Representations of the pregnant female body across 500 years of portraiture are the subject of a major new exhibition opening at the Foundling Museum on Friday. Portraying Pregnancy: From Holbein to Social Media features paintings, prints, photographs, objects and clothing from the 15th century to the present day as it explores the different ways in which pregnancy was – or wasn’t – represented as well as how shifting social attitudes have impacted on depictions of pregnant women. Highlights include Holbein’s portrait of Thomas More’s daughter Cicely Heron, the maternity dress that Princess Charlotte wore for an 1817 portrait painted by George Dawe shortly before her death and William Hogarth’s The March of the Guards to Finchley (1750), which features a heavily pregnant woman. There’s also a previously unseen work by Jenny Saville, Electra (2012-2019), Marc Quinn’s Alison Lapper (8 Months) (2000) and Lucien Freud’s Girl with Roses (1947-8) which depicts his first wife Kitty. Runs until 26th April. Admission charge applies. For more, see www.foundlingmuseum.org.uk.

The most comprehensive exhibition ever held focused on Pablo Picasso’s imaginative and original uses of paper opens at the Royal Academy of Arts this Saturday. Held in the Main Galleries, Picasso and Paper features more than 300 works from across the span of the artist’s career as it explores the “universe of art” he invented involving paper. Highlights include Women at Their Toilette (winter 1937-38) –  an extraordinary collage of cut and pasted papers measuring 4.5 metres in length (being exhibited in the UK for the first time in more than 50 years), outstanding Cubist papiers-collés such as Violin (1912), and studies for Les Demoiselles d’Avignon (1908) such as Bust of Woman or Sailor as well as drawings like Self-portrait (1918) and Seated Woman (Dora) (1938). His masterpiece of the Blue Period, La Vie (1903) will also be in the display as well as his Cubist bronze Head of a Woman (Fernande) (1909) and monumental sculpture Man with a Sheep (1943), and the 1955 film Le Mystère Picasso, which records Picasso drawing with felt-tip pens on blank newsprint. Runs until 13th April. Admission charge applies. For more, see www.royalacademy.org.uk. PICTURE: Key 486, Pablo Picasso drawing in Antibes, summer 1946. Black-and-white photograph, Photo © Michel Sima / Bridgeman Images © Succession Picasso/DACS 2019

On Now – The Cato Street Conspiracy: A Terrorist Plot in Georgian London. This exhibition at the City of London’s Guildhall Library draws on contemporary accounts and pictures to tell the story of the conspiracy and its participants. The conspiracy, which was uncovered in early 1820, involved a plot to kill the British Prime Minister and Cabinet Ministers. Thirteen of the conspirators were arrested and five executed while five others were transported to Australia. A policeman was killed in the operation to arrest those responsible. This free exhibition runs until 30th April. For more follow this link.

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Captured preparing to jump off a red brick wall, this small playful statue of a domestic cat named Sam can be found in the south-west corner of Queen Square Gardens in Holborn. 

The bronze statue actually commemorates Patricia Penn (1914-1992), a former resident in the square who was a nurse, “champion of local causes” and member of the Queen Square Resident’s Association. The statue was donated by the local community in Penn’s memory.

As is clear from the monument, Penn was also a cat lover. Sam was, of course, one of her pet cats.

Sadly, the original version of Sam – which was installed in 2002 to mark the 10th anniversary of Penn’s death, was stolen in 2007. But a replacement was installed in 2009 – this time with steel rods running into the bricks to prevent it being taken again.

 

• Artworks by the likes of Pablo Picasso, Henri Matisse, Lucian Freud, Bridget Riley, David Hockney and Visa Celmins are on show in a new exhibition at the British Museum. Reflecting artistic developments in the past 100 years of modern art, Living with art: Picasso to Celmins features 30 prints and drawings. It showcases highlights from the wide-ranging collection of Alexander Walker (1930–2003), a longstanding film critic for London’s Evening Standard newspaper, which was bequeathed to the British Museum in 2004. The exhibition can be seen at the museum until 5th March before heading off on tour. Admission charge applies. For more, see www.britishmuseum.org. PICTURE: David Hockney (b. 1937), ‘Jungle Boy’ (1964) Etching and aquatint in black and red on mould-made paper © David Hockney Photo Credit: Richard Schmidt.

Music festivals in Georgian Britain – from the Handel Commemoration of 1784 to the Crystal Palace concerts of the late 19th century – are explored in a new exhibition at the Foundling Museum in Bloomsbury. Music Festivals in Georgian Britain looks at the logistics behind the organisation of the concerts which followed on in the tradition of benefit concerts for charities as well as the expectations of audiences. Runs until 14th September. Admission charge applies. For more, see https://foundlingmuseum.org.uk.

The “extraordinary story” of German band Tangerine Dream is told in a new exhibition opening at the City of London’s Barbican Music Library today. Tangerine Dream: Zeitraffer features photographs, previously unpublished articles, video clips, and original synthesizers as it tells the story of the band – credited with laying the foundation for the Ambient and Trance music styles – from its founding in 1967 and the release of its first album, Electronic Meditation, in 1970 through to the latest album, Recurring Dreams, last year. The band, which has released more than 160 albums, has also composed the scores for more than 60 Hollywood films including Michael Mann’s Risky Business and Ridley Scott’s Legend as well as Firestarter, based on the Stephen King novel. In 2013, they also wrote the score for the record-breaking video game, Grand Theft Auto V, and their music has appeared in recent Netflix series, Stranger Things, Black Mirror and Mr Robot. Runs until 2nd May. Admission is free.

The stories of six “community curators” – each of whom has personal experience of migration – are at the centre of a new display at the Dulwich Picture Gallery. Journeys, which explores themes of identity, belonging, migration and London’s multiculturalism, examines the contemporary relevance of works by the likes of Poussin, Rubens, Canaletto and Van Dyck against the backdrop of the life stories of the curators who, aged between 29 and 69, have a combined heritage spanning eight countries including Yemen, Sri Lanka, Italy, Pakistan and Ireland. Opens next Tuesday (21st January) and runs until 24th June with a special free late opening on 19th June during the final week which coincides with Refugee Week. For more, see www.dulwichpicturegallery.org.uk.

