Famous Londoners -Thomas Cubitt…

A master builder and architect responsible for the development of key historic streets and squares in inner London during the first half of the 19th century, Thomas Cubitt’s legacy can still be seen in many places around London today.

Born in Buxton, near Norwich in Norfolk, on 25th February, 1788, Cubitt was the son of carpenter Jonathan Cubitt and his wife Agnes.

He took up his father’s trade at an early age and, drawing on those skills, journeyed to India as a ship’s carpenter, earning enough that he could start his own building firm around 1810. Joined by his brother William, they established themselves on Gray’s Inn Road in Holborn.

Statue of Thomas Cubitt by William Fawke. PICTURE: Canthusus at English Wikipedia (licensed under CC BY-SA 3.0/image cropped).

Their first major job was the construction of the London Institution in Finsbury Circus in 1815 and they went on to work on speculative housing projects in Camden Town and in Highbury Park in Stoke Newington.

Cubitt’s approach to such housing developments was somewhat revolutionary – he was one of the first builders to employ people of various trades, meaning he could offer those who sought his services something of a one-stop shop.

It was around this time – 25th March, 1821 – that he married Mary Anne Warner at St Marylebone Church. They would go on to have at least 12 children (and his descendants reportedly include Queen Camilla – he’s her great-great-great grandfather).

Cubitt’s major works in the development of London came in the 1820s when he was commissioned to build housing on the Duke of Bedford’s estate in Bloomsbury and by Richard Grosvenor, later 2nd Marquess of Westminster, to build homes in Belgravia, centred on Belgrave and Eaton Squares.

He also built housing to the south of Belgravia in an area which become known as Pimlico, nicknamed “Mr Cubitt’s District”, and as part of that development built several hundred yards of the Thames Embankment.

Said to be called the “Emperor of the Building Trade” by some, Cubitt also undertook development in Clapham Park and was responsible for a large part of Kemp Town in Brighton.

In 1827, the partnership between Thomas and his brother William (which also included younger brother Lewis, an engineer) was dissolved. William, later a Lord Mayor of London, took over management of the Gray’s Inn Road business, while Thomas focused his attentions on other projects (Lewis, meanwhile, would late rejoin William in the business).

Thomas’ subsequent projects included working with Prince Albert on the design and construction of Osborn House on the Isle of Wight, and, between 1847-50, building extensions to Buckingham Palace (as part of that work, he was responsible for moving the Marble Arch from the palace to Hyde Park). Cubitt was also one of those behind plans to turn Battersea’s water-logged fields into a public park.

Later in life, Cubitt bought and built a mansion for himself, Denbies House near Dorking. It was there that he died on 20th December, 1855. He was buried at the West Norwood Cemetery in south London. He was survived by his wife, seven of his children and both William and Lewis. Queen Victoria was among those who paid tribute to his life and career.

A statue of him (pictured) in Denbigh Street, London – near some of his former workshops – was unveiled by Gerald Grosvenor, 6th Duke of Westminster, in 1995. It is the work of William Fawke and donated by the Sanctuary Housing Association. There is a second statue of him in Dorking.

An English Heritage Blue Plaque marks the site of his former workshop at 3 Lyall Street – known as Cubitt Lodge, the building was built by him in 1847 and remained his headquarters and workshop until his death.

10 of London’s notable fountains – 6. The fountains of St James’s Park…

These fountains in St James’s Park are well-known landmarks located in the middle of the lake.

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London Explained – The Royal Standard flying above Buckingham Palace…

You may have seen the Royal Standard flying above Buckingham Palace. What does it signify?

The Royal Standard flying above Buckingham Palace. PICTURE: David Adams

Typically the Royal Standard is flown over a royal residence only when the monarch is physically present and in residence.

But a refurbishment of Buckingham Palace has meant King Charles III and Queen Camilla have been living in Clarence House while in London and, as a result, the Royal Standard flying over both the palace and Clarence House.

The King has announced, meanwhile, that while Buckingham Palace will remain the primary venue for ceremonial and official functions, he and the Queen intend to continue to reside at Clarence House even after the completion of the renovation project next year.

Which means that the current situation will continue including flying the Royal Standard above both properties when the King is in London, and flying the Union Jack from the top of the palace flagpole when he’s not.


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Interestingly, until 1997, the Royal Standard was the only flag to ever fly above Buckingham Palace (and never at half-mast for there is always a monarch on the throne – although, there was an error following the death of King Edward VII in 1910 when it apparently did so for several hours before being was corrected).

Following public outcry after the death of Princess Diana, Queen Elizabeth II ordered the Union Jack to be flown at half-mast over the palace during her funeral.

And it has since flown at half-mast on numerous occasions, including for the death of former PM Margaret Thatcher and members of the royal family including the Queen Mother and Princess Margaret as well as on other occasions of national mourning such as the terrorist bombings in London in 2005.

