Christmas is looming so here’s our first look at some of London’s Christmas light displays…
This elevated 10,000 square foot garden, located between Duke and Balderton Streets in Mayfair on the Grosvenor Estate, actually sits over the top of an electricity substation.
The now Grade II-listed substation was built in the early 20th century and the garden, which opened in 1906, was designed by Sir Charles Stanley Peach (also the designer of Wimbledon’s Centre Court) to provide some open space in what was then a working class residential area (not to mention its role disguising the substation below).
The garden replaced one which had formerly occupied the substation site and it was apparently at the insistence of the then-Duke of Westminster that the paved Italian-style garden be created following the demolition of the old garden.
It features a Portland stone domed gazebo and steps at either end.
The garden deck remained open until 1980 when it was closed by the London Electricity Board. It reopened in October, 2007. A refurbishment project several years later saw the addition of a glass-walled cafe at the western end and other improvements including new planter boxes, seats and a new water feature.
The surrounding housing blocks were built in the late 19th century to replace the poor housing that had previously existed and since 1973 have been under the care of the Peabody Trust.
WHERE: Brown Hart Gardens, Duke Street, Mayfair (nearest Tube stations are Bond Street and Marble Arch); WHEN: Daily, 8am to 8pm; COST: Free; WEBSITE: www.grosvenor.com/property/property-uk/brown-hart-gardens.
OK, so we all know about the Abbey Road crossing and its connection with the Beatles, but where are some other sites of historic musical significance in London?
First up, it’s the Mayfair home where 18th century composer George Frideric Handel lived from 1723 until his death in 1759 – and where he composed much of his best known work including masterpieces such as Zadok the Priest (1727, it was composed for the coronation of King George II), Israel in Egypt (1739), Messiah (1741), and Music for the Royal Fireworks (1749).
The German-born Handel, who settled permanently in London in 1712 (and who became a naturalised British citizen in 1727), was the first occupant of the terraced house located at what is now 25 Brook Street (but previously known as 57) which is now a museum dedicated to his life and work.
The property, which is today decorated as it would have been during early Georgian times, is thought to have been convenient for its proximity to be the theatres where his works works were performed and St James’s Palace, where he served as Composer of Music for the Chapel Royal.
A small room on the first floor is believed to be where Handel did most of his composing. He is also understood to have used the larger adjoining music room for rehearsing his works from the 1730s (possibly due to a lack of space at the venue where he mainly performed, the Covent Garden Theatre).
Handel died in the house on 14th April, 1759. The property, which subsequently was lived in by various people, became a museum dedicated to the composer in 2001.
Known for the first 15 years of its existence as the Handel House Museum, in 2016 it was expanded to include the upper floors of the adjoining home, 23 Brook Street, a flat which served as home to another musical great, Jimi Hendrix, in 1968-1969. The museum is now known as Handel & Hendrix in London.
Both properties have English Heritage Blue Plaques upon them. The first plaque were erected on Handel House in about 1870 by the Society of Arts and was replaced in 1952 and again in 2001, when his middle name was corrected to Frideric from Frederick. The plaque commemorating Hendrix’s residence in Number 23 was erected in 1997.
The museum is closed, with limited exceptions, until March, 2023, for a refurbishment project called the The Hallelujah Project. But you can head to the website to take a 3D virtual tour: https://handelhendrix.org.
• A new statue of the late Princess Diana is being unveiled today at Kensington Palace. The statue will be unveiled in the Sunken Garden at Diana’s former home. The garden – originally created on the orders of King Edward VII in 1908 – has been redesigned by designer Pip Morrison to provide a more reflective setting for the memorial. This included planting more than 4,000 of Diana’s favourite flowers including forget-me-nots and tulips. The statue, which is the work of sculptor Ian Rank-Broadley, is expected to be unveiled by Diana’s two sons, William and Harry, who commissioned it in 2017.
• A new permanent gallery has opened at the V&A which explores the role design plays in shaping, and being shaped by, how we live, work, travel and communicate. Design 1900 is housed within the museum’s former 20th Century Gallery and, among the displays are new acquisitions including Margaret Calvert and Jock Kinneir’s iconic British road signage system, Kim Kardashian’s Selfish book, Nike’s Nigeria football shirt for the 2018 World Cup and a one-of-a-kind desk designed by Future Systems for Condé Nast Chairman Jonathan Newhouse. The display also includes items from the Rapid Response Collecting programme such as 3D-printed door openers, designed to limit the spread of the COVID-19 virus, and the I Believe in Our City bus shelter posters that highlighted increased anti-Asian bias. For more, see www.vam.ac.uk.
