Lost London – Locket’s…

Looking down Whitehall from where the Charing Cross stood today. Locket’s stood on the right. PICTURE: Courtesy of Google Maps.

A famous “ordinary” where meals could be obtained at preset prices, Locket’s was founded by Adam Locket just south of Charing Cross in the 17th century.

A popular meeting place after attending the theatre, the establishment was known for the quality of its food. It was frequented by the well-to-do as well as dramatists like Sir George Etherege (who apparently didn’t pay his bill).

Following Adam Locket’s death in about 1688, he was succeeded by his son Edward who ran it until about 1702. It survived through the reign of Queen Anne but contemporary references – it had been mentioned by writers such as John Vanbrugh and William Congreve – became increasingly scanty and then disappeared altogether after her death in 1714.

Drummond’s Bank later occupied the site where Locket’s had stood.

8 locations for royal burials in London…5. Henry VII’s Lady Chapel, Westminster Abbey…

Located just to the east of St Edward the Confessor’s Chapel in Westminster Abbey is the lavishly ornate Lady Chapel built on the orders of King Henry VII.

Described as the “last masterpiece of English medieval architecture”, the chapel is the resting place of King Henry VII and his wife Queen Elizabeth of York.

Effigies of King Henry VII and Queen Elizabeth of York. PICTURE: Ann Longmore-Etheridge/Public domain

The couple were the first to be buried in a vault under the floor rather than a tomb but still features an elaborate monument above the floor.

The monument was designed in the Renaissance style by Italian sculptor Pietro Torrigiano and features gilt bronze effigies of the King and Queen lying side-by-side above a black marble base decorated with six medallions representing the Virgin Mary and Henry’s patron saints (who included St Edward the Confessor). At either end of the base are coats of arms supported by cherubs.

A fine grille, designed by Thomas Ducheman, surrounds the monument – once gilded, it featured 30 statues in niches but only six – depicting saints – now remain. The lengthy Latin inscription written on the grille lauds King Henry as “a wise and watchful monarch, a courteous lover of virtue” among other superlatives. There are further inscriptions on the monument.

They’re not the only kings and queen’s buried in the chapel. King James I is buried in the vault under the King Henry VII’s tomb and his wife Queen Anne of Denmark is buried nearby.

Tomb of Elizabeth I. PICTURE: Wikimedia Commons (licensed under CC BY-SA 4.0)

Queen Elizabeth I is buried in the chapel’s north aisle with a monument above depicting her effigy. Her coffin was placed on top of her half-sister Queen Mary I whose body had been placed there after her death in 1558. The monument was installed on the orders of King James I who, while commissioning a depiction of Queen Elizabeth, didn’t order an effigy of Mary to be made. Instead, she is commemorated with an inscription translated as “Partners both in throne and grave, here rest we two sisters, Elizabeth and Mary, in the hope of the Resurrection.”

The religious differences of the two Queens – Elizabeth being a Protestant and Mary a Catholic – are meanwhile commemorated in an inscription on the floor which reads: “Remember before God all those who divided at the Reformation by different convictions laid down their lives for Christ and conscience sake.”

Buried in a vault beneath the south aisle of the chapel – with just simple inscriptions on stones above (no monuments were erected due to the lack of space apparently – are the remains of the Stuart monarchs King Charles II, Queen Anne (and her husband Prince George), Queen Mary II and King William III.

The rather flamboyant tomb of Mary, Queen of Scots, is also in this aisle. King James I had her remains brought to the abbey from Peterborough Cathedral in 1612 and laid to rest in a marble tomb featuring an elaborate canopy and a white marble effigy at the feet of which stands a crowned Scottish lion. The eldest son of King James I, Henry Frederick, Prince of Wales, was also buried in the Queen’s vault (she was his grandmother), probably due to lack of space.

The young king Edward VI is buried beneath the floor in front of the altar and the last monarch to be buried in the abbey – King George II – lies in a vault under the central aisle along with his wife Queen Caroline and some of their children as well as other family members. On the King’s orders, the sides of the coffins of King George II and that of Queen Caroline were removed so their remains could mingle.

Several other royals – including Princess Mary of Orange, eldest daughter of Charles I and Henrietta Maria, and Prince Rupert of the Rhine – are also buried in the chapel.

HERE: Lady Chapel, Westminster Abbey (nearest Tube stations are Westminster and St James’s Park); WHEN: Times vary – see the website for details; COST: £27 adults/£24 concession/£12 children (discounts for buying online; family rates available); WEBSITE: www.westminster-abbey.org

10 (lesser known) statues of English monarchs in London…10. Four Queens…

The facade of the former Hotel Russell featuring the statues of the four Queens. PICTURE: Courtesy of Google maps.

We finish our series of lesser known statues of English monarchs with a Bloomsbury building featuring four English queens.

Tucked away in niches over the main entrance of the Hotel Russell – which opened in 1898, the four queens – Elizabeth I, Mary II, Anne, and Victoria – were the work of Henry Charles Fehr.