This Week in London – Buckingham Palace’s Picture Gallery redisplayed; ‘Henry VIII’s Joust’ at Hampton Court Palace; and, Paul Sarrut’s images of World War I…

The Picture Gallery at Buckingham Palace has undergone a once-in-a-generation redisplay and opens to the public as part of the palace’s summer opening today. PICTURE: © Royal Collection Enterprises Limited 2026/Royal Collection Trust – Ben Fitzpatrick

Some 120 masterpieces from the Royal Collection – including paintings by Rubens, Caravaggio and Zoffany – have gone on display in Buckingham Palace’s Picture Gallery in a major transformation of the storied room. The new presentation, which almost doubles the number of works on show, comes as the palace’s State Rooms open to visitors for summer. Highlights of the redisplay, which took some 875 hours to complete, include Johan Zoffany’s The Tribuna of Uffizi which depicts the famed Florentine gallery with works by Holbein, Rubens and Raphael all identifiable, as well as George Stubbs’ A Rough Dog, believed to show King George IV’s pet dog, Thomas Gainsborough’s portrait of Johann Christian Fischer, not believed to have been hung in the gallery display before. Other new works include The Letter by Vermeer contemporary Gerard ter Borch, and Caravaggio’s The Calling for Saints Peter and Andrew while five paintings by Rembrandt have now been hung together and seven works by Rubens have been reunited. The gallery was created during the John Nash-designed redevelopment of what had been Buckingham House into Buckingham Palace and while King George IV died before its completion, the first arrangement was hung by the time Queen Victoria acceded to the throne in 1837. Open until 27th September. Admission charge applies. For more, see www.rct.uk.

See jousting amid the drama of the Tudor court at Hampton Court Palace over the next two weekends. ‘Henry VIII’s joust’ will take visitors back to 1526 when they can watch knights clash on horseback while tensions build as it’s discovered Anne Boleyn has not been formally invited to the event. The family friendly event, which is taking place over the weekends of 11th and 12th July and 18th and 19th July, is included in general admission to the palace. For more, see https://www.hrp.org.uk/hampton-court-palace/.

The first ever UK exhibition dedicated to the work of World War I French liaison officer and interpreter Paul Sarrut has opened at the National Army Museum in Chelsea. Drawn on the Western Front: Paul Sarrut and the Indian Army features more than 50 drawings and works on paper exploring the experiences of some of the more than a million Indian men who volunteered to serve in the British Indian Army during the war. The display features Sarrut’s famous image of Sepoy Harnam Singh as well as also uniforms, photographs, archives and medals. The latter include Victoria Crosses awarded to Frank de Pass, the first Jewish recipient, and Khudadad Khan, the first Muslim and first soldier from the Indian subcontinent to receive the award. Free to enter. Runs until 27th February, 2027. For more, see https://www.nam.ac.uk.

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LondonLife – Trooping the Colour…

The annual King’s Birthday Parade, also known as Trooping the Colour, was held on Saturday in central London. The event saw 1,500 soldiers and hundreds of horses from the Household Division carry out complex drill manoeuvres to a programme of music and concluded with a 41 Gun Salute in Green Park, a 62 Gun Salute at Tower of London, and a flypast of military aircraft over Buckingham Palace.

Coldstream Guards musicians preparing for Trooping the Colour at Wellington Barracks. PICTURE: Cpl Jamie Ayling/UK MOD © Crown copyright 2026
March past of The Household Cavalry Regiment on the parade ground. PICTURE: Cpl Christian P Delice/UK MOD © Crown copyright 2026
King Charles III salutes the Regimental Colour during Trooping the Colour. PICTURE: SSgt Donald C Todd/UK MOD © Crown copyright 2026
Some of the over 300 musicians from the Massed Bands marching down the Mall towards Buckingham Palce for the march past. PICTURE: Sergeant Anil Gurung/UK MOD © Crown copyright 2026
The Royal Family wave to the crowds from the Buckingham Palace balcony after Trooping the Colour. PICTURE: SSgt Donald C Todd/UK MOD © Crown copyright 2026
Nine Hawk jets from the Red Arrows making smoke on route to His Majesty the King’s Birthday flypast over Buckingham Palace. PICTURE: AS1 Emily Muir/UK MOD © Crown copyright 2026

This Week in London – Lost music venues; the Iraq war remembered; and, ‘Queen Elizabeth II: Her Life in Style’ extended…

Lost UK music venues are recalled in a new exhibition opening at the V&A in South Kensington on Saturday. Lost Music Venues features more than 100 objects celebrating 50 lost venues and includes gig posters, membership cards, club photography, band merch, and subculture fashions which have been gathered together following a call to the public. Highlights include handwritten Oasis lyrics, a Blur set list, Mark Webber’s briefcase from his stint as Pulp’s tour manager, the exterior sign from the Astoria London, Joan Baez’s note of support for Rainbow Theatre, a poster for an early Banksy exhibition held at The Arches, a bespoke club outfit designed by Vivienne Westwood, and flyers from Plastic People. Free to visit, the display can be seen until 30th October, 2027. For more, see vam.ac.uk.

