Old Masters have been removed from the Picture Gallery at Buckingham Palace for the first time in almost 45 years to allow for essential maintenance works. The works, which include paintings by Titian, Rembrandt, Vermeer, Van Dyck and Canaletto, will be featured in a landmark new exhibition – Masterpieces from Buckingham Palace – which, featuring some 65 artworks in total, opens in the palace’s Queen’s Gallery on 4th December. They have been removed from the Picture Gallery – one of the palace’s State Room where Old Master paintings have hung since the reign of King George IV in the 1820s – over a period of four weeks to allow for building improvements which will include the replacement of electrics and pipework – some of which has not been updated since the 1940s – as well as the gallery’s roof. The refurbishment is part of a £370 million, 10 year refit programme being carried out at the palace due for completion in 2027.
Spotted in Old Compton Street, Soho. PICTURE: Kevin Grieve/Unsplash
PICTURE: Kevin Grieve/Unsplash
Spotted in St James’s Park. PICTURE: Alexandru Vicol/Unsplash
Paddington Bear may look lonely seated on a park bench but he is actually among a host of new statues which were placed in Leicester Square earlier this year. Others include Mr Bean, Mary Poppins, Laurel and Hardy, and Harry Potter and now comes news that Paddington will have more company from spring next year. A 10th statue – depicting the “King of Bollywood”, Shah Rukh Khan, and his co-star Kajol – will be placed in the famous square in what will be the first ever Bollywood statue erected in the UK. The new statue will recreate a scene from the award-winning rom-com, Diwale Dulhania Le Jayenge. PICTURE: Matt Brown (licensed under CC BY 2.0).
A Black Lives Matter tribute shirt worn by Arsenal captain Pierre-Emerick Aubameyang during the 2020-21 Premier League season is being donated to the Museum of London as part of its Collecting COVID project. The Black Lives Matter logo was added to all Premier League shirts following anti-racism protests across the globe earlier this year. Aubameyang – the latest Black player to captain Arsenal – said it was “an honour to have the opportunity to donate my Black Lives Matter shirt to the Museum of London’s Collecting COVID project”. “I hope this will be remembered as the moment that football stood against all forms of racism and that it will inspire young people for the future,” he said. The Collecting COVID project was launched in April this year with the aim of collecting objects relating to how Londoners lived during coronavirus pandemic. For more, see www.museumoflondon.org.uk/discover/museum-for-london-collecting-covid.
• Dub music and the impact it’s had on London’s identity and people is the subject of a new, long delayed, exhibition which opened at the Museum of London late last week. Dub London: Bassline of a City, which had been postponed due to the coronavirus pandemic, charts how, from its roots in Jamaican reggae, dub music went on to influence multiple genres and played a key role in the development of punk bands like The Clash. The display includes the iconic speaker stack belonging to Channel One Sound System that has appeared yearly at Notting Hill Carnival since 1983 (pictured above) and a specially created bespoke record shop with a selection of 150 vinyl records chosen by 15 London based independent record shops which can be listened to. Runs until 31st January. Admission is free but must be booked in advance (and bring your own headphones). For more, see www.museumoflondon.org.uk/museum-london/whats-on/exhibitions/dub-london.
• The concept of sin is at the heart of a new free exhibition at The National Gallery. Sin brings together 14 works dating from the 16th century to now by artists ranging from Jan Brueghel the Elder and William Hogarth to Andy Warhol and Ron Mueck. Among the paintings on show are Lucas Cranach the Elder’s Adam and Eve (1526), Hogarth’s The Tête à Tête and Marriage A-la-Mode, Diego Velázquez’s Immaculate Conception, William Holman Hunt’s The Scapegoat (1854-55), and Ron Mueck’s sculpture Youth (2009). The display can be seen in Room 1. For more, see nationalgallery.org.uk.