Queen Elizabeth and Queen Mary II. PICTURE: Tom Hilton (licensed under CC BY 2.0)

The larger than lifesize terracotta statues – which face out to Russell Square – don’t include Queen Mary I and are rather unusual and represent idealised versions of the queens. Elizabeth is readily identifiable due to the ruff she wears but there is some confusion over who’s who when it comes to Mary II and Anne. Victoria, meanwhile, is depicted as a very young woman.

Queen Anne and Queen Victoria. PICTURE: Jack1956 (Public domain)

Among other ornamentation, the building – which was designed by C Fitzroy Doll, also features the busts of four Prime Ministers – Lord Derby, Lord Salisbury, William Gladstone and Benjamin Disraeli – on the Guilford Street facade.

The hotel is now the Kimpton Fitzroy London.

10 (lesser known) statues of English monarchs in London…9. Empress Matilda?…

The neo-Gothic former Public Record Office (now the Maughan Library of King’s College) in Chancery Lane is adorned with statues of several kings and queens including two kings – King Edward III and King Henry III – as well as four queens.

PICTURE: Robert Freidus/The Victorian Web (image cropped)

The queens, which can be found at the top of the tower over the main entrance, include three who are represented with more famous statues elsewhere – Queen Elizabeth I (on the facade of St Dunstan-in-the West), Queen Anne (outside of St Paul’s Cathedral) and Queen Victoria (outside Buckingham Palace among others).

But one of those statues – that of the Empress Matilda – is something of an outlier – unlike the others, the Empress Matilda, while she claimed the title of Queen of England, was never actually crowned (her attempt to be crowned at Westminster failed when opposed by the London mob which supported her opponent, King Stephen).

Instead, Matilda (sometimes known as Maud) claimed the title ‘Lady of the English’ and while she was eventually driven out of England to Normandy where she died, her eldest son did take the crown in 1154 as King Henry II.

The statue, which stands on top of the east side of the tower (and is quite difficult to spot), stands 2.4 metres high and was made of Portland stone to adorn the 1850s, now Grade II* listed building (the gatehouse leading to Chancery Lane – which features the two kings – was an extension in the 1890s). It is said to be the work of sculptor Joseph Durham.

What’s a little puzzling is why the Empress was included as one of the four, particularly given other English queens and monarchs – Queen Mary I and II – were not.

Where’s London’s oldest…synagogue?

PICTURE: John Salmon (licensed under CC BY-SA 2.0)

Actually the oldest synagogue in continuous use in the entire UK, the Bevis Marks Synagogue in the City of London was built in 1701.


The synagogue entrance. PICTURE: Edwardx (licensed under CC BY-SA 3.0)

The synagogue has historical ties to the city’s Spanish and Portuguese Jewish community, known as Sephardic Jews, which first started meeting together in a small synagogue in Creechurch Lane in 1657 after it become possible for Jews to openly practice their religion under the rule of Lord Protector Oliver Cromwell.

Increasing numbers in the community soon meant a larger premises was required and a committee was formed which signed a contract with Quaker builder Joseph Avis in February, 1699, to build a larger premises (tradition holds that Avis returned the money he made on the job to the community, saying he would not profit from building a house of God). In June that same year, the community leased a tract of land at Plough Yard, Bevis Marks, on which the new building would be built. Construction commenced soon after.

The property’s design is said to emulate, at least in part, that of the 1675 Portuguese Synagogue of Amsterdam (it’s also thought the design was influenced by the works of Sir Christopher Wren). There’s also a story that the building included an oak beam from one of the Royal Navy’s ships presented by Queen Anne.

The rectangular building, which features three galleries inside, was eventually completed and dedicated in September, 1701.

The roof of the now Grade 1-listed building was replaced following a fire in 1738 and the synagogue only suffered minor damage during the Blitz. It also suffered some collateral damage from the IRA bombing in 1992 and the 1993 Bishopsgate bombing but remains mostly intact.

Sermons at Bevis Marks were in Portuguese until 1833 when they changed to English.

Features inside include an oak Renaissance-style ark containing the Torah scroll which, painted to resemble coloured Italian marble, is located at the centre of the eastern wall. There are also seven hanging brass candelabra which symbolise the seven days of the week. The largest, which hangs in the centre of the synagogue – represents the Sabbath and was donated by the community of the Great Synagogue of Amsterdam. There are also 10 large brass candlesticks representing the Ten Commandments. While the upright oak seats are said to “reflect the Puritanism of 17th century England”, the backless oak benches at the back are the original seats which were brought from the Creechurch Lane premises.

Twice Prime Minister Benjamin Disraeli’s 1804 birth is recorded in the register but after his father had a falling out with the synagogue officials, Disraeli was in 1817 baptised at St Andrew’s Holborn.

The synagogue is temporarily closed to visitors and tour groups. For more information, head to www.sephardi.org.uk/bevis-marks/visit-bevis-marks/.

