This Week in London – Maritime Greenwich lights up; garden memorial to Diana; and, Ecce Homo at St Paul’s…
April 13, 2017
Wishing all our readers a very happy Easter!
• Maritime Greenwich will celebrate 20 years of UNESCO World Heritage Listing with a “spectacular” lighting event next Tuesday night. The lights will be switched on at 8.30pm on 18th April, illuminating landmarks including the Cutty Sark, the Queen’s House, National Maritime Museum and Royal Observatory as well as the Old Royal Naval College. The event, the first in a series to mark the 20 year anniversary this year, is the first time all the buildings have been lit up in unison and is a one night only event. Greenwich Park and the grounds of the National Maritime Museum and Old Royal Naval College will be kept open until 10pm to give visitors more time to witness the historic event. Maritime Greenwich was inscribed on the World Heritage List in 1997 due to its role in the progression of English artistic and scientific endeavour in the 17th and 18th centuries. The event takes place from 8.30pm to 11pm (Cutty Sark will be lit until 11pm) and is free to attend. For more, see www.rmg.co.uk. PICTURE: RMG
• A memorial garden to Princess Diana has opened at Kensington Palace, marking 20 years since her death. The temporary ‘White Garden’ – located in what was formerly the Sunken Garden which often featured floral displays admired by the Princess – features flowers and foliage inspired by memories of the Princess’s life, image and style. The garden, which can be seen from a public walkway, complements the exhibition, Diana: Her Fashion Story, currently on show in the palace. For more, see www.hrp.org.uk/kensington-palace/.
• Mark Wallinger’s work, Ecce Homo – a life-sized sculpture of Jesus Christ with his hands bound behind his back and a crown of barbed wire on his head, has been placed at the top of St Paul’s Cathedral’s west steps for Easter. The sculpture, which will be at the cathedral for six weeks, represents Christ as he stands alone, waiting for judgement and a sentence of death. The sculpture is being presented by the cathedral in partnership with Amnesty International and the Turner Prize winning artist to highlight the plight of all those currently in prison, suffering torture or facing execution because of their political, religious or other conscientiously-held beliefs. The statue first appeared on the Trafalgar Square Fourth Plinth in 1999. For more, see www.stpauls.co.uk.
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The rather grim Adolf Verloc, the smut purveyor-come-spy and main protagonist of Joseph Conrad’s The Secret Agent (recently made into a BBC series starring Toby Jones), lives in a residence attached to a small shop in Soho.
The residence, where he lived with his wife Winnie, her mother and young, mentally affected brother Stevie, and shop, where he sold scandalous publications, photographs and other bric-a-brac, was located at 32 Brett Street in Soho.
Except there is no Brett Street in Soho.
While it has been suggested Conrad may have taken the name Brett Street from Brett Road in Hackney – near where Conrad had lodgings at one stage, it’s also been put forward that Conrad based the streetscape on Irving Street (previously apparently known as Green Street) which runs between Leicester Square and Charing Cross Road (pictured above).
The street itself was named after actor Sir Henry Irving, whose statue stands at the junction with Charing Cross Road (pictured, it’s located at the rear of The National Gallery), and is these days filled with eateries and cheap theatre ticket box offices aimed at tourists.
Conrad’s book, which was set in 1886 but published in 1907, was loosely based around a bombing which took place in Greenwich in 1894.
This Week in London – Lockwood Kipling celebrated; a free ticket for Emma; and, a close-up look at the Painted Hall ceiling…
January 12, 2017
• A new exhibition celebrating the life of John Lockwood Kipling – described as an “artist, writer, museum director, teacher, conservationist and influential figure in the Arts and Crafts movement” as well as being the father of world famous writer Rudyard Kipling – opens at the V&A in South Kensington on Saturday. The exhibition is the first exploring the life and work of Kipling (1837-1911) who campaigned for the preservation of Indian crafts as well as being a craftsman himself (his terracotta panels can still be seen on the exterior of the V&A) and an illustrator of his son’s books. Lockwood Kipling: Arts and Crafts in the Punjab and London features paintings of the Indian section of the 1851 Great Exhibition as well as objects which were on display (the exhibition was visited by Kipling while a teenager), Kipling’s sketches of Indian craftspeople observed during his many years living in India as well as objects he selected for the V&A while there, designs and illustrations for books, and furniture he helped his former student architect Bhai Ram Singh design for royal residences Bagshot Park and Osborne. The free exhibition, a collaboration between the V&A and the Bard Graduate Centre in New York, runs until 2nd April (it will be on display at the Bard Graduate Center, New York, from 15th September this year). For more, see www.vam.ac.uk/kipling. PICTURES: Top: The Great Exhibition, India no. 4, by Joseph Nash/Royal Collection Trust © Her Majesty Queen Elizabeth II 2016 ©; Right: Lockwood Kipling with his son Rudyard Kipling, 1882/© National Trust, Charles Thomas
• Anyone named Emma will receive free entry into the National Maritime Museum’s exhibition on Emma Hamilton this weekend in honour of the 202nd anniversary of her death on 15th January, 1815. Emma Hamilton: Seduction and Celebrity shines a light on the remarkable woman who overcame poverty to become one of the most famous international celebrities of her age. The display features more than 200 objects on loan from public and private collections as well as from the museum’s own collection including paintings, personal letters, prints and caricatures, costumes and jewellery. Simply bring proof that your name is Emma – such as a passport, driver’s licence or utility bill – and gain free entry on 14th and 15th January. The exhibition runs until 17th April. Admission charges usually apply. For more, see www.rmg.co.uk/emmahamilton.