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It’s our first ‘This Week in London’ for 2020 so instead of our usual programming, we thought we’d briefly look at five key exhibitions that you won’t want to miss this year…

1. Thomas Becket at the British Museum. Marking the 850th anniversary of the murder of the medieval Archbishop of Canterbury on 29th December, 1170, the museum will host the first ever major exhibition on the life, death and legacy of the archbishop as part of a year-long programme of events which also includes performances, pageants, talks, film screenings and religious services. The exhibition will run from 15th October to 14th February, 2021. PICTURE: Alabaster sculpture, c 1450–1550, England. Here, Becket is shown kneeling at an altar, his eyes closed and his hands clasped in prayer, all the while four knights draw their swords behind him. To Becket’s right is the monk Edward Grim, whose arm was injured by one of the knight’s swords. © The Trustees of the British Museum.

2. Elizabeth and Mary at the British Library. This exhibition draws on original historic documents to  take a fresh look at what’s described as the “extraordinary and fascinating story of two powerful queens, both with a right to the English throne: Elizabeth I and Mary, Queen of Scots”. Letters and other 16th century documents will show how their struggle for supremacy in the isles played out. Runs from 23rd October to 21st February, 2021.

3. Tudors to Windsors at the National Maritime Museum. This major exhibition promises to give visitors “the opportunity to come face-to-face with the kings, queens and their heirs who have shaped British history and were so central to Greenwich”.  Including more than 150 works covering five royal dynasties, it will consider the development of royal portraiture over a period spanning 500 years and how they were impacted by the personalities of individual monarchs as well as wider historical changes. Will be held from April.

4. Gold and Glory: Henry VIII and the French King at Hampton Court Palace. Marking the 500th anniversary of the Field of Cloth of Gold – King Henry VIII’s landmark meeting with his great rival, the French King François I, the exhibition will feature a treasure trove of precious objects from the English and French courts as well as a never-before-seen tapestry, manufactured in the 1520s, which depicts a bout of wrestling at the meeting presided over by François and which also shows a black trumpeter among the many musicians depicted. Opens on 10th April. The palace will also play host this year to Henry VIII vs François I: The Rematch, a nine day festival of jousting, wrestling and foot combat complete with feasting, drinking and courtly entertainment. Runs from 23rd to 31st May.

5. Faces of a Queen: The Armada Portraits of Elizabeth I at the Queen’s House in Greenwich. This display brings together, for the first time, the three surviving versions of the iconic ‘Armada Portrait’ of Elizabeth I. The portrait commemorates the Spanish Armada’s failed attempt to invade England and the display will include the Royal Museums Greenwich’s own version of the painting along with that from the National Portrait Gallery and that which normally hangs in Woburn Abbey. Runs from 13th February to 31st August.

We’ll feature more details in stories throughout the coming year. But, of course, this is just a sample of what’s coming up this year – keep an eye on Exploring London for more…

A major exhibition on the legendary city of Troy has opened at the British Museum. Troy: myth and reality showcases works of art inspired by the “tales of war, love and loss” connected to the Trojan cycle of myths and follows in the footsteps of archaeologists and adventurers who have sought to find evidence of the ancient city. Among the almost 300 objects on show are original finds – such as pottery, silver vessels, bronze weapons and stone sculptures – found by Heinrich Schliemann’s work at the site between 1870 and 1890, a Roman sarcophagus lid picturing a wheeled – and armed – wooden horse (on loan from Oxford’s Ashmolean), Filippo Albacini’s (1777–1858) marble sculpture, The Wounded Achilles, and a Roman silver cup from the National Museum of Denmark depicting the meeting of Priam and Achilles as described in Homer’s The Iliad (pictured). Admission charges applies. Runs until 8th March. For more, see www.britishmuseum.org/Troy. PICTURE: Priam and Achilles, Roman silver cup, 1st century AD, National Museum of Denmark Photograph: Roberta Fortuna and Kira Ursem © National Museet Denmark.

Queen drummer, Roger Taylor, unveiled a Westminster City Council Green Plaque commemorating the site of Europe’s earliest recording studio in Covent Garden earlier this month. The studio was opened on Maiden Lane, one street north of the Strand, in 1898 by audio pioneer Fred Gaisberg and The Gramophone Company, a precursor to EMI – the same company which opened the world-famous Abbey Road Studios 33 years later. The campaign for the plaque – located on a building now housing a pizza restaurant – was led by music journalist and author James Hall with support from the EMI Archive Trust. For more, see www.westminster.gov.uk/green-plaques.

• On Now: Two Last Nights! Show Business in Georgian Britain. This interactive display throughout the entire Foundling Museum in Bloomsbury features more than 100 objects which highlight the similarities and differences between theatre going in the Georgian era and now. It explores key venues in London and beyond and is divided into four sections focusing on Georgian theatres like Drury Lane and Covent Garden, the Vauxhall Pleasure Gardens, the importance of the Foundling Hospital Chapel as a music venue, and the provincial music festivals held in other major cities in Britain. Runs until 5th January. Free with museum admission. For more, see www.foundlingmuseum.org.uk.

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This Bloomsbury pub, not surprisingly, takes its name from its proximity to the British Museum (it’s directly opposite).

Located at 49 Great Russell Street, the Grade II-listed, four storey building was refurbished under the eye of theatre and music hall architect William Finch Hill (and possibly Edward Lewis Paraire) in the mid-1850s in modified French Renaissance style. Along with the exterior, the interior also contains some elements dating from this period.

There has apparently been a pub on the site since the 1720s – it was previously called the Dog & Duck, a reference to the rural nature of the location back then, and was renamed the British Museum Tavern in the mid-18th century before taking its current name when the refurbishment took place in the 1750s.