This Week in London – Britain’s Baroque culture; a celebration of orchids and Indonesia; and, London’s “hidden” Underground…

Britain’s Baroque culture – spanning the period from the Restoration of King Charles II to the death of Queen Anne in 1714 – is the subject of a new exhibition which opened this week at Tate Britain. British Baroque: Power and Illusion – the first major exhibition on the subject – shows how magnificence was used to express status and influence and features works by painters including Sir Peter Lely, Sir Godfrey Kneller, and Sir James Thornhill as well as designs, prints and wooden models of the works of architects like Sir Christopher Wren, Nicholas Hawksmoor and Sir John Vanbrugh. The importance of portraiture, the visual differences in Protestant and Catholic worship and the illusions contained in painted baroque interiors are all explored in the display along with how the subject of war was dealt with through heroic equestrian portraiture, panoramic battle scenes and accompanying propaganda. The exhibition, which is being accompanied by a programme of events, runs until 19th April. Admission charge applies. For more, see www.tate.org.uk. PICTURE: Godfrey Kneller, John Churchill, 1st Duke of Marlborough, c1706, National Portrait Gallery, London.

The 25th Kew Orchid Festival kicks off at Kew Gardens on Saturday in a celebration of the wildlife and culture of Indonesia. Located in the Princess of Wales Conservatory, the festival will take visitors on an immersive journey evoking the sights, smells and sounds of Indonesia though a series of orchid displays which include a life-sized animals such as orang-utans, a tiger and a rhinoceros, an archway made of hundreds of carnivorous pitcher plants and an erupting volcano. A programme of evening events featuring gamelan music and traditional dancers as well as cooking demonstrations by renowned author and chef Petty Elliott is also planned – these must be booked online in advance. Admission charge applies. Runs until 8th March. For more, see www.kew.org.

On Now: Hidden London: The Exhibition. This display at the London Transport Museum in Covent Garden takes visitors on an immersive journey to some of the secret places in the Tube network. Featuring rare archive photos, objects, vintage posters, secret diagrams and decorative tiles from disused stations, it uncovers stories such as how Churchill took shelter in the Railway Executive Committee’s bomb-proof headquarters deep underground at Down Street station at the height of the Blitz during World War II and how almost 2,000 members of staff, mostly women, worked in the Plessey aircraft underground factory located in two 2.5 mile-long tunnels on the eastern section of the Central line. The exhibition is being accompanied by a series of events including late openings and tours. Runs until next January. For more, see www.ltmuseum.co.uk/whats-on/exhibitions/hidden-london#.

Send all items for inclusion to exploringlondon@gmail.com

What’s in a name?…Denmark Hill

This area in the south-east of London derives its name from a royal connection – Prince George of Denmark, the husband of Queen Anne, is said to have owned a hunting lodge on the east side of the hill.

Originally named Dulwich Hill (given its proximity to Dulwich), its name was changed in honour of the prince after his marriage to Queen Anne in 1683. The residential area centres on the street of the same name – Denmark Hill.

Landmarks include Ruskin Park, named after Victorian art critic John Ruskin, who lived the street, as well as Maudsley Hospital – built in 1915 – and King’s College Hospital, which moved here in 1913.

The Salvation Army’s iconic William Booth Training College, designed by Sir Giles Gilbert Scott and completed in 1932, is also located here.

PICTURE: View from the top of William Booth Tower looking north towards the City of London (diamond geezer/licensed under CC BY-NC-ND 2.0

 

10 (more) historic London garden squares…2. Golden Square…


This Soho square was laid out in the late 17th century, possibly by Sir Christopher Wren, and by the early 1700s most of the buildings surrounding the square were complete.

The name of the square is said to be a corruption of ‘gelding’ – the area, once apparently known as Gelding Close, was previously used for the grazing of geldings (there’s also a story that the gelding was featured on a nearby inn sign which locals objected to, renaming it ‘golden’).

It was, at first, the place to be among the well-to-do – among early residents were Barbara Villiers, the Duchess of Cleveland and mistress of King Charles II, James Bridges, who became the 1st Duke of Chandos, and Henry St John, 1st Viscount Bolingbroke, a favourite of Queen Anne.

By the mid 18th century, however, the trendy crowd had moved to developments further west and the square subsequently became noted for the high number of foreign delegations which made their base here, including those of Bavaria, Russia, Genoa and Portugal, as well as foreign artists including Swiss painter Angelica Kauffmann – the first female member of the Royal Academy, and Anglo-Irish painter (and later Royal Academy president) Martin Archer Shee.

Other famous residents have included dancer Elizabeth Gamberini, singer Caterina Gabrielli and Scottish anatomist John Hunter (his former home is one of two marked with English Heritage Blue Plaques in the square). Thomas Jefferson, later a US president, stayed in Golden Square during March and April, 1786, in his only visit to London.

A couple of houses in the square – then occupied by the Bavarian minister Count Haslang – were attacked during the anti-Catholic Gordon Riots. These properties were bought by James Talbot, the Roman Catholic Bishop for London, in 1788, so the Roman Catholic Church in Warwick Street could be build in the gardens behind.

The square had deteriorated somewhat by the time Charles Dickens placed it in his late 1830s story Nicholas Nickleby as the home of Ralph Nickleby, and it become the location of numerous boarding houses and small hotels as well as various professionals.