• Twentieth century dressmaker and fashion designer Jean Muir has been honoured with an English Heritage Blue Plaque at the Mayfair address she worked for 30 years. The plaque was unveiled at 22 Bruton Street, the location of the showroom and office she operated out of from 1966 to 1995, by her house model, friend and client Joanna Lumley. Others among Muir’s clientele included actress Patricia Hodge and writer Lady Antonia Fraser. For more, see www.english-heritage.org.uk/visit/blue-plaques/.
• The City of London Corporation has unveiled the design for new ‘Digital Service Points’ which will reimagine the concept of the traditional police boxes. ‘The London Stones’, the work of architecture and design studio Unknown Works, will include information screens, life saving emergency equipment and serve as hubs for City of London Police officers and community events. Details from buildings, stories and images of the Square Mile will be collected and ‘digitally carved’ into the exterior of the ‘stones’ which will also be home to a vast array of lichen colonies and species expected to evolve in their colour and appearance as they grow.
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• The V&A has unveiled its refurbished Raphael Court – home to the world famous Raphael Cartoons – after a renovation last year to mark the 500th anniversary of the artist’s death. The gallery, which reopens to the public along with the rest of the museum on 19th May, transforms the way visitors will encounter the large scale cartoons on loan to the V&A from the Royal Collection. The new gallery features state-of-the-art LED lighting, acoustic panelling and bespoke furnishings. There are also high-resolution images of the cartoons which can be explored at the gallery as well as online. The cartoons were created by Raphael in 1513 after he was commissioned by Pope Leo X to create a set of 10 designs for a series of tapestries to hang in the the Sistine Chapel. Illustrating scenes from the lives of Saints Peter and Paul, each of the cartoons – which were sent to the workshop of merchant-weaver Pieter van Aelst in Brussels to be made into tapestries – measures around five metres wide and 3.5 metres high. Seven of them survive and were brought to Britain in the early 17th century by the Prince of Wales (later King Charles I). They were first lent to the South Kensington Museum – now the V&A – by Queen Victoria in 1865. For more, see vam.ac.uk/raphael-cartoons.
• People across the globe are invited to help name a baby female raven, one of a pair born at the Tower of London during lockdown. Until 18th May, people are invited to vote for their favourite name on the Ravenmaster’s shortlist – from Matilda (the name of a medieval queen) to Florence (named for Florence Nightingale), Brontë (named for the writing family), Winifred (named for Winifred Maxwell, the Countess of Nithsdale, who plotted her husband Lord Nithsdale’s escape from the Tower in 1716 disguised as a woman) and Branwen (a figure from Celtic mythology). The poll can be found at http://bit.ly/NameOurRaven and the winning name will be announced as part of the reopening of the Tower on 19th May.
• Nineteenth century women’s rights campaigner Caroline Norton has been commemorated with an English Heritage Blue Plaque. The plaque is located on a townhouse at 3 Chesterfield Street in Mayfair, the home from where Norton fought for the rights to own the proceeds of her own work as a writer. Her abusive marriage and subsequent separation from George Chapple Norton was one of the most highly publicised cases in 19th-century Britain. It led to Norton successfully lobbying for legal rights for married women and, as a result of her campaigning, mothers were eventually granted custody of children under seven (and access thereafter) in cases of divorce or separation. For more on Blue Plaques, see www.english-heritage.org.uk/visit/blue-plaques.
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This origins of this Mayfair establishment go back to 1757 when it was first opened by an Italian pastry cook, Domenico Negri, who sold all sorts of English, French and Italian wet and dry sweetmeats under the sign of the ‘Pot and Pineapple’.
The name Gunter became attached after Negri formed a partnership with James Gunter, whose family came from Wales, in 1777. By 1799 Gunter was running the place alone (henceforth Gunter’s Tea Shop). His son Robert took over the business on his father’s death in 1819, having previously spent time studying the confectionary trade in Paris.
Located on the east side of Berkeley Square at numbers seven and eight, Gunter’s had, by the early 19th century, become particularly famous for its ices and sorbets which were said to be made from a secret recipe. It become popular among the beau monde and Gunter operated something of a takeaway service for well-do-ladies so they could attend without a chaperone – waiters would dodge traffic to take ices out to their open-topped carriages parked by the square. All very respectable!
Gunter’s also became noted for their multi-tiered wedding cakes among Mayfair families – in 1889, they even made the cake for the marriage of Queen Victoria’s grand-daughter, Princess Louise.
