Set into a wall of the V&A’s John Madejski Garden in South Kensington are two small plaques – one dedicated to “Jim” and another to “Tycho”. Both, as one of the plaques records, were dogs, at least one of which belonged to the museum’s first director, Sir Henry Cole.

Jim was a Yorkshire terrier who died at Sir Henry’s home on 30th January, 1879, at the age of (as the plaque records) 15 years.

Sir Henry wrote in his diary on that day that “Jimmy”, who died very quietly apparently of “asthma and cold”, had been portrayed in Punch with him (although it was actually in Vanity Fair in 1871) and “was a character in the Museum”.

While Jim’s story is fairly well known, there’s a little more mystery surrounding the identity of Tycho, which the plaques records as a “faithful dog” who who died in 1885.

But according to Nicholas Smith, an archivist based at the V&A Archive and his meticulously researched blog post on the matter, Tycho is also mentioned in Cole’s diary – not as his own dog but as that of his son Alan. Indeed, one diary entry records Tycho fighting with another dog (presumably Cole senior’s) named Pickle. Which as Smith points out, begs the question of why no plaque for Pickle?

Both Jim and Tycho are believed to be buried in the garden where the plaques can be seen (which may explain the lack of a plaque for Pickle).

PICTURE: Steve and Sara Emry (licensed under CC BY-NC-SA 2.0)

 

Representations of the pregnant female body across 500 years of portraiture are the subject of a major new exhibition opening at the Foundling Museum on Friday. Portraying Pregnancy: From Holbein to Social Media features paintings, prints, photographs, objects and clothing from the 15th century to the present day as it explores the different ways in which pregnancy was – or wasn’t – represented as well as how shifting social attitudes have impacted on depictions of pregnant women. Highlights include Holbein’s portrait of Thomas More’s daughter Cicely Heron, the maternity dress that Princess Charlotte wore for an 1817 portrait painted by George Dawe shortly before her death and William Hogarth’s The March of the Guards to Finchley (1750), which features a heavily pregnant woman. There’s also a previously unseen work by Jenny Saville, Electra (2012-2019), Marc Quinn’s Alison Lapper (8 Months) (2000) and Lucien Freud’s Girl with Roses (1947-8) which depicts his first wife Kitty. Runs until 26th April. Admission charge applies. For more, see www.foundlingmuseum.org.uk.

The most comprehensive exhibition ever held focused on Pablo Picasso’s imaginative and original uses of paper opens at the Royal Academy of Arts this Saturday. Held in the Main Galleries, Picasso and Paper features more than 300 works from across the span of the artist’s career as it explores the “universe of art” he invented involving paper. Highlights include Women at Their Toilette (winter 1937-38) –  an extraordinary collage of cut and pasted papers measuring 4.5 metres in length (being exhibited in the UK for the first time in more than 50 years), outstanding Cubist papiers-collés such as Violin (1912), and studies for Les Demoiselles d’Avignon (1908) such as Bust of Woman or Sailor as well as drawings like Self-portrait (1918) and Seated Woman (Dora) (1938). His masterpiece of the Blue Period, La Vie (1903) will also be in the display as well as his Cubist bronze Head of a Woman (Fernande) (1909) and monumental sculpture Man with a Sheep (1943), and the 1955 film Le Mystère Picasso, which records Picasso drawing with felt-tip pens on blank newsprint. Runs until 13th April. Admission charge applies. For more, see www.royalacademy.org.uk. PICTURE: Key 486, Pablo Picasso drawing in Antibes, summer 1946. Black-and-white photograph, Photo © Michel Sima / Bridgeman Images © Succession Picasso/DACS 2019

On Now – The Cato Street Conspiracy: A Terrorist Plot in Georgian London. This exhibition at the City of London’s Guildhall Library draws on contemporary accounts and pictures to tell the story of the conspiracy and its participants. The conspiracy, which was uncovered in early 1820, involved a plot to kill the British Prime Minister and Cabinet Ministers. Thirteen of the conspirators were arrested and five executed while five others were transported to Australia. A policeman was killed in the operation to arrest those responsible. This free exhibition runs until 30th April. For more follow this link.

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• Artworks by the likes of Pablo Picasso, Henri Matisse, Lucian Freud, Bridget Riley, David Hockney and Visa Celmins are on show in a new exhibition at the British Museum. Reflecting artistic developments in the past 100 years of modern art, Living with art: Picasso to Celmins features 30 prints and drawings. It showcases highlights from the wide-ranging collection of Alexander Walker (1930–2003), a longstanding film critic for London’s Evening Standard newspaper, which was bequeathed to the British Museum in 2004. The exhibition can be seen at the museum until 5th March before heading off on tour. Admission charge applies. For more, see www.britishmuseum.org. PICTURE: David Hockney (b. 1937), ‘Jungle Boy’ (1964) Etching and aquatint in black and red on mould-made paper © David Hockney Photo Credit: Richard Schmidt.

Music festivals in Georgian Britain – from the Handel Commemoration of 1784 to the Crystal Palace concerts of the late 19th century – are explored in a new exhibition at the Foundling Museum in Bloomsbury. Music Festivals in Georgian Britain looks at the logistics behind the organisation of the concerts which followed on in the tradition of benefit concerts for charities as well as the expectations of audiences. Runs until 14th September. Admission charge applies. For more, see https://foundlingmuseum.org.uk.