• Members of the public will be granted a close-up look of the ceiling of the Painted Hall at the Old Royal Naval College in Greenwich this April. The hall, described as the “Sistine Chapel of the UK” is undergoing a two year transformation which includes conservation of Sir James Thornhill’s famous painted ceiling. As part of the project, a series of ceiling tours will be launched on 1st April this year with visitors taken up close via a lift where they can see the conservators at work. For more, see www.ornc.org.
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November 8, 2016
A gasometer built in 1886 as part of the South Metropolitan Gas Company’s East Greenwich works.
PICTURE: Sérgio Rola/Unsplash
This Week in London – Emma Hamilton’s life explored; artist self-portraits; and, National Trust garnitures…
November 3, 2016
• Emma Hamilton, the mistress of Horatio Nelson – hero of the Battle of Trafalgar, is the subject of a new exhibition at the National Maritime Museum in Greenwich. One of the most famous figures of her time, Hamilton rose from obscure beginnings to the heights of celebrity and is best remembered for the scandalous affair she had with Lord Nelson for the six years prior to his death in 1805. Emma Hamilton: Seduction and Celebrity brings together more than 200 objects, many of which have never been displayed before, including paintings, letters, costumes and jewellery. Highlights include works by artists George Romney, Sir Joshua Reynolds and Sir Thomas Lawrence, letters from Hamilton and her lovers, betrothal rings exchanged between Hamilton and Nelson, her songbooks and decorative objects. The exhibition, which runs until 17th April, is accompanied by a series of events including walking tours and late openings. Admission charges apply. For more, see www.rmg.co.uk/national-maritime-museum.
• The first-ever exhibition of portraits of artists in the Royal Collection opens at The Queen’s Gallery, Buckingham Palace, tomorrow. Portrait of the Artist features more than 150 paintings, drawings, prints, photographs and decorative arts including a self-portrait by Sir Peter Paul Rubens (1623) which was hung in Whitehall Palace, a portrait of his former assistant Anthony van Dyck (c1627-28), and Cristofano Allori’s work Head of Holofernes (1613) in which the artist appears as the decapitated Holofernes as well as self-portraits by everyone from Rembrandt to Lucien Freud and David Hockney. The exhibition runs until 17th April. Admission charges apply. For more, see www.royalcollection.org.uk/visit/the-queens-gallery-buckingham-palace.
• Sir Joseph Lyons, founder of Lyons tea shops and the ‘Corner Houses’ of London – among the first chain restaurants in England, has been honoured with an English Heritage Blue Plaque at his former home in Hammersmith. Sir Joseph, who lived at the property in the 1890s close to the now-demolished headquarters of his catering empire at Cadby Hall, opened the doors to his first teashop at 213 Piccadilly in 1894. He was knighted by King George V in 1911. For more, see www.english-heritage.org.uk/visit/blue-plaques/.
• On Now: Garnitures: Vase sets from National Trust Houses. Being run in conjunction with the National Trust, the display at the Victoria & Albert Museum in South Kensington explores the history of ‘garniture’ – sets of ornamental vases unified by their design and a specific context. A status symbol for a period between the 17th and 19th century, garnitures fell out of fashion and complete sets are now extremely rare. The display features garnitures loaned from 13 different National Trust houses as well as objects from the V&A’s collection. Highlights include a garniture made in miniature for a doll’s house, an extremely rate 17th century silver set of jars, a Rococo set and Wedgwood ceramics. The free exhibition runs until 30th April. For more, see www.vam.ac.uk/exhibitions/garnitures.
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This Week in London – The Queen’s House reopens; Caravaggio at The National Gallery; and, Victorian entertainments at the British Library…
October 13, 2016
• The Queen’s House in Greenwich has reopened this week following more than a year long restoration to mark its 400th anniversary. The property was designed by Inigo Jones for King James I’s wife, Queen Anne of Denmark (supposedly it was a gift from the king, given as an apology for swearing in front of her after she accidentally killed one of his dogs while hunting), and, commissioned in 1616 (but not finished until 1636, well after Queen Anne’s death), is regarded as Britain’s first fully classical building. The newly reopened premises houses more than 450 works of art from the National Maritime Museum’s collection and a new gold leaf artwork – inspired by the newly restored Tulip Stairs – on the ceiling of the Great Hall created by Turner Prize-winning artist Richard Wright. Other attractions include Gentileschi’s painting Joseph and Potiphar’s Wife, which has returned to the house, where it is on display in the King’s Presence Chamber, for the first time since 1650, and the iconic Armada Portrait of Queen Elizabeth I, which is now on permanent display. Entry to the property is free. The property’s reopening is being accompanied by a series of talks. For more, see www.rmg.co.uk/queens-house.