Famous patrons have apparently included Karl Marx, who frequented it while writing Das Kapital in the British Museum Reading Room. Other famous figures associated with it are Sherlock Holmes creator Sir Arthur Conan Doyle and JB Priestley.

Ah, and the sign itself (pictured right). It depicts Sir Hans Sloane, a royal physician and MP whose collections formed the basis of the British Museum when it first opened its doors.

Now part of the Greene King franchise. For more, see www.greeneking-pubs.co.uk/pubs/greater-london/museum-tavern/.

PICTURE: Ewan Munro (licensed under CC BY-SA 2.0)

 

A painting of early Christian martyr Saint Agatha by 17th century Italian artist Carlo Dolci is the highlight of a new exhibition opening at Osterley House in London’s west on Monday. The painting, which has been acquired by the National Trust for the house thanks to an Art Fund grant and other donations, is at the heart of Treasures of Osterley –  Rise of a Banking Family which explores the rise to fame and fortune of the Child family. Sir Robert Child had originally purchased the picture at the start of the 18th century but it was later sold with other family heirlooms in the 1930s. The painting depicts the miraculous moment with St Peter appeared to St Agatha in a vision and healed her wounds. The exhibition can be seen until 23rd February. Admission charge applies. For more, see www.nationaltrust.org.uk/osterley-park-and-house.

The first exhibition to focus on the “visceral and unflinching” self-portraits of artist Lucian Freud (1922-2011) has opened at the Royal Academy in Piccadilly. Lucian Freud: The Self-portraits features about 50 works that chart his artistic development from early graphic works to the fleshy, painterly style of his later work. The display is organised into six sections, starting with first major self-portrait, Man with a Feather (1943), which is juxtaposed with his late work, Self-portrait, Reflection (2000). It ends with two self-portraits he painted in 2002 and 2003. The exhibition can be seen in The Jillian and Arthur M Sackler Wing of Galleries until 26th January. Admission charge applies. For more, see www.royalacademy.org.uk. PICTURE: Reflection (Self-portrait), 1985 Oil on canvas, 55.9 x 55.3 cm Private collection, on loan to the Irish Museum of Modern Art © The Lucian Freud Archive / Bridgeman Images

• On Now: Sir Stamford Raffles: collecting in Southeast Asia 1811-1824. Controversial figure Sir Thomas Stamford Raffles spent most of his career as an official with the East India Company in South-East Asia during which he was an avid collector of objects from the region. His collection, one of the first large collections from the region, was eventually donated to the British Museum. This display at the museum showcases an important selection of 130 objects from that collection including Hindu-Buddhist antiquities, different types of theatrical puppets, masks, musical instruments and stone and metal sculpture. A collaboration with Asian Civilisations Museum in Singapore, the exhibition can be seen until 12th January in Room 91. It’s free to enter. For more, see www.britishmuseum.org.

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An altar cloth which may have once been part of a dress worn by Queen Elizabeth I goes on show at Hampton Court Palace (pictured) this Saturday. The Bacton Altar Cloth, which was discovered in a church in Bacton in rural Hertfordshire, has undergone two years of conservation work and will be displayed alongside a portrait of the “Virgin Queen” featuring a dress of similar design. The altar cloth has long been associated with Bacton-born Blanche Parry, one of Queen Elizabeth’s servants who became her Chief Gentlewoman of the Bedchamber. Records show the Queen regularly gave her discarded clothing to Parry and for years there has been speculation that the altar cloth was part of one such discarded item. Historic Royal Palaces curator Eleri Lynn, an expert in Tudor court dress, was able to identify previously unseen features and studied the seams of the fabric to show it had once been part of a skirt. Further research – including an examination of the dyes used in the item – have added weight to the theory it was once part of a dress. The altar cloth, on loan from St Faith’s Church in Bacton, can be seen until 23rd February. Admission charges apply. For more, see www.hrp.org.uk. PICTURE: David Adams.

A photographic exhibition of the first ‘golden’ decade of Ronnie Scott’s Jazz Club – featuring images of legendary British and American jazz singers – opens at the Barbican Music Library on Saturday. Ronnie Scott’s 1959-1969: Photographs by Freddy Warren, which marks the club’s 60th anniversary, features Warren’s photographs of the likes of Miles Davis, Duke Ellington, Dizzy Gillespie, Count Basie, Ella Fitzgerald, Zoot Sims, Cleo Laine and Tony Bennett. Warren was the in-house photographer at the Soho club from the opening night in 1959, when it was based in Gerrard Street, and documented the construction of the new site in Frith Street in the mid-1960s along with the arrival in London of big American stars. The exhibition includes rare vintage prints – some which were salvaged from the walls when the club was renovated in 2006, Freddy Warren’s original contact sheets, and previously unseen prints specially produced from the original negatives. The exhibition is free. Runs until 4th January. For more, see www.barbican.org.uk/your-visit/during-your-visit/library.

An exhibition exploring how western artists have been inspired by the Islamic world opens at the British Museum today. Inspired by the east: how the Islamic world influenced western art features paintings by leading ‘Orientalists’ including Eugène Delacroix, John Frederick Lewis and Frederick Arthur Bridgman as well as less well-known pieces like British artist Edmund Dulac’s original illustrations for a 1907 edition of the Arabian Nights, and ceramics by Frenchman Théodore Deck, who in the late 19th century created a range of pieces directly inspired by Islamic originals. The display also includes contemporary reactions to the imagery of Orientalism by Middle Eastern and North African female artists such as Lalla Essaydi’s Women of Morocco triptych and Inci Eviner’s 2009 video work Harem. The display can be seen in The Sir Joseph Hotung Exhibition Gallery until 26th January. Admission charge applies. For more, see www.britishmuseum.org.

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This Bloomsbury square is another that’s one of a pair – in this case with Mecklenburgh Square which stands on the other side of the site of the now-demolished Foundling Hospital (across what’s now known as Coram’s Fields).

The three acre square was planned by Samuel Pepys Cockerell, who was appointed to develop the estate around the hospital with the intention of maintaining some open space around the hospital while allowing spare land to be leased for housing (and so raise some much needed funds for the hospital).

