Hyde Park Corner
LondonLife – Wellington Arch…
Famous Londoners – Napoleon?
We know, we know – Napoleon Bonaparte never visited London. But given this month marks the bicentenary of his death on 5th May, 1821, we thought we’d mention a couple of places where you can find traces of the French Emperor in the British capital…
1. Napoleon As Mars The Peacemaker. This larger than life statue – it stands 11 feet tall – is the work of Italian artist Antonio Canova and depicts Napoleon as the Roman God. Napoleon didn’t like the almost naked statue – when he saw it in 1811, he declared it “too athletic” and as a result, it was never displayed in public. Following the defeat of Napoleon at the Battle of Waterloo in 1815, the British Government purchased the statue and presented it to the Duke of Wellington as a gift. Recently cleaned, it is now on display in the Iron Duke’s former home, Apsley House at Hyde Park Corner (and can be seen there when it reopens to the public this week). The house also counts a recently restored bronze death mask of Napoleon among its treasures. The bronze is a copy of a plaster mask modelled on Napoleon’s corpse. For more, see www.english-heritage.org.uk/visit/places/apsley-house/.
2. Napoleon’s horse Marengo. A small grey Arab, Marengo was named after Napoleon’s victory at the Battle of Marengo in Italy in 1800 and apparently served the Emperor between 1800 and 1815. Marengo was captured on the battlefield after Napoleon’s defeat at Waterloo and transported to England. After its death, the horse’s skeleton was preserved and initially displayed at the Royal United Services Institute, moving to the National Army Museum in Chelsea in the 1960s. The skeleton is currently undergoing conservation work at the Natural History Museum before returning to the National Army Museum where it will be displayed in the Battle gallery. For more on the National Army Museum, see www.nam.ac.uk.
3. Portrait of Napoleon. A small image of a young Napoleon, this portrait – which arrived in England in 1797 – was the first many British people had seen of the Emperor (it was copied in engravings which were published across Britain). It was painted in a campaign tent on the road from Verona to Vienna in March, 1797, by Venetian artist named Francesco Cossia. Cossia had been commissioned by Francophile Maria Cosway, an artist then living in Oxford Street, London, to paint likenesses of several French Revolutionary generals including Napoleon. It is believed to have entered the collection of Sir John Soane somewhere between 1827 and 1830 and can now be seen in the Breakfast Room at the Sir John Soane’s Museum in Lincoln’s Inn Fields (reopening on 19th May). For more, see www.soane.org.
Treasures of London – Hyde Park’s ‘Grand Entrance’…
This ornate triple stone entrance in the south-east corner of Hyde Park (better known as Hyde Park Corner), was designed by Decimus Burton when he was just 25-years-old.
Made of Portland stone, the gate, also known as the ‘Apsley Gate’ (after the nearby home of the Duke of Wellington) or the ‘Hyde Park Screen’, was installed in the late 1820s and replaced a former tollgate.
Several designs were proposed in the late 18th century but it was only after work started to transform Buckingham Palace from a home into the grand building we know today that Burton, who was already working on designing a series of gates, lodges and railings around Hyde Park for the Office of Woods and Forests, was asked to design the screen alongside plans for a grand memorial arch to serve as an entrance to Green Park which would be located opposite.
Burton’s designs for the Hyde Park gateway were approved by none other than King George IV and it now stands true to his original design. Decorative elements in the gate include scroll-topped columns and friezes by John Henning which were copied from the Elgin Marbles. Burton also designed the classical-style lodge house just inside the gates.
Burton’s initial plans for the Green Park arch, however, were deemed not to be grand enough – after all, this would be one of the approaches to Buckingham Palace – and so he produced a second design which is now largely embodied in what became the Wellington Arch.
While the Hyde Park gateway originally stood in line with Wellington Arch, traffic management matters saw the latter moved to its current position in the 1880s, putting it out of alignment with the gateway.
LondonLife – Listening to London…
The first recorded soundscape of London’s busy streets was created in 1928 as part of a Daily Mail campaign calling for noise restrictions. Recordings were made at five sites – Whitechapel East, St George’s Hospital at Hyde Park Corner, Leicester Square, Cromwell Road and Beauchamp Place in South Kensington – in a collaborative project between the Mail and the Columbia Graphophone Company. Now, more than 90 years later, the sounds at the five original locations – or rather the lack of sounds during the coronavirus pandemic lockdown – have been captured again, this time as binaural recordings, a method of recording sound that uses two microphones to create a 3D stereo sound. It’s all part of the Museum of London’s ongoing ‘Collecting COVID’ project and was created in collaboration with String and Tins, an award-winning team of sound designers, composers, sound supervisors and mix engineers. Both the 1928 recordings (now digitised) and the modern recordings have been made available to listen to in their entirety for the first time on the Museum of London’s website. There are accompanying photographs by Damien Hewetson as well as historic imagery from the museum’s archive. PICTURE: A sparsely populated Leicester Square in an image taken in May this year during the coronavirus lockdown (ACME/licensed under CC BY-NC 2.0)
Where’s London’s oldest…swimming club?