The “extraordinary story” of German band Tangerine Dream is told in a new exhibition opening at the City of London’s Barbican Music Library today. Tangerine Dream: Zeitraffer features photographs, previously unpublished articles, video clips, and original synthesizers as it tells the story of the band – credited with laying the foundation for the Ambient and Trance music styles – from its founding in 1967 and the release of its first album, Electronic Meditation, in 1970 through to the latest album, Recurring Dreams, last year. The band, which has released more than 160 albums, has also composed the scores for more than 60 Hollywood films including Michael Mann’s Risky Business and Ridley Scott’s Legend as well as Firestarter, based on the Stephen King novel. In 2013, they also wrote the score for the record-breaking video game, Grand Theft Auto V, and their music has appeared in recent Netflix series, Stranger Things, Black Mirror and Mr Robot. Runs until 2nd May. Admission is free.

The stories of six “community curators” – each of whom has personal experience of migration – are at the centre of a new display at the Dulwich Picture Gallery. Journeys, which explores themes of identity, belonging, migration and London’s multiculturalism, examines the contemporary relevance of works by the likes of Poussin, Rubens, Canaletto and Van Dyck against the backdrop of the life stories of the curators who, aged between 29 and 69, have a combined heritage spanning eight countries including Yemen, Sri Lanka, Italy, Pakistan and Ireland. Opens next Tuesday (21st January) and runs until 24th June with a special free late opening on 19th June during the final week which coincides with Refugee Week. For more, see www.dulwichpicturegallery.org.uk.

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Now found in the newly opened Medicine: The Wellcome Galleries at the Science Museum in South Kensington, this stethoscope was made by the French physician René Laennec in about 1820.

Several years earlier, Laennec, working in a hospital in Paris, wanted to listen to a young woman’s heart beat but, for the sake of propriety he didn’t want to put his ear to her chest as was common practice. In sudden inspiration, he used a rolled up piece of paper with one end placed over her heart and his ear on the other open end.

It proved a good way to amplify sound and Laennec was so impressed he followed up by making brass and wooden versions like the one at the Science Museum., drawing on the skills he used, no doubt, he had previously used in making flutes.

Laennec called his invention the “stethoscope” (from the Greek word for chest, “stethos”). His invention was succeeded in the following decades by the creation of the modern binaural stethoscope with its two earpieces and dial for listening.

The Science Museum stethoscope is labelled. It reads: “This is one of Laennec’s original stethoscopes, and it was presented by him to Dr Bégin a French Army surgeon whose widow gave it to me in 1863.”

WHERE: Medicine: The Wellcome Galleries, Science Museum, Exhibition Road, South Kensington (nearest Tube is South Kensington); WHEN: 10am to 6pm daily; COST: Free; WEBSITE: www.sciencemuseum.org.uk.

PICTURE: Laennec stethoscope made by Laennec, c1820. Science Museum Group Collection
© The Board of Trustees of the Science Museum

It’s our first ‘This Week in London’ for 2020 so instead of our usual programming, we thought we’d briefly look at five key exhibitions that you won’t want to miss this year…

1. Thomas Becket at the British Museum. Marking the 850th anniversary of the murder of the medieval Archbishop of Canterbury on 29th December, 1170, the museum will host the first ever major exhibition on the life, death and legacy of the archbishop as part of a year-long programme of events which also includes performances, pageants, talks, film screenings and religious services. The exhibition will run from 15th October to 14th February, 2021. PICTURE: Alabaster sculpture, c 1450–1550, England. Here, Becket is shown kneeling at an altar, his eyes closed and his hands clasped in prayer, all the while four knights draw their swords behind him. To Becket’s right is the monk Edward Grim, whose arm was injured by one of the knight’s swords. © The Trustees of the British Museum.

2. Elizabeth and Mary at the British Library. This exhibition draws on original historic documents to  take a fresh look at what’s described as the “extraordinary and fascinating story of two powerful queens, both with a right to the English throne: Elizabeth I and Mary, Queen of Scots”. Letters and other 16th century documents will show how their struggle for supremacy in the isles played out. Runs from 23rd October to 21st February, 2021.

3. Tudors to Windsors at the National Maritime Museum. This major exhibition promises to give visitors “the opportunity to come face-to-face with the kings, queens and their heirs who have shaped British history and were so central to Greenwich”.  Including more than 150 works covering five royal dynasties, it will consider the development of royal portraiture over a period spanning 500 years and how they were impacted by the personalities of individual monarchs as well as wider historical changes. Will be held from April.

4. Gold and Glory: Henry VIII and the French King at Hampton Court Palace. Marking the 500th anniversary of the Field of Cloth of Gold – King Henry VIII’s landmark meeting with his great rival, the French King François I, the exhibition will feature a treasure trove of precious objects from the English and French courts as well as a never-before-seen tapestry, manufactured in the 1520s, which depicts a bout of wrestling at the meeting presided over by François and which also shows a black trumpeter among the many musicians depicted. Opens on 10th April. The palace will also play host this year to Henry VIII vs François I: The Rematch, a nine day festival of jousting, wrestling and foot combat complete with feasting, drinking and courtly entertainment. Runs from 23rd to 31st May.

5. Faces of a Queen: The Armada Portraits of Elizabeth I at the Queen’s House in Greenwich. This display brings together, for the first time, the three surviving versions of the iconic ‘Armada Portrait’ of Elizabeth I. The portrait commemorates the Spanish Armada’s failed attempt to invade England and the display will include the Royal Museums Greenwich’s own version of the painting along with that from the National Portrait Gallery and that which normally hangs in Woburn Abbey. Runs from 13th February to 31st August.