Marking the 15th anniversary of the end of the war in Iraq, a Warrior Infantry Fighting Vehicle will go on display outside the National Army Museum from next Tuesday to Sunday, 14th June. The vehicle has been recently decommissioned after more than 40 years of Army service and was present during operations in Iraq in 2004. It was almost certainly the vehicle in which then-Private Johnson Beharry earned the Victoria Cross for two separate acts of bravery under sustained enemy attack. Now Warrant Officer Class 1, Beharry became the first living British soldier in 35 years to be awarded the Victoria Cross for his heroic actions in saving the lives of his comrades during ambushes in Iraq. In the first, after his platoon commander was wounded in an attack on 1st May, 2004, Beharry took control of a Warrior Infantry Fighting Vehicle and, despite being severely injured, he led his patrol to safety under heavy machine-gun fire from the enemy. In the second incident on 11th June, 2004, Beharry, who sustained a severe head injury when a rocket-propelled grenade detonated just six inches from his head, still managed to drive his vehicle out of danger and saved the lives of those around him before losing consciousness. Beharry’s Victoria Cross will be among the first medals from Lord Ashcroft’s collection of Victoria Crosses and George Crosses to go on display inside the museum from 2nd June. His Iraq Medal and Kosovo Medal will also be on display. For more, see https://www.nam.ac.uk/.

Buckingham Palace have announced the landmark centenary exhibition at the King’s Gallery marking the centenary of the late Queen’s birth – Queen Elizabeth II: Her Life in Style – will be extended by six months due to popular demand. The exhibition, which will now close on 18th April next year, is the largest exhibition of Queen Elizabeth II’s fashion ever staged featuring more than 300 items drawn from her personal fashion archive. Admission charge applies. For more, see www.rct.uk/queenelizabeth

This Week in London – Queen Elizabeth II’s fashion archive on show; London Transport Museum Depot’s open days; and, wartime London in art…

Janet Sutherland, the royal christening robe, 1841. © Royal Collection Enterprises Limited 2026 | Royal Collection Trust.

A christening robe, first worn by Queen Victoria’s eldest child, Princess Victoria, at her christening in 1841, and subsequently by 61 other royal babies including Queen Elizabeth II, is one of the stars of a new exhibition opening at The King’s Gallery in Buckingham Palace tomorrow. Queen Elizabeth II: Her Life in Style features around 200 items from Queen Elizabeth II’s fashion archive – the largest exhibition of her clothing ever staged. Other highlights include a Norman Hartnell apple-green gown worn by the Queen a state banquet given for President Eisenhower at the British Embassy in Washington, DC, in 1957; a crinoline-skirted blue gown and matching bolero jacket worn by the late Queen for her sister Princess Margaret’s wedding in 1960; and, perhaps more surprisingly, a clear plastic raincoat made by Hardy Amies in the 1960s. The latter is just one example of late Queen’s private, off-duty wardrobe which is also included in the show. Other examples include a Harris tweed jacket and Balmoral Tartan skirt, designed by Norman Hartnell and worn in the 1950 and a green coat made by Angela Kelly. The exhibition runs until 18th October. Admission charge applies. For more, see www.rct.uk.

• Celebrate 120 years of the Bakerloo and Piccadilly Lines and 70 years of the Routemaster bus at a London Transport Museum Depot open day. The first to be held this year, the four open days at the Acton Town facility, will allow visitors to discover the more than 320,000 objects not on display at the museum’s Covent Garden site including the chance to climb aboard historic train stock dating from 1927 and 1938, get a close-up look at the pioneering RM1 and RM2 buses, and explore everything from rare signalling equipment to models, maps, station architecture and posters. A programme of talks is also taking place across the weekend along with activities for kids, heritage demonstrations, displays and stalls. The days run from today – 9th April – through to Sunday (12th April). Admission charges apply. For more, see www.ltmuseum.co.uk/whats-on/depot-open-days/icons-london.

On Now: Beauty and Destruction: Wartime London in Art. This free exhibition at IWM London tells the story of London during World War II and features more than 45 paintings and drawings as well as photographs, films, objects and oral histories. Works include some by well-known artists such as Eliot Hodgkin, Graham
Sutherland, Henry Carr, Evelyn Dunbar, Duncan Grant and Edward Ardizzone as well as lesser known figures, many of whom were employed by the War Artists’ Advisory Committee. The works are presented under four themes -Travel, Thames, Street and Shelter – and highlights include Frances MacDonald’s Sketch for ‘London Docks’ (1944), John Edgar Platt’s Wartime traffic on the River Thames (1942) and fireman artist Leonard Rosoman’s The Houses of Parliament on Fire, May 1941 (1941) – which captures the last night of the Blitz. Other works in the display are Duncan Grant’s painting of that iconic symbol of wartime resistance, St Paul’s Cathedral, Henry Carr’s St Clement Dane’s Church on Fire after being Bombed (1941), Evelyn Gibbs’ WVS Clothing Exchange (1943) and Evelyn Dunbar’s Convalescent Nurses Making Camouflage Nets (1941). The display can be seen until 1st November. For more, see www.iwm.org.uk/events/beauty-and-destruction-wartime-london-in-art.