The square was over the period 1795-1802 while the gardens in the square’s middle were laid out in in the late 1790s (initially for use by residents only, they’re now open to the public).

The name comes from Caroline of Brunswick, wife of the then Prince Regent (later King George IV).

The square, which is Grade II-listed along with Coram’s Fields and Mecklenburgh Square, was a respectable if not highly fashionable residential location.

Famous residents have included numerous members of the Bloomsbury Group such as siblings Virginia (later Woolf) and Adrian Stephen, economist John Maynard Keynes and Leonard Woolf – all of whom lived in the same property (Virginia and Leonard moved out of the square when they married in 1912) as well as EM Forster. Writer JM Barrie, creator of Peter Pan, also lived for a time in a house overlooking the square.

Jane Austen refers to the square in Emma in which her sister Isabella praises it as “very superior to most others” and “very airy”.

All of the original buildings around the square have since been demolished and replaced – among them number is 40 which was built for the Thomas Coram Foundation for Children in the 1920s and now houses the Foundling Museum (there’s a statue of the hospital’s founder Thomas Coram outside by William MacMillan – pictured right).

The north side of the square is home to the UCL School of Pharmacy, the west side features tiered apartments which form part of the Grade II-listed Brunswick Centre development, which dates from the late 1960s and early 1970s, while on the south side is the university residence known as International Hall.

The gardens were extensively renovated in 2002-03 by Camden Council; works which included restoration of railings apparently taken for munitions during World War II. Its trees include a London plane tree, said to be the second oldest in London, which in 2009 was declared one of the Great Trees of Britain.

On one of the garden’s railings, close to the statue of Captain Coram, is a tiny bronze sculpture of a mitten by artist Tracey Emin, a fitting symbol of the childhoods connected with the Foundling Hospital.

PICTURES: Top – Looking across Brunswick Square Gardens (Google Maps); Right – Thomas Coram (David Adams).

Rembrandt’s mastery of light is the subject of a new exhibition opening at the Dulwich Picture Gallery on Friday to mark 350 years since the Dutch artist’s death. Rembrandt’s Light includes 35 of his greatest paintings, etchings and drawings including international loans The Pilgrims at Emmaus (1648) and – shown for the first time in the UK – Philemon and Baucis, (1658), Tobit and Anna with the Kid (1645) and The Dream of Joseph (1645). The works have been arranged thematically and show how he used light and shadow for dramatic effect, focusing on his work during the middle period of his career – 1639-1658 – while he was living in his “dream house” on Breestraat in Amsterdam where the large windows provided ideal access to light. The display will employ a new LED Bluetooth lighting system installed at the gallery while cinematographer Peter Suschitzky, famed for his work on Star Wars: The Empire Strikes Back; The Rocky Horror Picture Show and Mars Attacks!, has worked with the curators to create what the gallery promises will be an “atmospheric visitor experience”. Admission charge applies. Runs to 2nd February. PICTURE: Rembrandt van Reign, Philemon and Baucis (1658), oil on panel transferred to panel, National Gallery of Art, Washington.

The first ever exhibition devoted to the portraits of Paul Gauguin opens at the National Gallery on Monday. The Credit Suisse Exhibition: Gauguin Portraits shows how the French artist, who was famed for his paintings of French Polynesia, revolutionised the portrait to express himself and his ideas about art. It features more than 50 works including paintings, sculptures, prints, and drawings – many of which have rarely been seen together. They include Madame Mette Gauguin in Evening Dress (1884), Young Breton Girl (1889), Tehura (Teha’amana) (1891-93), Young Christian Girl (1894), Père Paillard (1902) and the last self-portrait he ever completed, made in 1903, probably shortly before the end of his life at the age of 55. Runs until 26th January in the Sainsbury Wing. Admission charge applies. For more, see www.nationalgallery.org.uk.

Fifteen Buddhist and Shinto sacred images from the Nara Prefecture have gone on show at the British Museum. The works, which include five Japanese National Treasures, date from between 600 and 1300 AD and are displayed with related important Japanese and Chinese paintings from the museum’s collection. The objects include a gilt bronze sculpture, Bodhisattva of Compassion, a gilt-bronze libation dish featuring the birth of the Buddha and a pair of imposing wooden sculptures, Heavenly Kings, all of which date from the 700s. Nara: sacred images from early Japan can be seen in Room 3 (the Asahi Shimbun Displays) and the Mitsubishi Corporation Japanese Galleries (Room 93). Runs until 24th November. For more, see www.britishmuseum.org.

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This Bloomsbury garden square, a pair with Tavistock Square located a short distance to the north-east, was developed in the 1820s with residences designed by master builder Thomas Cubitt and his company.

Its name comes from the family of the then land-owner, John Russell, the Duke of Bedford – Lady Georgina Gordon was the second wife of the 6th Duke of Bedford (her father was Alexander Gordon, the fourth Duke of Gordon).

The square initially contained a private garden, designed by the 6th Duke of Bedford himself, which was reserved for residents. Now open to the public, the garden underwent a refurbishment, restoring the original railings, in the early 2000s and was reopened by Princess Anne in 2007.

Originally residential (although while it attracted some professionals and their families, it was never as popular as nearby Russell Square), the buildings on the square are now predominantly occupied by departments and institutes of the University of London. The university purchased the square, along with Woburn Square, in 1951.

On the west side of the square stands the university church, the Grade I-listed Church of Christ the King, which dates from the 1850s, while nearby is Dr Williams’s Library, founded in 1729 and moved here in 1890.

The square is generally considered the epicentre of the Bloomsbury Group of writers, artists and intellectuals with Virginia Woolf (then Stephens) among its residents. She lived at number 46 between 1904 and 1907, with her sister Vanessa, who, following her marriage to Clive Bell, continued to live there until 1917.

Another member of the Bloomsbury Group, economist John Maynard Keynes, lived in the house after that. Writer Lytton Strachey, another member of the group, lived at number 51 from 1909 to 1924.

