LondonLife – Gertrude Bell and Ronnie Scott commemorated…
November 12, 2019
Gertrude Bell – an adventurer, archaeologist, mountaineer and diplomat (who was at least partially responsible for the creation of the nation of Iraq) – has been honoured with an English Heritage Blue Plaque on the Chelsea home that served as her London based for some 40 years. The three storey Georgian residence at 95 Sloane Street (pictured) belonged to Lady Olliffe, the mother of Bell’s step-mother Florence. Bell, who spent much of her time in the Middle East, used the home as her London base between 1884, when she graduated from Queen’s College, through to her last visit to London in 1925, including during an extended period in 1915 when she managed the Red Cross’s Wounded and Missing Enquiry Department’s office in Arlington Street. Meanwhile, jazz musician Ronnie Scott has also been honoured with a Blue Plaque which marks the site of his first club in Soho. Scott and fellow saxophonist Pete King opened jazz club in the basement of 39 Gerrard Street in Chinatown on 30th October, 1959 – 60 years ago this year. The club remained there for six years before moving to 47 Frith Street in 1965. Musicians including Zoot Sims, Johnny Griffin, Roland Kirk, Dexter Gordon, Sonny Stitt, Stan Getz, Benny Golson, Ben Webster, and Al Cohn all performed at the club while patrons included Harold Pinter, the Beatles, Peter O’Toole, and Spike Milligan. For more on English Heritage Blue Plaques, visit www.english-heritage.org.uk/visit/blue-plaques/. PICTURE: Google Maps
LondonLife – St Bride’s among historic sites “rescued” in 2019…
November 5, 2019
St Bride’s Church in Fleet Street was among the hundreds of historic sites removed from Historic England’s Heritage at Risk Register this year. Published last month, the register is an annual inventory of historic sites “most at risk of being lost forever as a result of neglect, decay or inappropriate development”. It shows that while some 310 items have been removed from the list over the past year, some 247 were added, meaning there were 5,073 entries on the list this year, 87 less than the previous year. The Grade I-listed St Bride’s, which was designed by Sir Christopher Wren after the Great Fire of 1666, had needed repairs to both its famous steeple – said to have inspired the tiered wedding cake design – and the body of the church itself. Historic England spent almost £8.5 million on grants to help restore some of the country’s most historic sites over the past year. Among London sites still on the list are the Grade II*-listed Crystal Palace Park, the Grade I-listed St Pancras Church and sections of what remains of London’s Roman and medieval wall. For more, see www.historicengland.org.uk/advice/heritage-at-risk/.
LondonLife – Misty day at St Katharine Docks…
October 29, 2019
PICTURE: Robert Bye/Unsplash
LondonLife – London Bridge from on high…
October 15, 2019
PICTURE: Harshil Gurka/Unsplash
LondonLife – Pepys’ plate on show at Museum of London…
October 8, 2019
A silver trencher plate – one of only three silver pieces in the world known to have belonged to 17th century diarist Samuel Pepys (and the only one on display in the UK, the other two being in the US) – has gone on show in the Museum of London’s ‘War, Plague and Fire’ gallery following its recent acquisition. The plate, which was only recently recognised as belonging to Pepys – a naval administrator and MP, bears his coat-of-arms on the rim while the underside features London hallmarks testifying to the metal’s purity. The plate is also stamped with a “date letter” representing 1681-82 as the year it was made along with an MK in a lozenge, the maker’s mark of the workshop of Mary King in Foster Lane (the date 1681 also appears scratched on the surface but this was done at a later date). Knife and fork scratch marks are also visible on the trencher which may have been among the silver objects Pepys boasted about serving his guests with in his diary instead of the less expensive pewter. Admission to see the plate is free. For more, see www.museumoflondon.org.uk/discover/samuel-pepys-silver-plate. PICTURES: © Museum of London.
LondonLife – View to St Paul’s…
September 24, 2019
PICTURE: Greg Jeanneau/Unsplash.