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LondonLife – Passing parade…

Outside Buckingham Palace. PICTURE: Shawn/Unsplash

This Week in London – Kew’s Christmas light trail returns; ‘Time’ at the Old Royal Naval College; and, a royal Christmas shop…

A scene from last year’s light show. PICTURE: James Carter-Johnson/iStockphoto

• Kew Garden’s famous light trail opens tomorrow and this year the three kilometres features eight new world premiere installations, interactive dance floors with giant headphones and, for the first time, the illumination of the Great Pagada. Christmas at Kew will also feature seasonal staples such as illuminated trees, a festive funfair and the ever-popular Christmas Cathedral. Among the new installations are Creative Culture’s Christmas Orchestra featuring festive music coordinated with lights and In Bloom, an installation by Netherlands’ multidisciplinary artist Wilhelmsusvlug said to evoke “delicate petals dancing through the air”. There will be a newly created projection at the Palm House while the Palm House Pond will feature a light display of 100 lillies and the trail concludes with a music and light show at the Temperate House. Runs until 4th January. Admission charge applies. For more, see www.kew.org/christmas.

Time, a sound and light show by Luxmuralis, has transformed the Old Royal Naval College after dark with an “unforgettable journey through history and science”. Visitors start in the Painted Hall where they’s see Peter Walker’s Connection & Identity illuminated after which they’ll move through the Ripley Tunnel, Queen Mary Undercroft and chapel before heading outside across the colonnades and into the courtyard. Runs until 22nd November. Admission charge applies. For more, see https://ornc.org/whats-on/time-by-luxmuralis/.

The Royal Shop in the Royal Mews at Buckingham Palace has been transformed into a Christmas pop-up shop for the first time. The Royal Mews Christmas Shop, which opens tomorrow, features a range of official royal gifts as well as food and drink from the Royal Collection Trust, a department of the Royal Household. Among the new offerings this year are mini 20cl bottles of gins infused with botanicals hand-picked from the grounds of royal residences including Buckingham Palace and Windsor Castle as well as a Property of the Royal Kitchen range of kitchen accessories, which takes its inspiration from the Great Kitchen at Windsor Castle, and wine accessories including crystal wine glasses, delicately etched with a pattern of knotted vines and grape leaves inspired by the Grand Punch Bowl, a majestic wine cistern in the Royal Collection known to have been used by Queen Victoria. To visit the shop online, head to www.royalcollectionshop.co.uk.

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This Week in London – Royal art on tour; ‘More than Human’ at the Design Museum; and, the St Paul’s Watch celebrated…

Richard Foster, Their Royal Highnesses on North Seymour Island, 2009. PICTURE: © Richard Foster Royal Collection Trust

More than 70 works of art from the King’s private collection – many of which have never been shown publicly before – go on show from today as part of the summer opening of Buckingham Palace’s State Rooms. The King’s Tour Artists, which can be seen in the ballroom, features works by 43 artists who have travelled with the King and Queen during the past 40 years. They include the earliest work on show – From the Afterdeck of HMY Britannia by John Ward, the inaugural tour artist – as well as Basilica of San Vitale, created by Fraser Scarfe who became the first tour artist to create digital artwork on an iPad when he accompanied the King and Queen on a State Visit to Italy. Other works include a pair of portraits of the King and Queen when Prince of Wales and Duchess of Cornwall which were painted by James Hart Dyke following a tour to the Gulf States in 2007, a drawing by Claudette Johnson made after the first official royal visit to Rwanda in 2022, and a terracotta head by Marcus Cornish, the only sculptor ever to have been chosen as a tour artist, which depicts a war veteran met by the royal party during a visit to Slovakia in 2000. Other highlights of the summer opening include the chance to see the recently installed Coronation State Portraits of the King and Queen in their permanent home. Runs until 28th September. Admission charge applies. To book, head to www.rct.uk.

Artworks for octopii and an immersive seaweed installation are among artworks in a new exhibition at the Design Museum focusing on a growing movement of ‘more-than-human’ design. More than Human brings together more than 140 works spanning contemporary and traditional practices, fine art, product design, architecture and interactive installations – the work of more than 50 artists, architects and designers. As well as the artworks for octopuses by Japanese artist Shimabuku and the seaweed installation by artist Julia Lohmann, other highlights include a vast new tapestry that explores the perspectives of pollinators by Alexandra Daisy Ginsberg and an eight metre long mural by MOTH (More Than Human Life Project), depicting the growing movement to award legal rights to waterways around the world. Runs until 5th October. Admission charge applies. For more, see https://designmuseum.org/exhibitions/more-than-human.

On Now: Saving St Paul’s: The Watch and the Second World War. This free outdoor exhibition – part of St Paul’s Cathedral’s commemorations around the 80th anniversary of World War II, honours the volunteers known as the St Paul’s Watch and their efforts to protect the cathedral during the Blitz. That included during the two direct hits to the cathedral – in October, 1940, and April, 1941. A short film accompanies the display which can be seen in the cathedral garden. The exhibition can be seen until October, 2025. For more, see www.stpauls.co.uk.

