Thousands of people, including Queen Elizabeth II and members of the Royal Family, attended Whitehall on Sunday to take part in the National Service of Remembrance, this year marking 100 years since the end of World War I. The event included two minutes silence at 11am and wreaths were laid at the base of the Cenotaph to commemorate the servicemen and women killed in all conflicts from the World War I onwards. In an historic first, German President Frank-Walter Steinmeier laid a wreath during the ceremony. Following the service, a procession involving 10,000 members of the public who were selected by a ballot marched past the monument and through London. ALL PICTURES: Crown Copyright/Ministry of Defence.
LondonLife – River bend…
October 30, 2018
Looking across the O2 Arena towards the Docklands. PICTURE: Claus Grünstäudl/Unsplash
LondonLife – World War I remembered in St James’s Park…
October 16, 2018
The last in a series of major exhibitions on World War I by celebrated photographer Mike St Maur Sheil, Fields of Battle, Lands of Peace and Reconciliation – 2018 is a free outdoor exhibition in St James’s Park reflecting on the final year of the war. The exhibition, like the others before it, features photographs of the battlefields of World War I as they appear today along with archival pictures and maps. Mike St Maur Sheil says the theme of his displays – which have reached an audience of more than 10 million and been exhibited at locations including Paris’ Jardin du Luxembourg, Dublin’s St Stephen’s Green and at the junction of Broadway and 5th Avenue in New York – “has always been that time and nature have healed the wounds of war and reveal that what were once places of horror and killing have now become landscapes of beauty and tranquillity.” The free exhibition can be seen until 19th November. For more on St James’s Park, see www.royalparks.org.uk/parks/st-jamess-park. PICTURES – Two of the images on show: Top, showing the effect of artillery bombardment upon the landscape at Verdun; Below, the landscape today at Beaumont Hamel on the Somme with the shell holes and trenches still clearly visible. (Mike St Maur Sheil / Mary Evans Picture Library).
LondonLife – Sunset on Millennium Bridge…
October 9, 2018
LondonLife – A new window for the Queen…
October 2, 2018
A new stained glass window depicting bright country scenes was unveiled in Westminster Abbey last week in honour of Queen Elizabeth II. The Queen’s Window, located in the south transept overlooking Poet’s Corner, is the work of world-renowned artist David Hockney and was commissioned by the Dean and Chapter of Westminster to celebrate her reign. The work is Hockney’s first in stained glass and features a Yorkshire scene with hawthorn blossom which uses his distinct colour palette of yellow, red, blue, pink, orange and greens. “The subject reflects The Queen as a countrywoman and her widespread delight in, and yearning for, the countryside,” the abbey said in a statement. The window was created by York-based stained glass artists Barley Studio to Hockney’s designs. Other artists who have completed stained glass works in the abbey include Sir Ninian Comper, Hugh Easton and John Piper with the last stained glass windows, by Hughie O’Donoghue, installed in the Lady Chapel in 2013. PICTURE: Alan Williams/Westminster Abbey
LondonLife – The life within revealed…
September 25, 2018
Looking at Two St Pancras Square. PICTURE: Dylan Nolte/Unsplash
LondonLife – The race for Doggett’s Coat and Badge…
September 4, 2018
To be held from 4pm today on the River Thames, Doggett’s Coat and Badge Race is a London institution. The race originated in 1715, and sees up to six apprentice watermen (this year there are two – Alfie Anderson and George McCarthy – rowing the four mile, seven furlong course stretching from London Bridge upriver to Cadogan Pier in Chelsea (these days under 11 bridges) as they compete for the prize of a coat and badge (pictured above). The race came about thanks to Thomas Doggett, a Dublin-born actor and noted Whig, who founded it in honour of the accession of the House of Hanover – in the form of King George I – on 1st August, 1714. Doggett himself personally organised the race for the first few years before leaving provisions in his will for it to be continued. It’s been run almost every year since – there was apparently a break during World War II. While it was initially rowed against the tide, since 1873 competitors have had the luxury of rowing with it, meaning race times have dropped from what sometimes stretched to as long as two hours to between 25 and 30 minutes. This year, the event is being held as part of the Totally Thames festival which, among its packed programme of events, also features a series of exhibitions about the race – titled ‘The World’s Oldest Boat Race’, being held at various locations. PICTURES: From The World’s Oldest Boat Race exhibitions. Top – Doggett’s Coat and Badge (© Hydar Dewachi); Below – ‘Doggett’s Coat and Badge’, a coloured lithograph commissioned to mark the first publication of Guinness Book of World Records.
