Marking 50 years since the release of their first album, The Piper At The Gates Of Dawn, a new exhibition opens at the V&A this Saturday celebrating the work of pioneering band Pink Floyd. The Pink Floyd Exhibition: Their Mortal Remains is an “immersive, multi-sensory and theatrical journey” through the “extraordinary world” of the band, encompassing their music as well as their iconic visuals and staging, which included ground-breaking use of special effects, sonic experimentation and imagery. The exhibition features more than 350 objects with highlights including set and construction pieces from some of the band’s most famous album covers and stage performances including the more than six metre tall metallic heads from 1994’s The Division Bell and a life-sized model of a British soldier seen in the artwork of 1988’s The Final Cut as well as instruments such as David Gilmour’s famous ‘Black Strat’, Roger Waters’ handwritten lyrics songs Wish You Were Here and Have a Cigar and psychedelic prints and posters. There is also never-seen-before classic Pink Floyd concert footage and a custom-designed laser light show as well as an accompanying sound experience – featuring past and present band members – provided by Sennheiser. Runs until 1st October. Admission charge applies. For more, see www.pinkfloydexhibition.com. PICTURE: © Pink Floyd Music Ltd photo by Storm Thorgerson/Aubrey ‘Po’ Powell 1971 Belsize Park

The ongoing conflict in Syria is the subject of a new exhibition at the Imperial War Museum which explores its origins, escalations and impacts. Syria: Story of a Conflict features a collection of objects – some of which have recently come from Syria – which point to the tragic and complex nature of the conflict as well as a film installation and a series of personal stories from Syrians affected by the fighting. It runs alongside a collection of more than 60 photographs by award-winning Russian documentary photographer Sergey Ponomarev taken around the conflict, a number of which are being displayed for the first time. Both the photography display – Sergey Ponomarev: A Lens on Syria – and the exhibition are part of the IWM’s Syria: A Conflict Explored ‘season’, with Syria the first contemporary conflict to be explored in the Imperial War Museum’s ‘Conflict Now’ ‘strand’, launched to coincide with the museum’s centenary. Both the exhibition and photographic display can be seen until 3rd September. Admission to both, which are accompanied by a programme of events including debates and tours, is free. For more, see www.iwm.org.uk/exhibitions/iwm-london/syria-a-conflict-explored

The work of sculptor, painter and draughtsman, Alberto Giacometti, is the subject of a new exhibition at the Tate Modern – the UK’s first major retrospective of his work for 20 years. More than 250 works are featured in the exhibition, which draws on the collection of Paris’ Fondation Alberto et Annette Giacometti, including rarely seen and never before exhibited plasters and drawings as well as works from across the span of Giacometti’s 50 year career – from Head of a Woman [Flora Mayo] (1926) to Walking Man 1 (1960). While Giacometti is best known for his bronze figures, Tate Modern is, in this exhibition, repositioning him as an artist with a far wider interest in materials and textures, especially plaster and clay, Runs until 10th September. Admission charge applies. See www.tate.org.uk.

Send all items to exploringlondon@gmail.com.

The remains of several archbishops of Canterbury are believed to have been found beneath a former parish church in Lambeth. Workers were carrying out renovation works at the deconsecrated St Mary-at-Lambeth, removing flagstone, when they found a hitherto unknown crypt containing some 20 lead coffins one of which had a small gold archbishops’ mitre resting on top of it. Among those whose coffins have been identified are those of Archbishop Richard Bancroft (in office 1604-1610), who played an important role in the creation of the King James Bible, and Archbishop John Moore (1783-1805) as well as Moore’s wife Catherine and that of John Bettesworth, Dean of Arches, Judge of the Archbishop Prerogative court. It is also believed that archbishops Frederick Cornwallis (1768-1783), Matthew Hutton (1757-1758) and Thomas Tenison (1694-1715) were buried in the tomb under the church’s chancel. The church, which is located beside the River Thames adjacent to Lambeth Palace – London home of the archbishops of Canterbury, originally dates from the 11th century and was deconsecrated in the 1960s. The burial place of John Tradescant (c1570-1638), described as the first “great gardener” in British history, it was subsequently transformed into what is now known as the Garden Museum, the world’s first museum of garden history. The museum closed in 2015 for a £7.5 million redevelopment project and is expected to reopen in late May. PICTURE: Top – the lead coffins with metallic bishop’s mitre; a still taken from video posted on the Garden Museum website/Right – St Mary-at-Lambeth (right side of image).

Described by the Theatres Trust as a “key building” in music hall history, the Canterbury Music Hall was first erected in Westminster Bridge Road in 1852 on the site of an old skittles alley which had been attached to the Canterbury Tavern.

It was the tavern owner, Charles Morton, who erected the building which he apparently paid for out of the profits he made on selling drink while offering the entertainment for free.

Morton built upon the “song and supper room” tradition by employing a resident group of singers and such was its popularity that only a couple of years after the doors to the first hall opened, Morton was able to build a second, much larger music hall on the same site complete with a grand staircase, supper room and art gallery as well as seating for some 1,500 people.

Among stars to perform there was French acrobat Charles Blondin, who apparently made his way across the hall on a tightrope tied between the balconies.

In 1867 William Holland took a lease from Morton and the programmes then began to move away from the light music and ballads it was known for toward a more varied program with comedy prevailing. The art gallery was converted into a bar and a proscenium stage may have been added at this time.

RE Villiers took over management in 1876 and the building was again largely rebuilt – this time as a three tier theatre with a sliding roof. The venue hosted regular ballet performances and these proved popular with royalty – the Prince of Wales (later King Edward VII) was said to be a regular patron. The interior was again remodelled, this time with an Indian theme, in 1890.

The decline of the popularity of music halls saw it start to show films from 1914 and eventually to become a dedicated cinema. It survived until it was destroyed during a World War II bombing raid in 1942.

PICTURE: A print showing the hall after its 1856 rebuild (via Wikipedia)

 

 

We pause briefly at the start of this week’s coverage to remember those killed and injured in yesterday’s terror attack outside the Houses of Parliament in Westminster as well as pay tribute to the emergency services and passersby who responded to aid the wounded.