London Explained – The Changing of the Guard…

It’s one of the most iconic London traditions – the ceremonial changing of the guard outside Buckingham Palace.

Elite guards have served the monarch since the reign of King Henry VII – he made the Royal Body Guard a permanent institution – and Guards Regiments, among the oldest units in the British Army, were first raised in 1656 to protect King Charles II who was then living in exile in Bruges in modern Belgium.

PICTURE: DianaVolchik/Wikimedia Commons (licensed under CC BY-SA 4.0)

The Changing of the Guard ceremony originally took place at the (now long-gone) Palace of Whitehall. But when the court moved to St James’s Palace in 1698, the ceremony went with them. And then, when Queen Victoria moved to Buckingham Palace in 1837, a detachment of guards was sent to guard the palace (with the Queen’s Guard also still guarding St James’s, a situation which continues today).

The main ceremonial Changing of the Guard today takes place at Buckingham Palace. It involves the Old Guard (those currently on duty, including the detachment from St James’s Palace) forming up in front of the palace and being relieved by the New Guard which has marched from Wellington Barracks, off Birdcage Walk, with a band which plays New Guard’s Regimental Slow March as it advances towards the Old Guard.

Both the Old and New Guard carry regimental flags, known as “Colours”. The guard duties are traditionally served by one of the five regiments of foot guards (part of the Household Division) which include the Welsh Guards, Grenadier Guards, Coldstream Guards, Scots Guards, Irish Guards.

But regiments from Commonwealth nations and those from the Royal Navy or Royal Air Force also perform the duty from time to time.

The Changing of the Guard currently takes place on Monday, Wednesday and Friday from 11am. The ceremony lasts about 45 minutes.

On days when the ceremony isn’t performed, the guard is still inspected by the Captain at 3pm except on Sunday when the flag (Colour) is incorporated into the ceremony, then known as the Sunday Parade, which takes place at 11am.

For more, see www.householddivision.org.uk/changing-the-guard-overview.

Treasures of London – The Royal Mews…

Usually Treasures of London focuses on an object held in a museum or gallery or an outdoor feature such as sculpture or memorial but in honour of its 200th birthday this year, today we’re taking a look at the Royal Mews at Buckingham Palace.

Here are some facts about the Mews which you may not know…

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LondonLife – Trooping the Colour…

More than 1,000 soldiers and 200 horses from the Household Division took part in the King’s Birthday Parade, also known as Trooping the Colour, on Saturday.

Members of the Household Division are seen here as they make their way down the Mall to Horse Guards Parade in London on Saturday. PICTURE: Sgt Donald C Todd/UK MOD © Crown copyright 2025.
King Charles III and Queen Camilla, along with Catherine, the Princess of Wales, are seen here at Horse Guards. PICTURE: Sgt Donald C Todd/UK MOD © Crown copyright 2025
The Blues and Royal of the Household Cavalry Mounted Regiment ride off after riding past King Charles III at Horse Guards. PICTURE: Sergeant Rob Kane/UK MOD © Crown copyright 2025
The Coldstream Guards are seen here on parade at Horse Guards. PICTURE: Sgt Donald C Todd/UK MOD © Crown copyright 2025
Members of the Household Division flank King Charles III and Queen Camilla as they make their way down the Mall to Buckingham Place. PICTURE: Cpl Christian P Delice/UK MOD © Crown copyright 2025.
The Royal Family are seen here on the balcony of Buckingham Palace as they watch the flypast of military aircraft. PICTURE: Sgt Donald C Todd/UK MOD © Crown copyright 2025
The crowds watch as the Red Arrows fly over the Mall and Buckingham Palace. PICTURE: Sgt Anil Gurung/UK MOD © Crown copyright 2025.

This Week in London – VE Day commemorated at St Paul’s; the National Gallery redisplayed; and, Tate Modern celebrates its 25th…

VE Day commemorations continue in London this week with an Evensong service to be held outside St Paul’s Cathedral this evening. The service to commemorate the 80th anniversary of the end of the war in Europe will be held between 5pm and 6pm. Following the service will be a lamp-lighting ceremony and blessing on the cathedral’s west steps with the cathedral bells being tolled as part of a national bell-ringing at 6:30pm. A replica of a World War II Spitfire can also be seen in front of the West Steps. The service is free and unticketed – entry is via Paternoster Square. For more, see www.stpauls.co.uk/whats-on/special-evensong-to-commemorate-80th-anniversary-of-end-of-second-world-war-in-europe-ve80.

