artwork).

PICTURE: Davide D’Amico/Flickr/CC BY-SA 2.0

We pause briefly at the start of this week’s coverage to remember those killed and injured in yesterday’s terror attack outside the Houses of Parliament in Westminster as well as pay tribute to the emergency services and passersby who responded to aid the wounded.

The UK’s first major exhibition dedicated to the evolution of the anti-war movement has opened at the Imperial War Museum this week. People Power: Fighting for Peace features such rare items as a hand-written poem by Siegfried Sassoon, artist Gerald Holtom’s original sketches for the iconic ‘peace symbol’, artworks depicting the destructive nature of World War I like Paul Nash’s Wire (1918) and CRW Nevinson’s Paths of Glory (1917), a handwritten letter by Winnie the Pooh author AA Milne outlining his struggle to reconcile pacifism with the rise of Hitler, and Peter Kennard and Cat Philip’s iconic photomontage Photo Op (2007) which depicts former PM Tony Blair taking a selfie against the backdrop of an explosion. More than 300 items are displayed in the exhibition including paintings, literature, posters, banners, badges and music, dating from World War I to the present. Admission charge applies. Runs until 28th August. For more, see www.iwm.org.uk/exhibitions/iwm-london/fighting-for-peace. PICTURE: David Gentleman, Stop the War – No More Lies/© David Gentleman, reproduced with the kind permission of the Stop the War Coalition.

• The first new gallery space to open at The National Gallery in 26 years was launched this week. Gallery B, designed by architects Purcell, features some 200 square metres of display space and features nine works by Rubens and 11 by Rembrandt. There are also drawings by contemporary painter Frank Auerbach, inspired by Rembrandt and Rubens works, in the Gallery B lobby and espresso bar. The launch also marks the daily opening of Gallery A which has hitherto only be opened on selected days. Entry is free. For more, see www.nationalgallery.org.uk.

A virtual reality experience which enables people to experience what it feels like to sit inside the Russian Soyuz TMA-19M spacecraft used by Tim Peake – the UK’s first European Space Agency astronaut – in a mission to and from the International Space Station opens at the Science Museum tomorrow. The South Kensington museum acquired the spacecraft in December last year and, from Friday, visitors will be able to take part in Space Descent VR with Tim Peake – a 360 degree state-of-the-art virtual reality experience which allows visitors to experience what it is like in the Soyuz’s 1.5 tonne descent module during its dangerous 400 kilometre high speed journey back to Earth during which it has to slow from a speed in orbit of 25,000 kph. The experience was created by Alchemy VR and made possible with the support of Samsung, Tim Peake and the ESA. For more information and tickets, see sciencemuseum.org.uk/VR.

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PICTURE: Jamie Street/Unsplash