This Bloomsbury square is another that’s one of a pair – in this case with Mecklenburgh Square which stands on the other side of the site of the now-demolished Foundling Hospital (across what’s now known as Coram’s Fields).

The three acre square was planned by Samuel Pepys Cockerell, who was appointed to develop the estate around the hospital with the intention of maintaining some open space around the hospital while allowing spare land to be leased for housing (and so raise some much needed funds for the hospital).

The square was over the period 1795-1802 while the gardens in the square’s middle were laid out in in the late 1790s (initially for use by residents only, they’re now open to the public).

The name comes from Caroline of Brunswick, wife of the then Prince Regent (later King George IV).

The square, which is Grade II-listed along with Coram’s Fields and Mecklenburgh Square, was a respectable if not highly fashionable residential location.

Famous residents have included numerous members of the Bloomsbury Group such as siblings Virginia (later Woolf) and Adrian Stephen, economist John Maynard Keynes and Leonard Woolf – all of whom lived in the same property (Virginia and Leonard moved out of the square when they married in 1912) as well as EM Forster. Writer JM Barrie, creator of Peter Pan, also lived for a time in a house overlooking the square.

Jane Austen refers to the square in Emma in which her sister Isabella praises it as “very superior to most others” and “very airy”.

All of the original buildings around the square have since been demolished and replaced – among them number is 40 which was built for the Thomas Coram Foundation for Children in the 1920s and now houses the Foundling Museum (there’s a statue of the hospital’s founder Thomas Coram outside by William MacMillan – pictured right).

The north side of the square is home to the UCL School of Pharmacy, the west side features tiered apartments which form part of the Grade II-listed Brunswick Centre development, which dates from the late 1960s and early 1970s, while on the south side is the university residence known as International Hall.

The gardens were extensively renovated in 2002-03 by Camden Council; works which included restoration of railings apparently taken for munitions during World War II. Its trees include a London plane tree, said to be the second oldest in London, which in 2009 was declared one of the Great Trees of Britain.

On one of the garden’s railings, close to the statue of Captain Coram, is a tiny bronze sculpture of a mitten by artist Tracey Emin, a fitting symbol of the childhoods connected with the Foundling Hospital.

PICTURES: Top – Looking across Brunswick Square Gardens (Google Maps); Right – Thomas Coram (David Adams).

Advertisements

This Bloomsbury garden square, a pair with Tavistock Square located a short distance to the north-east, was developed in the 1820s with residences designed by master builder Thomas Cubitt and his company.

Its name comes from the family of the then land-owner, John Russell, the Duke of Bedford – Lady Georgina Gordon was the second wife of the 6th Duke of Bedford (her father was Alexander Gordon, the fourth Duke of Gordon).

The square initially contained a private garden, designed by the 6th Duke of Bedford himself, which was reserved for residents. Now open to the public, the garden underwent a refurbishment, restoring the original railings, in the early 2000s and was reopened by Princess Anne in 2007.

Originally residential (although while it attracted some professionals and their families, it was never as popular as nearby Russell Square), the buildings on the square are now predominantly occupied by departments and institutes of the University of London. The university purchased the square, along with Woburn Square, in 1951.

On the west side of the square stands the university church, the Grade I-listed Church of Christ the King, which dates from the 1850s, while nearby is Dr Williams’s Library, founded in 1729 and moved here in 1890.

The square is generally considered the epicentre of the Bloomsbury Group of writers, artists and intellectuals with Virginia Woolf (then Stephens) among its residents. She lived at number 46 between 1904 and 1907, with her sister Vanessa, who, following her marriage to Clive Bell, continued to live there until 1917.

Another member of the Bloomsbury Group, economist John Maynard Keynes, lived in the house after that. Writer Lytton Strachey, another member of the group, lived at number 51 from 1909 to 1924.

Philosopher and essayist Bertrand Russell lived at number 57 between 1918-19.