The UK’s first major exhibition dedicated to the evolution of the anti-war movement has opened at the Imperial War Museum this week. People Power: Fighting for Peace features such rare items as a hand-written poem by Siegfried Sassoon, artist Gerald Holtom’s original sketches for the iconic ‘peace symbol’, artworks depicting the destructive nature of World War I like Paul Nash’s Wire (1918) and CRW Nevinson’s Paths of Glory (1917), a handwritten letter by Winnie the Pooh author AA Milne outlining his struggle to reconcile pacifism with the rise of Hitler, and Peter Kennard and Cat Philip’s iconic photomontage Photo Op (2007) which depicts former PM Tony Blair taking a selfie against the backdrop of an explosion. More than 300 items are displayed in the exhibition including paintings, literature, posters, banners, badges and music, dating from World War I to the present. Admission charge applies. Runs until 28th August. For more, see www.iwm.org.uk/exhibitions/iwm-london/fighting-for-peace. PICTURE: David Gentleman, Stop the War – No More Lies/© David Gentleman, reproduced with the kind permission of the Stop the War Coalition.

• The first new gallery space to open at The National Gallery in 26 years was launched this week. Gallery B, designed by architects Purcell, features some 200 square metres of display space and features nine works by Rubens and 11 by Rembrandt. There are also drawings by contemporary painter Frank Auerbach, inspired by Rembrandt and Rubens works, in the Gallery B lobby and espresso bar. The launch also marks the daily opening of Gallery A which has hitherto only be opened on selected days. Entry is free. For more, see www.nationalgallery.org.uk.

A virtual reality experience which enables people to experience what it feels like to sit inside the Russian Soyuz TMA-19M spacecraft used by Tim Peake – the UK’s first European Space Agency astronaut – in a mission to and from the International Space Station opens at the Science Museum tomorrow. The South Kensington museum acquired the spacecraft in December last year and, from Friday, visitors will be able to take part in Space Descent VR with Tim Peake – a 360 degree state-of-the-art virtual reality experience which allows visitors to experience what it is like in the Soyuz’s 1.5 tonne descent module during its dangerous 400 kilometre high speed journey back to Earth during which it has to slow from a speed in orbit of 25,000 kph. The experience was created by Alchemy VR and made possible with the support of Samsung, Tim Peake and the ESA. For more information and tickets, see sciencemuseum.org.uk/VR.

Send all items for inclusion to exploringlondon@gmail.com.

The first of three weekends celebrating the creation of the world’s longest double herbaceous borders – known as the Great Broad Walk Borders – will be held at Kew Gardens this weekend. Made up of 30,000 plants, the borders run along 320 metres of the Broad Walk which was originally landscaped in the 1840s by William Nesfield to provide a more dramatic approach to the newly constructed Palm House (completed in 1848). The spirit of the formal colourful beds he created along either side of the walk have been recreated using a range of plants. To celebrate, Kew are holding three themed weekends, the first of which, carrying a history and gardens theme, is this Saturday and Sunday. As well as talks and drop-in events, there will be a range of family-related activities as well as craft workshops, tours, and shopping. Further weekends will be held on 13th and 14th August (around the theme of the excellence of horticulture at Kew) and the bank holiday weekend of 27th to 29th August (around the theme of a celebration of beauty). For more, head to www.kew.org.

A new exhibition centring on the experiences of UK citizens and residents suspected but never convicted of terrorism-related activities and the role of the British Government in the ‘Global War on Terror’ opens at the Imperial War Museum in Lambeth today. Edmund Clark: War on Terror, Clark’s first major solo show in the UK, looks at the measures taken by states to protect their citizens from the threat of international terrorism and their far-reaching effects, exploring issues like security, secrecy, legality and ethics. Among the photographs, films and documents on display are highlights from five series of Clark’s work including Negative Publicity: Artefacts of Extraordinary Rendition, created in collaboration with counter-terrorism investigator Crofton Black, and other works including the film Section 4 Part 20: One Day on a Saturday, photographs and images from the series Guantanamo: If the Light Goes Out and Letter to Omar as well as the first major display of the work Control Order House. Runs until 28th August, 2017. Admission is free. For more, see www.iwm.org.uk/exhibitions/iwm-london/edmund-clark-war-of-terror.

The only English football captain to win a World Cup, Bobby Moore, has become the first footballer to be honoured with an English Heritage blue plaque. The plaque was unveiled at the footballer’s childhood home at 43 Waverley Gardens in Barking, East London, this week. Moore is best remembered for leading England to a 4-2 win over West Germany in the 1966 World Cup. For more, see www.english-heritage.org.uk/visit/blue-plaques/.

The camera is the subject of a new photography display which opened at the V&A in South Kensington last weekend. The Camera Exposed features more than 120 photographs, including works by more than 57 known artists as well as unknown amateurs. Each work features at least one camera and include formal portraits, casual snapshots, still-lifes, and cityscapes. Among the images are pictures of photographers such as Bill Brandt, Paul Strand and Weegee with their cameras along with self-portraits by Eve Arnold, Lee Friedlander and André Kertész in which the camera appears as a reflection or shadow. The display includes several new acquisitions including a Christmas card by portrait photographer Philippe Halsman, an image of photojournalist W Eugene Smith testing cameras and a self-portrait, taken by French photojournalist Pierre Jahan using a mirror. Runs in gallery 38A until 5th March. Free admission. For more, see www.vam.ac.uk/exhibitions/the-camera-exposed.

Sixty years of fanzines – from the development of zine-making back in the 1940s through to today’s – go on show at the Barbican Music Library in the City on Monday. FANZINES: a Cut-and-Paste Revolution features zines including VAGUE, Sniffing’ Glue, Bam Balam, Fatal Visions, Hysteria and Third Foundation among others. The exhibition, which runs until 31st August, is being held in conjunction with this year’s PUNK LONDON festival. For more, see www.cityoflondon.gov.uk/services/libraries-and-archives/our-libraries/Pages/Barbican-Music-Library.aspx.