• The first major exhibition to explore the work Italian artist Caravaggio has opened at The National Gallery on Trafalgar Square this week. Beyond Caravaggio features 49 paintings traces the life of Michelangelo Merisi da Caravaggio (1571-1610), from his early years in Rome producing highly original works depicting youths, musicians, cardsharps and fortune-tellers through to his sensational first public commission in 1600 and the many commissioned works which followed, his two trips to the Kingdom of Naples (both times while fleeing the law, the first after committing murder), and how his works inspired – and were reflected in the works of – other painters. Works on show include Caravaggio’s Boy Bitten by a Lizard (1594-95) and The Supper at Emmaus (1601), as well as the recently discovered The Taking of Christ (1602) and Saint John the Baptist in the Wilderness (1603-04) along with a host of works from other painters. The exhibition is a collaboration with the National Gallery of Ireland and the Royal Scottish Academy and will head to these institutions after it finishes its run at The National Gallery on 15th January. Admission charge applies. For more, see www.nationalgallery.org.
• A free exhibition exploring the popular Victorian entertainments which have shaped today’s theatrical traditions opens at the British Library in King’s Cross tomorrow. Victorian Entertainments: There Will Be Fun focuses on five performers who were instrumental entertainers during the 19th century – from mesmerist Annie De Montfort and ‘Royal Conjurer’ Evasion to Dan Leno – the “funniest man on earth”, circus owner ‘Lord’ George Sanger and magician John Nevil Maskelyne of the Egyptian Hall. The display features decorative posters, handbills, musical scores, advertisements and tickets and includes items drawn from the 6,000 pieces of printed ephemera contained in the library’s Evasion collection as well as original sound recordings, artefacts on loan from The Magic Circle Museum and memorabilia from the Egyptian Hall in London. Five original performance pieces have been commissioned for the exhibition and every Saturday until 17th December, a company of actors and performers will present archive material from the exhibition in a contemporary performance. There’s also an extensive events programme accompanying the exhibition. Runs until 12th March. For more, see www.bl.uk/events/victorian-entertainments-there-will-be-fun. PICTURE: Modern Witchery Maskelyne at the Egyptian Hall; © British Library Board
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This Week in London – Marking the transatlantic cable’s 150th; Sir James Thornhill celebrated; and, food at the Foundling Museum…
September 22, 2016
• This year marks the 150th anniversary of the transatlantic cable connecting Europe and America and in celebration of the event, the City of London Corporation’s Guildhall Art Gallery is holding an exhibition looking at the impact of cable telegraphy on people’s understanding of time, space and the speed of communication. Victorians Decoded: Art and Telegraphy, a collaboration between the gallery, King’s College London, The Courtauld Institute of Art and the Institute of Making at University College London, features never-before-seen paintings from the gallery’s collection as well as rare artefacts such as code books, communication devices, samples of transatlantic telegraph sales and ‘The Great Grammatizor’, a messaging machine that will enable the public to create a coded message of their own. It took nine years, four attempts and the then largest ship in the world, the Great Eastern, to lay the cable which stretched from Valentia Island in Ireland to Newfoundland in Canada and enabled same-day messaging across the continents for the first time. Displayed over four themed rooms – ‘Distance’, ‘Resistance’, ‘Transmission’ and ‘Coding’, the exhibition features works by artists including Edward John Pointer, Edwin Landseer, James Clarke Hook, William Logsdail, William Lionel Wyllie and James Tissot. The free exhibition, which runs until 22nd January, is accompanied by a series of special curator talks. For more information, see www.cityoflondon.gov.uk/victoriansdecoded. PICTURE: Commerce and Sea Power, William Lionel Wyllie/Courtesy Guildhall Art Gallery.
• The life of artist Sir James Thornhill – the painter behind the remarkable Painted Hall at the Old Royal Naval College in Greenwich, has opened at The Stephen Lawrence Gallery in Greenwich. A Great and Noble Design: Sir James Thornhill’s Painted Hall explores the story behind the commissioning of the Painted Hall, painted between 1708 and 1727, through a series of preparatory sketches made by the artist, including three newly-conserved original sketches by Thornhill. Also on show will be the results of new research undertaken into the paintings in the light of upcoming conservation work on the hall’s ceiling. The free exhibition runs at the centre at Stockwell Street until 28th October. For more, see www.ornc.org.
• The food served at the Foundling Hospital comes under scrutiny in a new show at The Foundling Museum in Bloomsbury. Based on new research, Feeding the 400 looks at the impact food and eating regimes had on children at the hospital between 1740 and 1950 through an examination of art, photographs, objects including tableware and the voices of former student captured in the museum’s extensive sound archive. Guest curated by Jane Levi, the exhibition also includes a newly commissioned sound work which evokes the experience of communal eating. A programme of events accompanies the exhibition which runs until the 8th January. Admission charge applies. For more, see www.foundlingmuseum.org.