PICTURES: Top – Gordon Square (Jay Bergesen/licensed under CC BY 2.0) Right – 46 Gordon Square (Myrabella / Wikimedia Commons / CC BY-SA 3.0 & GFDL)


It should probably come as no surprise that this rather elegant memorial in the former graveyard of St Pancras Old Church is that of architect – and founder of a rather remarkable museum – Sir John Soane (as well as his wife Eliza and their oldest son, John).

The tomb, described by architectural commentator Nikolaus Pevsner as an “outstandingly interesting monument”, was, of course, designed by the heart-broken Soane, the architect of neo-classical buildings like the Bank of England and Dulwich Picture Gallery, following the death of his wife on 22nd November, 1815.

Erected in 1816, it features a central cube of Carrara marble with four faces for inscriptions topped by a domed canopy supported on four ionic columns. A Portland stone balustrade surrounds the whole structure as well as stairs down to the subterranean tomb itself.

Among the symbolic decorative elements on the monument are a pine cone finial – a symbol of regeneration, a serpent swallowing its tail – a symbol of eternity, and reliefs of boys holding extinguished churches – symbols of death.

Sir John’s son, John, was buried in the tomb after his death in 1823 and Sir John himself was interred following his death on 20th January, 1837.

The monument is said to be only one of two Grade I-listed monuments in London – the other being Karl Marx’s gravestone in Highgate Cemetery. It is also famously said to have formed part of the inspiration for Sir Giles Gilbert Scott’s design of famous K2 red telephone box.

The Soane tomb was vandalised in 1869 – and it was suggested at the time that it should be relocated to Lincoln’s Inn Fields for its protection.

It was more recently restored in 1996 by the Soane Monuments Trust and again, after more vandalism, in 2000-01 as part of a restoration of St Pancras Gardens by the London Borough of Camden.

The graveyard of St Pancras Old Church, incidentally, is also the site of The Hardy Tree.

WHERE: St Pancras Gardens, Pancras Road, Camden Town (nearest Tube station is Kings Cross St Pancras); WHEN: Daylight hours; COST: free; WEBSITE: https://posp.co.uk/st-pancras-old-church/; www.camden.gov.uk/parks-in-camden.

PICTURES: Michael Day (licensed under CC BY-NC 2.0).

News last month that the remains of early 19th century explorer Matthew Flinders had been found beneath Euston railway station. But just who was Flinders and what, aside from being the location of his burial, were his connections to London?

Flinders was not a native Londoner by birth – he was born on 16th March, 1774, in Donington, Lincolnshire, the son of a surgeon-apothecary and educated in local schools. He joined the Royal Navy at the age of 15, serving first on HMS Alert as a lieutenant’s servant and several other ships including the HMS Providence, captained by William Bligh (of mutiny on the Bounty fame) on a voyage taking breadfruit from Tahiti to Jamaica. He also subsequently saw action while on the HMS Bellerophon in 1794, when the ship was involved in the Battle of the Glorious First of June against the French in the English Channel.

In 1795, he served as a master’s mate on the HMS Reliance which sailed to New South Wales with the mission of delivering its new governor, John Hunter.

As well as establishing a reputation as a navigator and cartographer on the voyage, he became friends with the ship’s surgeon George Bass. After arriving at Port Jackson in New South Wales, Flinders undertook two expeditions with Bass in small boats dubbed the Tom Thumb and Tom Thumb II – the first to Botany Bay and the Georges River and the second to Lake Illawarra.

In 1798, now a lieutenant and based in New South Wales, Flinders was given command of the sloop Norfolk with the aim of proving Van Diemen’s Land (now the state of Tasmania) was an island. He did so and named the strait between it and the Australian mainland after his friend Bass (the largest island in the strait would later be named Flinders Island).

In 1799, he sailed the Norfolk north to Moreton Bay before in March, 1800, returning to England on the Reliance.