Send all items for inclusion to exploringlondon@gmail.com.

Battle-of-the-SommeThe Imperial War Museum in Lambeth is holding a free late night opening tonight featuring live music, film screenings, immersive theatre and poetry to mark the 100th anniversary of the Battle of the Somme. Highlights of Night Before the Somme, which runs from 8pm to midnight tonight, include slam poet Kat Francois’ critically acclaimed play Raising Lazarus, poet and broadcaster Ian McMillan’s show Magic Lantern Tales, and extracts from the immersive production Dr Blighty – which tells the story of the million Indians who travelled to fight in the war. Visitors will also have the chance to watch the film, The Battle of the Somme (filmed and screened in 1916, it was the first feature-length documentary about war), listen in to a series of Q&A’s with experts on the battle, and preview the major exhibition, Real to Reel: A Century of War Movies. Real to Reel, which officially opens on Friday, explores how film-makers have found inspiration in compelling personal stories and the real events of wars from the past century. As well as audio-visual installations, the display features film clips, costumes, props, scripts, sketches and designs from films such as The Dam Busters, Where Eagles Dare, Apocalypse Now, Battle of Britain, Das Boot, Casablanca, Jarhead, Atonement and War Horse along with original archival material and artefacts from the IWM collections. The exhibition, which is divided into five sections, runs until 8th January. Admission charges apply. See www.iwm.org.uk for more. PICTURE: © IWM (Q 70164. Staged scene from The Battle of the Somme film, 1916 British troops go ‘over the top’ into ‘No Man’s Land’. This scene was staged for the camera at a training school behind the lines.

• Don’t forget tonight’s vigil at Westminster Abbey to mark the 100th anniversary (as mentioned in last week’s entry here).

Still on the centenary of the Battle of the Somme and a new exhibition opened at the Science Museum in South Kensington this week focusing on the innovations in medical practice and technologies developed as a result of the new kind of industrialised warfare seen in the battle. Wounded: Conflict, Casualties and Care has at its centre a collection of historic objects from the museum’s World War I medical collections including stretchers adapted for use in narrow trenches and made-to-measure artificial arms fitted to the wounded in British hospitals as well as lucky charms and personal protective items carried by frontline soldiers. There are also artworks from the period including Henry Tonk’s famous pastel drawings of facial injuries and a 1914 painting by John Lavery that depicts the arrival of the first British wounded soldiers at the London hospital. Admission is free and the exhibition can be seen until early 2018. For more, see www.sciencemuseum.org.uk.

Regent Street will be transformed on Sunday, 3rd July, with the Transported by Design Festival featuring transport designs which have shaped and will shape London. The festival, which will stretch from Piccadilly Circus to Oxford Circus Tube stations, will see the street divided into three zones – past, present and future. Among the objects on show in ‘past’ section will be a horse-drawn bus and other heritage buses, a 1927 train carriage and an exhibition of classic advertising posters and signage while the ‘present’ section will feature ‘Cycle Spin Fun’ by Santander Cycles, Moquette Land – a showcase of fabric used across the transport network, and, a ‘design a bus’ competition, and the ‘future’ section will feature a range of technologies, including virtual reality headsets, exploring what transport could look like in 2040. The free festival, part of the ‘Summer Streets’ program which sees Regent Street closed to traffic on Sundays over summer, runs from noon to 6pm. For more, see www.tfl.gov.uk/campaign/transported-by-design/event-calendar?intcmp=40582.

• The work of artist Winifred Knights, the first British woman to win the Prix de Rome scholarship, is the subject of a recently-opened exhibition at the Dulwich Picture Gallery. The display, the first major retrospective of the work of Knights (1899-1947), brings together more than 70 preparatory studies and her most ambitious works including The Deluge (1920), The Potato Harvest (1918) and Leaving the Munitions Works (1919). Winifred Knights (1899-1947) runs until 18th September. Admission charge applies. For more, see www.dulwichpicturegallery.org.

Send all items for inclusion to exploringlondon@gmail.com.

John Dee (1527-1609), the enigmatic Elizabethan “mathematician, magician, astronomer, astrologer, imperialist, alchemist and spy”, is the subject of an exhibition currently running at the Royal College of Physicians Museum in Regent’s Park. Scholar, courtier, magician: the lost library of John Dee explores his life through remnants of his personal library and features mathematical, astronomical and alchemical texts, many of which he elaborately annotated and even illustrated. The texts are drawn from the collection of the college library which has more than 100 of the doctor’s volumes and which forms the largest collection of Dee’s books in the world. The books represent only a fraction of the more than 3,000 books and 1,000 manuscripts he claimed to own before his library was, so Dee claimed, sold off illicitly by his brother-in-law Nicholas Fromond after he gave them into his care when he travelled to Europe in the 1580s. Many of them apparently fell into the hands of Nicholas Saunder, possibly a former student of Dee’s and later passed into the hands of book collector Henry Pierrepont, the Marquis of Dorchester, whose family gave his entire library to the Royal College of Physicians after his death in 1680. The free exhibition runs until 29th July. For more, see www.rcplondon.ac.uk.

Image_2_Paradiso-II• Botticelli’s drawings for Dante’s epic poem, the Divine Comedy, are at the heart of a new exhibition which opened earlier this month at the Courtauld Gallery in Somerset House. Botticelli and Treasures from the Hamilton Collection, which is being run in collaboration with the Kuperferstichkabinett (Prints and Drawings Museum) in Berlin, features treasures which were sold to Berlin by the 12th Duke of Hamilton in 1882 despite efforts by Queen Victoria to prevent the transaction. They include a selection of 30 of Botticelli’s drawings – which date from about 1480-95 – as well as illuminated manuscripts including the Hamilton Bible. Said to be one of the most important illuminated manuscripts in the world, it is being returned to the UK for the first time since 1882. The exhibition, which coincides with Botticelli Reimagined opening at the V&A next month, runs until 15th May. Admission charge applies. For more, see www.courtauld.ac.uk. PICTURE: Sandro Botticelli – Beatrice explains to Dante the order of the cosmos (Divine Comedy, Paradiso II), around 1481-1495/© Staatliche Museen zu Berlin, Kupferstichkabinett/Philipp Allard.