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July 5, 2016
The remains of the 17th century Old Keeper’s Cottage in Greenwich Park are being brought to light in an archaeological dig underway in the park this week. The lodge stood close to Queen Elizabeth’s Oak near the centre of the park and was demolished in 1853. This year’s dig is the final of a three year project to unearth the lodge’s remains, sparked after tiles were discovered near the site of the cottage in 2010. Finds so far include a second century Roman brooch, post-medieval pottery and a Victorian watch-winder. The digs have also revealed remains associated with the lodge including two buildings and part of the boundary of the complex. Toni Assirati, head of education and community engagement at Royal Parks, says while much is already known about the history of Greenwich Park – which dates back to 1427 – much remains to be yet discovered about its social history. “This project will hopefully help us find out more about the lives of the people who worked and lived in the park.” Members of the public are invited to attend from 3pm to 6pm on 13th July to hear more about the project from the archaeologists involved as well as see some of the unearthed artefacts. For more about Greenwich Park, see our earlier post here or head to www.royalparks.org.uk/parks/greenwich-park. PICTURE: Greenwich Park, looking toward Observatory Hill (the site of the dig is to the left of the hill). © Anne Marie Briscombe/Royal Parks.
This Week in London – Exploring flight and space; ‘Horrible’ Tudors at Hampton Court; BioBlitz at Brompton Cemetery; and sleeping with the lions…
May 26, 2016
• A “ground-breaking” hands-on exhibition exploring the concept and future of flight and space travel opens at the National Maritime Museum in Greenwich this week. Above and Beyond, produced by Evergreen Exhibitions in association with Boeing (and created in collaboration with NASA), features more than 10 interactive displays, allowing visitors to learn to fly like a bird, take an elevator to space, enjoy a view of Earth from above or go on a marathon mission to Mars and see how your body would cope. Runs until 29th August. Admission charge applies. For more, see www.rmg.co.uk/see-do/exhibitions-events/above-and-beyond-exhibition.
• Horrible Histories is bringing the world of the ‘Terrible Tudors’ to life at Hampton Court Palace this half-term break. The Birmingham Stage Company is offering the chance for visitors to dip into 100 years of Tudor history, spanning the reigns of the “horrible” Henries to that of the crowning of King James I in 1603. Get behind the dry facts and discover what the role of the Groom of the Stool was, which queen lost her wig as she was executed and decide whether to join in punishing the ‘whipping boy’ or the monarch and which side you’ll be on as the Spanish Armada set sail. The hour long performances will take place on the palace’s historic East Front Gardens (unreserved seating on the grass). Admission charge applies. Runs from today until 2nd June. For more see, www.hrp.org.uk/hampton-court-palace/.
• The Royal Parks is hosting its first ever BioBlitz at Brompton Cemetery this Bank Holiday weekend. For 24 for hours from 5pm on Friday, people are invited to join in the hunt to track down as many species of plants, animals and fungi as possible with events including tree and nature walks, earthworm hunts, bee and wasp counts and lichen recording. There will also be a range of stalls for people to visit with representatives from a range of nature and wildlife organisations present. The BioBlitz is one of several projects linked to the £6.2 million National Lottery-funded facelift of the cemetery. For more, head to www.royalparks.org.uk/events/whats-on/bioblitz.
• Sleep with the lions at ZSL London Zoo next to Regent’s Park from this week. The zoo new overnight experience at the Gir Lion Lodge, in which guests can stay in one of nine cabins at the heart of the new Land of the Lions exhibit, opened on Wednesday. Guests will also be taken on exclusive evening and morning tours in which they’ll find out more about how ZSL is working with local communities and rangers in India’s Gir Forest to protect these endangered cats. The private lodges will be available six nights a week until December with designated adults-only and family nights available. For more, see www.zsl.org/zsl-london-zoo/gir-lion-lodge.
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This Week in London – Commemorating the Battle of Jutland; ‘lost’ Egyptian cities; and, new Blue Plaques…
May 19, 2016
• The largest naval conflict of World War I – the Battle of Jutland – is the subject of a new exhibition opening at the National Maritime Museum in Greenwich tomorrow. Marking the centenary of the battle, Jutland 1916: WWI’s Greatest Sea Battle explores the battle itself (which claimed the lives of more than 8,500 as the British Grand Fleet met the German High Seas Fleet in what neither side could claim as a decisive victory) as well as its lead-up, aftermath and the experience of those serving on British and German warships through paintings and newspaper clippings, photographs, ship models and plans, sailor-made craft work and medals. Among the objects on display is a 14 foot long shipbuilder’s model of the HMS Queen Mary, which, one of the largest battle cruisers involved,was destroyed with only 18 survivors of the 1,266 crew. Among the personal stories told in the exhibition, meanwhile, is that of boy bugler William Robert Walker, of Kennington, who served on the HMS Calliope and, severely wounded during the battle, was later visited by King George V
and presented with a silver bugle by Admiral Sir John Jellicoe (the bugle, pictured, is on display). A series of events will accompany the exhibition which runs until November. Admission is free. For more, see www.rmg.co.uk/national-maritime-museum. PICTURE: © National Maritime Museum, London
• Two ‘lost’ Egyptian cities and their watery fate are the subject of a new exhibition which opens at the British Museum today. Sunken cities: Egypt’s lost worlds is the museum’s first exhibition of underwater discoveries and focuses on the recent discoveries of Thonis-Heracleion and Canopus – submerged at the mouth of the Nile for more than 1,000 years. Among the 300 objects on display are more than than 200 artefacts excavated between 1996 and 2012. Highlights include a 5.4 metre statue of Hapy, a sculpture excavated from Canopus representing Arsine II (the eldest daughter of the Ptolemaic dynasty founder Ptolemy I) who became a goddess after her death, and a stela from Thonis-Heracleion which advertises a royal decree of Pharaoh Nectanebo I concerning taxes. The exhibition runs until 27th November. Admission charge applies. For more, see www.britishmuseum.org.