Gunter’s moved to Curzon Street when the east side of Berkeley Square was demolished and rebuilt in the mid-1930s. It finally closed 20 years later although the business’s catering arm continued for another 20 years operating out of Bryanston Square.
• The National Maritime Museum in Greenwich opens its doors this Monday, 7th September. Those who visit in the first week will be able to see all the winning images in the ‘Insight Investment Astronomy Photographer of the Year’ competition.Entry is free but tickets must be booked in advance. For more, see www.rmg.co.uk/national-maritime-museum.
• Other reopenings include the London Transport Museum in Covent Garden which also throws back its doors on Monday. Along with displays including historic vehicles and iconic posters, the reopening includes the ‘Hidden London’ exhibition revealing London’s ‘abandoned’ Underground stations. Tickets must be booked in advance. Admission charges apply. For more, see www.ltmuseum.co.uk.
• Picasso’s Cannes’ studio has been recreated in an immersive experience at the BASTIAN gallery in Mayfair. Atelier Picasso is an installation-style exhibition and features furniture, sculptures, ceramics, drawings and prints. Highlights include portraits of the artist taken by his friend André Villers, ceramic works such as Wood Owl (1969) and Carreau Visage d’Homme (1965), lithograph and linocut posters and books including Gallieri Jorgen Expose Le Lithographies de L’atelier Mourlot (1984), and the masterpiece Minotaure caressing une dormeuse from the artist’s Vollard Suite. Admission is free. For more, see www.bastian-gallery.com. PICTURE: Courtesy of Luke Andrew Walker.
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But for this series, we’re finishing with a look at a couple of much lesser – and certainly less grand – surviving monuments which adorn a Mayfair building. But it is one of the rare memorials in London which feature both the Queen and the Prince (albeit looking in different directions).
Located at 121 Mount Street (on the corner with Mount Street Mews), is a Victoria-era building now housing the Delfino Pizzeria. The facade, on the first floor, features a bust of Queen Victoria looking down on Mount Street and a bust of Prince Albert looking down on Mount Street Mews.
The Grade II-listed building on which the busts are located is part of a development constructed in the mid-1880s by James Trant Smith. The sculptor is apparently unknown.
Obviously, Prince Albert died in late 1861, well before the building was constructed, but Queen Victoria lived until 1901.
PICTURES: Google Maps.
That’s it for the current series – we’ll be launching a new Wednesday series in a couple of weeks.
The Connaught Hotel, another five star Mayfair establishment, was built in 1892 on the site of smaller hotel which had opened in what is now Carlos Place in the early 19th century.
Known as The Prince of Saxe-Coburg Hotel (or The Coburg for short), the first hotel on the site opened in 1815 as an offshoot of Alexander Grillon’s hotel in Albemarle Street. The Coburg was created out of two houses owned by the Duke of Westminster.
In 1892, the owners of The Coburg – Lewis Isaacs and H L Florence – embarked upon a complete rebuild of the hotel and in 1897 it reopened with a 90-year lease on the building signed by Sir John Blundell Maple, of a famous furniture making family.
The new premises was renamed The Connaught during World War I amid anti-German sentiment. The new moniker was a reference to the seventh child of Queen Victoria, Prince Arthur, the Duke of Connaught and Strathearn.
Frequented by the gentry between the wars thanks to its handy position between Buckingham Palace and Harley Street, during World War II the hotel served as home to French President General Charles de Gaulle.
In the post war years, the hotel soon established a reputation for fine food and drink thanks in part to the opening, in 1955, of The Grill Room. This was only enhanced with the arrival of Michel Bourdin as head chef in 1975 – a position he held for 26 years.
Queen Elizabeth, the Queen Mother, opened the hotel’s new kitchens in 1992 and 10 years later Angela Harnett’s Menu at The Connaught opened, winning a Michelin star in 2004 (it closed in 2007).
In the mid 2000s, the Grade II-listed hotel underwent a major £70 million restoration and refurbishment with new additions including a new wing, the Aman Spa and a Japanese garden. In 2008, French chef Hélène Darroz opened a restaurant at the hotel and the following year, in 2009, a new art deco ballroom designed by Guy Oliver – Mayfair’s first in more than 80 years – opened its doors.
Most recently, in 2017, New York-based French chef Jean-Georges Vongerichten opened a new restaurant at the Connaught. Other newer additions include Tadao Ando’s Silence, a water feature installed outside the main entrance in 2011.