The stories of women in times of war form the heart of a new display on show at the Imperial War Museum in Lambeth. Eleven Women Facing War features photographs and films taken by award-winning British photographer and film-maker Nick Danziger. He first photographed the 11 women, who all lived in conflict zones, in 2001 for an International Committee of the Red Cross study documenting the needs of women facing war before setting out 10 years later to find each of the women and see what had become of their lives. The exhibition features 33 photographs and 11 short films from conflict zones including Bosnia, Kosovo, Israel, Gaza, Hebron (West Bank), Sierra Leone, Colombia and Argentina. Among the stories told are those of Mah Bibi, a 10-year-old orphan who was begging for food for herself and two brothers when first photographed in Afghanistan and who, 10 years later, had vanished and is believed to have died in 2006. Another is that of Mariatu, who was struggling to rebuild her life in Sierra Leone after her hands had been forcibly amputated by guerrilla soldiers at the age of 13 when she was photographed in 2001 and who 10 years later had moved to Canada. The exhibition runs until 24th April. Admission is free. For more, see www.iwm.org.uk.

Send all items for inclusion to exploringlondon@gmail.com.

Christmas is looming and that means Christmas themed events happening all over London. Here’s a couple worth considering:

Kensington Palace: Head back into the Victorian era where so many of the Christmas traditions we know and love find their origins. The palace and gardens have been decorated with period-inspired decorations while inside decorations include the beautifully decorated tables where Queen Victoria and Prince Albert showcased their Christmas gifts. There’s talks on the origins of Christmas foods such as plum pudding, music and carolling, and the cafe is serving up seasonal food and drink while on Saturday, a special brunch time lecture will look behind the curtains into the world of Victorian pantomime and performance. Admission charges apply – check the website for dates. For more, see www.hrp.org.uk/kensington-palace/.

The Geffrye Museum: This Shoreditch institution is once again celebrating Christmas traditions of the past in its annual display showcasing the past 400 years of Christmas traditions. Christmas Past has taken place at the museum for the past 25 years and is based on ongoing, original research. It provides insights into everything from traditional Christmas feasts to kissing under the mistletoe, playing parlour games, hanging up stockings, sending cards, decorating the tree and throwing cocktail parties. A series of related events, including a concert by candlelight, are being held over the Christmas season. The display, which has free entry, closes on 3rd January. For more, see www.geffrye-museum.org.uk.

 

Ebola and the fight against ISIS are the subject of a new exhibition which opened at the Imperial War Museum in Lambeth last month. Fighting Extremes: From Ebola to ISIS looks at the experiences of British personnel serving on recent operations including the response to the Ebola outbreak in Sierra Leone and the fight against ISIS in the Middle East. The display features behind the scenes interviews such as an in-depth talk with Corporal Anna Cross, a British Army nurse who contracted Ebola, photographs, and recently acquired objects such as the Wellington boots worn by healthcare worker Will Pooley, the first Briton to contract Ebola who was evacuated from Sierra Leone by the RAF, a headset used by an RAF drone pilot, and a shooting target depicting a silhouette of an ISIS suicide bomber used by the British Army to train Peshmerga troops. For more, see www.iwm.org.uk.

Send all items to exploringlondon@gmail.com.

Star-clockThe world’s oldest clock and watch collection can be seen at its new home at the Science Museum in South Kensington from tomorrow. The Clockmaker’s Museum, which was established in 1814 and has previously been housed at City of London Corporation’s Guildhall, has taken up permanent residence in the Science Museum. Assembled by the Worshipful Company of Clockmakers – founded in 1631 – the collection features some 600 watches, 80 clocks and 25 marine timekeepers spanning the period from the 15th century to today. Highlights among the collection include: a year duration long case clock made by Daniel Quare of London (c. 1647-1724); a star-form watch (pictured) by David Ramsay, first master of the Clockmaker’s Company; the 5th marine timekeeper completed in 1770 by John Harrison (winner in 1714 of the Longitude Prize); a timekeeper used by Captain George Vancouver on his 18th century voyage around the Canadian island that bears his name; a watch used to carry accurate time from Greenwich Observatory around London; and, a wristwatch worn by Sir Edmund Hillary when he summited Mount Everest in 1953. The collection complements that already held by the Science Museum in its ‘Measuring Time’ gallery – this includes the third oldest clock in the world (dating from 1392, it’s on loan from Well’s Cathedral) and a 1,500-year-old Byzantine sundial-calendar, the second oldest geared mechanism known to have survived. Entry is free. For more, see www.sciencemuseum.org.uk/clocks. PICTURE: The Worshipful Company of Clockmakers.

Westminster Abbey is kicking off its commemorations of the 600th anniversary of the Battle of Agincourt by opening Henry V’s chantry chapel in Westminster Abbey to a selected few on Saturday night, the eve of the battle’s anniversary. The chapel, which is above the king’s tomb at the east end of the abbey, will be seen by the winners of a public ballot which opened in September. It has never before been officially opened for public tours. The chapel is one of the smallest of the abbey’s chapels. It is occasionally used for services but, measuring just seven by three metres, is not usually open to the public because of size and access issues. Meanwhile the abbey will hold a special service of commemoration on 29th October in partnership with charity Agincourt600 and on 28th October, will host a one day conference for Henry V enthusiasts entitled Beyond Agincourt: The Funerary Achievements of Henry V. For more, see www.westminster-abbey.org/events/agincourt.

• The role the black community played at home and on the fighting front during conflicts from World War I onward is the focus of a programme of free events and tours as Imperial War Museums marks Black History Month during October. IWM London in Lambeth will host a special screening of two documentary films – Burma Boy and Eddie Noble: A Charmed Life – telling the stories of African and Caribbean mean who served in World War II on 25th October. IWM London will also feature a series of interactive talks from historians revealing what it was like for black servicemen during both world wars from this Saturday until Sunday, 1st November. For more, see www.iwm.org.uk.