Philosopher and essayist Bertrand Russell lived at number 57 between 1918-19.

PICTURES: Top – Gordon Square (Jay Bergesen/licensed under CC BY 2.0) Right – 46 Gordon Square (Myrabella / Wikimedia Commons / CC BY-SA 3.0 & GFDL)

The impact of Queen Victoria on Buckingham Palace, transforming what was empty residence into “the most glittering court in Europe”, is a special focus of this year’s summer opening of Buckingham Palace. Marking the 200th anniversary of the birth of the Queen, the exhibition Queen Victoria’s Palace recreates the music, dancing and entertaining that characterised the early part of the Queen’s reign using special effects and displays. Highlights include the Queen’s costume (pictured) for the Stuart Ball of 13th July, 1851, where attendees dressed in the style of King Charles II’s court. There’s also a recreation of a ball held in the palace’s newly completed Ballroom and Ball Supper Room on 17th June, 1856, to mark the end of the Crimean War and honour returning soldiers which uses a Victorian illusion technique known as Pepper’s Ghost to bring to life Louis Haghe’s watercolour, The Ball of 1856. The table in the State Dining Room, meanwhile, has been dressed with items from the ‘Victoria’ pattern dessert service, purchased by the Queen at the 1851 Great Exhibition, and the room also features the Alhambra table fountain, a silver-gilt and enamel centrepiece commissioned by Victoria and Albert in the same year, and silver-gilt pieces from the Grand Service, commissioned by the Queen’s uncle, King George IV, on which sit replica desserts based on a design by Queen Victoria’s chief cook, Charles Elme Francatelli. The summer opening runs until 29th September. Admission charges apply. For more, see www.rct.uk/visit/the-state-rooms-buckingham-palace. PICTURE: Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2019

 The Victorian reign is also the subject of a new exhibition at the British Museum where rare etchings by Queen Victoria and Prince Albert have gone on display. At home: Royal etchings by Queen Victoria and Prince Albert features 20 artworks that they created during the early years of their marriage and depict scenes of their domestic lives at Windsor Castle and Claremont including images of their children and pets. The display includes three works donated to the museum by King George V, Queen Victoria’s grandson, in 1926, and it’s the first time they’ve gone on public display. Prince Albert introduced the Queen to the practice of etching soon after their wedding and under the guidance of Sir George Hayter they made their first works on 28th August, 1840. They would go on to collaborate on numerous works together. The display can be seen in Room 90a until mid-September. Admission is free. For more, see www.britishmuseum.org. PICTURE: The Princess Royal and Prince of Wales, 1843, by Albert, Prince Consort (after Queen Victoria) © The Trustees of the British Museum.

American artist Ed Ruscha is the subject of the latest “Artist Rooms” annual free display in the Tate Modern’s Blavatnik building on South Bank. The display features works spanning Ruscha’s six-decade career, including large, text-based paintings and his iconic photographic series. There is also a display of Ruscha’s artist’s books – including Various Small Fires 1964 and Every Building on the Sunset Strip 1966 – as well as some 40 works on paper gifted to Tate by the artist. Highlights include his series of photographs of LA’s swimming pools and parking lots, paintings inspired by classic Hollywood cinema, and works such as DANCE? (1973), Pay Nothing Until April (2003) and Our Flag (2017). Runs until spring 2020. Admission is free. For more, see www.tate.org.uk.

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British printmaking between World War I and II is under the spotlight in a new exhibition which opened at Dulwich Picture Gallery this week. Cutting Edge: Modernist British Printmaking, which marks 90 years since the inaugural exhibition on British linocuts was held at the Redfern Gallery, features 120 prints, drawings and posters and spotlights the work of artists of the Grosvenor School including those of teacher Claude Flight and nine of his leading students – Cyril Power, Sybil Andrews, Lill Tschudi, William Greengrass and Leonard Beaumont among them. A number of the works are being displayed publicly for the first tome and several international loans – including prints by the Australian students Dorrit Black, Ethel Spowers and Eveline Syme – are making their debut as part of a major UK showing. The display can be seen until 8th September. Admission charge applies. For more, see www.dulwichpicturegallery.org.uk. PICTURE: Claude Flight, Speed, 1922, © The Estate of Claude Flight. All Rights Reserved, [2019] / Bridgeman Images/ photo Photo © Elijah Taylor (Brick City Projects)

Food festival, the Taste of London, is on again in The Regent’s Park across this weekend. Opened last night, the festival features the chance to sample food from London’s best restaurants as well as learn from world-class chefs, and visit gourmet food and artisan producer markets. For more, including tickets, see https://london.tastefestivals.com.

On Now: Global Dickens: For Every Nation Upon Earth. This exhibition at the Charles Dickens Museum in Bloomsbury paints a global picture of one of London’s favourite sons, starting with his trips to Europe and North America and going on to consider how his influence spread across the world. On display is his leather travelling bag, a Manga edition of A Christmas Carol,  and a copy of David Copperfield that went to the Antarctic on the 1910 Scott expedition. Can be seen until 3rd November. Included in admission charge. For more, see www.dickensmuseum.com.

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Queen Victoria’s childhood and later life are being re-examined in two new displays which open this week at Kensington Palace to mark the 200th anniversary of her birth. Victoria: A Royal Childhood features objects related to her early years – such as a scrapbook of mementos created by her German governess, Baroness Lehzen (on public display for the first time) – shown along a newly presented route through the rooms she once occupied in the palace. Visitors will experience how her childhood was governed by the strict rules of the ‘Kensington System’ and see how she escaped isolation and family feuding into a fantasy world of story writing, doll making and drawing inspired by her love of opera and ballet. Her education, family life, closest friendships and bitter struggles are explored with interactive displays helping visitors bring to life the rooms in which she lived. Meanwhile, the palace is also hosting another new exhibition – Victoria: Woman and Crown – which looks at the private woman behind the public monarch and examines her later life, including her response to the death of Prince Albert, her role in shaping royal dynasties and politics across Europe and her complex love affair with India. Among objects on show here are rare survivals from the Queen’s private wardrobe including a simple cotton petticoat dated to around the time of her marriage, and a fashionable pair of silver boots, both of which were recently acquired by Historic Royal Palaces with support from Art Fund. Entry to the two exhibitions is included in the standard admission charge. The palace gardens, meanwhile, are being planted with a special floral display in celebration of the anniversary centred on plant species connected to the Victorian period  including heliotrope, canna, pelargonium and begonia. For more, see www.hrp.org.uk/Victoria2019. PICTURES: Top  – The Birth Room in ‘Victoria: A Royal Childhood’; Right – Queen Victoria’s Highland dress in the ‘Victoria: Woman and Crown’ exhibition (Both images © Historic Royal Palaces/Richard Lea-Hair)