By 1900 the square had become closely connected with the wool trade with as many as 70 firms connected with it located here. Several such firms are apparently still located here but the square is better known these days for companies associated with the movie business.

The middle of the square was dug up for an air raid shelter in World War II but it was paved afterwards and the statue of King George II, attributed to John Van Nost and erected here in 1753 as part of beautification project (it has been suggested the statue actually represents King Charles II but that remains a matter of conjecture), returned to its place in the middle.

None of the original houses now remain but there are a number of residences which still have at least elements dating from late 18th century rebuilds including numbers 11, 21, 23 and 24.

PICTURE: Top – David Iliff (licensed under CC BY-SA 3.0); Right – David Adams; Below – RozSheffield (licensed under CC BY-NC-ND 2.0)

What’s in a name?…Belgravia

This well-to-do district of west London owes its name to the family of Hugh Grosvenor, the 7th Duke of Westminster and owner of the Grosvenor Estate, the land upon which Belgravia is located.

The country estate of the duke’s family – the Grosvenors – is known as Eaton Hall and it lies just to the south of Chester. Various names related to the estate appear on the London map. Among them is Belgravia.

Belgravia take its name from the tiny village of Belgrave which lies within the estate’s boundary (the word Belgrave, incidentally, comes from the Old French for “beautiful wood”).

The London residential area now known as Belgravia, meanwhile, was formerly known as Five Fields and used for grazing. The Westbourne River meandered through it, crossed by “Bloody Bridge”, so-called because it was a known haunt of robbers.

It later became the site of market gardens and houses began to appear in the area following King George III’s move to what was then Buckingham House but development of the area didn’t begin in earnest until the 1820s when Robert Grosvenor, later the first Marquess of Westminster (pictured here in a statue in Belgrave Square), began developing the estate with the aid of builder Thomas Cubitt.

Designed with Belgrave Square at its centre, the new development immediately became associated with the more affluent end of society, a connection which continues to this day.

As well as Belgrave Square, the district, which straddles both the City of Westminster and the Royal Borough of Kensington and Chelsea, includes Eaton, Chester and Lowndes Squares (the first two names associated with the duke’s country estate; the third named after William Lowndes, a politician and Secretary to the Treasury under King William III and Queen Anne.

Palatial terraced houses aside, landmarks include the Grade II-listed St Peter’s Church, located at the east end of Eaton Square, which was first built in the 1820s and rebuilt in the 1830s. The area is also home to numerous embassies and consulates including those of Norway, Spain, Malaysia and Egypt, and, in keeping with the international feel, also boasts several statues of notable foreigners including Simon Bolivar and Christopher Columbus.

Famous residents have included former Prime Ministers Stanley Baldwin, Neville Chamberlain and Margaret Thatcher (the first two lived in Eaton Square; Thatcher in Chester Square), Louis Mountbatten, who lived in Wilton Crescent, and Alfred, Lord Tennyson, who lived in Upper Belgrave Street, as did Lord Lucan who mysteriously disappeared in 1974 after his children’s nanny was found murdered.

PICTURES: Top – Terraced homes in Grosvenor Crescent, which runs off Belgrave Square (Google Maps); Right – Statue of Lord Robert Grosvenor, first Marquess of Westminster (David Adams).

This Week in London – Greenwich’s Painted Hall reopens; ‘Christian Dior’ extended; and, merchant shipping explored…

The Painted Hall in Greenwich’s Old Royal Naval College reopens on Saturday following a two-year, £8.5 million restoration project. The hall, known as the UK’s “Sistine Chapel”, was designed by Sir Christopher Wren as a ceremonial dining room for what was then the Royal Hospital for Seamen. Completed in 1705, its 4,000 square metre interior features a decorative scheme painted by Sir James Thornhill, the first British artist to be knighted, which took 19 years to complete. The paintings celebrate English naval power as well as the then newly installed Protestant monarchy with joint monarchs King William III and Queen Mary II as well as Queen Anne and King George I all represented in the artworks along with hundreds of other mythological, allegorical, historical and contemporary figures. The restoration project has also seen the King William Undercroft, located underneath the hall, converted into a new cafe, shop and interpretation gallery. Two cellar rooms from King Henry VIII’s palace – which once stood on the site – were discovered during the restoration works and are also now on public display. Other new touches include the return of a series of carved oak benches to the hall (having been introduced when it was used as an art gallery in the 19th century they were removed 100 years ago), two ‘treasure chests’ containing objects related to the ceiling artworks which can be handled, and new tour options – not just of the hall and undercroft but of the entire Old Royal Naval College site. There’s a host of special activities over the opening weekend, including a parade and official opening ceremony from 9.30am, the chance to meet historical characters, music, food stalls, kids activities and more. Admission charge applies. For more, see www.ornc.org. PICTURED: The Old Royal Naval College, home of the Painted Hall.