• The science of the coronavirus is explored in a special night event at the Science Museum next Wednesday, 14th October. Staff from the Francis Crick Institute will be joining with those from the Science Museum in exploring how the immune system remembers and evolves and how the Crick was turned from a biomedical research centre into a COVID-19 testing facility. Visitors can also hear from NHS transplant surgeon Pankaj Chandak who has been using 3D printing tech to make life-saving PPE for frontline staff while the Leonard Cheshire charity shows how assistive eyegaze technology has played a vital role in helping to keep people with access needs connected. There will also be a chance to make a facemask as part of the museum’s #MaskSelfie campaign and the opportunity to explore the museum’s new Medicine: The Wellcome Galleries. Admission charge applies and pre-booking is essential. Head to sciencemuseum.org.uk/see-and-do/lates.
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Twelve works by leading international artists have gone on show in the English Gardens, The Regent’s Park, in this year’s Frieze Sculpture display. The works, which can be seen until 18th October and form part of an expanded Frieze Week programme, includes pieces from Patrick Goddard, Kalliopi Lemos and Arne Quinze as well as a recent commission by Lubaina Himid which is being exhibited in the UK for the first time. The works touch on a range of themes – from civil rights and ecology to the role of the artist as a disruptor. The display is accompanied by a free audio tour by curator Clare Lilley, director of programme at Yorkshire Sculpture Park, and can also be seen virtually in the Frieze
Viewing Room. For more, see www.frieze.com/FriezeSculpture.
PICTURE: Robert Keane/Unsplash.
Dignitaries including Prime Minister Boris Johnson and the Chief of the Air Staff, Air Chief Marshal Michael Wigston, were among those attending a service commemorating the 80th anniversary of the Battle of Britain in Westminster Abbey on Sunday. The service, which was witnessed by fewer people than would normally have been the case due to the coronavirus pandemic, included an Act of Remembrance during which the Battle of Britain Roll of Honour – containing the names of the 1,497 pilots and aircrew killed or mortally wounded during the 112 days of fighting – was carried through the church and placed beside the High Altar. After the service three Spitfires and a Hurricane from the Battle of Britain Memorial Flight took part in a flypast over the Abbey. Pictured above are the standard bearers formed up on the altar at the service (all pictures via MOD © Crown copyright 2020)
Above: The Queen’s Colour Squadron lining the entrance to Westminster Abbey.
Above: Prime Minister Boris Johnson carrying out a reading during the service.
Above: FO Buckingham saluting the Battle of Britain memorial stained glass window at Westminster Abbey.
Above: The four planes from the Battle of Britain Memorial Flight fly above the Abbey.
River inspired artwork created by young people from across London, the UK and around the world is one show on South Bank as part of the Totally Thames festival. The art for Rivers of the World was created during the coronavirus lockdown under the guidance of professional artists who provided briefs and films to help the young artists. The outdoor exhibition, on Riverside Walkway near the Tate Modern, is free to visit. For more on Totally Thames, London’s annual month-long celebration of its river, head to https://thamesfestivaltrust.org. PICTURES: Young artists with work created as part of ‘Rivers of the World’ (Courtesy of Totally Thames).
The 13th sculpture to occupy Trafalgar Square’s famous Fourth Plinth is a nine tonne, 9.4 metre high swirl of cream topped with a cherry. Unveiled in late July, THE END is the work of Heather Phillipson and also features a giant fly as well as a drone that transmits a live feed of Trafalgar Square to a specially created website, www.theend.today. The sculpture, which plays on the idea of the square as a site of celebration and protest, replaced Michael Rakowitz’s The Invisible Enemy Should Not Exist and both Phillipson and Rakowitz were selected by the Fourth Plinth Commission Group in 2017 following an exhibition at the National Gallery where 10,000 people voted for their favourite shortlisted artwork. PICTURE: astonishme (licensed under CC BY 2.0)
A new sundial and garden have been unveiled in Kensal Green commemorating the Windrush generation. The sundial, the work of carver Martin Cook, is located at St John The Evangelist Church which, according to its vicar, Rev David Ackerman, has relied upon the local Caribbean community to survive and thrive since the 1960s. The sundial has been made of a single piece of slate and carved with the words “Work Together, Pray Together, Struggle Together, Stand Up for Freedom Together” which are taken from Martin Luther King Jr’s famous ‘I have a dream’ speech. An official opening ceremony for the sundial – which was funded by Westminster City Council – was held earlier this month. In a statement, Jonathan Glanz, the Lord Mayor of Westminster, said he hoped the outdoor space would become a “beacon of peace and unity for the local community in troubled times”. PICTURES: Courtesy of the City of Westminster.