Send all items for inclusion to exploringlondon@gmail.com.

Escher_Hand-with-a-Reflecting-Sphere-1935The first major UK retrospective of the work of 20th century Dutch artist Maurits Cornelis (MC) Escher opened at Dulwich Picture Gallery in London’s south yesterday following its run at the Scottish National Gallery of Art. The Amazing World of MC Escher showcases more than 100 works – including original drawings, prints, lithographs, and woodcuts – as well as previously unseen archive material from the collection of Gemeentenmuseum Den Haag in The Netherlands. Arranged chronologically, highlights include 1934’s Still Life with Mirror – perhaps the first time the artist used surreal illusion, well-known 1948 lithograph Drawing Hands, the almost four metre long 1939-40 woodcut Metamorphosis II, the 1943 lithograph Reptiles and two of his most celebrated works, Ascending and Descending (1960) and Waterfall (1961). Runs until 17th January and is accompanied by a series of special events. Admission charge applies. For more, see www.dulwichpicturegallery.org.uk. PICTURE: M.C. Escher, Hand with Reflecting Sphere (Self-Portait in Spherical Mirror), January 1935, Collection Gemeentemuseum Den Haag, The Hague, The Netherlands/All M.C. Escher works © 2015 The M.C. Escher Company-The Netherlands. All rights reserved. http://www.mcescher.com.

West Africa’s literary history comes under examination in a new exhibition opening at the British Library at St Pancras on Friday. West Africa: Word, Symbol, Song features more than 200 manuscripts, books, sound and film recordings, artworks, masks and textiles taken from the library’s African collections and elsewhere. It explores how key figures – from Nobel Prize winning Nigerian author Professor Wole Soyinka through to human rights activist Fela Kuti, the creator of Afrobeat, and a generation of enslaved 18th century West Africans who agitated for the abolition of the slave trade – used words to both build society and fight injustice. Key items on show include a 1989 letter Kuti wrote to the president of Nigeria, General Ibrahim Babangida, in which he agitated for political change, a pair of atumpan ‘talking drums’ similar to those still used in Ghana, a carnival costume newly designed by Brixton-based artist Ray Mahabir, and letters, texts and life accounts written by the most famous 18th century British writer of African heritage, Olaudah Equiano, enslaved and freed scholar Ayuba Suleiman Diallo, and Phillis Wheatley, who, enslaved as a child, went on to write Romantic poetry. The exhibition, which will be accompanied by a major series of talks, events and performances, runs until 16th February. Admission charge applies. For more, see  www.bl.uk/west-africa-exhibition.

Two new war related exhibitions opened in London this week. Opened on Monday at the City of London’s Guildhall Library, Talbot House – An Oasis in a World Gone Crazy, recounts the story of army chaplains Philip ‘Tubby’ Clayton and Neville Talbot and their creation of an Everyman’s Club – where countless soldiers spent time away from the fighting – in a house in the Belgian town of Poperinge, a few miles from the frontline at Ypres. The exhibition, created to celebrate the centenary of the house’s creation in 1915, features items from Talbot House, the memoirs of ‘Tubby’ and part of the hut where he wrote them after fleeing the Germans. Runs until 8th January and the exhibition also features two ticketed events. Entry to the exhibition is free. For more, follow this link. Meanwhile, Lee Miller: A Woman’s War opens at the Imperial War Museum in Lambeth today, displaying 150 photographs depicting women’ experiences during World War II. The four part exhibition looks at women before the war, in wartime Britain, in wartime Europe and after the war. Runs until 24th April. Admission charge applies. For more, see www.iwm.org.uk.

Send all items for inclusion to exploringlondon@gmail.com.

Waterloo-Bridge

Given the recent commemorations surrounding the bicentenary of the Battle of Waterloo (including a re-enactment of the arrival of news of Wellington’s victory in London where it was delivered to the Prince Regent), we thought it only fitting to take a look at the use of the name in London.

The name Waterloo, which now refers to a district in Lambeth centred on Waterloo Station, was first used to designate the bridge which crosses the Thames here.

Opened in 1817 as a toll bridge, the John Rennie-designed structure was known as Strand Bridge during its construction but renamed Waterloo at its opening two years after the battle. (Rennie’s bridge was later demolished and rebuilt in the 20th century – the current bridge is pictured above).

The name was also used to designate Waterloo Road and in the early 1820s was given to the church St John’s Waterloo (now St John’s and St Andrew’s at Waterloo) located on the road.

In 1848, Waterloo Station opened and it was after this that the surrounding district, known in past ages for its swampiness (hence streets like Lower Marsh), generally became known as Waterloo.

Landmarks in the Waterloo district include the historic Old Vic Theatre, which opened in 1818, and the Young Vic Theatre as well as the Lower Marsh Market.

On 3rd July, Waterloo will host the Waterloo Carnival with a picnic on Waterloo Millennium Green and a procession (for more on that, see www.waterlooquarter.org/news/come-and-support-this-years-waterloo-carnival) while the month-long Waterloo Food Festival kicks on on 1st July. For more on events in Waterloo commemorating bicentenary, see www.wearewaterloo.co.uk/waterloo200/.

Lambeth-palaceThe London residence of the Archbishop of Canterbury, Lambeth Palace was first acquired by the archbishopric in around the year 1200 with Archbishop Stephen Langdon – an important figure in the whole Magna Carta saga – believed to be the first to have lived there.

Lambeth-Palace2The complex built in the early 13th century included a chapel, a great hall, a ‘great chamber’ where the archbishop would receive guests, and private apartments for Archbishop Langdon, who was appointed to the archbishopric in 1207 and remained in the post until his death in 1228 (his appointment was a major point of contention between King John and Pope Innocent III and a key factor in the dispute which led to the creation of the Magna Carta).