• New English Heritage Blue Plaques marking the homes of comedian Tommy Cooper and food writer Elizabeth David have been unveiled this month as part of the 150th anniversary of the scheme. Tommy Cooper lived at his former home at 51 Barrowgate Road in Chiswick between 1955 to 1984 and while there entertained fellow comedians such as Roy Hudd, Eric Sykes and Jimmy Tarbuck. Elizabeth David, meanwhile, is the first food writer to ever be commemorated with a Blue Plaque. She lived at the property at 24 Halsey Street in Chelsea for some 45 years until her death in 1992. For more, see www.english-heritage.org.uk/visit/blue-plaques/.
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March 14, 2016
Another Greenwich pub whose name references an aspect of maritime history (see our previous posts on the The Gipsy Moth and the Trafalgar Tavern), this riverside establishment takes its name from a former tea clipper (which, not coincidentally, is on display nearby).
The clipper Cutty Sark was constructed in Dumbarton in 1869 to facilitate the transport of tea from China to Britain in as short a time span as possible. It made its maiden voyage the following year and but only ended up working the tea route for a few years before being used to bring wool from Australia.
Later sold to a Portuguese company, the vessel continued to be used as a cargo ship until she was sold in 1922 and used as training ship, first in Cornwall, and later at Greenhithe in Kent.
In 1954, the vessel found a new permanent dry dock at Greenwich and was put on public display. Damaged by fire in 2007, the ship underwent extensive restoration and is now displayed in a state-of-the-art purpose-built facility which allows you to walk underneath the vessel.
The three level Cutty Sark pub, located at 4-6 Ballast Quay (formerly known as Union Wharf), features a Georgian-style bow windows on the first and second floors (the first floor is home to the Willis Dining Room which has great views of the Thames).
The present Grade II-listed building apparently dates from the early 19th century (although the sign out the front suggests 1795 and it’s been suggested the building was substantially altered in the mid-19th century) but there is evidence of a public house on the location by the early 18th century.
Known at one stage at the Green Man, in 1810 it became the Union Tavern – a reference, apparently, to the union of England and Ireland which took effect in 1801. It took its current name after the Cutty Sark arrived in Greenwich in the 1950s.
This Week in London – Samuel Pepys and his world revealed; the world of contemporary cycling; and, Indian jewellery traditions…
November 19, 2015
• The largest exhibition ever mounted about the life of 17th century diarist Samuel Pepys opens at the National Maritime Museum in Greenwich tomorrow. Samuel Pepys: Plague, Fire, Revolution features more than 200 paintings and objects brought together from museums, galleries and private collections which explore the life of the famous diarist (depicted here in a bust outside the Guildhall Art Gallery) against the backdrop of the tumultuous events of Stuart London, from the execution London of King Charles I in 1649 through the Great Fire of London and the Glorious Revolution on 1688. Objects on show include the famous painting, Portrait of Charles II in Coronation Robes, objects connected to Pepys’ mistresses including one of his love letters to Louise de Kéroualle (aka ‘Fubbs’ or ‘chubby’) and other personal items such as a lute owned by Pepys. The exhibition is accompanied by a series of events including Pepys Show Late: Party like it’s 1669 (26th November) and a series of walks and talks. Admission charge applies. The exhibition runs until 28th March. For more, see www.rmg.co.uk/national-maritime-museum.
• Cycles are in the spotlight at the Design Museum in Shad Thames with a new exhibition, Cycle Revolution, opening yesterday. The display, which focuses on the world of contemporary cycling, features dozens of bicycles from key manufacturers as well as high end accessories, items belonging to celebrated cyclists Sir Chris Hoy and Sir Paul Smith and specially commissioned films and photography. It looks at cycling subcultures – everyone from the “high performers” to the “cargo bikers”, examines manufacturing techniques and innovations in the use of materials and design with exhibits including a large scale recreation of a bespoke bicycle making workshop, and tackles questions about the future of cycling particularly in relation to the urban environment. The exhibition is being accompanied by a ‘cycle cafe’, large scale installations and a series of public events. Runs until 30th June. Admission charge applies. For more, see www.designmuseum.com.
• The jewellery traditions of the Indian sub-continent are set to sparkle at a new exhibition opening at the V&A in South Kensington this Saturday. Part of the V&A India Festival, Bejewelled Treasures: The Al Thani Collection features 100 items, drawn from a single private collection, including a Golconda diamond given to Queen Charlotte by the Nawab of Arcot in South India in 1767, a jade-hilted dagger that belonged to the 17th century emperor Shah Jahan (builder of the Taj Mahal), and a jewelled gold tiger’s head from the throne of the Tipu Sultan of Mysore. As well as showcasing the types of jewels collected by the Mughal emperors, the exhibition reveals the influence of India on European jewellery houses in the early 20th century and the ongoing impact of Indian influences on more modern pieces. The exhibition runs until 28th March. Admission charge applies. For more, see www.vam.ac.uk/BejewelledTreasures.