Thanks to the advocacy of Sir Joseph Banks, to whom Flinders had dedicated his text Observations on the Coasts of Van Diemen’s Land, on Bass’s Strait, etc, in January, 1801, Flinders was given command of HMS Investigator and, subsequently promoted to commander, given the mission of charting the coastline of the Australian continent, then known as New Holland.

Having married his longtime friend Ann Chappelle on 17th April, 1801, he set sail for New Holland on 18th July of that year (without Ann – he had intended taking her on the journey but ordered to remove her from the ship by the Admiralty).

Flinders reached and named Cape Leeuwin in what is now Western Australia on 6th December and then proceeded eastward along the continent’s southern coast. He met the French explorer Nicolas Baudin, aboard the Geographe, in what he named Encounter Bay, named Port Lincoln and Kangaroo Island in what is now South Australia and further to the east spent time exploring the environs of Port Philip Bay (around the modern city of Melbourne). He proceeded north to Sydney, arriving on 9th May, 1802, setting sail again on 22nd July.

Heading northward, he surveyed the coast of what is now Queensland before, having charted the Gulf of Carpentaria, discovering his ship was badly leaking. Unable to undertake repairs, he decided to return to Sydney but did so via the west coast of the continent, thus completing the first documented circumnavigation of it. Back in Sydney, the Investigator was found to be unseaworthy and condemned.

Unable to find another vessel to continue his explorations and hearing of his father’s death and wife’s illness back in England, Flinders looked return home as a passenger aboard the HMS Porpoise. But the Porpoise was wrecked on the Great Barrier Reef and Flinders undertook the role of navigating the ship’s cutter back across open sea to Sydney so the remainder of the ship’s crew could be rescued.

He was then given command of the HMS Cumberland to return to England but the poor condition of that ship forced him to put into the French controlled Isle de France (Mauritius) for repairs on 17th December, 1803. War had broken out between England and France and Flinders was detained (it was during his period of detainment – he was allowed to venture around the island after the first few months – that he sent back to England a map of the Australian continent, the only one in which he used the name “Australia” for the title. While he wasn’t the first to use the name Australia, he is credited with popularising it).

Flinders wasn’t released until June, 1810, after a Royal Navy blockade of the island (despite being granted his release by the French Government in 1806, authorities on Mauritius decided to keep holding him). Travelling via the Cape of Good Hope, he returned to England where he was promoted to post-captain.

On returning to home, Flinders, now in poor health, and his wife Ann lived at several rental properties in London – there’s an English Heritage Blue Plaque on one former property at 56 Fitzroy Street in Fitzrovia, central London – and had a daughter Anna (her son Matthew Flinders Petrie, later Sir Flinders Petrie, would go on to become a famous archaeologist and Egyptologist).

It was during this period that Flinders wrote a book about his voyages, A Voyage to Terra Australis. It was published on 18th July. Remarkably, Flinders died of kidney failure just a day later. He was buried on 23rd July in the graveyard of St James’s Church, Piccadilly, which was located up in Camden.

The location of his grave was later forgotten when the headstone was removed and the site became gardens, part of which were subsequently built over by Euston station. Famously, of course, his body was found last month during excavations conducted ahead of the construction of the Euston terminus for the high-speed rail link, HS2, between London and Bristol.

Flinders legacy lives on in the more than 100 geographical place names bearing his moniker in Australia including the iconic Flinders Street Railway Station in Victoria and the Flinders Ranges in South Australia. There’s also a statue of him in his home town of Donington and in July, 2014, the 200th anniversary of his death, a large bronze statue by Mark Richards depicting Flinders and his cat Trim (we’ll deal with Trim’s story in an upcoming post) was unveiled at Australia House by Prince William. It was later installed at Euston Station near where his grave was assumed to be (pictured above).