LondonLife – The beauty of space revealed…
September 17, 2019
A “creative and artistic” composition of the 35 phases of the total lunar eclipse that took place on 21st January has won the Royal Observatory Greenwich’s Insight Investment Astronomy Photographer of the Year for 2019. The win, which carried a £10,000 prize for Hungarian photographer László Francsics, also means the image is now at the heart of an exhibition featuring all the competition’s winners, runners-up and highly commended, as well as 68 short-listed pictures running at the National Maritime Museum until 26th April. Competition judge Ed Robinson described the Francsics’ work as “nothing short of masterful”. “The colours of our atmosphere projected onto the Moon’s disc during the eclipse are not only artistically pleasing but also offer an understanding of such events that can reveal aspects of our own, thin, yet essential part of our atmosphere,” he said. “In a year that celebrates 50 years since the first lunar landings it is fitting that this year’s overall winning image captures such a dynamic and captivating view of our Moon.” Other images on display include German photographer Nicolai Brügger’s image showcasing the Aurora Borealis over the Lofoten Islands in Norway (winner of the ‘Aurorae’ category), an image featuring UK photographer Ben Bush and his dog Floyd surrounded by Mars, Saturn and the galactic core of the Milky Way galaxy (‘People and Space’), and a sequence of images by Australian Andy Casely following the progress of the great global dust storm on Mars (‘Planets, Comets and Asteroids’). The display also includes an image of the Rosette Nebula by 11-year-old Davy van der Hoeven, of The Netherlands, who won Young Astronomy Photographer of the Year. The Insight Investment Astronomy Photographer of the Year, now in its 11th year, is run by the Royal Observatory Greenwich in association with Insight Investment and BBC Sky at Night Magazine. Admission charge applies. For more, see www.rmg.co.uk/whats-on/astronomy-photographer-year/galleries/2019/overall-winners. PICTURES: Top – ‘Into the Shadow’ © László Francsics (overall winner); Below (from top down) – ‘The Watcher’ © Nicolai Brügger (winner of the ‘Aurorae’ category); and, ‘Shells of Elliptical Galaxy NGC 3923 in Hydra’ © Rolf Wahl Olsen (winner of the ‘Galaxies’ category) .
LondonLife – Heading for daylight at Charing Cross…
September 10, 2019
LondonLife – Wandsworth Bridge at sunset…
September 3, 2019
Wandsworth Bridge over the River Thames in west London. It was opened in 1940, replacing an earlier bridge which was demolished a couple of years before. PICTURE: Frederick Tubiermont/Unsplash
LondonLife – Album hunt…
August 20, 2019
Taken in Lewis Cubitt Square, King’s Cross. PICTURE: Clem Onojeghuo/Unsplash
LondonLife – ‘Ship of Tolerance’ docks in the Thames…
August 13, 2019
Ilya and Emilia Kabakov’s Ship of Tolerance is moored at Royal Docks this month ahead of the annual celebration of London’s river, Totally Thames, in September. The 60 foot long, hand-crafted wooden ship is dedicated to educating and inspiring young people and features sails made by children from 40 London primary schools, Great Ormond Street Hospital and refugee centres in Birmingham, Leeds, Peterborough and Calais. The award-winning ship was first launched in Egypt in 2005 and has since appeared in numerous cities around the world including Venice, Havana, Moscow, New York and Rome. It can be seen at Royal Docks until 31st August and then outside the Tate Modern from 4th September to 6th October. For more on the ship and Totally Thames, see www.totallythames.org. PICTURE: Courtesy of Totally Thames.
LondonLife – A roof in the park…
August 6, 2019
Japanese architect Junya Ishigami’s design for this year Serpentine Pavilion takes inspiration from architecture’s most common feature – the roof – and features an arrangement of slates positioned to form a single large canopy with a cave-like space beneath. The pavilion features 61 tonnes of Cumbrian slate tiles and 106 steel columns and, says Ishigami, is designed to play “with our perspectives of the built environment against the backdrop of a natural landscape, emphasising a natural and organic feel as though it had grown out of the lawn, resembling a hill made out of rocks”. “Possessing the weighty presence of slate roofs seen around the world, and simultaneously appearing so light it could blow away in the breeze, the cluster of scattered rock levitates, like a billowing piece of fabric,” he says. Ishigami is the 19th architect to design a pavilion for the Serpentine. His pavilion, which is located near the Serpentine Galleries in Kensington Gardens, can be visited until 6th October. It’s open 10am to 6pm daily. OS x Serpentine Park Nights, a programme of talks, films and performances, takes place on selected Friday nights. For more, head to this link. ALL PICTURES: © Junya Ishigami + Associates/Photography – Top and immediately below © 2019 Norbert Tukaj; Others below – © 2019 Iwan Baan.
An iron stylus bearing an inscription – described as the sort of cheap souvenir you might bring back for a friend after visiting a foreign city – is among thousands of Roman-era artefacts discovered during excavations for Bloomberg’s new European headquarters in Cannon Street. The stylus, which is about the length of a modern pen, dates from about AD70 and was used to write on wax-filled wooden writing tablets. It is inscribed in Latin text which, translated by classicist and epigrapher Dr Roger Tomlin, reads: “I have come from the city. I bring you a welcome gift with a sharp point that you may remember me. I ask, if fortune allowed, that I might be able [to give] as generously as the way is long [and] as my purse is empty”. It is believed the “city” referred to is Rome. The stylus is one of some 14,000 items Museum of London Archaeology archaeologists unearthed on the dig – including 200 styli (although only one bears an inscription) – which took place on what was the bank of the (now lost) Thames tributary, the Walbrook, between 2010 and 2014. It is among items on show in an exhibition now on at the Ashmolean Museum in Oxford called Last Supper in Pompeii. Head here for more details. Other finds from the excavations can be seen at the recently opened London Mithraeum Bloomberg SPACE. PICTURE: © MOLA
LondonLife – A new occupant heading for Number 10…
July 23, 2019
News today that Boris Johnson will be the next Prime Minister of the UK. Johnson, who will take over from Theresa May – only the second woman to hold the office – as PM tomorrow after winning the Conservative Party vote over Foreign Secretary Jeremy Hunt, will be the 14th Prime Minister to serve in the office during the reign of Queen Elizabeth II. PICTURE: US State Department
LondonLife – Living colour…
July 16, 2019
Close-up of the facade of Mizuho House, London branch of the Japanese investment bank Mizuho, in the Old Bailey London. PICTURE: Valdemars Magone/Unsplash
LondonLife – Angles on an iconic bridge…
July 2, 2019
Tower Bridge marked its 125th birthday last weekend so to celebrate, here’s some different angles on London’s most photographed bridge. The Victorian Gothic bascule and suspension bridge, which spans the Thames just to the east of London Bridge (with which it’s not to be confused), took eight years to build and was officially opened on 30th June, 1894, by the then Prince and Princess of Wales (later King Edward VII and Queen Alexandra). For more on the celebrations taking place at the bridge over the coming weeks and months, see www.towerbridge.org.uk/125/.