Not much remains of the original palace but the sections that do include the originally free-standing Langdon’s Chapel (although now much altered and connected to the rest of the complex) and the crypt beneath it (described as one of the best preserved medieval stone vaults in London it is now a chapel but was originally used for the storage of wine and beer).

They are both believed to have been completed in about 1220 with the other buildings now present added later over the centuries.

These include the formidable red brick gatehouse that fronts the complex today – known as Morton’s Tower, it is named after Archbishop Cardinal John Morton and dates from 1490 – while the Guard Room, which has its origins in the archbishop’s ‘great chamber’, dates from the 14th century and the infamous Lollard’s Tower – used as a prison in the 17th century – from the 15th century.

The Great Hall – now used as a library, first established in 1610 – was rebuilt in the mid 17th century although it is believed to stand on the site of that first used by Langdon (we’ll deal more with the later history of Lambeth Palace in a later post).

WHERE: Lambeth Palace, corner of Lambeth Palace Road and Lambeth Road (nearest tube stations are Westminster, Waterloo, Vauxhall, and Lambeth North); WHEN: Guided tours (90 minutes) only – check website for details; COST: £12 a person plus £2.95 booking fee (under 17s are free); WEBSITE: www.archbishopofcanterbury.org/pages/about-lambeth-palace.html.

Dunkirk-Little-Ships-More than 20 Dunkirk Little Ships will gather at London’s Royal Docks this weekend ahead of their Return to Dunkirk journey marking the 75th anniversary of the Dunkirk evacuations. The event, which is part of the UK’s annual festival of late openings Museums at Night, will see the ships parade around Royal Victoria Dock on Saturday night with the Silver Queen offering twilight trips and the chance to step on board some of the other ships (the Little Ships will continue with their own festival on Sunday commencing with a church service by the quayside at 11am). Other events being offered in London as part of Museums at Night include ‘Dickens After Dark’ in which the Charles Dickens Museum will open its doors to visitors for night of Victorian entertainment on Friday night and a night of music featuring the Royal College of Music at Fulham Palace (also on Friday night). Among the other London properties taking part are the Handel House Museum, Benjamin Franklin House, the Wellcome Collection, Museum of the Order of St John, and the National Archives in Kew. For a full list of events, check out http://museumsatnight.org.uk

Meanwhile, Dulwich Picture Gallery in south London is holding its first weekend culture festival, MayFest: Men of Mystery, as part of Museums at Night. On Friday and Saturday nights, there will be tours of the gallery’s new exhibition featuring the work of artist Eric Ravilious followed by outdoor cinema screenings of Alfred Hitchcock’s Rear Window and The 39 Steps as well as free swing dance lessons, street foods and a pop-up vintage shop which will help people get the vintage look. Visitors are being encouraged to dress up in styles of the 1930s and 1940s with a prizes awarded to those with the “best vintage style”. The gallery will also be inviting visitors to take part in a mass installation drop-in workshop held in the gallery’s grounds over the weekend and Saturday morning will see special events for children. For more, see www.dulwichpicturegallery.org.uk/whats-on/.

A major new work by acclaimed artist Cornelia Parker goes on display in the entrance hall of the British Library in King’s Cross tomorrow to mark the 800th anniversary of the Magna Carta. The almost 13 metre long Magna Carta (An Embroidery) replicates the entire Wikipedia entry on the Magna Carta as it was on the 799th anniversary of the document and was created by many people ranging from prisoners and lawyers to artists and barons. It accompanies the library’s exhibition Magna Carta: Law, Liberty, Legacy. Entry to see the artwork is free. For more, see www.bl.uk/cornelia-parker.

The works of Peter Kennard, described as “Britain’s most important political artist”, are on display in a new exhibition which opens at the Imperial War Museum in London today. Peter Kennard: Unofficial War Artist is the first major retrospective exhibition of his work and features more than 200 artworks and other items drawn from his 50 year career including an art installation, Boardroom, created especially for the display. Works on show include his iconic transposition of Constable’s painting Haywain which he showed carrying cruise missiles about to be deployed in Greenham Common, the Decoration paintings created in 2004 in response to the Iraq War of 2003, his seminal STOP paintings which reference events of the late 1960s such as the ‘Prague Spring’ and anti-Vietnam war protests and his 1997 installation Reading Room. The free exhibition runs at the Lambeth institution until 30th May next year. For more, see www.iwm.org.uk/london.

Send all items for inclusion to exploringlondon@gmail.com.

DiscobolusThe ancient Greek “preoccupation with the human form” is the subject of a new exhibition which opens at the British Museum in Bloomsbury today. Defining beauty: The body in ancient Greek art features about 150 objects dating from the prehistoric to the age of Alexander the Great. Highlights include a newly discovered bronze sculpture of a new athlete scraping his body with a metal tool after exercise before bathing, six Parthenon sculptures from the museum’s collection including a sculpture by Phidias of the river god Ilissos, and  copies of Greek originals including the Towny Discobolus (discus-thrower – pictured) – a Roman copy of Myron’s lost original – and Georg Romér’s reconstruction of Polykleitos’ Doryphoros (spear-bearer) . Runs until 5th July. Admission charge applies. For more, see www.britishmuseum.org/definingbeauty. PICTURE: © The Trustees of the British Museum.

 

London-based contemporary artist Hew Locke has transformed an entire deck of the HMS Belfast in a major new work, ironically titled work, The Tourists. The installation – which is on show until 7th September – depicts imaginative events in which the crew of the ship are preparing to arrive at Trinidad in time for Carnival in 1962 (the ship’s last international journey – to Trinidad – actually arrived three months after the celebration). Free with general admission charge. For more see www.iwm.org.uk/visits/hms-belfast. Meanwhile, the Imperial War Museum in Lambeth is hosting a free exhibition of Locke’s work in which he explores the idea of naval power through a series of ship sculptures. This free exhibition can be seen until 4th May. For more, see www.iwm.org.uk/visits/iwm-london.