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October 30, 2015
This weekend London is once again taking part in the Museums at Night event (yes, this is the first year it’s being held over two weekends – the first was back in May). In honour of that milestone, we thought we’d take the time to list five of the quirkier places that are taking part this time around, either tonight or on Halloween itself…
• The Marvellous Mysteries of Hackney Museum at Night. An interactive and “creative making” tour of the museum and local surroundings (be prepared for some walking!).
• The Monument, City. Ascend the spiral staircase of 360 degree views of the City and hear stories about the Great Fire and its aftermath and Hookes’ telescopic column.
• The Fan Museum, Greenwich. Take a look at its latest exhibition ‘Made in China’ which features a display of 8o fans and “traces the evolution of Chinese export fan design from its emergence toward the end of the seventeenth century to its eventual decline in the latter part of the nineteenth century”.
• Severndroog Castle, Castle Wood. Take a candlelit tour on Halloween including the chance to take in the vistas from the viewing platform. The tearooms are also opening.
For details of all London events – some of which are free – check out www.museumsatnight.org.uk and search under ‘London’.
This Week in London – Cosmonauts at the Science Museum; space on show at the Royal Observatory; Simon Schama’s portrait picks; and, celebrating iconic road signs…
September 17, 2015
• The greatest collection of Soviet spacecraft and artefacts ever exhibited outside of Russia can be seen at the Science Museum from tomorrow. Cosmonauts: Birth of the Space Age tells the story of Russia’s involvement in the ‘space age’ from the late 19th century through to life onboard Mir and the International Space Station. Exhibits cover the 1957 launch of Sputnik – the world’s first artificial satellite, the sending of the first human into space – Yuri Gagarin, in 1961, as well as the first women – Valentina Tereshkova – in 1963. Star objects include rocket pioneer Konstantin Tsiolkovsky’s 1933 drawings depicting spaceflight, an original model of Sputnik from 1957, and Vostok-6, the capsule that carried Tereshkova, as well as some of the many technologies developed for use on board the Salyut and Mir space stations and the ISS. The exhibition, a collaboration between the Science Museum, the State Museum Exhibition Centre ROSIZO and the Federal Space Agency Roscosmos, runs at the South Kensington museum until 13th March. Admission charge applies. For more, see www.sciencemuseum.ac.uk. PICTURE: Visitors study the Vostok 6 descent module, which safely returned Valentina Tereshkova from space. © Science Museum
• Still talking of space and an exhibition of images of space goes on show at the Royal Observatory Greenwich from tomorrow. The Insight Astronomy Photographer of the Year 2015 awards, now in its seventh year, received more than 2,700 entries from amateurs and professionals who live in more than 60 countries across the globe. The winners, which will be announced today at a special ceremony at the Royal Observatory, were selected from short-listed pictures which include a meteor flying through space above Mt Ranier in the US, the night sky mirrored on the world’s largest salt flat of Salar de Uyuni in Bolivia, and images capturing a range of phenomena from across the universe – from the hyper giant star, Eta Carinae, to the supernova remnant known as the Jellyfish Nebula. The exhibition is free. For more, see www.rmg.co.uk.
• Historian Simon Schama has joined with the National Portrait Gallery in creating five new temporary displays featuring portraits arranged by theme rather than year. Simon Schama’s The Face of Britain, which coincides with the launch of a five part TV series and book, will feature a range of portraits taken from the gallery’s collection around the themes of power, love, fame, people and self-portraits. It juxtaposes portraits of the likes of former PM Sir Winston Churchill and Margaret Thatcher with Queen Elizabeth I; and those of explorer Francis Drake and Thomas Carlyle alongside Amy Winehouse. The displays are integrated into a free trail with eight to 12 works in each of the five rooms. A full programme of events accompanies the displays which will be in the gallery, just off Trafalgar Square, until 4th January. Admission is free. For more, see www.npg.org.uk.
• The London Design Festival kicks off on Saturday and as part of the event, the Design Museum is marking the 50th anniversary of Calvert and Kinneir British road signage with a free exhibition. MADE NORTH has commissioned a number of leading designers and artists to create their own interpretations of Margaret Calvert and Jock Kinneir’s circle, triangle and square signs including Sir Peter Blake, Sir Terence Conran, Sir Keith Grange, Betty Jackson, Julian Opie and Richard Rogers. A display of more than 40 of the new signs – along with a number of Calvert and Kinneir originals and a one-off version of the Road Works sign specially created by Calvert – are on show at a free installation in the Design Museum’s Tank and Riverside Hall until 25th October. More of the newly designed anniversary signs can be seen at locations across the city and at www.britishdesignproject.co.uk. For more on the London Design Museum, see www.designmuseum.org, and for the full programme of the London Design Festival, which runs until 27th September, check out www.londondesignfestival.com.