The V&A has announced it is extending its sell-out Christian Dior: Designer of Dreams exhibition due to unprecedented demand. The exhibition at the South Kensington museum, which had originally been scheduled to close on 14th July, will now run until 1st September with new tickets made available on 15th of each month (there’s also a limited number of tickets available to purchase daily at 10am from the V&A’s Grand Entrance on a first-come, first-served basis; V&A members, of course, attend free-of-charge with no need to book). The exhibition, which initially sold out of its five month run with 19 days of opening, is the most comprehensive exhibition ever staged in the UK on the House of Dior and the museum’s biggest fashion exhibition since Alexander McQueen: Savage Beauty in 2015. For more, see vam.ac.uk.

On Now: Merchant Navy Treasures: An Introduction to the Newall Dunn Collection. This display at the City of London’s Guildhall Library delves into the Newall Dunn Collection, one of the world’s most comprehensive photographic and reference collections on merchant shipping, and showcases the achievements of shipping historian Peter Newall and artist and writer Laurence Dunn. Alongside images, press releases and newspaper cuttings, on show are company brochures, menus and other items from the ocean liners and cargo vessels of three famous lines from the golden age of shipping: the Cunard, Orient and Union-Castle. Admission is free. Runs until 24th May. For more, follow this link.

Send all items for inclusion to exploringlondon@gmail.com.

10 historic London hotels…10. The Hotel Russell (the Kimpton Fitzroy London Hotel)…

Designed by the architect Charles Fitzroy Doll in distinctive French Renaissance-style for the Frederick Hotels Company, the Hotel Russell opened on the east side of Russell Square in 1898.

The now Grade II*-listed building, which is said to have been based on the 16th century Château de Madrid in Paris, is clad in decorative Doulton’s thé-au-lait (“tea with milk”) terracotta.

Its facade incorporates the coats-of-arms of the world’s nations as they were in 1898 and above the entrance are life-sized statues of four queens – Elizabeth I, Mary II, Anne and Victoria – which were designed by sculptor Henry Charles Fehr (pictured). The Guilford Street frontage features busts of four Prime Ministers: Lord Derby, Lord Salisbury, William Gladstone, and Benjamin Disraeli.

The hotel’s interior features ornate fixtures and fitting including a Pyrenean marble staircase which runs off the opulent marble foyer and an interior courtyard housing a Palm Court. Each bedroom was fitted with an en-suite bathroom.

Its restaurant, now named the Neptune but originally named after Doll, was designed almost identically to the RMS Titanic‘s dining room (Doll designed both). That’s not the only Titanic connection – the hotel also features a bronze statue of a dragon on the stairs named ‘Lucky George’ and the Titanic carried an identical statue.

The hotel survived World War II largely intact – with the exception of a roof-top dome which was damaged in an air raid in 1941 and not replaced.

Fast forward to April, 2018, and the hotel reopened as the The Principal Hotel (on the 106th anniversary of the sinking of the Titanic) following an extensive £85 million, two year renovation by designer Tara Bernerd.

But the Principal Hotel Company sold its portfolio of hotels to Covivio a few months later and they, in turn, leased the management of the hotels to the InterContinental Hotels Group. The Principal was renamed the Kimpton Fitzroy London in October that year.

Alongside 330 or so rooms, amenities at the five star hotel include the glass-roofed Palm Court, cocktail bar Fitz’s (named for Charles Fitzroy Doll), and the coffee shop Burr & Co. There’s also a grand ballroom, meeting rooms and a fitness centre.

Interestingly, Doll designed another hotel, the Imperial, also on Russell Square, which opened in 1911. It was demolished in 1966.

For more, see www.kimptonfitzroylondon.co.uk/us/en/.

PICTURES: Top – David Iliff (licensed under CC BY 3.0); Right and below – Jack1956.

This is the final in our series on historic London hotels. We’ll be launching a new special series next Wednesday.

What’s in a name?…Hanover Square…

This west London square was laid out in the early years of the reign of King George I and therein lies the clue to its name.

King George I, formerly Elector of Hanover in what is now Germany, was the first king of the British House of Hanover, and had been invited to take the Crown after the last of the Stuarts – Queen Anne – died in 1714 without leaving behind any surviving children (despite the fact that she’d had 14 pregnancies and given birth to five live children, all of whom died before her).

And so it was only logical – if not a bit sycophantic – that developer Richard Lumley, the 1st Earl of Scarborough – a keen supporter of the Hanoverian succession, named Hanover Square after the new king’s royal house. Thanks to the new king sharing his name with England’s patron saint, the nearby church was also named St George’s, Hanover Square (located just to the south – pictured below) as was the street that leads to it – St George Street.

Early residents in this Mayfair square included military figures like the generals Earl Cadogan and Sir Charles Wills. The square, which features a central park, was also home to the renowned concert venue, the Hanover Square Rooms (later the Queen’s Concert Rooms) until 1900 when they were demolished (JC Bach, Haydn, Paganini and Liszt all performed here as did Mark Twain who spoke on ‘Our Fellow Savages of the Sandwich Islands’ in 1873).

The square has been pretty comprehensively reconstructed since those days and is now home almost exclusively to offices including that of the UK offices of Vogue.