A newly identified sketch of the Renaissance master Leonardo da Vinci goes on public view for the first time at The Queen’s Gallery, Buckingham Palace, from tomorrow. Marking 500 years since the artist’s death, Leonardo da Vinci: A Life in Drawing also features the only other surviving portrait of Leonardo made during his lifetime as well as 200 of his drawings in which is a comprehensive survey of his life. The newly identified sketch was discovered by Martin Clayton, head of prints and drawings at the Royal Collection Trust, while he was undertaking research for the exhibition and has been identified as a study of Leonardo made by an assistant shortly before da Vinci’s death in 1519. The other contemporary image of Leonardo, by his pupil Francesco Melzi, was produced at about the same time. Other highlights of the exhibition include Leonardo’s Studies of hands for the Adoration of the Magi (c1481) – also on public display for the first time, studies for The Last Supper and many of the artist’s ground-breaking anatomical studies, such as The Fetus in the Womb (c1511). The drawings in the Royal Collection have been together since Leonardo’s death and are believed to have been acquired in the reign of King Charles II. Runs until 13th October. Admission charge applies. For more, see www.rct.uk/leonardo500/london.

The use of sound in the art of William Hogarth is being explored in a new exhibition opening in The Foundling Museum on Friday. Hogarth & the Art of Noise focuses on the work The March of the Guards to Finchley and unpacks the social, cultural and political context in which it was created including the Jacobite uprising, the plight of chimney boys and the origins of God Save the King. It uses sound, wall-based interpretation, engravings and a specially commissioned immersive soundscape by musician and producer Martin Ware to reveal how Hogarth orchestrated the natural and man-made sounds of London. Complementing the exhibition is a display of works from contemporary British artist Nicola Bealing which takes as its starting point subjects and narratives found in 18th century broadside ballads. Runs until 1st September. Admission charge applies. For more, see www.foundlingmuseum.org.uk.

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A sapphire and diamond coronet made for Queen Victoria goes on permanent display in the V&A’s William and Judith Bollinger Gallery from today. The new display is being unveiled as part of the V&A’s commemoration of the 200th anniversary of the births of the Queen and her husband, Prince Albert. The coronet was designed for the Queen by Prince Albert in 1840, the year they were married. Albert based the design on the Saxon Rautenkranz (circlet of rue) which runs diagonally across the coat of arms of Saxony. Victoria wore the coronet in a famous portrait by Franz Xavier Winterhalter completed in 1842 and again in 1866 when she wore it instead of her crown at the opening of Parliament. Entrance to the gallery is free. For more, see www.vam.ac.uk.

A major new exhibition of the work of Edvard Munch (1863-1944) opens at the British Museum in Bloomsbury today. Edvard Munch: love and angst, a collaboration with Norway’s Munch Museum, features 83 artworks taken from the museum’s collection as well as loans from across the UK and Europe. Highlights include a black-and-white lithograph of The Scream – the first time any version of the work has been on show in the UK for a decade, Vampire II – considered to be one of his most elaborate and technically accomplished prints, the controversial erotic image Madonna, and, Head by Head, a print representing the complex relationship between human beings. All of the latter three latter prints are being displayed alongside their original matrix (the physical objects Munch used to transfer ink onto paper). Runs until 21st July in the Sir Joseph Hotung Exhibition Gallery. Admission charge applies. For more, see www.britishmuseum.org. (PICTURE: The Scream (1895), Edvard Munch (1863-1944), Private Collection, Norway. Photo: Thomas Widerberg)

A retrospective of the work of Abram Games (1914-1996), a poster artist for the War Office during World War II, has opened at the National Army Museum in Chelsea. The Art of Persuasion: Wartime Posters By Abram Games features more than 100 posters he designed while working in the War Office’s Public Relations Department between 1941 and 1945. It explores how his Jewish refugee heritage, his experiences while a soldier and the turbulent politics of the time shaped his career and how his work – Games is described as a “master of reductive design” – still influences design professionals today. In conjunction with the opening of the exhibition last week, Games has been commemorated with an English Heritage Blue Plaque at his former home in Golders Green. Runs until 24th November. Admission charge applies. For more, see www.nam.ac.uk/artofpersuasion.

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Designed by the architect Charles Fitzroy Doll in distinctive French Renaissance-style for the Frederick Hotels Company, the Hotel Russell opened on the east side of Russell Square in 1898.

The now Grade II*-listed building, which is said to have been based on the 16th century Château de Madrid in Paris, is clad in decorative Doulton’s thé-au-lait (“tea with milk”) terracotta.

Its facade incorporates the coats-of-arms of the world’s nations as they were in 1898 and above the entrance are life-sized statues of four queens – Elizabeth I, Mary II, Anne and Victoria – which were designed by sculptor Henry Charles Fehr (pictured). The Guilford Street frontage features busts of four Prime Ministers: Lord Derby, Lord Salisbury, William Gladstone, and Benjamin Disraeli.

The hotel’s interior features ornate fixtures and fitting including a Pyrenean marble staircase which runs off the opulent marble foyer and an interior courtyard housing a Palm Court. Each bedroom was fitted with an en-suite bathroom.

Its restaurant, now named the Neptune but originally named after Doll, was designed almost identically to the RMS Titanic‘s dining room (Doll designed both). That’s not the only Titanic connection – the hotel also features a bronze statue of a dragon on the stairs named ‘Lucky George’ and the Titanic carried an identical statue.