We’ll feature more details in stories throughout the coming year. But, of course, this is just a sample of what’s coming up this year – keep an eye on Exploring London for more…

A major exhibition on the legendary city of Troy has opened at the British Museum. Troy: myth and reality showcases works of art inspired by the “tales of war, love and loss” connected to the Trojan cycle of myths and follows in the footsteps of archaeologists and adventurers who have sought to find evidence of the ancient city. Among the almost 300 objects on show are original finds – such as pottery, silver vessels, bronze weapons and stone sculptures – found by Heinrich Schliemann’s work at the site between 1870 and 1890, a Roman sarcophagus lid picturing a wheeled – and armed – wooden horse (on loan from Oxford’s Ashmolean), Filippo Albacini’s (1777–1858) marble sculpture, The Wounded Achilles, and a Roman silver cup from the National Museum of Denmark depicting the meeting of Priam and Achilles as described in Homer’s The Iliad (pictured). Admission charges applies. Runs until 8th March. For more, see www.britishmuseum.org/Troy. PICTURE: Priam and Achilles, Roman silver cup, 1st century AD, National Museum of Denmark Photograph: Roberta Fortuna and Kira Ursem © National Museet Denmark.

Queen drummer, Roger Taylor, unveiled a Westminster City Council Green Plaque commemorating the site of Europe’s earliest recording studio in Covent Garden earlier this month. The studio was opened on Maiden Lane, one street north of the Strand, in 1898 by audio pioneer Fred Gaisberg and The Gramophone Company, a precursor to EMI – the same company which opened the world-famous Abbey Road Studios 33 years later. The campaign for the plaque – located on a building now housing a pizza restaurant – was led by music journalist and author James Hall with support from the EMI Archive Trust. For more, see www.westminster.gov.uk/green-plaques.

• On Now: Two Last Nights! Show Business in Georgian Britain. This interactive display throughout the entire Foundling Museum in Bloomsbury features more than 100 objects which highlight the similarities and differences between theatre going in the Georgian era and now. It explores key venues in London and beyond and is divided into four sections focusing on Georgian theatres like Drury Lane and Covent Garden, the Vauxhall Pleasure Gardens, the importance of the Foundling Hospital Chapel as a music venue, and the provincial music festivals held in other major cities in Britain. Runs until 5th January. Free with museum admission. For more, see www.foundlingmuseum.org.uk.

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Hampton Court Palace is once again holding its ‘Festive Fayre’ this weekend. More than 80 stalls will fill the palace’s historic courtyards serving Christmas-related treats like mince pies and mulled wine. Included in entry price. Hampton Court will also host carol singing in the courtyards between 6pm and 7pm, 8pm and 9pm on 16th, 22nd and 23rd of December. Meanwhile, Kensington Palace is offering the visitors on select dates between 7th December and 5th January to take part in Princess Victoria’s Christmas by assisting her in staging a Christmas panto, joining in the type of seasonal crafts she enjoyed as a child and discovering the history of the festive food Victoria would have enjoyed growing up at Kensington. Included in palace admission. And, of course, the ice rinks at Hampton Court Palace and in the Tower of London’s moat are now open. For more, see www.hrp.org.uk.

More than 500 lanterns made by local children and adults will feature in this year’s Aldgate Lantern Parade tomorrow afternoon. The parade will launch from Sir John Cass’s Foundation Primary School at about 4.45pm and through streets north of Aldgate High Street to the beat of the Barbican’s Drum Works ending in a festive fete in the new Aldgate Square. A Winter Fair will simultaneously take place between Aldgate Square and St Botolph without Aldgate, complete with an array of performances, art, food, drink and festive activities.

On Now: Dora Maar. The first UK retrospective of the artist Dora Maar (1907-97) whose provocative photographs and photomontages became celebrated icons of surrealism is on at the Tate Modern. It features more than 200 works spanning the six decades of her career. Among highlights are The years lie in wait for you (c1935), Portrait of Ubu (1936), photomontages 29, rue d’Astorg (c1936) and The Pretender (1935), rarely seen works like The Conversation (1937) and The Cage (1943), and a substantial group of camera-less photographs that she made in the 1980s. Runs until 15th March. Admission charge applies. For more, see www.tate.org.uk.

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The world’s largest museum galleries devoted to the history of medicine have opened at the Science Museum. The £24 million ‘Medicine: The Wellcome Galleries’ cover more than 3000 square metres across five galleries with exhibits all aimed at better understanding how the human body has transformed medicine. More than 3,000 artefacts from the collections of Henry Wellcome and the Science Museum Group are on display including 200-year-old wax anatomical models, the first stethoscope, lancets used by Edward Jenner in his smallpox vaccinations and medicine chests used on expeditions to Mount Everest and Antarctica. There’s also an intricate model of a 1930s hospital, a rare iron lung used by patients with polio and the world’s first MRI scanner, protein model and paramedic bicycle. Visitors also have the chance to step inside a Victorian-era pharmacy, discover what it takes to heart transplant surgery and treat a critically ill patient. There are also four specially commissioned artworks including life-sized portraits by Siân Davey presented along with the stories of individuals impacted by how medicine defines ‘normal’, Marc Quinn’s monumental bronze Self-Conscious Gene – inspired by inspired the tattooed body of model Rick Genest, Bloom – Studio Roso’s aerial sculpture representing the spread of diseases through populations and Santa Medicina, Eleanor Crook’s bronze sculpture of a figure that is both surgeon and saint and which encourages visitors to contemplate their relationship with mortality.  Entry is free. For more, see www.sciencemuseum.org.uk. PICTURE: The Medicine and Bodies gallery in Medicine: The Wellcome Galleries © Science Museum Group.  