Monuments in the square include a statue of former PM, William Pitt the Younger.

PICTURES: Top – Google Maps/Below – Regency History (licensed under CC BY-NC 2.0)

 

This Week in London – ‘The Favourite’ costumes at Kensington; contemporary portraiture; and, Artemisia Gentileschi’s self portrait…

Costumes from a new film about Queen Anne, The Favourite, have gone on show at Kensington Palace where the Queen once lived. The film, directed by Yorgos Lanthimos, explores the relationships and power struggles between the Queen (played by Olivia Coleman) and two of her closest female attendants – Lady Sarah Churchill (Rachel Weisz) and Lady Churchill’s impoverished cousin turned chambermaid, Abigail (Emma Stone). The costumes have been designed by three-time Oscar winner Sandy Powell who worked with Fox Searchlight Pictures and Historic Royal Palaces in creating the display in the Queen’s Gallery, once used by Queen Anne and her husband for exercise when the weather was bad. The display can be seen until 8th February. Admission charge applies. The Favourite opens in the UK and Ireland on 1st January. For more, see www.hrp.org.uk/kensington-palace/. PICTURE: © Historic Royal Palaces/Michael Bowles

Previously unseen portraits of Amy Winehouse and Sir Kenneth Branagh and newly acquired portraits of explorer Sir Rannulph Fiennes, astronaut Tim Peake and British Museum director Neil MacGregor have gone on show at the National Portrait Gallery. The portraits, which also include photographs from the Duke and Duchess of Sussex’s wedding in May this year, form part of a major new display of the gallery’s contemporary collection which features works produced from the year 2000 until today. Sitting alongside the collection is a new exhibition of works by artist Njideka Akunyili Crosby from her series The Beautyful Ones – comprised of portraits of Nigerian youth, including some members of her own family. Admission is free and The Beautyful Ones display can be seen until 3rd February. For more. see www.npg.org.uk.

A recently discovered rare self portrait of Artemisia Gentileschi, the most celebrated female artist of the Italian Baroque, has gone on show at the National Gallery. Self Portrait as Saint Catherine of Alexandria (1615-17), which was acquired by the gallery in July, 2017, can be seen in the Central Hall of the gallery after going through a five month conversation and restoration process which was documented in a series of short films shared on social media via #NGArtemisia. In March, the painting will leave the gallery on a “pop-up” tour of unexpected venues across the UK. A major exhibition of Gentileschi’s work is planned at the National Gallery in 2020. Admission to see the painting is free. For more, see www.nationalgallery.org.uk.

Send all items for inclusion to exploringlondon@gmail.com.

LondonLife – Looking toward The Orangery, Kensington Palace…

Now an elegant place to have lunch or afternoon tea, The Orangery was originally built in 1704-05. Its construction came at the behest of Queen Anne – the younger sister of Queen Mary II, she had ascended to the throne after the death of Mary’s husband King William III in 1702 following a fall from a horse (Mary had died of smallpox at Kensington Palace in 1694). Queen Anne used the building for parties in summer and in winter, thanks to underfloor heating, as a conservatory for plants (two engines were later fitted to the building to lift the orange trees kept there in colder months). The building’s architect is thought to have been the renowned Nicholas Hawksmoor, clerk of works for Kensington Palace, but it was extensively modified by Sir John Vanbrugh. The building also contains carvings by Grinling Gibbons. For more, see www.orangerykensingtonpalace.co.ukPICTURE: Vapor Kopeny/Unsplash

A Moment in London’s History – The premiere of Handel’s ‘Water Music’…

This month marks 300 years since composer George Frideric Handel premiered his composition (and one of the most famous pieces of classical music in the world) Water Music – and it was in a rather fitting setting.

The first performance of the composition – which was deliberately created for
playing outdoors (and carrying across water) – took place at about 8pm on 17th July, 1717, aboard a City of London barge in the River Thames.

Some 50 musicians played the piece – using everything from flutes and recorders to trumpets, horns, violins and basses – with Handel himself fulfilling the role of conductor.

The barge was part of a rather grand flotilla which made its way up the river from the Palace of Whitehall to Chelsea, at the centre of which was a royal barge upon which King George I and members of the nobility, including various duchesses, rode.

Numerous other Londoners also turned out to hear the performance aboard all manner of watercraft and the king was apparently so impressed with what he heard that he requested several encores both on the trip to Chelsea and on the return journey.

The story goes that the somewhat unpopular king had apparently requested the concert on the river to upstage his son, the Prince of Wales (and future King George II), who was stealing the limelight by throwing lavish parties (the king and his son were famously at odds and it was therefore no shock when the prince didn’t attend the performance).

There’s another story, meanwhile, that suggested Handel composed the piece to regain the favour of the King which he had apparently lost when, seeking to capitalise on his growing fame, he left his employment as conductor at the court of the then Elector of Hanover (a position George held before he was king) and moved from Germany to London during the reign of Queen Anne (although some claim the future king knew he would one day follow Handel to London and actually approved of his decision to move there).