With around 120 rooms and suites (not to mention the world-famous Connaught Bar), the hotel, which had been acquired by the Savoy Group in the 1950s, is now part of the Maybourne Hotel Group along with Claridge’s.
Famous names which have been recently associated with the hotel include Kim Kardashian, Kanye West and Gwyneth Paltrow. And, of course, Ralph Lauren, who was so enamoured of the hotel’s famous staircase that he had a replica made for his Madison Avenue store in New York.
For more, see www.the-connaught.co.uk.
PICTURE: Via Google Street View.
This five star luxury Mayfair hotel opened in 1931 and quickly established a reputation for luxuriousness.
Located at 35 Park Lane on the site of what was formerly the London residence of the Earl of Dorchester (and later a mansion built for millionaire RS Holford), the hotel was the dream of Sir Robert McAlpine who bought the site in partnership with Gordon Hotels in 1929 for £500,000 and vowed to create a luxury hotel that would “rank as the finest in Europe”.
Engineer Sir Owen Williams initially oversaw the building’s design but a falling out saw architect William Curtis Green take over the project (meaning while the structural frame was Sir Owen’s work, the elevations are largely the work of Green). A quarter of the building was constructed underground.
When the 10 storey modernistic building was opened on 18th April, 1931, by Lady Violet Astor, it featured luxurious rooms and suites (with, apparently, the deepest baths of any hotel in London), a ballroom built to accommodate 1,000, an Oriental Restaurant and, of course, the Dorchester Bar (it was here the ‘Dorchester of London’ cocktail was invented).
The Dorchester survived World War II with only minor damage (its basement served as an air-raid shelter). In fact, during World War II, such was the reputation of its reinforced concrete structure, that UK Cabinet members including Lord Halifax stayed here while US General Dwight D Eisenhower planned the D-Day invasion from his suite – now the Eisenhower Suite – during World War II.
In the 1950s, stage set designer Oliver Messel revamped various aspects of the hotel including designing some suites in an extension in Deanery Street (the Oliver Messel Suite is named for him).
The hotel has hosted its share of the rich and famous – Prince Philip hosted his bachelor party in the hotel’s Park Suite on the eve of his wedding to Queen Elizabeth II in 1947 (the Queen, meanwhile, had dined there the day before the engagement was announced), and actors Richard Burton and Elizabeth Taylor used the hotel as something of a “second home”.
Other notable figures who have stayed at the hotel include writers Cecil Day-Lewis and Somerset Maugham, painter Sir Alfred Munnings, director Alfred Hitchcock and film stars Gloria Swanson, Marlene Dietrich, Danny Kaye and James Mason as well as Tom Cruise, Meg Ryan and Nicole Kidman.
The Dorchester was listed as a Grade II building in 1981 and, having been sold by the McAlpine family to a consortium headed by the Sultan of Brunei in the mid-1970s, it was purchased outright by the Sultan of Brunei in the Eighties (and later transferred ownership to the Brunei Investment Agency).
The hotel was completely renovated between 1988 and 1990 and was again refurbished in 2002.
Facilities today at the hotel – alongside the 250 rooms and suites – include numerous restaurants and bars such as the three Michelin star Alain Ducasse at The Dorchester, China Tang, The Spatisserie and The Grill at the Dorchester, as well as The Bar at the Dorchester and The Promenade where afternoon tea is served. There’s also a spa.
Today The Dorchester is the flagship of the Dorchester Collection of hotels which also includes 45 Park Lane, Cowarth Park in Ascot, The Beverly Hills Hotel and The Hotel Bel-Air in LA, the Hotel Eden in Rome, Le Meurice and Hotel Plaza Athenee in Paris and the Hotel Principe di Savoia in Milan.
Out the front of the hotel is a London Plane tree which was named one of the “great trees of London” in 1997.
Built on the site of what was Grosvenor House in Park Lane – London residence of the Dukes of Westminster, the Grosvenor House Hotel opened in 1929 but wasn’t completed until the 1950s.
The Mayfair hotel was conceived and constructed on the orders of commercial speculator Albert Octavius Edwards and was designed by Wimperis, Simpson and Guthrie with luxury in mind (Sir Edwin Lutyens was responsible for the external elevations).
Originally designed as two apartment blocks, it was apparently only when the first block was completed that it was decided the second north block would be a hotel. It opened on 14th May, 1929, with an event described as “outstanding”.
Along with some 472 rooms – it was the first hotel in London to feature en suite bathrooms which came with running ice-cold water in each, its facilities included The Great Room, originally an ice-skating rink where then Princess Elizabeth (later Queen Elizabeth II) learned to ice skate which Edwards decided in the 1930s to convert into one of the largest banqueting spaces in Europe.