PICTURE: AndyScott (licensed under CC BY-SA 4.0)

The remains of Captain Matthew Flinders, a Royal Navy explorer who led the first circumnavigation of Australia and is credited with popularising the name the country now bears, have been found by archaeologists working on the HS2 rail project in Euston. While the general area in which he was buried – the former St James’s burial ground – has long been known, archaeologists were able to narrow down the location of his grave among the 40,000 on the site thanks to a lead breast plate placed on top of his coffin upon which, conveniently, his name was written. The HS2 project will see a high speed rail link constructed between London and Birmingham and as part of the preparations for the project, the largest archaeological dig ever to take place in the UK is underway on the site of what will be the London terminus. Flinders was buried in St James’s burial ground in 1814 but when Euston station expanded westward into the burial ground in 1840s, his headstone was removed and the location of his grave thought lost (despite a persistent myth that he was buried under Platform 15). There is already a statue of Captain Flinders at Euston Station – unveiled on the bicentenary of his death in 2014 (originally at Australia House), it depicts both Flinders, busy charting Australia’s coastline, and his cat, Trim. There is now talk of a memorial marking the site of the grave.

We’ve come to the end of our series on significant London sites related to Mary Shelley – in honour of the 200th anniversary of the publication of Frankenstein – so it’s time for a quick recap before launching our next Wednesday series…

1. Somers Town…

2. St Pancras Old Churchyard…

3. Marchmont Street, Somers Town…

4. Church of St Mildred, Bread Street

5. The Temple of the Muses, Finsbury Square…

6. St Giles-in-the-Fields…

7. Charles and Mary Lamb’s house…

8. Chester Square…

9. A lock of Mary Shelley’s hair…

10. Memorials to Percy Bysshe Shelley…

 

 

And so we come to the final in our series looking at London sites which tell part of the story of Mary Shelley, writer of Frankenstein, the book which this year marks its 200th anniversary. Of course, one of the most influential figures in her life was her husband, poet Percy Bysshe Shelley, so to finish the series, we’re taking a quick look at three sites memorialising him in London…

1.  Poland Street, Soho. Shelley lived at number 15 after he was expelled from Oxford University in 1811 for publishing a pamphlet on atheism. He wasn’t here long – in August he eloped with Harriet Westbrook, then just 16, to Scotland. The building, which stands on the corner with Noel Street, features an English Heritage Blue Plaque and there’s a massive mural on its side, Ode to the West Wind, which takes its name from a poem he wrote in 1819. It was painted by Louise Vines in 1989. PICTURE: Google Maps.

2. Broadwick Street, Soho. The impressive Spirit of Soho mural on the corner with Carnaby Street was created in 1991 and restored in 2006. It features the images of numerous famous figures from the district’s history. As well as the likes of Casanova and Marx, Shelley also features – located a couple of people to the right of Casanova (here seen in red) at the base of the mural’s central panel. PICTURE: Dun.can (image cropped; licensed under CC BY 2.0)

3. Westminster Abbey. There’s no memorial to Mary Shelley in Westminster Abbey but in Poet’s Corner – located in the South Transept – you will find a small memorial to her husband. The joint memorial (which also commemorates John Keats) was designed by sculptor Frank Dobson and unveiled in 1954 by then Poet Laureate John Masefield. It simply features two plaques – one bearing the name Shelley and the other Keats with their birth and death years – linked by a “swag of flowers” attached to a lyre at the top of each plaque.

And that brings and end to our series on Mary Shelley’s London (although, of course there are still more sites associated with Shelley to explore!) . We’ll recap the series next week before launching our next Wednesday special series…

Renowned sibling writers Charles and Mary Lamb lived in a property at 64 Duncan Terrace in Islington from 1823-27 and, their visitors there apparently included Mary Shelley.

Shelley had returned to London in 1823 after the death of her husband Percy Bysshe Shelley who had drowned along with two other men off the coast of Italy in July the previous year.

Back in London, Shelley lived in various properties as far afield as Kentish Town – many of which are no longer extant. But one home she was known to have visited after her return (which is still standing) was that of the Lambs.