LondonLife – St Paul’s Cathedral rises over the City…
August 28, 2018
St Paul’s Cathedral and the City of London. PICTURE: Brunel Johnson/Unsplash
LondonLife – The dragons have returned to Kew…
August 21, 2018
More than 200 years after they disappeared, the dragons have returned to Kew Garden’s Great Pagoda. The 10 storey octagonal pagoda – which, as we reported, reopened to the public in July after a four year, £5 million restoration project by Historic Royal Palaces in conjunction with the Royal Botanic Gardens, Kew – was built in 1762 to the designs of Sir William Chambers and was a birthday gift for Princess Augusta, founder of the gardens. Used by the Georgian Royal Family to entertain visitors, it was famously adorned with 80 brightly coloured dragons but these disappeared in the 1780s. Rumours suggested they were used as payment for the Prince Regent’s gambling debts but apparently the truth is more banal – Chambers took them off when he restored the building in 1784 and they were found to be rotten. But they’re back (some of the new dragons are gilded with real gold and while some are hand carved from cedar, others were reportedly made on a 3D printer) and to celebrate their return (and the reopening of the pagoda to the public for the first time in decades, complete with a 253 step climb), we today publish some images. Admission charge applies. For more, see www.kew.org/kew-gardens/whats-on/climb-the-great-pagoda. PICTURES: © Richard Lea-Hair – Historic Royal Palaces.
LondonLife – Victorian London in photographs…
August 7, 2018
Above is a view along Fleet Street in the City of London in 1890, looking east towards Ludgate Hill and St Paul’s Cathedral. It’s one of many early photographic views of London on show in a free exhibition which can be seen in Aldgate Square until Sunday (12th August). Presented by the City of London Corporation’s London Metropolitan Archives, Victorian London in Photographs includes the earliest photograph in the LMA collection (see last Thursday’s entry for that). If you miss it at Aldgate Square, the display will be in Paternoster Square next to St Paul’s Cathedral from 14th to 23rd August. For more on the London Metropolitan Archives, follow this link. ALL PICTURES: London Metropolitan Archives, City of London Corporation
Above – Residents pose for the camera in Market Court, Kensington in 1868.
Above – Following the success of the Great Exhibition in Hyde Park in 1851, the Crystal Palace was relocated to Sydenham Hill. This photograph by Philip Henry Delamotte taken between 1852 and 1854 shows the South Transept during construction.
Above – Work progresses on the masonry and suspension chains during the construction of Tower Bridge in 1892.
View of Iron Wharf and Bull Wharf, with St Paul’s Cathedral in the background. The photograph was taken from Southwark Bridge. Anonymous photographer, c. 1855.
LondonLife – Tower Bridge opening…
July 31, 2018
PICTURE: Sandy Kemsley (licensed under CC BY-NC-ND 2.0)
LondonLife – Taking flight…
July 24, 2018
LondonLife – Sculpture in the City (Vol 8)…
July 17, 2018
Sculpture in the City is back in the Square Mile, this year featuring 18 artworks ranging from Jean-Luc Moulène’s Body, an aerodynamic tribute to the automobile as sculpture (located in Undershaft – pictured above), to Thomas J Price’s Numen (Shifting Votive) One & Two, an exploration of the ancient Greek, Roman and Egyptian traditions of monumental sculpture (located under The Leadenhall Building – pictured below). Other sculptural works included in this, the 8th edition of the annual event, include Juliana Cerceira Leite’s Climb, a three metre tall obelisk made from the inside out (located in Mitre Square – pictured second below), Sarah Lucas’ Perceval, a life-size horse and cart evocative of the traditional china ornaments that once took pride of place on British mantlepieces (located in Cullum Street – pictured third below), and Karen Tang’s Synapsid, a vivid globular sculpture which brings to mind sci-fi invasion scenarios (outside Fenchurch Street station – pictured fourth below). And, for the first time, the event also includes two sound projects: Marina Abramovic’s Tree, which those passing near a tree at 99 Bishopsgate with insistent, repetitive and distorted birdsong, and Miroslaw Balka’s The Great Escape which, located in Hartsthorn Alley, features the film of the same name’s theme song being whistled repeatedly in a series of slightly different renditions. The display can be seen until April next year – for a map of all the locations, head to www.sculptureinthecity.org.uk. ALL PICTURES: Nick Turpin.