It was subsequently the scene of many awards evening and charity events including Queen Charlotte’s Ball as well as BBC broadcasts (the Beatles are among those who have performed there). The hotel was also the first in London to have a swimming pool.
The hotel, which only suffered minor damager during the Blitz, saw service during World War II. The Great Room was initially home to the Officers’ Sunday Club and later as one of the largest US officers’ mess. During the war, the premises hosted everyone from Charles de Gaulle and King Haakon of Norway as well as US generals Dwight D Eisenhower and George S Paton.
The hotel actually has strong American connections from the get go – American methods were used during construction to speed things along – and its restaurant was noted for swerving American-style food. Among other Americans who have stayed there include Douglas Fairbanks, Jr, Orson Welles, Jackie Onassis, Henry Kissinger, Sammy Davis, Jr, and Madeline Albright.
The actual construction of the hotel continued into the 1950s when permission was given to demolish a house at 35 Park Street (located next door to the hotel) following the death of its owner – Bruno, Baron Schroder, and a 92 bedroom extension to the hotel was built. It was officially opened by Peter Thorneycroft, Chancellor of the Exchequer, in 1957.
The hotel, which was acquired by Trust Houses in 1963, underwent several changes of ownership in more recent years and following an extensive renovation in the Noughties, it reopened in September, 2008 as a JW Marriott hotel.
It was reportedly announced late last year that Qatari-owned Katara Hospitality was buying the hotel from Indian conglomerate Sahara India Pariwar, which has owned the hotel since 2010, for an undisclosed sum.
For more, see www.LondonGrosvenorHouse.co.uk.
PICTURES: Park Lane facades and entrance in Park Street. Courtesy of Google Maps.
This west London square was laid out in the early years of the reign of King George I and therein lies the clue to its name.
King George I, formerly Elector of Hanover in what is now Germany, was the first king of the British House of Hanover, and had been invited to take the Crown after the last of the Stuarts – Queen Anne – died in 1714 without leaving behind any surviving children (despite the fact that she’d had 14 pregnancies and given birth to five live children, all of whom died before her).
And so it was only logical – if not a bit sycophantic – that developer Richard Lumley, the 1st Earl of Scarborough – a keen supporter of the Hanoverian succession, named Hanover Square after the new king’s royal house. Thanks to the new king sharing his name with England’s patron saint, the nearby church was also named St George’s, Hanover Square (located just to the south – pictured below) as was the street that leads to it – St George Street.
Early residents in this Mayfair square included military figures like the generals Earl Cadogan and Sir Charles Wills. The square, which features a central park, was also home to the renowned concert venue, the Hanover Square Rooms (later the Queen’s Concert Rooms) until 1900 when they were demolished (JC Bach, Haydn, Paganini and Liszt all performed here as did Mark Twain who spoke on ‘Our Fellow Savages of the Sandwich Islands’ in 1873).
The square has been pretty comprehensively reconstructed since those days and is now home almost exclusively to offices including that of the UK offices of Vogue.
Monuments in the square include a statue of former PM, William Pitt the Younger.
This five star Mayfair establishment owes its origins and name to William Claridge, possibly a former butler, and his wife Marianne, who took over management of a small hotel at 51 Brook Street in 1853.
In 1854, they purchased the adjoining Mivart’s Hotel, first established in 1812, and substantially expanded the premises. It apparently combined the two names – Mivart’s and Claridge’s – for a short time before the reference to Mivart’s was dropped.
The hotel, which stands on the corner with Davies Street, was bought by Richard D’Oyly Carte (owner of The Savoy) in 1893 and subsequently rebuilt in red brick to the designs of CW Stephens (of Harrods fame) with interiors by Sir Ernest George and the inclusion of modern amenities including en suite bathrooms and lifts. The hotel, which is now Grade II-listed, reopened in 1898, with some 203 rooms and suites.
It was extended in the late 1920s with the addition of 80 new rooms and a ballroom while the lobby was redesigned by art deco pioneer Oswald Milne (much of that decoration, including work by Basil Ionides, remains).
The hotel’s reputation as a place to stay among the well-to-do was given a significant boost when Empress Eugenie, wife of French Emperor Napoleon III stayed in 1860 and entertained Queen Victoria and Prince Albert.
It was also favoured by exiled royals during World War II including King Peter II and Queen Alexandria of Yugoslavia all staying here. In fact, their son, Crown Prince Alexander II, was born in suite 212 in 1945 (now named the Prince Alexander Suite).