Charles, part of the literary circle which included Samuel Taylor Coleridge and William Wordsworth, described the property – Colebrook Cottage – as a “white house with six good rooms”. Now Grade II-listed, it dates from the 18th century.

The New River once ran close by  – so close, in fact, that one guest, believed to be the blind poet George Dyer, walked into the river after leaving the house and had to be rescued by Lamb. The river is now covered.

The property features an English Heritage Blue Plaque (although in this case, it’s actually brown), commemorating Lamb’s stay here.

PICTURE: Spudgun67 (licensed under CC BY 2.0).

 

Following their return to England in September 1814 after their European elopement (they were forced to return due to a lack of funds), Mary Shelley and her lover Percy Bysshe Shelley lived in a couple of London properties including one on this site at 87 Marchmont Street in Somers Town.

The couple lived in the Marchmont Street premises, not far from where Shelley had grown up, from 1815-16 with Mary’s step-sister (and possibly by this time Percy’s lover) Claire Clairmont. The landlady’s name was apparently a Mrs Harbottle.

In January of the second year they were in the lodgings, their son William “Willmouse” was born.

The group left the property in May, 1816, to join with Lord Byron in Lake Geneva. It was on this trip that Shelley started writing her famous book Frankenstein: or, The Modern Prometheus.

The house in which the Shelley’s had lived – then number 26 – was demolished in 1904.

A blue plaque was placed upon the property 2009 by a residents and business group known as the Marchmont Association.

PICTURE: Spudgun67 (licensed under CC BY-SA 4.0)

Correction: This article originally said Mary Shelley wrote Frankenstein on the trip to Lake Geneva. She actually started writing it as a short story there but it was completed over a longer period which extended into 1817 (with publication initially in 1818).

Having died in 1797 at the age of just 38, Mary Shelley’s mother and noted feminist, Mary Wollstonecraft, was buried in the churchyard of St Pancras Old Church.

“Her remains were deposited, on the fifteenth of September, at ten o’clock in the morning, in the church-yard of the parish church of St Pancras, Middlesex,” wrote Godwin afterwards. “A few of the persons she most esteemed, attended the ceremony; and a plain monument is now erecting on the spot, by some of her friends…”

Apart from the fact it is where her mother was buried, the grave played an important role in Shelley’s story. Not only is it said that her father, William Godwin, taught her to read her name by tracing the letters on the gravestone, it later became a place of key importance for Shelley in her developing relationship with Percy Bysshe Shelley.

In fact, it was at this gravestone that Mary and the poet would meet in secret prior to their elopement to Europe (some even speculate it was here that they first consummated their love). Secrecy was a necessity – Percy Shelley was already married and Mary’s father disapproved of their relationship.

Interestingly, Wollstonecraft is no longer buried here (although the gravestone still stands there). In 1851, as per the wishes of Mary Shelley, Wollstonecraft’s remains – and those of her husband which were buried there after his death – were removed by her grandson, Percy Florence Shelley and reinterred in the Shelley family tomb in St Peter’s Churchyard in Bournemouth.

The tomb is Grade II-listed. The lettering was restored in 1992 to mark the bicentenary of the publication of Wollstonecraft’s A Vindication of the Rights of Woman.

PICTURE: The gravestone in St Pancras Old Churchyard (Chris Beckett/licensed under CC BY-NC-ND 2.0/Image cropped and lightened)

This year marks the 200th anniversary of Mary Shelley’s thought-provoking novel, Frankenstein or, The Modern Prometheus, so we thought that before the year is out (the novel was actually published in January, 1818), we’d take a look 10 London locations integral to her story.

First up, it’s to Somers Town, which lies just to the north of Euston Road, where Mary Wollstonecraft Godwin (later Mary Shelley) was born on 30th August, 1797, the second child of feminist writer Mary Wollstonecraft and journalist, philosopher and novelist William Godwin.