A tribute marking the centenary of World War I, Battlefields to Butterflies, has gone on show at the RHS Hampton Court Palace Flower Show this week. Designed by Todd Longstaffe-Gowan, the special feature garden features two very different scenes – one depicting the desolate landscapes of the trenches and the other a landscape restored to peace by nature. The display draws on the words and paintings of World War I artist William Orpen and reflects what he witnessed firsthand on the Western Front. Among the plants on show are poplars, hornbeams, willow and birch and massed wildflowers including poppies, cornflowers, loosestrife, mallows and cranesbills. A special plaque commemorating the 24 Royal Parks and Palaces gardeners and park keepers who lost their lives in the world is also included in the garden. The plaque will be taken to Brompton Cemetery following the flower show to form part of a permanent memorial garden that will commemorate all parks, gardens and grounds staff, from across the UK and its allies, who died in the war. The show runs until 8th July. For more, see www.rhs.org.uk/shows-events/rhs-hampton-court-palace-flower-show. PICTURE: © Historic Royal Palaces/Michael Bowles.
LondonLife – More new benches for City of London…
June 26, 2018
As we reported last Thursday, a series of specially designed new benches have been rolled out across the City of London as part of this month’s London Festival of Architecture. We loved the designs so much, we thought we’d show you some of the others. Above is Nicholas Kirk Architects’ Money Box which, located outside London Bridge Station, is formed of 45,000 stacked pennies while immediately below is McCloy + Muchemwa’s A Bench for Everyone. Located Inside One New Change, its folded shape is designed to evoke the “memory and much-loved comforts of home furniture”. The festival runs until the end of the month. PICTURES: All images © Agnese Sanvito
Above – Mariya Lapteva’s City Ghosts which, located in front of the Royal Exchange, is inspired by the history of the area including East India House and the little shopfronts along Leadenhall Street.
Above – Maria Gasparian’s Ceramic City Bench in Bow Church Yard featuring colours inspired by the “multi-layered context of the City of London that has for centuries been a place for trade, exchange and religious diversity”.
Above – Mills Turner’s Double Bench in Fen Court has been designed to be easy to assemble and adjustable and features an “organic silhouette” which follows the natural curve of the human body.
Today – 5th June – is World Environment Day and to mark that, we thought it a good moment to mention ZSL London Zoo’s 16 foot high installation highlighting the issue of plastic pollution. The work of London-based artist and architect Nick Wood, Space of Waste is made of 15,000 plastic bottles – the number of single use bottles sold every minute in the UK – retrieved from across London, including out of the Thames. The installation houses information about the problem of plastic pollution and the small steps we can all take to tackle it. The installation follows a move by ZSL to stop using disposable plastic bottles at London Zoo in 2016 as part of the #OneLess campaign. For more, see www.zsl.org/zsl-london-zoo. For more on the #OneLess campaign, see www.onelessbottle.org. Top – ZSL’s Fiona Llewellyn ZSL’s places last bottle on Space of Waste; Below – The finished installation. PICTURES: David Parry/PAWire
LondonLife – The RHS Chelsea Flower Show…
May 29, 2018
Last week was the RHS Chelsea Flower Show, held in the grounds of the Royal Hospital Chelsea since 1913. Here’s some highlights…
Above, RHS letters, designed by Lucy Hunter.
The Weston Garden, designed by Tom Stuart-Smith.
Visitor Amande Allen views sculptures on display with allium and box at the A Place in the Garden exhibition during members day. PICTURE: RHS/Luke MacGregor
Crowds walk through concessions during members day. PICTURE: RHS/Luke MacGregor
Hillier: A Royal Celebration, designed by Sarah Eberle.
Union Jacks daub Regent Street in the West End in honour of the wedding in Windsor last weekend of Prince Harry and Meghan Markle, now the Duke and Duchess of Sussex. PICTURE: Pete (licensed under CC BY-NC-ND 2.0/image cropped)
The final days of Anne Boleyn are being brought to life in a new play running at the Tower of London. Written and directed by Michael Fentiman, The Last Days of Anne Boleyn tells the story of the last 17 days of the Queen’s life before her execution in 1536 following her spectacular fall from grace. The performance is staged on the site of the lost Tudor palace at the Tower where Anne spent her final days and is based on contemporary sources including letters to her husband, King Henry VIII, and her final speech on the scaffold in the moments before she was beheaded. The outdoor show (suitable for all ages) runs for 35 minutes with two performances a day – 11am and 2pm, from Friday to Tuesday until 28th August (weather permitting). Admission is included in the entry price. For more information, head here. PICTURES: Courtesy of Historic Royal Palaces.
LondonLife – Night shopping…
May 8, 2018
PICTURE: Pete Owen/Unsplash