Families are invited to take part in a new interactive experience on the “high seas of maritime history” which launches at the National Maritime Museum in Greenwich on Saturday. The museum has joined with Punchdrunk Enrichment to take six to 12 year-olds and their families on an adventure, Against Captain’s Orders: A Journey into the Uncharted. Visitors don life jackets as they become part of the crew of the HMS Adventure and take on various seafaring roles as they navigate their way through the exhibition. Admission charge applies. Runs until 31st August. For more, see www.rmg.co.uk/againstcaptainsorders.

See a real coral reef and take a virtual dive in new exhibition at the Natural History Museum in South Kensington. Coral Reefs: Secret Cities of the Sea – which opens tomorrow on World Oceans Day – also features more than 200 specimens including coral, fish and fossils. These include examples collected by Charles Darwin on the voyage of the HMS Beagle in the 1830s, giant Turbinate coral and creatures ranging from the venomous blue-ringed octopus to tiny sponge crabs. For more see www.nhm.ac.uk.

Send items for inclusion to exploringlondon@gmail.com.

A new exhibition exploring how fashion survived and even flourished during World War II has opened at the Imperial War Museum in Lambeth to mark the 70th anniversary of the war’s end. Fashion on the Ration brings together more than 300 exhibits including clothes and accessories like the ‘respirator carrier handbag’, photographs and films as well as official documents from the period, letters and interviews. The exhibition is divided into six parts which examine in detail everything from the uniforms worn during the period to clothes rationing (introduced in 1941) and how the end of the war impacted fashion. Runs until 31st August. Admission charge applies. For more, see www.iwm.org.uk.

The UK’s first major exhibition devoted to Paul Durand-Ruel, the man who “invented Impressionism”, has opened at the National Gallery off Trafalgar Square this week. Inventing Impressionism features around 85 works including some of Impressionism’s greatest masterpieces, a number of which have never been seen in the UK before. The majority of the works were traded by Durand-Ruel (1831-1922) who is noted for having discovered and supported Impressionist painters like Monet, Pisarro, Degas and Renoir. Durand-Ruel purchased an astonishing 12,000 pictures between 1891 and 1922, including more than 1,000 Monets, about 1,500 Renoirs, more than 400 Degas’, some 800 Pissarros and close to 200 Manets. The images on display include a series of rarely-seen portraits of the dealer and his family by Renoir which are being exhibited in the UK for the first time as well as five paintings from Manet’s ‘Poplars’ series and all three of Renoir’s famous ‘Dances’, not seen in the country together since 1985. The exhibition finishes with a reference to an exhibition Durand-Ruel organised in London in 1905. Held at the Grafton Galleries, it presented 315 paintings. Admission charge applies. Runs until 31st May. For more, see www.nationalgallery.org.uk.

Gift Horse, New York-based German artist Hans Haacke’s sculpture of a skeletal riderless horse, will be unveiled on the Fourth Plinth in Trafalgar Square today. The horse, derived from an etching by English painter George Stubbs – whose works are in the nearby National Gallery, features an electronic ribbon tied to the horse’s front leg showing a live ticker of the London Stock Exchange. The statue, described as a ‘wry comment’ on the equestrian statue of King William IV which was originally to occupy the plinth, is the 10th to occupy the plinth since the first commission – Marc Quinn’s sculpture Alison Lapper Pregnant – was unveiled in 2005.

 Contemporary artist Dryden Goodwin’s first feature-length film is on show as part of a new exhibition, Unseen: The Lives of Looking, at the Queen’s House in Greenwich. Continuing Goodwin’s investigations into portraiture, the newly commissioned film focuses on three individuals who have a “compelling” relationship to looking – eye surgeon Sir Peng Tee Khaw, planetary explorer Professor Sanjeev Gupta and human rights lawyer Rosa Curling. Alongside the screening is a series of drawings made by Goodwin after observing the three individuals as well as tools and papers related to each of their trades and a series of objects connected three leading observers related to the history of the Royal Museums Greenwich sites – John Flamsteed, first Astronomer Royal, Edward Maunder, who observed Mars from the Royal Observatory Greenwich, and the artist Willem van de Velde the Elder who made detailed drawings of naval battles in preparation for producing paintings in his studio at the Queen’s House. Runs until 26th July. Admission is free. For more, see www.rmg.co.uk.

Send all items for inclusion to exploringlondon@gmail.com.

LambethThe origins of the Thames-side district Lambeth’s name are not as obscure as it might at first seem.

First recorded in the 11th century, the second part of the name – which apparently is related to/a derivative of the word ‘hithe’ or ‘hythe’ – means a riverside landing place while the first part of the name is exactly what it seems – ‘lamb’. Hence, Lambeth was a riverside landing or shipping place for lambs and cattle.

There has apparently been a suggestion in the past that the word ‘lamb’ actually derived from an Old English word meaning muddy place, hence the meaning was ‘muddy landing place’. That theory, however, is now generally discounted.

Lambeth these days is still somewhat in the shadow of the much more famous Westminster river bank opposite but among its attractions is the Imperial War Museum (located in the former Bethlem Hospital, see our earlier post here), Lambeth Palace (pictured above) – London residence of the Archbishop of Canterbury, and, of course, the promenade of Albert Embankment (sitting opposite Victoria Embankment).

The headquarters of MI6 is also located here in a 1994 building designed by Terry Farrell (among its claims to fame is its appearance in the opening scenes of the James Bond film, The World Is Not Enough).

Lambeth – the name is also that of the borough in which the district is located – was formerly home to the Vauxhall Pleasure Gardens which closed in the mid 19th century (see our earlier post here).