Wollstonecraft sadly died 12 days after the birth due to complications. Mary was left in the care of her father and half-sister Fanny Imlay (Wollstonecraft’s first child whose father was an American adventurer named Gilbert Imlay) and, after her father remarried in 1901, a step-mother Mary Jane Clairmont (with whom Mary would have an acrimonious relationship).

While Mary was provided with little formal education during her childhood, her father saw that she received a broad education in a range of subjects, generally described as unusually advanced for the time.

The family’s home was located at number 29 in the Polygon Building on the north side of Clarendon Square – it was demolished in 1904 and the site is now occupied by a block of council flats called Oakshott Court. There’s a commemorative plaque to Wollstonecraft on the side of the complex in Werrington Street – it was erected by the Camden London Borough Council (pictured).

Mary Shelley, meanwhile, is also commemorated in a mural in Polygon Road which depicts many of the famous figures associated with the area (her parents and future husband Percy Bysshe Shelley are also depicted in it). The mural, the work of Karen Gregory, was commissioned by the Greater London Council in the 1980s.

PICTURE: Ellaroth (licensed under CC BY-SA 3.0)

Located on Paddington Green, this statue of 18th century theatrical luminary Sarah Siddons (1755-1831) was unveiled by fellow thespian Sir Henry Irving on 14th June, 1897, who apparently noted that, Shakespeare aside, Siddons was the first actor to be immortalised with a statue in London.

It is also said to be the first outdoor statue erected in London of a non-royal woman.

Seated in a pose apparently inspired by Joshua Reynolds’ 1784 painting, Mrs Siddons as the Tragic Muse (now in California), the marble statue, which sits on a Portland stone plinth, is the work of French sculptor Leon-Joseph Chavailliaud.

The location was apparently selected due to the fact Siddons lived at Westbourne Green from 1805 to 1817 and is buried in St Mary’s Churchyard next to Paddington Green.

The Grade II-listed statue, which was paid for by public subscription, is sadly now need of a makeover – Mrs Siddons is missing a nose.

There is, incidentally, another, earlier, statue of Mrs Siddons in London – this larger-than-life work, is located in the chapel of St Andrew in Westminster Abbey’s north transept.

The work of sculptor Thomas Campbell, it features a standing Mrs Siddons, and dates from 1845.

PICTURE: Stephencdickson (licensed under CC BY-SA 4.0)

Jane Austen died in Winchester, Hampshire, on 18th July, 1817, at the age of just 41. She was buried in the city’s cathedral but a small tablet was unveiled in Westminster Abbey to mark her death 150 years later.

Located in Poets’ Corner in the abbey’s south transept, the small tablet was erected on 17th December, 1967, by the Jane Austen Society. Made of polished Roman stone, it simply bears her name and year of birth – 1775 – and year of death.

The tablet was placed on the lefthand side of the (much larger) memorial to William Shakespeare and below that of lexicographer Samuel Johnson.

This is the final in our series on Jane Austen’s London – we’ll be starting a new series shortly.

WHERE: Westminster Abbey (nearest Tube station is Westminster and St James’s Park); WHEN: Various  – check website; COST: £22 adults/£17 concessions/£9 chirldren (6-16)/five and under free (check website for more options); WEBSITE: www.westminster-abbey.org

PICTURE: Carcharoth (Commons)/CC BY-SA 3.0 (image cropped)

Jane Austen featured numerous London locations in her novels. Here’s five…

Brunswick Square, Bloomsbury. In Emma, the main protagonist’s married sister, Isabella, lives here with her lawyer husband John Knightley and children. Isabella is well pleased with her home, noting “We are so very airy”.

Hill Street, Mayfair. Admiral Crawford, uncle of Henry and Mary Crawford, lives in this street in Mansfield Park.

Harley Street, Marylebone (pictured). John and Fanny Dashwood took a house in this street for the “season” in Sense and Sensibility.

Bond Street. Well known to Austen, she has Marianne, then upset over Willoughby (who has lodgings here), visit here on a shopping trip in Sense and Sensibility.