The story goes that Prime Minister Winston Churchill declared the suite Yugoslav territory for a day (although evidence supporting the story about Churchill’s involvement is apparently scarce). It’s also said that a spadeful of dirt from Yugoslavia was placed under the bed so the Crown Prince could literally be born on Yugoslav soil (but there’s no mention of this aspect of the story on Crown Prince Alexander II’s official website).
Churchill and Clementine stayed in a suite here on the sixth floor after the wartime PM’s unexpected defeat in the general election of 1945.
Other luminaries to have stayed here include American actors Cary Grant, Katharine (and Audrey) Hepburn, Yul Brynner and Bing Crosby (Spencer Tracey famously said he didn’t want to go to heaven when he died but to Claridge’s) as well as director Alfred Hitchcock, Aristotle and Jackie Onassis, and, more recently, everyone from Mick Jagger and Madonna to Brad Pitt and Tom Cruise. Kate Moss celebrated her 30th birthday here.
And, of course, royals including the late Queen Mother, Queen Elizabeth II and Prince Phillip have all been regular diners.
The hotel, which underwent a major restoration from 1996 and saw 25 new suites designed by David Linley opened in 2012, is now part of the Maybourne Hotel Group, having parted ways with the Savoy Hotel in the mid-noughties.
Current facilities include the restaurant Fera at Claridge’s (this opened in 2014 after the closure of Gordon Ramsay at Claridge’s in 2013) as well as The Foyer & Reading Room (where afternoon tea is served), The Fumoir cocktail bar, Claridge’s Bar and a health club and spa.
The Claridge’s Christmas Tree is a much anticipated part of London’s festive season, with recent years seeing a different world-renowned designer taking on the task of decorating it, including the likes of John Galliano, Domenico Dolce and Stefano Gabbana, and Christopher Bailey of Burberry.
The hotel was the subject of a three part documentary, Inside Claridges, in December, 2012.
For more, see www.claridges.co.uk.
Designed by Sir David Chipperfield, the new two acre Royal Academy campus features 70 per cent more public space than the RA’s original Burlington House blueprint which will enable the institution to expand its programs of exhibitions and events and create new free displays of art and architecture.
One of the key features of the redevelopment is the new Weston Bridge between the institution’s landmark property, Burlington House, and the RA’s formerly “unloved” building at 6 Burlington Gardens which unites the two-acre campus and creates a new route between Piccadilly and Mayfair.
The Grade II-listed building on Burlington Gardens, which the RA bought in 1991 and which was previously home to, among other things, the Museum of Mankind, has been refurbished and a 250 seat lecture theatre, the Benjamin West Lecture Theatre, inserted along with a new architecture studio within The Dorfman Senate Rooms – restored by architect Julian Harrap – for free architectural displays.
A new public route through the campus has integrated the Royal Academy Schools into the visitor experience with the new Weston Studio, a public project space for students and alumni, and provides views of the Schools’ Corridor and the newly landscaped Lovelace Courtyard, providing visitors with a “greater insight into Britain’s longest established art school”.
It also takes visitors through the Gabrielle Jungels-Winkler Galleries, a suite of three day-lit galleries for temporary exhibitions (Tacita Dean’s LANDSCAPE, the inaugural display, opens Saturday) and past the new Royal Academy Collection Gallery where works by the likes of Michelangelo, Reynolds, Kauffman, Thornhill, Constable, Gainsborough and Turner can be seen. There’s also a new Clore Learning Centre.
New places to eat and drink within the complex include the Senate Room bar and restaurant, and cafes and shops located on either side of the Burlington Gardens entrance.
The Royal Academy was founded by King George III in 1768 after he was presented with a petition by architect Sir William Chambers which had been signed by 36 artists and architects seeking to “establish a society for promoting the Arts of Design”. Initially based in Pall Mall, the institution’s first official home was in the new Somerset House. In the 1830s, it moved to Trafalgar Square where it shared premises with the newly created National Gallery and in 1867, the institution has moved to Burlington House where it’s been located ever since.
To celebrate the opening of the “new” Royal Academy, there will be a weekend-long “art party” this weekend with free workshops, tours, displays, late-night performances and DJs. Highlights will include performances by The Uncollective and Rachael Plays Disco; collaborative mural drawing, party hat making, architectural model making, RA Collection gallery tours, and a family printmaking workshop in the new Clore Learning Centre. The Annenberg Courtyard will host street food and cocktail bars.
For more, see www.royalacademy.org.uk/plan-your-visit.