Nine of British modernist artist David Bomberg’s key works are being shown alongside images that influenced him in a new exhibition at the National Gallery. Young Bomberg and the Old Masters showcases Bomberg’s works including The Mud Bath (1914), Vision of Ezekiel (1912) and the first version of his war painting Sappers at Work: A Canadian Tunnelling Company, Hill 60, St Eloi (c1918-19) alongside the likes of Botticelli’s Portrait of a Young Man and the studio of El Greco’s The Agony in the Garden of Gethsemane. The display can be seen in Room 1 until 1st March. Admission is free. For more, see www.nationalgallery.org.uk.

The final 20,000 tickets for London’s New Year’s Eve fireworks are being released from noon today. This year’s display features more than 12,000 fireworks and 2,000 lighting cues choreographed to music and will start with the sound of Big Ben’s chimes (despite them  being silent due to renovation works this year). Tickets, priced at £10, must be purchased in advance to attend the event and those who aren’t lucky enough to get one can watch live on BBC One. To purchase tickets, head to www.london.gov.uk/nye.

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An autonomous flying car is among exhibits at a new exhibition focusing on the automobile at the V&A on Saturday. The flying car is one of 15 vehicles in Cars: Accelerating the Modern World which also features the first production car in existence – a 1925 Ford Model-T, a converted low-rider and a Firebird I concept car from 1953 (pictured). There’s also 250 associated objects to see – everything from a 1920s cloche hat designed for car travel to a series of hood ornaments produced by René Jules Lalique in the 1920s and a Michelin travel guide from 1900 –  in an examination of how the car changed our relationship to speed, the way we make and sell, and the landscape around us. Runs until 19th April. Admission charge applies. For more, see www.vam.ac.uk. PICTURE: General Motors Firebird I (XP-21) © General Motors Company, LLC

The 150th anniversary of the launch of tea clipper, Cutty Sark, is being celebrated in Greenwich this weekend. Along with family friendly events including face painting, storytelling and craft, there will be an after dark anniversary classical concert and bespoke birthday cupcakes in the cafe. Admission charge applies (except for the 150th visitor who will go free as well as residents of Greenwich and Dumbarton, where the ship was built in 1869 – provided they have ID). For more, see www.rmg.co.uk/cuttysark

Artists, designers and architects from across the globe come together in a new exhibition at the Royal Academy addressing humanity’s ecological impact on the planet. Eco-Visionaries features works by 21 international practitioners in a range of media including film, sculpture, immersive installation, architectural models and full-scale prototypes. Highlights include the UK debut of the Rimini Protokol’s win > < win (2017) featuring a tank of live jellyfish, Alexandra Daisy Ginsberg’s The Substitute (2019) in which visitors come face-to-face with a life-size digital reproduction of the now extinct northern white rhinoceros, Danish-Icelandic artist Olafur Eliasson’s The ice melting series (2002), and New York-based architecture studio WORKac’s 3.C.City: Climate, Convention, Cruise (2015). Admission charge applies. Runs until 23rd February. For more, see www.royalacademy.org.uk.

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• King George IV’s public image and his taste for the theatrical and exotic as well as his passion for collecting are all the subject of a new exhibition opening at The Queen’s Gallery, Buckingham Palace, on Friday. Set against the tumultuous backdrop of his times (which included the French Revolution and Napoleonic Wars as well as a period of unprecedented global exploration), George IV: Art & Spectacle shows the contrasts of his character – on the one hand “a recklessly profligate showman” and, on the other, a “connoisseur with intellectual interests whose endless acquisitions made him one of the most important figures in the formation of the Royal Collection”. The display features artworks including Rembrandt’s The Shipbuilder and his Wife (1633) – at 5,000 guineas it was the most expensive artwork he ever purchased (pictured), as well as works by the likes of Jan Steen, Aelbert Cuyp and David Teniers. There’s also portraits the King commissioned from Sir Thomas Gainsborough,  a Louis XVI service created by Sevres (1783-92) and the great Shield of Achilles (1821) – designed by John Flaxman, it was on display at his Coronation banquet. Other items include diplomatic gifts sent to the King – such as a red and yellow feather cape (‘ahu’ula) from King Kamehameha II and Queen Kamamalu of the Sandwich Islands (now Hawaii) and a Maori club brought from Hawaii by Captain Cook’s ship Resolution – and a copy of Emma sent to him by Jane Austen’s publisher. Runs until 4th May. Admission charge applies. For more, head to www.rct.uk/visit/the-queens-gallery-buckingham-palace. PICTURE: Sir Thomas Lawrence, George IV (1762-1830), 1821 (Royal Collection Trust/© Her Majesty Queen Elizabeth II 2019)

A new exhibition commemorating the release of The Clash’s third album, London Calling, 40 years ago opens at Museum of London tomorrow.  The display features items from the group’s personal archive such as Paul Simonon’s broken Fender Precision Bass, which Simonon smashed while on stage in New York City on 21st September, 1979, a handwritten album sequence by Mick Jones showing the final order for the four sides of the double album London Calling, one of Joe Strummer’s notebooks from 1979 and the typewriter he used to document his ideas, lyrics and other writing, and Topper Headon’s drumsticks. To coincide with the opening, Sony Music is releasing the London Calling Scrapbook, a hardback companion to the display which comes with the album, on CD. The free display can be seen until next spring. For more, see www.museumoflondon.org.uk.

Skate at Somerset House with Fortnum & Mason is celebrating its 20th anniversary this year. The ice-skating rink, which opened this week, is being accompanied by the major exhibition 24/7 exploring the non-stop nature of modern life, as well as a programme of events including Somerset’s first skating ‘all-nighter’ on 7th December and special ‘Skate Lates’. There’s also Fortnum’s Christmas Arcade which, along with dining venue Fortnum’s Lodge has been created in Somerset House’s West Wing, as well as the rinkside Skate Lounge – home to the Bailey’s Treat Bar, and the Museum of Architecture’s Gingerbread City, now in its fourth year. Until 12th January. Admission charges apply. Head here for more.