The hotel survived World War II largely intact – with the exception of a roof-top dome which was damaged in an air raid in 1941 and not replaced.

Fast forward to April, 2018, and the hotel reopened as the The Principal Hotel (on the 106th anniversary of the sinking of the Titanic) following an extensive £85 million, two year renovation by designer Tara Bernerd.

But the Principal Hotel Company sold its portfolio of hotels to Covivio a few months later and they, in turn, leased the management of the hotels to the InterContinental Hotels Group. The Principal was renamed the Kimpton Fitzroy London in October that year.

Alongside 330 or so rooms, amenities at the five star hotel include the glass-roofed Palm Court, cocktail bar Fitz’s (named for Charles Fitzroy Doll), and the coffee shop Burr & Co. There’s also a grand ballroom, meeting rooms and a fitness centre.

Interestingly, Doll designed another hotel, the Imperial, also on Russell Square, which opened in 1911. It was demolished in 1966.

For more, see www.kimptonfitzroylondon.co.uk/us/en/.

PICTURES: Top – David Iliff (licensed under CC BY 3.0); Right and below – Jack1956.

This is the final in our series on historic London hotels. We’ll be launching a new special series next Wednesday.

The City of London’s largest rooftop viewing space – The Garden at 120 – has opened atop the newly opened Fen Court office building in Fenchurch Street. The viewing platform – located 15 storeys above the street – offers 360 degree views of the City and features a pergola planted with fruit trees and Italian wisteria, a water feature and coffee hut. Entry is free and access is between 10am and 6.30pm weekdays until 31st March (5pm on weekends) and between 10am and 9pm from 1st April to 30th September. For more, see www.thegardenat120.com. PICTURE: diamond geezer (licensed under CC-BY-NC-ND 2.0)

Rembrandt’s drawing and prints are the subject of a new free exhibition at the British Museum. Marking 350 years since the death of Rembrandt van Rijn in 1669, Rembrandt: thinking on paper features more than 60 of the Dutch artist’s works ranging from quick sketches to fully realised compositions with subject matter including self-portraits, landscapes and Biblical scenes. Works include Young woman sleeping (Hendrickje Stoffels?) (c1654), his printing plate for Reclining female nude (1658), the pen-and-ink Sketches of an old man and child (c1639-40), Self-portrait, bareheaded, bust in frontal view (1629), Self-portrait drawing at a window (1648), the Raising of Lazarus (c1632) and his late, large drypoints the Three Crosses (1653) and Ecce Homo (1655). Runs until 4th August in Room 90. Entry is free. For more, see www.britishmuseum.org.

The first posthumous retrospective of the work of Franz West (1947-2012) ever staged in the UK has opened at the Tate Modern. Franz West spans the artist’s career over four decades and includes examples from his series of early abstract small sculptures like Passstücke (Adaptives), furniture work first displayed in the artist’s pivotal 1989 exhibition at the Haus Lange Museum, as well as later, large-scale installations such as Auditorium (1992) and Epiphany on Chairs (2011). The artist’s works in papier-mâché – Legitimate Sculptures – are also featured and there’s a room devoted to Redundanz (1986), a three-part ensemble accompanied by text that stresses “the difference between language and art as ways of understanding the world”. The display finishes with an array of West’s dramatic aluminum works and a collection of maquettes for the artist’s outdoor sculptures, five of which are installed in the South Landscape. Runs until 2nd June. Admission charge applies. For more, see www.tate.org.uk.

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The flowers of Colombia are at the heart of this year’s Kew Orchid Festival which kicked off in west London late last week. Featuring what’s promised to be “dazzling displays” inspired by Colombia’s fauna and flora – the country boasts some 4,270 species of orchids alone, the 24th annual festival includes music, food, crafts and, of course, coffee. More than 5,700 orchids – including the Flor de Mayo – feature in the display in the Princess of Wales Conservatory with visitors led through a series of zones that evoke the sights, smells and sounds of Colombia. The central display is a “carnival of animals’ which depicts a toucan in flight, a hanging sloth and swimming turtle – all made of orchids, bromeliads and other tropical plants. There’s also a cascade of colourful hanging vandas representing the “rainbow river” – the Cano Cristales, an enchanted forest with life-sized jaguars, and, a golden floating display featuring yellow orchids depicting the legend of El Dorado. Meanwhile, the glasshouse film room features Bogota-style street art murals by Colombian multidisciplinary artist, Vanessa Moncayo González. The festival runs until 10th March. Admission charges apply. For more, see www.kew.org.

The works of Harald Sohlberg, one of the great masters of landscape painting in the history of Norwegian art, are on show at Dulwich Picture Gallery in the first ever exhibition of his works outside of Norway. Marking the 150th anniversary of the artist’s birth, Harald Sohlberg: Painting Norway boasts more than 90 works revealing the role of colour and symbolism in his art as well as his passion for Nordic landscapes. Spanning the period from 1889 when he was starting out as a 20-year-old through to 1935, the last year of his life, the works include the ‘national painting of Norway’ – Winter Night in the Mountains (1914) which took some 14 years to complete (pictured), as well as Fisherman’s Cottage (1906), Summer Night (1899), Sun Gleam (1894) and Street in Røros in Winter (1903). Runs until 2nd June. Admission charge applies. Accompanying the exhibition is a new sculptural installation in the gallery’s mausoleum by Bristol-based artist Mariele Neudecker – And Then the World Changed Colour: Breathing Yellow. For more see www.dulwichpicturegallery.org.uk. PICTURE:  Harald Sohlberg, ‘Winter Night in the Mountains’, 1914, The National Museum of Art, Architecture and Design, Norway.