Hampton-Court-Palace Hampton Court Palace turns 500 this year and the palace is conducting a programme of events in celebration of the landmark anniversary. Sadly, the first in a series of events – a night in which Historic Royal Palace’s chief curator Lucy Worsley, inspired by the recent BBC Two programme Britain’s Tudor Treasure: A Night at Hampton Court, will explore one of the greatest nights in Hampton Court’s history, the christening of King Henry VIII’s longed for son, Edward (later King Edward VI) – is already sold out but there are a range of further events planned (we’ll try and keep you informed as they come up through the year). In the meantime, HRP have announced that a rare 16th century hat which is rumoured to have once belonged to King Henry VIII is to return to the palace later this year after undergoing restoration. The story goes that the hat, which will become the oldest item of dress in the palace’s collection by almost a century, was caught by Nicholas Bristowe, the king’s Clerk of the Wardrobe, when Henry threw it in the air on hearing of the French surrender of Boulogne in 1544. Treasured by the Bristowe’s descendants, it has now been acquired by HRP and is expected to go on show in a future exhibition. We’ll be looking at the hat in more detail in a future post. For more on the palace, see www.hrp.org.uk/HamptonCourtPalace/. PICTURE: HRP/Newsteam

The first major exhibition in the UK to examine the influence of Peter Paul Rubens on the history of art opens at the Royal Academy of Arts on Piccadilly on Saturday. Rubens and His Legacy: Van Dyck to Cezanne brings together more than 160 works by Rubens and artists who were inspired by him both during his lifetime and later including everyone from Van Dyck, Watteau, Turner and Delacroix to Manet, Cezanne, Renoir, Klimt and Picasso. The exhibition is organised around six themes: poetry, elegance, power, lust, compassion and violence. Runs until 10th April in the Main Galleries. For more, see www.royalacademy.co.uk.

The 70th anniversary of the liberation of Auschwitz will be marked at Westminster Abbey with a special service at 6.30pm on 1st February. At least 1.1 million prisoners died at the camp, located in south-west Poland, around 90 per cent of them Jewish. It was liberated on 27th January, 1945 by the Red Army. Tickets are free but need to be booked. Follow this link to book. Meanwhile, the Imperial War Museum London in Lambeth has invited people to mark Holocaust Memorial Day – 27th January – with a visit to the free Holocaust Exhibition which has a 13 metre long model depicting the arrival of a deportation train from Hungary at the Auschwitz-Birkenau camp in 1944, accompanied by testimonies from 18 survivors. Recommended for children aged 14 and above. For more, see www.iwm.org.uk/visits/iwm-london.

Berlin-WallThis Sunday marks 25 years since the fall of the Berlin Wall so we decided it was a fitting time to mention the fragment of the wall which accompanies the bronze statue of former US President Ronald Reagan in Grosvenor Square, Mayfair.

Reagan2The remnant of the wall, recorded as taken from the “east side”, can be seen through a window in a bronze plaque which commemorates the role President Reagan played in the coming down of the wall.

The plaque also features quotes from President Reagan – including the famous line from his 1987 Brandenburg Gate speech, “Mr Gorbachev, open this gate. Mr Gorbachev, tear down this wall” – and other figures including former UK PM Margaret Thatcher and Mikhail Gorbachev as well as information about the wall itself.

In a dedication to the president, it further reads: “Ronald Reagan, the 40th President of the United States of America, was a principled fighter for freedom. With a clear vision and will, he gave hope to the oppressed and shamed the oppressors. His contribution to world history in the 20th century, culminated in his determined intervention to end the Cold War. President Reagan has left a lasting legacy as a campaigner for global peace.”

The memorial was unveiled on 4th July, 2011, outside the US Embassy by the Ronald Reagan Presidential Foundation, to mark the 100th birthday of the former president. Among those present at the unveiling of the statue were then Foreign Minister William Hague and former US Secretary of State Condoleezza Rice.

There are also larger sections of the wall outside the Imperial War Museum in Lambeth and in the National Army Museum in Chelsea (closed for redevelopment until 2016).

For more on London’s monuments, check out Andrew Kershman’s aptly named London’s Monuments.

 

 

County-Hall

 

Located on the South Bank of the Thames opposite Whitehall is the former vast  headquarters of the London County Council and later, the Greater London Council. The Grade II* listed building, first opened in 1922, these days houses everything from the London Sea Life Aquarium, the London Dungeon and the visitor centre for the London Eye as well as hotels, restaurants and even flats.

MoroniThe works of 16th century artist Giovanni Battista Moroni go on show at the Royal Academy of Arts this week. The exhibition will feature more than 40 works including portraiture as well as his lesser-known religious paintings. They include a number of altarpieces from the churches of Bergamo in northern Italy as well as portraits including Portrait of a Lady (c1556-60), A Knight with a Jousting Helmet (c1556), and The Tailor (1565-1570) – the first known portrait of a man depicted undertaking manual labour. The exhibition in The Sackler Wing, off Piccadilly, runs until 25th January. Admission charge applies. For more, see www.royalacademy.org.uk. PICTURED: A Gentleman in Adoration before the Baptism of Christ, (c.1555-60) (Gerolamo and Roberta Etro).

This year marks 25 years since the fall of the Berlin Wall and the birth of modern Germany so it’s a fitting time for the British Museum in Bloomsbury to host an exhibition looking at Germany’s tumultuous history. Germany: memories of a nation features 200 objects reflecting themes ranging from ’empire and nation’ to ‘arts and achievement’ and ‘crisis and memory’ spanning a period from the 15th century to today. They include Tischbein’s iconic portrait Goethe in der Campagna, an early edition of Grimm’s fairy tales, a home-made banner from demonstrations in late 1989 and Ernst Barlach’s bronze figure Der Schwebende, designed as a World War I memorial for Gustrow Cathedral. The exhibition, sponsored by Betsy and Jack Ryan, runs until 25th January. Admission charge applies. For more, see www.britishmuseum.org.

Britain’s 13 year involvement in Afghanistan is the subject of a new display at the Imperial War Museum London in Lambeth. Opening today, War Story: Afghanistan 2014 features new objects, photographs, film and video interviews and looks at the experiences of the Afghan national security forces and UK government and NGO workers as well as those of British troops. Objects, all collected between 2012 and this year, include a beadwork lamp made by Afghan prisoners in training workshops aimed at developing skills prior to their release and an Afghan dress and trousers. The display is part of the War Story project which started in 2009. Runs until 6th September next year. For more, see www.iwm.org.uk.

Send all items for inclusion to exploringlondon@gmail.com.