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This Week in London – The Waterloo Cartoon on show; see inside a former Huguenot’s home; and, Royal Parks’ harvest festivals…
September 3, 2015
• A monumental Victorian-era drawing of the Battle of Waterloo has gone on display in London for the first time since 1972. The Waterloo Cartoon, more formally known as The Meeting of Wellington and Blucher after the Battle of Waterloo, measures more than 13 metres long and three metres high. A preparatory drawing for a wall painting which still exists in the House of Lords’ Royal Gallery, it took artist Daniel Maclise more than a year to complete in 1858-59 and was based on eye-witness accounts (the artist even recruited Queen Victoria and Prince Albert to use their German contacts to gather information from Prussian officers present on the day). Long considered a masterpiece, it was bought by the Royal Academy in 1870 – the year of Maclise’s death – and was on show at Burlington House until the 1920s. It has been in storage for much of last century and, newly restored following a grant from Arts Council England, has now gone on display to mark the 200th anniversary of the Battle of Waterloo. The newly conserved drawing is the focus of a new exhibition – Daniel Maclise: The Waterloo Cartoon, which opened at the Royal Academy in Piccadilly yesterday (between May and August, it was on show as part of a Waterloo exhibition at the Royal Armouries in Leeds). Runs until 3rd January. Admission charge applies. For more, see www.royalacademy.org.uk.
• There’s a rare chance to see inside a former Huguenot merchant’s house dating from 1719 in Spitalfields this weekend. The property at 19 Princelet Street was the home of the Ogier family, who had come to London escaping persecution in France and worked in the silk weaving trade. It was later subdivided into lodgings and workshops with later occupants following a range of trades and professionals while a synagogue was opened in the garden in 1869. The site – which the Spitalfields Centre charity hopes to establish as a museum of immigration – is not generally open to the public but will be open this Saturday and Sunday – from 2pm to 6pm. Entry is free (but donations would be welcome) and there may be queues so its suggested you arrive early. For more, see www.19princeletstreet.org.uk.
• Watch a bee keeping demonstrations, help dig up some potatoes and introduce the children to some farm animals. The Kensington Gardens’ Harvest Festival will be held this Sunday, between 11am and 4pm, and will also include a range of children’ activities, experts from the Royal Parks Guild on hand to answer your questions about food growing and complimentary hot and cold drinks available throughout the day while stocks last. It’s the first of three harvest festivals to be held in Royal Parks this month with Greenwich Park set to host its inaugural harvest festival on 13th September (11am to 4pm) and The Regent’s Park Allotment Garden to host one on 19th September (11am to 5pm). For more, see www.royalparks.org.uk.
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This Week in London – Tall ships at Greenwich; immersive art at Tate Britain; and, ‘Nature’s Bounty’ at Kew…
August 27, 2015
• It’s all about big masted ships at Greenwich this Bank Holiday weekend as up to 15 ships drop anchor at the Royal Greenwich Tall Ships Festival. Two tall ships, the Dar Mlodziezy and Santa Maria Manuela, will be moored on Tall Ships Island in the river at Maritime Greenwich (accessed via MBNA Thames Clippers) while an additional 13 ships will be taking people on cruises from their base at Royal Arsenal Woolwich (tickets can be booked via Sail Royal Greenwich). On Saturday, a free family festival will be held in Woolwich Town Centre and at Royal Arsenal Riverside with music, roving entertainers, food and other activities including a fireworks display on the river at 10pm (fireworks can also be seen on Thursday, Friday and Sunday nights on the river at Maritime Greenwich at around 9.15pm). For more information – including how and where to book tickets, see www.royalgreenwich.gov.uk/tallships2015.
• An immersive art project allowing visitors to engage with paintings in a multi sensory experience opened at Tate Britain on Milbank yesterday. Tate Sensorium has won this year’s annual IK Prize, presented by the Tate and supported by the Porter Foundation, awarded for a project which uses innovative technology to enable the public to explore the gallery’s collection in new ways. The display features four works by celebrated figures in 20th century painting: Francis Bacon’s Figure in a Landscape (1945), David Bomberg’s In the Hold (c 1913-1914), Richard Hamilton’s Interior II (1964) and John Latham’s Full Stop (1961). As part of the experience, which has been produced by creative studio Flying Object in conjunction with a cross-disciplinary team, visitors are offered the chance to wear biometric measurement wristbands to record the emotional impact of the experience. Admission to exhibition in gallery 34 is free but tickets are limited. Runs until 20th September. For more, see www.tate.org.uk/sensorium.
• A series of detailed paintings of fruit, vegetables and edible plants from all over the world goes on show at the Shirley Sherwood Gallery of Botanical Art at Kew Gardens on Saturday. Nature’s Bounty features works from the Shirley Sherwood and Kew collections including works from the 19th century text, Fleurs, Fruits et Feuillages Chosis de la Flore et de la Pomona de L’ile de Java drawn by botanical artist Berthe Hoola Van Nooten as well as works from the Shirley Sherwood and Kew collections. The exhibition runs until 31st January. Admission charge applies. For more, see www.kew.org.