A new photographic exhibition documenting the living conditions of London’s most disadvantaged children has opened at the Foundling Museum in Bloomsbury. Being run in partnership with The Childhood Trust, Bedrooms of London features images of sleeping spaces by Katie Wilson and they are shown alongside stories collected by Isabella Walker which bring into sharp focus the consequences of London’s social housing shortage. The display builds on the history of the Foundling Hospital, providing a glimpse into what life is like for the 700,000 London children currently living below the poverty line. It can be seen until 5th May. Admission charge applies. For more, see www.foundlingmuseum.org.uk.

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Eighty original comic strips hand-drawn by Charles M Schulz, of Peanuts fame, are on show at Somerset House on the Strand along with many of his personal effects and interactive installations in an exhibition marking the 70th anniversary of the creation of iconic character Charlie Brown. Good Grief, Charlie Brown! Celebrating Snoopy and the Enduring Power of Peanuts looks at the impact of the comics on the cultural landscape, from 1950 to now, and, alongside works by Schultz, features responses to them by 20 figures from the worlds of art, fashion and music. The comic strips are showcased in their original state and size – complete with inky thumbprints and correction marks – and sit alongside vintage Peanuts products and publications as well as correspondence between Schultz and people such as Billie Jean King and Hillary Rodham (now Clinton). Along with interactive displays including a real-life re-imagination of Lucy’s Psychiatric Help booth, light boxes where people can learn to draw the Peanuts characters and a Snoopy Cinema, here are also three large-scale lights installations illuminating the entrance to the exhibition. This landmark exhibition can be seen until 3rd March. Admission charge applies. For more, see www.somerset.org.uk.

Newly acquired contemporary artworks by Pacific Island artists are at the centre of an exhibition re-examining the relationship between Captain James Cook and the peoples of the Pacific Ocean which is running at the British Museum. Reimagining Captain Cook: Pacific Perspectives also features historic artefacts including Cook’s personal possessions and the British Museum’s oldest example of a Hawaiian shirt (pictured). Among the 14 contemporary artworks are eight specially acquired for the exhibition and all are in some way a response to Cook’s voyages to places including Australia, New Zealand, New Caledonia, Hawaii, Vanuatu and Tahiti. They include Maori artist Steve Gibbs’ Name Changer – an attempt to restore awareness of the traditional Maori names for the region around Gisborne in New Zealand, and a work by the Aboriginal photographer and artist Michael Cook, Civilised #12, which reflects on the legacy of William Dampier, the first Briton to visit Australia (before Cook). The display can be seen in Room 91 until 4th August. Admission is free. For more, see www.britishmuseum.org. PICTURE: ‘Hawaiian’ style vintage cotton shirt, decorated with designs from drawings done on Captain Cook’s voyages, Hawaii, 1970-1980. © Image The Trustees of the British Museum.

An exhibition marking the 80th anniversary of the Kindertransport is running at the Jewish Museum London in Camden. Remembering the Kindertransport: 80 Years On tells the story of how in 1938-39, the British Government allowed 10,000 Jewish and other ‘non-Aryan’ children from Nazi-occupied Europe to come to Britain in a rescue operation which became known as the ‘Kindertransport’. It features the children, now in their 80s and 90s, telling their stories on film as well as personal objects and artefacts they brought with them from their homelands. Also on show is a photographic exhibition – Still in Our Hands: Kinder Life Portraits – featuring archival photographs and portraits of former Kindertransportees and another – My Home and Me – which, held in partnership with the British Red Cross, explores the journey of young refugees arriving in Britain today. The exhibition, which is being accompanied by a series of events, runs until 10th February. Admission is free. For more, see www.jewishmuseum.org.uk/kindertransport.

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The portraits of Italian Renaissance painter Lorenzo Lotto, known for their rich symbolism, have gone on show at The National Gallery. Highlights of Lorenzo Lotto Portraits include masterpieces as the Bishop Bernardo de‘ Rossi (1505) and the monumental altarpiece of The Alms of Saint Antoninus of Florence (1540–2) brought to the UK from Venice for the first time as well as the Assumption of the Virgin with Saints Anthony Abbot and Louis of Toulouse (1506), The Mystic Marriage of Saint Catherine of Alexandria, with Niccolò Bonghi (1523 – pictured), the Portrait of a Young Man with a Lizard (1528–30), and the Portrait of a Man with a Felt Hat (1541?). The display, which is arranged over four rooms, also includes objects relating to the portraits including a carpet, sculpture, jewellery, clothing and books. Runs until 10th February. Admission is free. For more, see www.nationalgallery.org.ukPICTURE: Lorenzo Lotto, ‘Mystic Marriage of Saint Catherine with Donor Niccolò Bonghi’, 1523, Oil on canvas, 172 x 143cm, Accademia Carrara, Bergamo, © Fondazione Accademia Carrara, Bergamo.

The first exhibition to take a detailed look at the life of Assyrian King Ashurbanipal has opened at the British Museum. I am Ashurbanipal: king of the world, king of Assyria focuses on the 7th century BC when Ashurbanipal was the most powerful person on earth, ruling a vast and diverse empire from his capital of Babylon. More than 200 objects from the museum’s collection and other collections across the world feature in the display including massive stone sculptures, carved reliefs, carved ivories and metalwork, and ornate chariot fittings and weaponry. And in a contemporary twist, the final section of the exhibition looks at the challenges faced in protecting Iraqi cultural heritage in recent times. Runs until 24th February in the Sainsbury Exhibitions Gallery. Admission charge applies. For more, see www.britishmuseum.org.

A joint exhibition of works by Austrian artists Gustav Klimt (1862-1918) and Egon Schiele (1890-1918) has opened at the Royal Academy to mark the centenary of their deaths. Klimt / Schiele: Drawings from the Albertina Museum, Vienna is the first UK exhibition to focus on the fundamental importance of drawing to both artists and traces their use of the technique from their academic training days through to their later unconventional explorations of the human figure. About 100 works on paper feature in the display including studies for allegorical paintings, portraits and self-portraits, landscapes, erotic nudes and a sketchbook as well as carefully selected examples of lithographs, photographs and original publications. Runs in The Sackler Wing of Galleries until 3rd February. Admission charge applies. For more, see www.royalacademy.org.uk.

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