Central Hall, The National Gallery. Image and Identity: Full-Length Portraits 1550-1900. Part of ‘C C Land: The Wonder of Art’. PICTURE: © The National Gallery, London

A major redisplay of the National Gallery’s collection – created as part of its bicentenary celebrations – can be seen from Saturday. C C Land: The Wonder of Art, which coincides with the opening of the transformed Sainsbury Wing after more than two years of building works, features more than 1,000 works and traces the development of painting in the Western European tradition from the 13th to 20th centuries. Among the works displayed are the Coronation State Portraits, commissioned from the artists Peter Kuhfeld and Paul S Benney and unveiled by King Charles III and Queen Camilla this week, which will be on display until 5th June when they will be moved to the Throne Room at Buckingham Palace. There are also newly restored works including the Pollaiuolo brothers’ The Martyrdom of San Sebastian and Jan van Eyck’s Portrait of a Man (Self Portrait?) and newly acquired works such as Eva Gonzalès’ The Full-length Mirror (about 1869‒70), Sir Lawrence Alma-Tadema’s After the Audience (1879) and Nicolas Poussin’s Eucharist (about 1637‒40) – one of the greatest paintings of the Last Supper. Meanwhile, a series of rooms have been dedicated to the work of individual artists including the likes of Titian (active about 1506‒1576), Rembrandt (1606‒1669) and Monet (1840‒1926) and one part of the new display focuses on King Charles I (1600‒1649) as a collector of art and includes major loans from the Royal Collection. Finally, in a first for the gallery, Segna di Bonaventura’s Crucifix (about 1310‒15) has been suspended from the gallery’s ceiling, enabling today’s audiences to view the work in the way it would have been seen in the 14th century. Entry to the gallery is free. For more, see nationalgallery.org.uk.

Tate Modern. PICTURE: Courtesy of the Tate Modern.

The Tate Modern is celebrating 25 years this weekend with four days of festivities starting from tomorrow (Friday). A number of recent additions to Tate’s collection will go on display around the building for the anniversary and some of the most iconic works from Tate Modern’s history are coming back including Louise Bourgeois’s 10 metre high bronze spider Maman which was the first work to greet visitors when Tate Modern opened in 2000. Other returning works include Mark Rothko’s Seagram murals and Dorothea Tanning’s Eine Kleine Nachtmusik while among contemporary works being highlighted over the weekend is an immersive multi-screen film installation by Nalini Malani. Two new exhibitions are also open for the anniversary weekend – A Year in Art: 2050 which explores how artists imagine possible futures, and, Gathering Ground which features international contemporary art united by a deep connection to land and community. The weekend also features live music and performances, pop-up talks and tours, and special food and drink offers. For more, see https://www.tate.org.uk/whats-on/tate-modern/birthday-weekender.

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This Week in London – The glamour of the Edwardian Royals; tulips at Hampton Court; and, Cartier jewels at the V&A…

Attributed to R. & S. Garrard, ‘Love Trophy’ Collar, 1901
Charles Baugniet, ‘After the Ball’: a Lady in a Ballgown Asleep on a Sofa, c1860–67

The glamour and opulence of the Edwardian era – and the two royal couples that exemplified it – is the subject of a new exhibition opening at The King’s Gallery at Buckingham Palace tomorrow. The Edwardians: Age of Elegance takes an in-depth look at the lives of King Edward VII and Queen Alexandra, and King George V and Queen Mary, exploring not only their family interactions but their glittering social circles, travel adventures and, of course, the royal events they attended. More than 300 items are on display in the exhibition – almost half on show for the first time – with highlights including Queen Mary’s ‘Love Trophy’ Collar necklace which is on display for the first time, a Cartier crystal pencil case set with diamonds and rubies, and, a blue enamel Fabergé cigarette case featuring a diamond-encrusted snake biting its own tail which was given to King Edward VII in 1908 by his favourite mistress as a symbol of eternal love. There’s also a never-before-seen photograph of Edward wearing fancy-dress as a knight of the Order of Malta as he attended a ball celebrating Queen Victoria’s 1897 Diamond Jubilee, a previously unseen study of Sleeping Beauty by the Pre-Raphaelite artist Sir Edward Burne-Jones, and, Charles Baugniet’s After the Ball which is on show for the first time in more than a century. Runs until 23rd November. Admission charge applies. For more, see www.rct.uk.

More than 100,000 tulip bulbs are springing to life at Hampton Court Palace for its annual Tulip Festival. The display includes an installation of 10,000 tulips in the palace’s Fountain Court, floating tulip bowls in the Great Fountain, a vintage horse cart spilling tulips in the Clock Court, free-style planting, inspired by the tulip fields of the Netherlands, in the Kitchen Garden and rare, historic and specialist varieties of tulips in the Lower Orangery. There will be daily “tulip talks” in the palace’s wine cellar exploring the history of the flower and how Queen Mary II introduced them to the palace. Runs from Friday until 5th May. Included in general admission. For more, see www.hrp.org.uk.

Rose clip brooch, Cartier London, 1938. Diamonds and platinum. Vincent Wulveryck, Collection Cartier © Cartier

The first major exhibition in 30 years dedicated to Cartier jewels and watches opens at the V&A this Saturday. Cartier, which is being held in The Sainsbury Gallery, charts the rise of the globally recognised jewellery house and how it became known as “the jeweller of kings and the king of jewellers”. The display features more than 350 objects with highlights including the Williamson Diamond brooch which was commissioned by Queen Elizabeth II in 1953 and which features the rare 23.6 carat pink Williamson diamond; the Scroll Tiara commissioned in 1902 and worn to the coronation of Elizabeth II and later by Rihanna on the cover of W magazine in 2016; Grace Kelly’s engagement ring (1956) that she wore in her final film High Society; Mexican film star María Félix’s snake necklace (1968); and, a selection of Cartier timepieces that embody its pioneering approach to watchmaking, including the Crash wristwatch, designed by Cartier London (1967). The exhibition runs until 16th November. Admission charge applies. For more, see vam.ac.uk/exhibitions/cartier.