PICTURES: Top – The Weston Bridge and The Lovelace Courtyard/Below – The Benjamin West Lecture Theatre. (Both images by Simon Menges).
This Mayfair establishment dates from 1749 and was previously known as The Running Horse.
It was popular among footmen in the service of the well-to-do of Mayfair at the time – their job was to run ahead or alongside their master’s coaches and ensure the path was clear as well as pay any tolls so the carriage could whisk through toll gates.
They also carried messages when required as well as other tasks and such was their reputation for speed that races were apparently run upon which their masters would gamble.
Anyway, so popular did this pub prove among them that one of them bought the property at 5 Charles Street, a stone’s throw from Berkeley Square, after retiring and renamed the pub after himself – I Am the Only Running Footman, a moniker which was at the time, one of the longest names for a pub in London.
That name has since been truncated to The Only Running Footman and now just The Footman.
For more, see www.thefootmanmayfair.com.
This rather large fountain once stood in Mayfair as a tribute to literary greats Geoffrey Chaucer, William Shakespeare and John Milton.
Designed by Thomas Thorneycroft (and apparently funded from wealth of a lady who died intestate but who had apparently always advocated for the location of a fountain on the site), the fountain stood on the centre of what is now a roundabout at the intersection of Old Park Lane and Hamilton Place.
Unveiled in July, 1875, it featured the three poets standing on various sides of a central pillar (Shakespeare taking pride of place looking towards Hyde Park). Below them sat three muses and above them, on top of a central column, stood a figure representing fame, blowing a trumpet.
The fountain, and survived until World War II during which it sustained damaged. It was dismantled in 1948 and only the figure of ‘Fame’ is believed to have survived.
• The annual festival of illumination known as Lumiere London returns to the capital for a second time from tonight with more than 50 installations lighting up streets, buildings and public spaces. London’s largest night-time festival, installations in this year’s free event – commissioned by the Mayor of London and produced by arts charity Artichoke – are clustered around six areas: King’s Cross, Fitzrovia, the West End, Mayfair, Westminster and Victoria, and South Bank and Waterloo. The installations include Lampounette – located in King’s Cross, it features giant office desk lamps, Entre les rangs – a field of thousands of flower-like reflectors in Lewis Cubitt Park, Nightlife – a luminous secret garden in Leicester Square which plays with the relationship between wild spaces and urban city life and spills out to include illuminated flamingoes flying over Chinatown, and Northern Lights – a recreation of the aurora borealis in Grosvenor Square, Mayfair. The facade of Westminster Abbey is also among the buildings to be lit up with artist Patrice Warrener commissioned to illuminate the Abbey’s West Towers and Great North Door with his work, The Light of the Spirit. There’s a free app to download and a map can be purchased online for download. For more, include a complete programme, head to www.visitlondon.com/lumiere. PICTURE: Westminster Abbey during Lumiere London last year (Paula Funnell/licensed under CC BY-NC-ND 2.0).
• London’s future built form is up for discussion at a new exhibition opening at the Museum of London tomorrow. London Visions: Hypothetical scenarios of a future presents hypothetical concepts created by leading artists, architects and designers using video installations, architectural narratives and video games. Among the key works on display are: Flooded London – a series of images created by Squint/Opera depicting imaginary scenes of London in 2090 when rising seas have flooded the city; In the Robot Skies: A Drone Love Story – the world’s first narrative shot entirely by autonomous drones operating on autopilot, the film – directed by speculative architect Liam Young and written by Tim Maughan – looks at the possible future use of drones within London council estates; and, Endless Vertical City – a competition-winning design by SURE Architecture which envisions a skyscraper that could house the whole of London. The free display is on show until 15th April as part of City Now City Future, the year-long season of events exploring urban evolution in London and around the world. For more, see www.museumoflondon.org.uk/citynowcityfuture.
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Jane Austen featured numerous London locations in her novels. Here’s five…
• Brunswick Square, Bloomsbury. In Emma, the main protagonist’s married sister, Isabella, lives here with her lawyer husband John Knightley and children. Isabella is well pleased with her home, noting “We are so very airy”.
• Hill Street, Mayfair. Admiral Crawford, uncle of Henry and Mary Crawford, lives in this street in Mansfield Park.
• Bond Street. Well known to Austen, she has Marianne, then upset over Willoughby (who has lodgings here), visit here on a shopping trip in Sense and Sensibility.