Water Music, meanwhile, has since become part of popular culture – it’s generally said that most people will recognise at least one part of it – but interestingly, no-one is said to be exactly sure how the music, which is generally broken into three separate suites, should be performed, given that the original score has been lost.

PICTURE: Edouard Hamman’s painting showing Handel (on the left) with King George I aboard a barge on 17th July, 1717. Via Wikipedia

 

Eight historic department stores in London…3. Fortnum & Mason…

Now a Piccadilly institution, Fortnum and Mason’s origins (which we dealt with in 2011 in a London’s oldest post but couldn’t resist looking at again) famously go back the early 17th century when Hugh Mason rented out a spare room to William Fortnum, a Footman in the household of Queen Anne.

fortnum-masonThe entrepreneurial Fortnum decided to supplement his income by selling Queen Anne’s half-used candle wax (new candles were required every night) for a small profit. It was he who convinced his landlord, who also had a small shop in St James’s Market, to join with him in a joint venture – the first Fortnum & Mason – in Duke Street in 1707.

Initially founded as a grocery store, Fortnum & Mason, which moved to its current site at 181 Piccadilly in 1756, become known for its high quality and rare goods – in particular tea – and during the 18th and 19th centuries supplied the gentry who were in London for the ‘season’. Departments inside the store have included a rather bizarre ‘Expeditions Department’ which apparently supplied King Tut’s finder Howard Carter and a 1922 expedition to Mount Everest.

It has held numerous Royal Warrants since the mid 1800s with the first granted in 1863 when the firm was appointed as grocers to the then Prince of Wales.

A supplier of British officers during the Napoleonic Wars, Fortnums was also active during the Crimean War when Queen Victoria had shipments of “concentrated beef tea” sent to Florence Nightingale for use in her hospitals there.

Other claims to fame include the creation of the first Scotch egg in 1738 as a food for travellers and that in 1886, it became the first store in Britain to stock tins of Heinz baked beans. It also operated a post office between 1794 and 1839 when the General Post Office was founded.

The iconic clock which hangs on the facade of the building was commissioned in 1964 by Canadian businessman Garfield Weston who bought the business in 1951. Every hour models of Mr Fortnum and Mr Mason come forth and bow to each other. Other features on the building itself include four colonies of bees which have lived on the roof since 2008 in uniquely-designed hives.

The store, now famous for its luxury food hampers, underwent a £24 million restoration in the lead-up to its 300th anniversary in 2007. As well as the flagship store, it also now operates stores in St Pancras (2013) and Heathrow Airport (2015) as well as, since last year, in Dubai (it did open a store on Madison Avenue in New York in the 1930s but the business was short-lived thanks to the Depression). Fortnum & Mason products can also be found in a growing number of department stores around the world.

The Piccadilly store houses a number of eateries including The Parlour, The Gallery and The Wine Bar as well as, since it was opened by Queen Elizabeth II herself in 2012, the Diamond Jubilee Tea Salon – already famous for its afternoon teas.

See www.fortnumandmason.com.

PICTURE: Gryffindor/Wikimedia/CC BY-SA 4.0

What’s in a name?…Little Britain…

Little-BritainThis central – and rather unassuming – London street owes its name to the French – not British – who apparently once lived in the area which lies just south of Smithfield.

Originally named Little Brittany, it was settlers from Brittany in the east of modern France that inhabited the area where the street can be found after the Norman Conquest. Foremost among them apparently was the Duke of Brittany who apparently had a house here prior to the 1500s.

Between the late 15th century and early 18th century, the street was known as a location for booksellers (it was here that Britain’s first daily newspaper, the early 18th century Daily Courant, was printed in the area after moving from Fleet Street).

Famous residents over the years have included the 17th century poet John Milton (there’s also a much-repeated anecdote that has a Little Britain-based bookseller trying to convince the Earl of Dorset to buy as many copies of the apparently immoveable Paradise Lost as he could carry) , a very young Samuel Johnson (the then three-year-old and his mother lodged with a bookseller when she brought him to be touched by Queen Anne as a cure for his scrofula), and Benjamin Franklin who stayed here in 1724.

Literary references included a mention in Charles Dickens’ Great Expectations – the office of the lawyer Mr Jaggers were placed here.

St Bartholomew’s Hospital now occupies many of the buildings in the street.

Famous Londoners – Dr Richard Mead…

Eighteenth century physician Dr Richard Mead is noted not only for his attendance on the rich and famous of his time – including royalty – but also for his philanthropy, his expansive collections and, importantly, his contributions in the field of medicine.

Born in Stepney, London, on the 11th August, 1673, as the 11th of 13 children of nonconforming minister Matthew Mead, Mead studied both Utrecht and Leiden before receiving his MD in Italy. Returning to England in 1696, he founded his own medical practice in Stepney.

He married Ruth Marsh in 1699 and together the couple had at least eight children, several of whom died young, before her death in 1720 (he subsequently married again, this time to Anne, daughter of a Bedfordshire knight, Sir Rowland Alston).