A memorial commemorating the role of the Chindit Special Forces in Burma during World War II has been awarded a Grade II listing on the National Heritage List for England in honour of the 75th anniversary of Victory in Japan (VJ) Day. Located in Victoria Embankment Gardens outside the Ministry of Defence building in Whitehall, the memorial’s granite plinth is topped with a bronze chinthe, a mythical beast that stands guard outside Burmese temples. The Chindit Special Forces, which were formed by British Army officer Major General Orde Charles Wingate and disbanded in early 1945, are credited with helping to turn the tide of World War II against Japan in the Far East. The memorial was designed by architect David Price and the chinthe sculpture the work of Frank Forster. It was unveiled by Prince Philip on 16th October, 1990. On Saturday, as the nation commemorated VJ Day, a military delegation lad a wreath at the foot of the memorial. PICTURE: Derek Voller (licensed under CC BY-SA 2.0).
The City of London Corporation has unveiled early ideas for the redevelopment of the Smithfield Market following the proposed relocation of the meat market to Dagenham Dock along with Billingsgate and New Spitalfields. The work of architecture practice Studio Egret West, the new designs see the Grade II*-listed East and West Smithfield buildings and Grade II-listed Rotunda transformed for public and commercial use including removing some of the modern additions to the market buildings, such as loading bays and cold rooms, to reveal the elegance of the original Victorian structure and create four large, clear “halls” under the oversailing roof. While there’s been a meat market on the site since the 12th century, the Victorian-era markets buildings, featuring ornate iron frames, were built between 1866 and 1883. Members of the public are able to share their feedback on the initial concept drawings via the website, www.wholesalemarkets.co.uk/smithfield until 4th September.
The first recorded soundscape of London’s busy streets was created in 1928 as part of a Daily Mail campaign calling for noise restrictions. Recordings were made at five sites – Whitechapel East, St George’s Hospital at Hyde Park Corner, Leicester Square, Cromwell Road and Beauchamp Place in South Kensington – in a collaborative project between the Mail and the Columbia Graphophone Company. Now, more than 90 years later, the sounds at the five original locations – or rather the lack of sounds during the coronavirus pandemic lockdown – have been captured again, this time as binaural recordings, a method of recording sound that uses two microphones to create a 3D stereo sound. It’s all part of the Museum of London’s ongoing ‘Collecting COVID’ project and was created in collaboration with String and Tins, an award-winning team of sound designers, composers, sound supervisors and mix engineers. Both the 1928 recordings (now digitised) and the modern recordings have been made available to listen to in their entirety for the first time on the Museum of London’s website. There are accompanying photographs by Damien Hewetson as well as historic imagery from the museum’s archive. PICTURE: A sparsely populated Leicester Square in an image taken in May this year during the coronavirus lockdown (ACME/licensed under CC BY-NC 2.0)
The Royal Parks have created two flowerbeds outside Buckingham Palace which spell out the letters ‘NHS’ in honour of the service’s 72nd birthday. The two 12 metre long flowerbeds, located in the Memorial Gardens – officially part of St James’s Park – contain some 45,000 flowers including scarlet geraniums, especially selected to match The Queen’s Guard at Buckingham Palace, as well as white begonias on a blue background of drought resistant succulents which, together replicate the colours of the NHS. The floral display – an appropriate tribute in this year of pandemic – can be seen until mid-September. PICTURES: Courtesy of The Royal Parks.
Cranes above Queen Elizabeth Olympic Park. PICTURE: Gabriel Kraus/Unsplash.
PICTURE: Guillermo Bresciano/Unsplash
PICTURE: Magda V/Unsplash