Grosvenor Street, Mayfair. The Hursts have a house in this fashionable West End street in Pride and Prejudice and here Jane Bennet visits Caroline Bingley hoping to see her brother Charles. Read the rest of this entry »

It’s said to be the “only reasonably certain portrait from life” – a sketch by Jane’s older sister Cassandra which purportedly depicts the artist.

Found on display in Room 18 of the National Portrait Gallery, the pencil and watercolour sketch dates from about 1810 and was purchased by the gallery in 1948 for £135.

The image was the basis for a late 19th century water-colour image of Jane which was created by Maidenhead artist James Andrews who traced Cassandra’s sketch.

Andrew’s image had been commissioned by Jane’s nephew, James Edward Austen-Leigh, and he used an engraving of it – made by William Home Lizars – as a frontispiece to his biography, A Memoir of Jane Austen.

It is an image of that engraving which features on the new £10 polymer banknote going into circulation tomorrow.

The decision to use the later image rather than the original has attracted some criticism – not for the subject but for the fact that, as historian Lucy Worsley told The Sunday Times, it represents “an author publicity portrait after she died in which she’s been given the Georgian equivalent of an airbrushing”.

There has, we should also note, been some criticism of the choice of quote on the note – “I declare after all there is no enjoyment like reading” comes from Pride and Prejudice and was uttered by the deceitful Caroline Bingley who really has no interest in reading at all!

WHERE: Room 18, National Portrait Gallery, St Martin’s Place (nearest Tube station is Charing Cross or Leicester Square); WHEN: 10am to 6pm daily; COST: Free (donations welcome); WEBSITE: www.npg.org.uk

PICTURE: Jane Austen by Cassandra Austen (pencil and watercolour, circa 1810 – NPG 3630) © National Portrait Gallery, London

OK, it’s not in London per se but given its proximity, we thought this plaque commemorating Jane Austen’s visits to an inn which once stood in the town of Dartford in Kent worth mentioning.

The plaque, which was erected by the Dartford Borough Council in High Street in 2006, commemorates the times Austen stayed at The Bull and George Inn while travelling from the family home in Hampshire to meet her brother Edward Knight in Kent.

Edward has been adopted as a boy by a relative, Thomas Knight, who owned Godmersham Park which stands between Canterbury and Ashford. Edward, who married Elizabeth Bridges, later inherited the house and Jane and her sister Cassandra were apparently frequent visitors (at different times) during which time they helped look after their nieces and nephews and visit nearby towns such as Canterbury.

Austen is known to have often rested at the inn overnight on her way to and from Kent and at other times simply stopped for a meal.

PICTURE: Ken/Flickr/CC BY-NC 2.0

It’s perhaps the most famous of the visits that Jane Austen made during her London stays and while the property no longer exists, we thought it was worth mentioning. 

But first, let’s explain. The Prince Regent (later King George IV) was an admirer of Jane’s novels, so much so that when he was aware of the author’s presence in London, he issued – via his librarian and chaplain Rev James Stanier Clarke – an invitation for her to visit the library and tour his palatial London property, Carlton House.

The grand, lavishly decorated property, created from an existing property between 1783 and 1812 by the architect Henry Holland, was among the grandest in London at the time. Facing on to the south side of Pall Mall, the building sat across what is now Waterloo Place while its gardens abutted St James’s Park.

Jane visited on 13th November, 1815, and in the company of Rev Clarke toured the library. During her visit, it was suggested she could dedicate her next novel to the Prince Regent, an idea which didn’t sit that well with Jane who was a supporter of his estranged wife, Princess Caroline.

After her initial equivocation, her publisher John Murray apparently managed to prevail upon Jane to do so and she eventually capitulated, dedicating her novel Emma to him (a special copy of the novel was sent to the Prince at Carlton House).