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This Week in London – Queen Victoria’s Christmas childhood; Parmagianino’s Madonna and Child with Saints; and, Buckingham Palace winter tours…

Step back in time at Kensington Palace this Christmas with an experience inspired by Queen’s Victoria’s childhood at the palace. Victoria’s Childhood Christmas features intricately designed installations – everything from trees hung with sugar ornaments and handmade paper decorations to bespoke illustrations and period-style gifts – as well as an exploration of how some of the traditions still celebrated today – such as arranging numerous Christmas trees on table tops and displaying unwrapped presents around them – can be traced back to the 1830s at Kensington Palace. There’s also a pop-up theatre set which captures the magic of Victoria’s winter trips to London opera houses and a festive-themed afternoon tea inspired by Princess Victoria’s Christmas traditions served in The Orangery. The experience, which is included in general admission, can be seen until 5th January. For more, see www.hrp.org.uk/kensington-palace/

Parmigianino (1503–1540), ‘Studies of Saints John the Baptist and Jerome, a Crucifix and Various Heads’ (recto), about 1525–7; Red chalk on paper, 13.5 × 22.1 cm; The J. Paul Getty Museum, Los Angeles (87.GB.9); PICTURE: Courtesy of the Getty’s Open Content Program

Parmigianino’s Madonna and Child with Saints (1526‒7) returns to display in The National Gallery for the first time in a decade in honour of the gallery’s 200th anniversary. The work, which is also known as The Vision of Saint Jerome, was presented to the gallery in 1826 and is being displayed with a selection of some of the most important preparatory drawings providing a rare opportunity to follow the artist’s creative process. The painting can be seen in Room 46 until 9th March. Entry is free. For more, see nationalgallery.org.uk.

The Buckingham Palace State Rooms are open for one hour tours on select dates throughout winter. Led by an expert guide, the tours, which have a maximum of 30 people, include a complimentary guide. For more, see https://www.rct.uk/whatson

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This Week in London – Medieval women at the British Library; Renaissance drawings at The King’s Gallery; and, ‘Duo’ in the Painted Hall…

Christine de Pizan, The Book of the City of Ladies (Add Harley MS 4431, f. 290r). © British Library

The lives of medieval women are the subject of a new exhibition at the British Library. Medieval Women: In Their Own Words features more than 140 objects with highlights including a letter bearing the earliest known signature of Joan of Arc which has never before been displayed outside France, a manuscript made in the early 15th century under the personal supervision of Christine de Pizan – the first professional women author in Europe, a 12th   century ivory carving which belonged to Sybilla of Flanders, and, the oldest surviving Valentine’s Day letter, sent by Margery Brews in 1477. There’s also the book Behinat Olam Mantua, published between 1476 and 1480 by Estellina Conat who was the first recorded woman to print a book in Hebrew, the only surviving copy of the earliest known autobiography in English, The Book of Margery Kempe, which was probably written around 1438, a 15th century birthing girdle and the largest hoard of medieval gold coins ever discovered in Britain which was probably gathered as a result of Margaret of Anjou’s fundraising efforts in support of the Lancastrian side in the Wars of the Roses. The display is a multi-sensory experience which, as well as the objects on show, features scent installations, films, music and interactive digital technologies. The exhibition, which is accompanied by a programme of events, can be seen until 2nd March. Admission charge applies. For more, see www.bl.uk.

Annibale Carracci, ‘A landscape with a lobster’, c1590. © Royal Collection Enterprises Limited 2024 | Royal Collection Trust

An exhibition of the widest range of drawings from the Italian Renaissance ever to be shown in the UK opens at The King’s Gallery in Buckingham Palace on Friday. Drawing the Italian Renaissance features more than 160 works by more than 80 artists including Leonardo da Vinci, Michelangelo, Raphael and Titian. The works are all drawn from the Royal Collection and more than 30 are on display for the first time while a further 12 have never been shown in the UK. Highlights include Raphael’s The Three Graces in red chalk (c1517-18), Fra Angelico’s The bust of a cleric (c1447-50), a chalk study of an ostrich attributed to Titian (c1550), Leonardo da Vinci’s A costume study for a masque (c1517-18), Michelangelo’s The Virgin and Child with the young Baptist (c1532), and works by lesser-known artists such as Paolo Farinati’s 1590 study of three mythological figures under an arch. Admission charge applies. Can be seen until 9th March. For more, head to www.rct.uk/collection/exhibitions/drawing-the-italian-renaissance/the-kings-gallery-buckingham-palace

Melek Zeynep Bulut’s postponed installation Duo can be seen in the Painted Hall at the Old Royal Naval College in Greenwich – but only until Sunday. Presented in partnership with the London Design Festival, Duo is a suspended installation which explores the concepts of duality and interaction. Admission charge applies. For more, see https://ornc.org/whats-on/ldf/.