Pete, a maidenhair fern who lives at ZSL London Zoo, is preparing to take the world’s first plant selfie. Under the pioneering project taking place in the zoo’s Rainforest Life exhibit, microbial fuel cells – which harness the energy of naturally occurring bacteria in soil to generate electricity – will be used to power the plant to take its own picture. The fuel cells were designed by green energy specialists Plant E in the Netherlands and were created after ZSL’s Conservation Tech Unit, in partnership with Open Plant, Cambridge University and the Arribada Initiative, last year launched a competition to design a fuel cell that could be powered by plants. The new technology, which works around the clock, has the potential to allow researchers to monitor inhospitable and remote rainforest locations and record key data such as temperature, humidity, plant growth – all of which are crucial to the understanding of threats such as climate change and habitat loss. Zoo staff are asking people and come and cheer Pete on as he prepares to take his selfie with the actual event not expected for a few weeks. For more, see zsl.org. PICTURES: © ZSL London Zoo.
LondonLife – Dulwich unveils ‘The Colour Palace’…
June 18, 2019
The “second edition” pavilion at the Dulwich Picture Gallery, ‘The Colour Palace’ was unveiled earlier this month at the south London institution. Created in a partnership between the gallery and the London Festival of Architecture, the ‘palace’ – designed by Pricegore architects and Yinka Ilori – is a 10 metre high cube featuring a bold geometric pattern which was inspired by the “buzz of fabric markets in Lagos” and the “symmetry, curves and right angles” of Sir John Soane’s now Grade II*-listed gallery building. The temporary palace, which unites the themes of ‘boundaries’ and ‘innovation’, is being used as a public space for a range of creative activities – everything from neon life drawing, supper clubs, storytelling and yoga. For the programme of events, see www.dulwichpicturegallery.org.uk. PICTURES: Adam Scott/Dulwich Picture Gallery.
The Queen’s birthday was marked on Saturday with the annual Trooping the Colour in central London. More than 400 soldiers, close to 300 horses and 400 musicians took part in the event, believed to have first been performed during the reign of King Charles II. As well as Queen Elizabeth II, other members of the Royal Family in attendance included Camilla, Duchess of Cornwall, Kate, Duchess of Cambridge, Meghan, Duchess of Sussex, and Prince Harry, Duke of Sussex (see image below). ALL PICTURES: US Department of Defence photo by US Navy Petty Officer 1st Class Dominique A Pineiro (Via Flickr account of the Chairman of the Joint Chiefs of Staff/licensed under CC BY 2.0).
Against a backdrop of testy exchanges with London’s Mayor Sadiq Khan, denials that he called the Duchess of Sussex “nasty”, comments in praise of Boris Johnson and criticism of the UK’s handling of Brexit, US President Donald Trump arrived in London on Monday for a controversial three day State Visit. The visit, during which he has attended a State Banquet with Queen Elizabeth II in Buckingham Palace and is meeting with various political leaders, has already sparked protests and seen the reappearance of the famous ‘Trump Baby Blimp’ which first appeared over London’s Parliament Square during his non-State Visit last year. Now, the Museum of London has announced that it’s hoping to acquire the giant balloon along with one of Sadiq Khan which was created in protest at some of the mayor’s policies. In a statement released on Monday, the museum said it hoped to acquire both balloons and will be reaching out to their creators shortly. “London has played host to many historic protests,” the museum said in a statement. “From the Suffragettes of the early twentieth century to the anti-austerity marches, free speech and climate change rallies – the capital has always been the place to have your say.” It said that if acquired, the balloons will join the museum’s “protest collection” which comprises objects relating to the Suffrage movement 100 years ago, banners, flags, and tents that belonged to Brian Haw who used to actively protest outside the Houses of Parliament, as well as recent placards used by protestors against public spending cuts. For more on the museum, see www.museumoflondon.org.uk.
PICTURE: The Trump Baby Blimp seen over Parliament Square during last year’s presidential visit (Michael Reeve/licensed under CC BY-SA 2.0)