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Pippi Longstocking, Matilda and the Zog are among a pantheon of beloved children’s literary characters at the heart of a new exhibition opening at the British Library tomorrow. Marvellous and Mischievous: Literature’s Young Rebels features about 40 books, manuscripts and original artworks spanning a period of 300 years and puts a spotlight on the “rebels, outsiders and spirited survivors” within the library’s collection of children’s literature. Highlights include a UK first edition of Anne of Green Gables, the first version of Cruikshank’s coloured illustrations of Oliver Twist as well as original artworks for books including Tracy Beaker, What Planet Are You From, Clarice Bean?, Zog (pictured above), When Hitler Stole Pink Rabbit and Azzi in Between. The free exhibition, which can be seen until 1st March, is accompanied by a programme of events. For more, see www.bl.uk. PICTURE: © Zog by Julia Donaldson, illustrated by Axel Scheffler 2010 (Alison Green Books).

A new immersive exploration of the work of Leonardo da Vinci, centred on The Virgin of the Rocks, opens at the National Gallery on Saturday. Leonardo: Experience a Masterpiece encompasses a range of multi-sensory experiences presented across four rooms, allowing visitors to step into the painting’s setting, explore Leonardo’s own research and how he employed science in his effects of light and shadow in the painting and even visit a modern conservation studio and see how recent search revealed the previously hidden drawings behind the masterpiece. The experience, which is the work of 59 Productions, can be enjoyed until 12th January. Admission charge applies. For more, see www.nationalgallery.org.uk. PICTURE: Virgin of the Rocks (about 1491/2-9 and 1506-8) – tracing of the lines relating to underdrawing for the first composition, incorporating information from all technical images. © The National Gallery, London

The Jubilee Line has turned 40 and to mark the occasion, the Jubilee Line in conjunction with London Transport Museum’s Hidden London programme are offering the chance to travel on the original route of the train. The trip includes a section of the track now not open to the public. The 96 stock train leaves from Stanmore station at 9am Sunday, terminating at Charing Cross, or from Charing Cross at 1pm, terminating at Stanmore. When Exploring London looked this week, only tickets for the 9am trip were still available. To buy tickets (which must be purchased in advance), head to www.ltmuseum.co.uk/whats-on/heritage-vehicles-outings.

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This Bloomsbury pub, not surprisingly, takes its name from its proximity to the British Museum (it’s directly opposite).

Located at 49 Great Russell Street, the Grade II-listed, four storey building was refurbished under the eye of theatre and music hall architect William Finch Hill (and possibly Edward Lewis Paraire) in the mid-1850s in modified French Renaissance style. Along with the exterior, the interior also contains some elements dating from this period.

There has apparently been a pub on the site since the 1720s – it was previously called the Dog & Duck, a reference to the rural nature of the location back then, and was renamed the British Museum Tavern in the mid-18th century before taking its current name when the refurbishment took place in the 1750s.

Famous patrons have apparently included Karl Marx, who frequented it while writing Das Kapital in the British Museum Reading Room. Other famous figures associated with it are Sherlock Holmes creator Sir Arthur Conan Doyle and JB Priestley.

Ah, and the sign itself (pictured right). It depicts Sir Hans Sloane, a royal physician and MP whose collections formed the basis of the British Museum when it first opened its doors.

Now part of the Greene King franchise. For more, see www.greeneking-pubs.co.uk/pubs/greater-london/museum-tavern/.

PICTURE: Ewan Munro (licensed under CC BY-SA 2.0)

 

A painting of early Christian martyr Saint Agatha by 17th century Italian artist Carlo Dolci is the highlight of a new exhibition opening at Osterley House in London’s west on Monday. The painting, which has been acquired by the National Trust for the house thanks to an Art Fund grant and other donations, is at the heart of Treasures of Osterley –  Rise of a Banking Family which explores the rise to fame and fortune of the Child family. Sir Robert Child had originally purchased the picture at the start of the 18th century but it was later sold with other family heirlooms in the 1930s. The painting depicts the miraculous moment with St Peter appeared to St Agatha in a vision and healed her wounds. The exhibition can be seen until 23rd February. Admission charge applies. For more, see www.nationaltrust.org.uk/osterley-park-and-house.

The first exhibition to focus on the “visceral and unflinching” self-portraits of artist Lucian Freud (1922-2011) has opened at the Royal Academy in Piccadilly. Lucian Freud: The Self-portraits features about 50 works that chart his artistic development from early graphic works to the fleshy, painterly style of his later work. The display is organised into six sections, starting with first major self-portrait, Man with a Feather (1943), which is juxtaposed with his late work, Self-portrait, Reflection (2000). It ends with two self-portraits he painted in 2002 and 2003. The exhibition can be seen in The Jillian and Arthur M Sackler Wing of Galleries until 26th January. Admission charge applies. For more, see www.royalacademy.org.uk. PICTURE: Reflection (Self-portrait), 1985 Oil on canvas, 55.9 x 55.3 cm Private collection, on loan to the Irish Museum of Modern Art © The Lucian Freud Archive / Bridgeman Images

• On Now: Sir Stamford Raffles: collecting in Southeast Asia 1811-1824. Controversial figure Sir Thomas Stamford Raffles spent most of his career as an official with the East India Company in South-East Asia during which he was an avid collector of objects from the region. His collection, one of the first large collections from the region, was eventually donated to the British Museum. This display at the museum showcases an important selection of 130 objects from that collection including Hindu-Buddhist antiquities, different types of theatrical puppets, masks, musical instruments and stone and metal sculpture. A collaboration with Asian Civilisations Museum in Singapore, the exhibition can be seen until 12th January in Room 91. It’s free to enter. For more, see www.britishmuseum.org.