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This Week in London – London Tree Week kicks off; illustrated London at the LT Museum; and, Joshua Reynolds at the Wallace Collection…
May 21, 2015
• London Tree Week kicks off on Saturday with a range of free events happening across the city. They include ‘tree walks’ in Richmond and Greenwich Royal Parks, a tour of paintings featuring trees at the National Gallery in Trafalgar Square, an exhibition at City Hall featuring some of the city’s great trees, and family-friendly activities at Stave Hill Ecological Park in the city’s south-east. Londoners can also download a free ‘Tree Route’ app which uses the Tube map to showcase the capital’s trees including “must see” trees located near Underground stations such as St Pauls (a swamp cypress) and Angel (a black poplar). There’s also a photo sharing challenge where you can upload photos of trees that have made a difference to your part of London to Instagram or Twitter using the hashtag #LondonTreeWeek. For the complete listing of what’s on, follow this link. Runs until 31st May.
• One hundred illustrations capturing a variety of aspects of life in London form the heart of an exhibition, The Prize for Illustration 2015: London Places & Spaces, which has opened at the London Transport Museum in Covent Garden. The artworks – which range from the past to the present and the contemplative to the loud – are all on the shortlist for the prestigious Prize for Illustration and were selected from more than 1,000 entries. Each of the works is accompanied by a short description written by the artist. The works are on show until 6th September. Admission charge applies. For more, see www.ltmuseum.co.uk.
• On Now – Joshua Reynolds: Experiments in Paint. Now entering its final days, this exhibition at the Wallace Collection in Marylebone provides a fresh perspective on a giant of the British art world, 18th century portraitist Joshua Reynolds and features such famous works as Nelly O’Brien, Mrs Abingdon as Miss Prue, and Self Portrait Shading the Eyes. Admission is free. Runs until 7th June. For more information, see www.wallacecollection.org.
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April 28, 2015
Greenwich icon, the Queen’s House, is set to close on 27th July this year to allow for refurbishment and upgrade ahead of the 400th anniversary of its commissioning and design in 2016. The landmark will be closed until 4th July, 2016, after which those visiting the house will be able to see Orazio Gentileschi’s Biblically-themed painting, Joseph and Potiphar’s Wife, displayed in the building for the first time since 1650. Part of the Royal Collection, the painting was one of a series commissioned for the building by King Charles I and his wife Queen Henrietta Maria. The Queen’s House was designed by Inigo Jones in 1616 for King James I’s wife, Anne of Denmark, and, acknowledged as a masterpiece of 17th century architecture, was the first classically-designed building in country. The makeover will see galleries refurbished, the introduction of new displays and the restoration of components including the ceiling in the King’s Presence Chamber (the Queen’s Presence Chamber was restored in 2013). For more, see www.rmg.co.uk.
This Week in London – Greek sculpture at the British Museum; Hew Locke at HMS Belfast; an interactive high seas adventure at the National Maritime Museum; and, coral reefs at the Natural History Museum…
March 26, 2015
• The ancient Greek “preoccupation with the human form” is the subject of a new exhibition which opens at the British Museum in Bloomsbury today. Defining beauty: The body in ancient Greek art features about 150 objects dating from the prehistoric to the age of Alexander the Great. Highlights include a newly discovered bronze sculpture of a new athlete scraping his body with a metal tool after exercise before bathing, six Parthenon sculptures from the museum’s collection including a sculpture by Phidias of the river god Ilissos, and copies of Greek originals including the Towny Discobolus (discus-thrower – pictured) – a Roman copy of Myron’s lost original – and Georg Romér’s reconstruction of Polykleitos’ Doryphoros (spear-bearer) . Runs until 5th July. Admission charge applies. For more, see www.britishmuseum.org/definingbeauty. PICTURE: © The Trustees of the British Museum.
• London-based contemporary artist Hew Locke has transformed an entire deck of the HMS Belfast in a major new work, ironically titled work, The Tourists. The installation – which is on show until 7th September – depicts imaginative events in which the crew of the ship are preparing to arrive at Trinidad in time for Carnival in 1962 (the ship’s last international journey – to Trinidad – actually arrived three months after the celebration). Free with general admission charge. For more see www.iwm.org.uk/visits/hms-belfast. Meanwhile, the Imperial War Museum in Lambeth is hosting a free exhibition of Locke’s work in which he explores the idea of naval power through a series of ship sculptures. This free exhibition can be seen until 4th May. For more, see www.iwm.org.uk/visits/iwm-london.
• Families are invited to take part in a new interactive experience on the “high seas of maritime history” which launches at the National Maritime Museum in Greenwich on Saturday. The museum has joined with Punchdrunk Enrichment to take six to 12 year-olds and their families on an adventure, Against Captain’s Orders: A Journey into the Uncharted. Visitors don life jackets as they become part of the crew of the HMS Adventure and take on various seafaring roles as they navigate their way through the exhibition. Admission charge applies. Runs until 31st August. For more, see www.rmg.co.uk/againstcaptainsorders.
• See a real coral reef and take a virtual dive in new exhibition at the Natural History Museum in South Kensington. Coral Reefs: Secret Cities of the Sea – which opens tomorrow on World Oceans Day – also features more than 200 specimens including coral, fish and fossils. These include examples collected by Charles Darwin on the voyage of the HMS Beagle in the 1830s, giant Turbinate coral and creatures ranging from the venomous blue-ringed octopus to tiny sponge crabs. For more see www.nhm.ac.uk.
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