• Grosvenor Street, Mayfair. The Hursts have a house in this fashionable West End street in Pride and Prejudice and here Jane Bennet visits Caroline Bingley hoping to see her brother Charles. Continue reading “10 sites of significance in Jane Austen’s London…9. Literary locations…”
This octagonal, Grade II-listed, bandstand was originally located in the adjoining Kensington Gardens (near Mount Gate), having been built in 1869, only eight years after the first ever bandstand in London had been installed in the nearby Royal Horticultural Gardens in Kensington.
It was moved to Hyde Park in 1886 – it can now be found on the north side of Serpentine Road, just to the north-west of Hyde Park Corner – and concerts were apparently held here three times a week in the 1890s. (Another bandstand was erected in Kensington Gardens in the 1930s).
Featuring cast iron decorative columns and a tent roof, the Hyde Park bandstand appeared in the 1935 film, Top Hat, which starred Fred Astaire and Ginger Rogers (although the building in the film was actually a replica located on a Hollywood soundstage). Others who have ‘played’ the bandstand include the famous trumpeter Harry Mortimer.
The bandstand, which is now one of the oldest in Britain, is still used for concerts on occasion as well as being part of the annual Winter Wonderland event. Check The Royal Parks website for details of when events are scheduled here.
A towering figure of the scientific world, Faraday made significant contributions to understanding the fields of electromagnetism and electrochemistry and was a key figure at the Royal Institution of Great Britain in the 19th century.
Faraday was born in Newington Butts in Surrey (now in south London, part of the Borough of Southwark) on 22nd September, 1791, and, coming from a poorer family, received only a basic education before, at the age of 14, he started an apprenticeship as a bookbinder.
The job proved, however, to be something of a godsend, for Faraday was able to read a wide range of books and educate himself – it was during this time that he began what was a lifelong fascination with science.
In 1812 at the end of his apprenticeship, he attended a series of lectures at the Royal Institution by the chemist Sir Humphry Davy. Subsequently asking Sir Humphry for a job, he eventually was granted one the following year – in 1813 – when Sir Humphry appointed him to the post of chemical assistant in the laboratory at the RA (the job came with accommodation).
Faraday’s ‘apprenticeship’ under Davy – which included an 18 month long tour of Europe in his company – was critical to his future success and from 1820 onward – having now settled at the RA, he made numerous contributions to the field of chemistry – including discovering benzene, inventing the earliest form of Bunsen burner and popularising terms like ‘cathode’ and ‘ion’.
But it was in physics that he made his biggest impact, making discoveries that would, according to the Encyclopaedia Britannica, “revolutionise” our understanding of the field.
Faraday, who married Sarah Barnard, the daughter of a silversmith, in 1821 and was thereafter an active member of the Sandemanian Church to which she belonged, published his ground-breaking first work on electromagnetism in 1821 (it concerned electromagnetic rotation, the principle behind the electric motor). His discovery of electromagnetic induction (the principle behind the electric transformer and generator) was made in 1831 and he is credited with having constructed the first electric motor and the first ‘dynamo’ or electric generator.
Faraday, who would continue his work on ideas concerning electricity over the next decade, was awarded numerous scientific appointments during his life including having been made a member of the Royal Society in 1924, the first Fullerian Professor of Chemistry at the Royal Institution, from 1833 until his death, scientific advisor to lighthouse authority for England and Wales – Trinity House, a post he held between 1836 and 1865, and Professor of Chemistry at the Royal Military Academy in Woolwich, a post her held between 1830 and 1851.
He also, in 1825, founded the Royal Institution’s famous “Friday Evening Discourses” and the “Christmas Lectures”, both of which continue to this day. Over the ensuring years, he himself gave many lectures, firmly establishing himself as the outstanding scientific lecturer of the day.
Faraday’s health deteriorated in the early 1840s and his research output lessened although by 1845 he was able to return to active research and continued working until the mid 1850s when his mind began to fail. He died on 25th August, 1867, at Hampton Court where he had been granted, thanks to Prince Albert, grace and favour lodgings by Queen Victoria (she’d also apparently offered him a knighthood which he’d rejected). He was buried in Highgate Cemetery.
Faraday is commemorated with numerous memorials around London including a bronze statue at Savoy Place outside the Institution of Engineering and Technology, a Blue Plaque on the Marylebone property where he was an apprentice bookbinder (48 Blandford Street), and a rather unusual box-shaped metallic brutalist memorial at Elephant and Castle. And, of course, there’s a famous marble statue of Faraday by John Henry Foley inside the RI (as might be expected, the RI, home of The Faraday Museum, have a host of information about Faraday including a ‘Faraday Walk’ through London’s streets).