The Serpentine Swimming Club, located on Hyde Park‘s Serpentine, dates its founding from 1864, the year it held the first of its famous Christmas Day Races.
The club, actually the oldest in Britain, was created in response to Londoners’ growing need for recreation – Hyde Park then being at the centre of a heavily built-up area – and came as the mass transit system – London’s Underground – was making it more accessible.
Initial facilities included a shady elm tree and a wooden seat. They’ve since improved somewhat to include changing rooms (although they’re still described as spartan).
These days members are permitted by The Royal Parks to swim in the lake between 6am and 9.30am daily.
While the Christmas Day Race – in which swimmers compete for the Peter Pan Cup (since the first cup was awarded by JM Barrie in 1904) – is the most famous race, the club also hosts numerous other races throughout the year which range in length and include a “bridge to bridge” race from one end of the Serpentine to the other (just held on 14th July).
While members use the Lido – which opened in 1930 – for swimming, it remains a separate entity to the SSC.
For more about the club, see www.serpentineswimmingclub.com.
The Lido on the Serpentine. PICTURE: Phil Russell/The Royal Parks.
LondonLife – A view down Constitutional Hill…
A view down Constitution Hill looking toward Whitehall, taken from the top of Wellington Arch at Hyde Park corner. To the left is Green Park and to the right, the grounds of Buckingham Palace. Constitutional Hill apparently has nothing to do with a document of any sort but takes its name from the fact that, considered to be a fine “constitutional” walk from St James’s Park to Hyde Park (King Charles II is rumoured to have been among those said to have taken their “constitutional” along this route while Queen Victoria survived a couple of assassination attempts on the road). The pillars at the near end are symbolic gates commemorating those who served Britain in World War I and II from the Indian subcontinent, Africa and the Caribbean (more on them in an upcoming post).
LondonLife – The Quadriga at Hyde Park Corner…
Known as ‘The Quadriga’, this bronze monument atop Wellington Arch at Hyde Park Corner depicts Nike, goddess of victory, in a four horse chariot. The work of English sculptor Adrian Jones, the quadriga was part of Decimus Burton’s original early 19th century design but it wasn’t until 1911-1912 that this colossal piece – once the largest bronze monument in Europe – was installed, replacing an equestrian statue of the Duke of Wellington which was moved to Aldershot (a smaller equestrian statue of the Duke now stands nearby). For more on the arch, see www.english-heritage.org.uk/visit/places/wellington-arch/.
This Week in London – Celebrate summer at the Tate; Titian revealed at Apsley House; and, exploring the unconscious at The Freud Museum…
• On Saturday, the Tate Modern’s Turbine Hall on South Bank will host an “audio-visual feast” of music, performances, art installations and activities. The free Turbine Festival will feature everything from an alternative hair salon and a London bus built on the day by artist John Costi to a pop-up juice bar where you can make your own drinks and a record shop where you can design your own vinyl record sleeve. The day will also feature performances by Grime/HipHop/AfroPop artist Afrikan Boy, Felix’s Machines – who will transform live music and sound into a 3D visual show, and poet Jacob Sam-La Rose, as well as a programme of “bite-sized” films running in collaboration with the London Short Film Festival, and a series of interactive workshops covering everything from beatboxing to crafting. Visitors to the festival, sponsored by Hyundai, are also encouraged to contribute to a special project by My Culture Museum by submitting photographs or bringing objects to be archived and curated. Runs from 12.30pm to 9.30pm. For more, see www.tate.org.uk.
• Three paintings previously attributed to later followers of 16th century Venetian artist Titian but subsequently found to be by the artist himself and his studio have gone on display together for the first time at Apsley House. The three paintings – which include Titian’s Mistress (c1560), A Young Woman Holding Rose Garlands (c1550) and Danae (c1553) – were all in poor condition before conservation and cleaning by experts from English Heritage, the Museo del Prado in Madrid and the Hamilton Kerr Institute revealed their true quality (and Titian’s signature on two of the paintings). All three works were held in the Spanish Royal Collection and among 160 that Joseph Bonaparte, brother of Napoleon and King of Spain, tried to take out of the country following his defeat by the Duke of Wellington at the Battle of Vittoria in 1813. Wellington was subsequently given the paintings by a grateful King Ferdinand VII. The Titian at Apsley House exhibition, which opened earlier this month, runs at the Duke of Wellington’s home at Hyde Park Corner until 31st October. Admission charges apply. For more, see www.english-heritage.org.uk/visit/places/wellington-arch/.