Carlton House, meanwhile, didn’t last for much longer. King George IV, on his accession to the throne, decided to create a property more fitting for a king and ordered works to be carried out on Buckingham House so it could be his main London residence (as Buckingham Palace).

Carlton House, despite the exorbitant sums the Prince had spent transforming it, was demolished in 1825 and the John Nash-designed Carlton House Terrace built upon the site. Columns from the Carlton House were reused in creating the portico of the National Gallery on Trafalgar Square.

PICTURE: Carlton House (via Wikipedia).

Jane Austen was known as a patron of London’s theatre – in some cases attending shows several times a week while in the city (despite the fact that many, based on her writings – in particular Mansfield Park, believe she wasn’t really a fan).

She is known to have visited a number of West End establishments to see performances. They included:

The Lyceum Theatre: Jane visited this Wellington Street theatre more than once and expressed her frustration on one occasion of her failure to see the incomparable Sarah Siddons perform there.

The Covent Garden Theatre: The theatre Jane attended was a second iteration, opening in 1809 on the site of what is now the Royal Opera House adjacent to the market as a replacement for the previous theatre which, dating back to 1732, had burned down.

The Theatre Royal Drury Lane: The oldest of London’s theatres still in use, Jane saw the great actor Edmund Kean famously perform here as Shylock in the Shakespearian play, The Merchant of Venice, in 1814.

 

This Grade II*-listed building is the former site of the offices of publisher, John Murray, who published four of Jane Austen’s six novels including Emma (1815), Mansfield Park (1814), Persuasion (1818) and Northanger Abbey (1818) (the last two after Austen’s death on 18th July, 1817).

Murray, whose offices were located here from 1812 onwards, published, along with Austen, many of the great literary names of the age including everyone from Lord Byron to Sir Walter Scott and Washington Irving (the company also later published the likes of Herman Melville and Sir Arthur Conan Doyle).

The John Murray with whom Austen dealt (and it seems her brother Henry must have played a considerable part in getting Murray to publish his sister’s works given Murray had already won considerable fame with the publication of Byron’s epic poem Childe Harold’s Pilgrimage in 1811) was actually John Murray II, of whom Austen wrote to her sister Cassandra: “He is a rogue, of course, but a civil one”.

His father John Murray I had founded the business in Fleet Street in 1768 and his son, John Murray III, continued it after his father (in fact, there were a succession of John Murrays down to John Murray VII).

The business was acquired in 2002 by Hodder Headline, itself then acquired by the French Lagardère Group. John Murray is now an imprint of Hachette UK.

PICTURE: Google Maps

As you may have realised (the new £10 banknote anyone?), this month marks 200 years since the death of Jane Austen in Winchester on 18th July, 1817, so to mark the occasion, we’re looking at 10 sites of interest from Jane Austen’s London. To kick off our new Wednesday series, we’re looking at one of the locations where she is known to have resided while in London – number 10 Henrietta Street.

Number 10 in those days was the location of a bank – Austen, Maunde and Tilson – in which Jane’s older (and favourite) brother Henry was a partner. Above the bank’s offices was a flat Henry moved into after the death of his wife Eliza in 1813. It was also where Jane stayed when visiting publishers in the summer of 1813 and again in March, 1814, the latter when she was working on the proofs of Mansfield Park.

As well as a dining room at the front on the first floor, it had a sitting parlour, small drawing room and bedchambers (Jane is known to have stayed in one on the second floor). She described the property as “all dirt & confusion, but in a very promising way”.

Austen is known to have visited nearby theatres including the Lyceum and the Theatre Royal in Drury Lane while staying in London and during 1813 also visited the “blockbuster” exhibition of Sir Joshua Reynold’s paintings at the British Institute in Pall Mall ( a fascinating reconstruction of which can be found here).

A City of Westminster Green Plaque (erected in partnership with the Jane Austen Society) commemorates Jane’s stay here.

PICTURE: Diane Griffiths/Flickr/CC BY 2.0