Having published the then seminal text – A Mechanical Account of Poisons – in 1702, the following year Mead was admitted to the Royal Society. He also took up a post as a physician at St Thomas’ Hospital, a job which saw him move to a property in Crutched Friars in the City – his home until 1711, when he relocated to Austin Friars.

It was after this that he become friends with eminent physician John Radcliffe who chose Mead as his successor and, on his death in 1714, bequeathed him his practice and his Bloomsbury home (not to mention his gold-topped cane, now on display at the Foundling Museum – see note below).

Following Radcliffe’s death, in August of that year Dr Mead attended Queen Anne on her deathbed. Other distinguished patients over his career included King George I, his son Prince George and daughter-in-law Princess Caroline – in fact he was appointed as official physician to the former prince when elevated to the throne as King George II – as well as Sir Isaac Newton, lexicographer Dr Samuel Johnson, Alexander Pope, Sir Robert Walpole and painter Antoine Watteau.

Mead, who had been named a governor of St Thomas’ in 1715 and elected a fellow of the Royal College of Physicians in 1716, was over the years recognised as an expert in a range of medical fields – including, as well as poisons, smallpox, scurvy and even the transmission of the plague.

Among the many more curious stories about Dr Mead is one concerning a ‘duel’ (or fistfight) he apparently fought with rival Dr John Woodward outside Gresham College in 1719 over their differences in tackling smallpox and others which concern experiments he conducted with venomous snakes to further his knowledge of venom before writing his text on poisons.

Dr Mead was also known for his philanthropy and became one of the founding governors of the Foundling Hospital (as well as being its medical advisor) – a portrait of him by artist Allan Ramsay (for whom he was a patron), currently hangs at the museum.

Dr Mead, who by this stage lived in Great Ormond Street in Bloomsbury (the property, which backed onto the grounds of the Foundling Museum and which Mead had moved into after his first wife’s death, later formed the basis of the Great Ormond Street Hospital for Children), is also noted for the large collection he gathered of paintings – including works by Dürer, Holbein, Rembrandt, and Canaletto, a library of more than 10,000 books, antiquities and classical sculpture as well as coins and jewels, all of which scholars and artists could access at his home (it took some 56 days to sell it all after his death).

While Dr Mead – who died on 16th February, 1754 – was buried in the Temple Church, there is a monument to him – including a bust by Peter Scheemakers – in the north aisle of Westminster Abbey.

Dr Mead is currently being honoured in an exhibition at the Foundling Museum – The Generous Georgian: Dr Richard Meadwhich runs until 4th January. There’s an accompanying blog here which provides more information on his life and legacy.

A Moment in London’s History – The death of Queen Anne…

Queen-Anne

While much attention is being paid this year to the fact it’s the 300th anniversary of the accession of King George I (and the House of Hanover), we thought we’d take a quick look at the event which precipitated that moment – the death of the last Stuart monarch, Queen Anne, on 1st August, 1714.

The queen (depicted here in Richard Belt’s copy of a Francis Bird original outside St Paul’s Cathedral), who had ruled since 1702 and was the first monarch of Great Britain thanks to the 1707 Act of Union, died at Kensington Palace at about 7.30am. She had apparently suffered a series of strokes, having experienced declining health for the previous couple of years (this included gout which had severely limited her mobility and saw her carried in a chair even at her coronation). She was 49.

Her body was so swollen at the time of her death that she had to be placed in a large square-shaped coffin which was carried by 14 men.

Following her funeral, on 24th August she was laid to rest next to her husband, George of Denmark (he’d died at Kensington six years before), in the Stuart vault on the south side of King Henry VII’s chapel in Westminster Abbey.

Many of the bones of her infant and stillborn children lie nearby (Anne was pregnant 18 times) and apparently due to a lack of space, only a “small stone” marks her grave site. Anne’s seated wax funeral effigy, modelled from her death mask, can be seen in the abbey’s museum.

The idiom “Queen Anne is dead” – used as a response to someone who brings old news or who states the obvious – is thought to have its origins in the idea that while news of her death was officially kept quiet so the Hanoverian succession could be shored up, news of it nonetheless leaked quite quickly meaning that by the time it was officially announced, it was already well known.

LondonLife – Hampton Court Palace’s royal ‘edible’ gardens…

Gardens1

Historic Royal Palaces has reopened Hampton Court Palace’s royal kitchen garden, having recreated it according to a plan dating from 1736. The  six acre garden – constructed on the site of King Henry VIII’s tiltyard on the orders of Queen Anne in 1702 – was used to supply the table of monarchs from the early 1700s through to the 1840s. The recreated version showcases rare and heritage varieties of fruit and vegetables including Italian celery, borrage, skirret and swelling parsnips as well as apricots, nectarine and peaches while on site displays showcase some of the techniques used by the royal gardeners. The gardens are open to the public free-of-charge and it’s hoped that as they mature, vegetable growing classes will be held there. The gardens have been opened as part of celebrations marking the 300th anniversary of the Hanoverian accession. For more on Hampton Court Palace, see www.hrp.org.uk/HamptonCourtPalace/. PICTURES: Courtesy Historic Royal Palaces.

Gardens2

Gardens3