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The story of the St Paul’s Watch, the volunteers who worked to protect St Paul’s Cathedral during the Blitz, will be told in a digital display projected onto the cathedral’s facade this weekend. Where The Light Falls is being held in partnership with Historic England and is part of Fantastic Feats: the building of London – the City of London’s six-month cultural events season. It will see a display of poetry, visuals and photography, created by Poetry Society and Double Take Projections, projected onto the cathedral’s south side, north side and main facade in honour of those men and women who, armed with sandbags and water pumps, risked their lives to save the cathedral. The free show lasts for about 20 minutes and can be seen between 6.30pm and 10pm from tonight until Saturday night and then from 8pm to 10pm on Sunday. Meanwhile, St Paul’s is also open for a special late opening on Friday night during which poets from the Poetry Society will be bringing to life accounts of loss, bravery and sacrifice. Admission charge applies. For more on both events, head here.

The history, teachings and contemporary relevance of Buddhism are being explored in a major new exhibition opening at the British Library on Friday. Buddhism features rare and colourful scrolls, painted wall hangings and folding books and will highlight the theory, practice and art of Buddhism, examine the enduring iconography of Buddha and consider what it means to be Buddhist today. The exhibition, which is accompanied by a program of events, runs until 23rd February. For more, see www.bl.uk.

On Now: Elizabeth Peyton: Aire and Angels. This exhibition at the National Portrait Gallery is the first to situate the work of contemporary artist Elizabeth Peyton within the historical tradition of portraiture. In additional to the more than 40 works on display in the exhibition, Peyton has been honoured by being first artist to be given the run of the entire gallery with a series of displays within the permanent collection which juxtapose Peyton’s art with historic portraits from the Tudor period onwards. Among her portraits on show are those of Napoleon, Queen Elizabeth II, Yuzuru Hanyu, Frida Kahlo, Tyler the Creator, Isa Genzken, David Bowie, Elias Bender Rønnenfelt, David Fray, and Louis XIV. Runs until 5th January. Entry is free. For more, see www.npg.org.uk/elizabethpeyton.

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Two 13th century manuscripts from Westminster Abbey’s collection have this month gone on show in the Queen’s Diamond Jubilee Galleries at the abbey to mark the 750th anniversary of King Henry III’s rebuilding of the church originally constructed on the orders of Edward the Confessor. Believed to have never before been displayed to the public, the manuscripts – which feature ink script on vellum and have wax seals on silk cords attached – include a royal charter dated 1246 in which King Henry III announces his intention to be buried alongside Edward the Confessor in Westminster Abbey and an inventory of Edward the Confessor’s Shrine dating from 1267 which shows how much gold, precious stones and jewels were taken from it and pawned to provide the king with much-needed money. The documents can only be seen until 28th October. Admission charge applies. For more, www.westminster-abbey.org/visit-us/plan-your-visit/the-queens-diamond-jubilee-galleries. The display is one of number of special events taking place to mark the anniversary of the third consecration of the abbey church which took place in the presence of King Henry III on 13th October, 1269. While Queen Elizabeth II and the Duchess of Cornwall attended a special service to mark the occasion on Tuesday, other events aimed at the public include a special family day next Wednesday (23rd October) featuring medieval re-enactors in the cloisters, the chance to meet some of the abbey staff and to take part in a family-friendly Eucharist as well as a late opening for amateur photographers to take photographs inside the abbey (23rd October), and special family tours of the abbey (22nd and 24th October). Meanwhile, this Saturday, the abbey will host the National Pilgrimage to the Shrine of St Edward the Confessor. For more on other events at the abbey, head to www.westminster-abbey.org/events.

The National Gallery launched its first mental health awareness tour to mark World Mental Health Day last week. The tour, which is available as a smartphone app, aims to improve understanding of mental health among gallery visitors with an alternative perspective on the collection which draws on young people’s experiences of mental health – gleaned through workshops with 16 to 25-year-olds – and connects visitors with the gallery’s paintings to challenge common myths about mental health. The tour includes a focus on paintings by Van Gogh, Cima, Crivelli and Joseph Wright of Derby as well as the gallery’s architecture and figures from its portico entrance mosaic flooring such as Virginia Woolf and Winston Churchill. The tour – co-created by researchers from King’s College London, the McPin Foundation, a group of young people affected by mental health issues and members of the Gallery’s Young Producers programme and funded by Medical Research Council and the British Academy – is available free to visitors for six months. For more, see nationalgallery.org.uk.

Kenwood House in Hampstead is hosting a special display commemorating 350 years since Rembrandt’s death on 4th October, 1669. The exhibition – Rembrandt #nofilter – centres on the artist’s Self-portrait with Two Circles which has been taken from its usual place in the former dining room and represented in the dining room lobby alongside a digital photo mosaic of the painting made of “selfies” taken by visitors to Kenwood. Entry is free Runs until 12th January. For more, see www.english-heritage.org.uk/visit/places/kenwood/.