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LondonLife – Views of London past…

The Tower and Mint from Great Tower Hill’ byThomas Shotter Boys in ‘Original Views of London as It Is’, 1842. PICTURE: Via Art Institute of Chicago/Unsplash
‘Blackfriars, from Southwark Bridge’ by Thomas Shotter Boys from ‘Original Views of London as It Is’, 1842. PICTURE: Via Art Institute of Chicago/Unsplash
‘Entry to The Strand from Charing Cross’ by Thomas Shotter Boys from ‘Original Views of London as It Is’, 1842. PICTURE: Via Art Institute of Chicago/Unsplash
‘Buckingham Palace from St James’ Park’ by Thomas Shotter Boys from ‘Original Views of London as It Is’, 1842. PICTURE: Via Art Institute of Chicago/Unsplash
‘London, from Greenwich’ by Thomas Shotter Boys from ‘Original Views of London as It Is’, 1842. PICTURE: Via Art Institute of Chicago/Unsplash

LondonLife – Trooping the Colour…

King Charles III salutes. PICTURE: Sgt Donald C Todd/©MoD Crown Copyright 2021.

The King’s Birthday Parade took place in central London on Saturday featuring some 242 military working horses, 250 military musicians, 40 pipers and drummers, and more than 1,000 dual role soldiers of the British Army’s Household Division. The parade is a gift from the British Army’s Household Division to the King and is traditionally held on the second Saturday in June, regardless of the Sovereign’s actual date of birth.

Formations at Horse Guards. PICTURE: WO1 Rupert Frere, RLC/©MoD Crown Copyright 2021
Participants in the King’s Birthday Parade. PICTURE: Sgt Donald C Todd/©MoD Crown Copyright 2021
King Charles III and Queen Camilla at Horse Guards. PICTURE: Corporal Danielle Dawson/© MoD Crown Copyright 2024
The Royal Family, including King Charles III and Queen Camilla, gather on the Buckingham Palace balcony to watch the Fly Past. PICTURE: Corporal Squires/©MoD Crown Copyright 2021
An aerial view of the Kings Birthday Fly Past featuring the Red Arrows over Buckingham Palace. PICTURE: AS1 Kirwan-Taylor/©UK MOD Crown Copyright 2024

This Week in London – Royal portraits; Sir Elton’s photographic collection revealed; and, women artists…

• Royal portrait photography, from the 1920s through to today, is the subject of a new exhibition opening at the King’s Gallery at Buckingham Palace on Friday. Royal Portraits: A Century of Photography features more than 50 photographic prints, proofs and documents from the Royal Collection and the Royal Archives. Among the royal photographers whose work is on show are everyone from Cecil Beaton and Dorothy Wilding to Annie Lebovitz and Rankin as well as Lord Snowdon (born Antony Armstrong-Jones). Highlights include Beaton’s 1939 shoot featuring Queen Elizabeth, The Queen Mother, in Buckingham Palace Gardens dressed in her “White Wardrobe” by Norman Hartnell, and his original coronation portraits of Queen Elizabeth II. Admission charge applies. Runs until 6th October. For more, head here.

Bruce Davidson, Black Americans. New York City. 1962 © Bruce Davidson Magnum Photos

More than 300 prints from the private photographic collection of Sir Elton John and David Furnish got on display at the V&A from Saturday. Fragile Beauty: Photographs from the Sir Elton John and David Furnish Collection will showcase the work of more than 140 photographers and the V&A’s largest temporary exhibition of photography to date. Photographers include everyone from Robert Mapplethorpe, Cindy Sherman, and William Eggleston to Diane Arbus, Sally Mann, Zanele Muholi, Ai Weiwei and Carrie Mae Weems and the subjects explored include fashion, reportage, celebrity, the male body, and American photography. Portraits of Marilyn Monroe, Miles Davis, and Chet Baker are among the highlights. Runs until 5th January in The Sainsbury Gallery. Admission charge applies. For more, see www.vam.ac.uk.

Anna Airy, ‘Shop for Machining 15-inch Shells: Singer Manufacturing Company’, Clydebank, Glasgow, 1918. © Imperial War Museum

An exhibition focusing on the path women have taken to being recognised as professional artists opens today at Tate Britain. Now You See Us: Women Artists in Britain 1520-1920 features more than 200 works, including oil painting, watercolour, pastel, sculpture, photography and ‘needlepainting’, created by more than 100 artists including Artemisia Gentileschi, Angelica Kauffman, Julia Margaret Cameron and Gwen John. Highlights include Tudor miniatures by Levina Teerlinc, Gentileschi’s Susanna and the Elders (1638-40), the work of 18th century needlewoman Mary Linwood, Elizabeth Butler (née Thompson)’sThe Roll Call (1874), and, the work of Laura Knight and Ethel Walker, who, on the 120th century achieved critical acclaim and membership of the Royal Academy. Runs until 13th October. Admission charge applies. Head to tate.org.uk.

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