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An altar cloth which may have once been part of a dress worn by Queen Elizabeth I goes on show at Hampton Court Palace (pictured) this Saturday. The Bacton Altar Cloth, which was discovered in a church in Bacton in rural Hertfordshire, has undergone two years of conservation work and will be displayed alongside a portrait of the “Virgin Queen” featuring a dress of similar design. The altar cloth has long been associated with Bacton-born Blanche Parry, one of Queen Elizabeth’s servants who became her Chief Gentlewoman of the Bedchamber. Records show the Queen regularly gave her discarded clothing to Parry and for years there has been speculation that the altar cloth was part of one such discarded item. Historic Royal Palaces curator Eleri Lynn, an expert in Tudor court dress, was able to identify previously unseen features and studied the seams of the fabric to show it had once been part of a skirt. Further research – including an examination of the dyes used in the item – have added weight to the theory it was once part of a dress. The altar cloth, on loan from St Faith’s Church in Bacton, can be seen until 23rd February. Admission charges apply. For more, see www.hrp.org.uk. PICTURE: David Adams.

A photographic exhibition of the first ‘golden’ decade of Ronnie Scott’s Jazz Club – featuring images of legendary British and American jazz singers – opens at the Barbican Music Library on Saturday. Ronnie Scott’s 1959-1969: Photographs by Freddy Warren, which marks the club’s 60th anniversary, features Warren’s photographs of the likes of Miles Davis, Duke Ellington, Dizzy Gillespie, Count Basie, Ella Fitzgerald, Zoot Sims, Cleo Laine and Tony Bennett. Warren was the in-house photographer at the Soho club from the opening night in 1959, when it was based in Gerrard Street, and documented the construction of the new site in Frith Street in the mid-1960s along with the arrival in London of big American stars. The exhibition includes rare vintage prints – some which were salvaged from the walls when the club was renovated in 2006, Freddy Warren’s original contact sheets, and previously unseen prints specially produced from the original negatives. The exhibition is free. Runs until 4th January. For more, see www.barbican.org.uk/your-visit/during-your-visit/library.

An exhibition exploring how western artists have been inspired by the Islamic world opens at the British Museum today. Inspired by the east: how the Islamic world influenced western art features paintings by leading ‘Orientalists’ including Eugène Delacroix, John Frederick Lewis and Frederick Arthur Bridgman as well as less well-known pieces like British artist Edmund Dulac’s original illustrations for a 1907 edition of the Arabian Nights, and ceramics by Frenchman Théodore Deck, who in the late 19th century created a range of pieces directly inspired by Islamic originals. The display also includes contemporary reactions to the imagery of Orientalism by Middle Eastern and North African female artists such as Lalla Essaydi’s Women of Morocco triptych and Inci Eviner’s 2009 video work Harem. The display can be seen in The Sir Joseph Hotung Exhibition Gallery until 26th January. Admission charge applies. For more, see www.britishmuseum.org.

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A silver trencher plate – one of only three silver pieces in the world known to have belonged to 17th century diarist Samuel Pepys (and the only one on display in the UK, the other two being in the US) – has gone on show in the Museum of London’s ‘War, Plague and Fire’ gallery following its recent acquisition. The plate, which was only recently recognised as belonging to Pepys – a naval administrator and MP, bears his coat-of-arms on the rim while the underside features London hallmarks testifying to the metal’s purity. The plate is also stamped with a “date letter” representing 1681-82 as the year it was made along with an MK in a lozenge, the maker’s mark of the workshop of Mary King in Foster Lane (the date 1681 also appears scratched on the surface but this was done at a later date). Knife and fork scratch marks are also visible on the trencher which may have been among the silver objects Pepys boasted about serving his guests with in his diary instead of the less expensive pewter. Admission to see the plate is free. For more, see www.museumoflondon.org.uk/discover/samuel-pepys-silver-plate. PICTURES: © Museum of London.

Rembrandt’s mastery of light is the subject of a new exhibition opening at the Dulwich Picture Gallery on Friday to mark 350 years since the Dutch artist’s death. Rembrandt’s Light includes 35 of his greatest paintings, etchings and drawings including international loans The Pilgrims at Emmaus (1648) and – shown for the first time in the UK – Philemon and Baucis, (1658), Tobit and Anna with the Kid (1645) and The Dream of Joseph (1645). The works have been arranged thematically and show how he used light and shadow for dramatic effect, focusing on his work during the middle period of his career – 1639-1658 – while he was living in his “dream house” on Breestraat in Amsterdam where the large windows provided ideal access to light. The display will employ a new LED Bluetooth lighting system installed at the gallery while cinematographer Peter Suschitzky, famed for his work on Star Wars: The Empire Strikes Back; The Rocky Horror Picture Show and Mars Attacks!, has worked with the curators to create what the gallery promises will be an “atmospheric visitor experience”. Admission charge applies. Runs to 2nd February. PICTURE: Rembrandt van Reign, Philemon and Baucis (1658), oil on panel transferred to panel, National Gallery of Art, Washington.

The first ever exhibition devoted to the portraits of Paul Gauguin opens at the National Gallery on Monday. The Credit Suisse Exhibition: Gauguin Portraits shows how the French artist, who was famed for his paintings of French Polynesia, revolutionised the portrait to express himself and his ideas about art. It features more than 50 works including paintings, sculptures, prints, and drawings – many of which have rarely been seen together. They include Madame Mette Gauguin in Evening Dress (1884), Young Breton Girl (1889), Tehura (Teha’amana) (1891-93), Young Christian Girl (1894), Père Paillard (1902) and the last self-portrait he ever completed, made in 1903, probably shortly before the end of his life at the age of 55. Runs until 26th January in the Sainsbury Wing. Admission charge applies. For more, see www.nationalgallery.org.uk.

Fifteen Buddhist and Shinto sacred images from the Nara Prefecture have gone on show at the British Museum. The works, which include five Japanese National Treasures, date from between 600 and 1300 AD and are displayed with related important Japanese and Chinese paintings from the museum’s collection. The objects include a gilt bronze sculpture, Bodhisattva of Compassion, a gilt-bronze libation dish featuring the birth of the Buddha and a pair of imposing wooden sculptures, Heavenly Kings, all of which date from the 700s. Nara: sacred images from early Japan can be seen in Room 3 (the Asahi Shimbun Displays) and the Mitsubishi Corporation Japanese Galleries (Room 93). Runs until 24th November. For more, see www.britishmuseum.org.

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The history and culture of the Krio people of Sierra Leone are the subject of a new display opening at the Museum of London Docklands tomorrow. The Krios of Sierra Leone explores the dress, architecture, language, lifestyle, traditions and history of the Krio community with contemporary objects from Krio Londoners on show as well as items related to the history of British colonial rule of Sierra Leone from the museum’s collections. Highlights include a large carved wooden printing block dating from around 1800, known as a ’tillet block’, that bears the crest of the Sierra Leone Company, a silver entrée dish which was presented to Thomas Cole, acting colonial secretary of Sierra Leone and assistant superintendent of Liberated Africans, who was responsible for assisting people freed from slave ships when they arrived in the colony, and, a typical Krio dress ensemble wore by Krio women. The free exhibition can be seen until 27th September next year. For more, see www.museumoflondon.org.uk/krios.

Portraits of everyone from Sir David Attenborough to actor Tilda Swinton are on show as part of the largest ever exhibition of the work of photographer Tim Walker at the V&A. The display, Tim Walker: Wonderful Things (pictured above), features more than 150 new works inspired by the V&A’s collections and boasts more than 300 objects, encompassing photographs and the objects that inspired them as well as images of some of the biggest names in fashion – Lily Cole, Lindsey Wixson, Stella Tennant and Alexander McQueen among them – and portraits of such luminaries as Margaret Atwood, David Hockney, Daniel Day-Lewis, Claire Foy, Saoirse Ronan, Kate Moss, and artist Grayson Perry. Runs until 8th March. Admission charge applies. For more, see www.vam.ac.uk.

Writers Angela Carter and Martha Gellhorn were both commemorated with English Heritage Blue Plaques earlier this month. Carter, an award-winning novelist, spent the last 16 years of her life at the property at 107, The Chase, in Clapham, and it was there she often tutored her then-student Kazuo Ishiguro and received fellow writers like JG Ballard, Ian McEwan and Salman Rushdie. Meanwhile, Gellhorn, a war correspondent who reported on conflicts ranging from the Spanish Civil War to the Vietnam War, was commemorated with a blue plaque on her former top floor flat in Cadogan Square where she spent the last 28 years of her life. For more, see www.english-heritage.org.uk/visit/blue-plaques/.

The final release of tickets for this year’s New Year’s Eve fireworks go on sale from midday on Friday. Those who wish to attend the fireworks in central London must purchase a ticket priced at £10. To sign up for ticket updates and more information go to www.london.gov.uk/nye

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It’s Open House London weekend and that means your chance to explore behind what are normally closed doors. More than 800 buildings are opening up to the public over the two day festival – this year’s theme is ‘social’ – and there’s an extensive programme of walks and architect-led tours with all events free to attend. While some buildings – like Number 10 Downing Street, BT Tower and the US Embassy London – are only open to those who were successful in already-held public ballots, there’s still plenty to see for those who have’t scored a place. Highlights include a chance to see inside first-time participants like Millennium Mills in Royal Docks (pictured above), the new Museum of London in West Smithfield and the new social housing estate, Kings Crescent Estate in Hackney, as well as a Tokyo Bike cycle tour, and By Beck Road 19 – a Bethnal Green terrace serving as an open-door art gallery. There’s also the chance to see inspiring residences like Open Practice Architecture’s Gin Distillery and Nimtim Architect’s Block House, family activities and the Open House ‘Elements’ photography competition to take part it. For the full programme of events, head to www.openhouselondon.org.uk.

Images of London’s street food and hawkers, spanning the 16th to the 19th centuries, have gone on show at a new open-air exhibition in Aldgate Square. Hot Peascods! explores how selling food, which could require little more investment than buying basket and the first batch of pies or eels or gingerbread, provided an income for those who couldn’t find other work and was relied upon as a source of food for those who were so poor they couldn’t afford cooking facilities at home. As well as images, it features interviews recorded in the 1850s by pioneering social reformer Henry Mayhew. The exhibition, which is curated by the City of London Corporation’s Guildhall Library, can be seen in Aldgate Square until 29th September and then moves to Guildhall Yard where it can be seen between 1st and 16th October. Free.

The work of acclaimed British sculptor Antony Gormley is the subject of a new exhibition opening at the Royal Academy of Arts on Saturday. Antony Gormley, which spans all 13 rooms in the RA’s Main Galleries, brings together both existing and specially conceived new works. They include Iron Baby (1999) located in the Annenberg Courtyard, works from the 70s and 80s like Land, Sea and Air (1977-79) and Fruits of the Earth (1978-79) in which natural and man-made objects are wrapped in lead (these evolved into Gormley’s ‘body case’ sculptures), and a series of concrete works from the 1990s including Flesh (1990). There are a series of whole-of-room installations including Lost Horizon I (2008) which features 24 cast-iron figures, and Host in which an entire gallery is filled, to a depth of 23 centimetres, with seawater and clay, while at the centre of the exhibition are two of Gormley’s early ‘expansion’ works, Body and Fruit, both from 1991-3. The exhibition also includes a selection of works on paper including Mould (1981), the Body and Light drawings, Linseed Oil Works (1985-1990), Double Moment (1987), and the Red Earth drawings (1987-1998). Runs until 3rd December. Admission charge applies. For more, see www.royalacademy.org.uk.

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