• On Now: Festival of the Unconscious. This festival at Sigmund Freud’s former London home and now home to The Freud Museum sees artists, designers, writers and performers taking another look at Freud’s seminar 1915 paper, The Unconscious. Features of the festival, which runs until 4th October, include specially commissioned films by animators from Kingston University running throughout the house, sound and video installations by London-based art project Disinformation in the dining room and an installation from stage designers at the Royal Central School of Speech and Drama in Freud’s study. There’s also a display by Julian Rothenstein, co-author of Psychobox, and a chance to recline and “free-associate” on a psycho-analytic couch in Freud’s bedroom. An extensive programme of events accompanies the displays. Admission charges apply. For more, see www.freud.org.uk.
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This Week in London – Marking VE Day’s 70th; Rut Blees Luxemburg at the Museum of London; and India’s Sidi community on show at the NPG…
• Three days of events kick off in London tomorrow to mark the 70th anniversary of Victory in Europe (VE) Day. Events will include a Service of Remembrance at the Cenotaph in Whitehall at 3pm tomorrow (Friday) coinciding with two minutes national silence while Trafalgar Square – scene of VE Day celebrations in 1945 – will host a photographic exhibition of images taken on the day 70 years ago (the same images will be on show at City Hall from tomorrow until 5th June) and, at 9.32pm, a beacon will be lit at the Tower of London as part of a nation wide beacon-lighting event. On Saturday at 11am, bells will ring out across the city to mark the celebration and at night, a star-studded 1940s-themed concert will be held on Horse Guards Parade (broadcast on BBC One). Meanwhile, on Sunday, following a service in Westminster Abbey, a parade of current and veteran military personnel will head around Parliament Square and down Whitehall, past the balcony of HM Treasury where former PM Sir Winston Churchill made his historic appearance before crowds on the day, to Horse Guards. A flypast of current and historic RAF aircraft will coincide with the parade and from 1pm the Band of the Grenadier Guards will be playing music from the 1940s in Trafalgar Square. Meanwhile, starting tomorrow, special V-shaped lights will be used to illuminate Trafalgar Square, St Paul’s Cathedral and the Houses of Parliament as a tribute. For more information, see www.gov.uk/government/topical-events/ve-day-70th-anniversary.
• The works of leading London-based photographer Rut Blees Luxemburg are on show in at new exhibition at the Museum of London in the City. London Dust will feature three major newly acquired works by Luxemburg including Aplomb – St Paul’s, 2013, Walkie-Talkie Melted My Golden Calf, 2013, and the film London/Winterreise, 2013. Blees Luxemburg’s images – others of which are also featured in the exhibition – contrast idealised architectural computer-generated visions of London that clad hoardings at City-building sites with the gritty, unpolished reality surrounding these. In particular they focus on a proposed 64 floor skyscraper, The Pinnacle, which rose only seven stories before lack of funding brought the work to a halt. The free exhibition runs until 10th January next year. For more, see www.museumoflondon.org.uk.
• The Talk: The Cutting Edge – Weapons at the Battle of Waterloo. Paul Wilcox, director of the Arms and Armour Research Institute at the University of Huddersfield, will talk about about the weapons used at Waterloo with a chance to get ‘hands-on’ with some period weapons as part of a series of events at Aspley House, the former home of the Iron Duke at Hyde Park Corner, to mark the bicentenary of the Battle of Waterloo. To be held on Monday, 11th May, from 2.30pm to 4pm. Admission charge applies and booking is essential – see www.english-heritage.org.uk/apsley for more.
• On Now: On Belonging: Photographs of Indians of African Descent. A selection of ground-breaking photographs depicting the Sidi community – an African minority living in India – is on show at the National Portrait Gallery off Trafalgar Square. The works, taken between 2005 and 2011, are those of acclaimed contemporary Indian photographer Ketaki Sheth and the exhibition is his first solo display in the UK. They provide an insight into the lives of the Sidi, and include images of a young woman named Munira awaiting her arranged wedding, young boys playing street games, and the exorcism of spirits from a woman as a young girl watches. Admission is free. Runs in Room 33 until 31st August. For more, see www.npg.org.uk.
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Treasures of London – Australian War Memorial…
Tomorrow is the 25th April – commemorated every year as Anzac Day in Australia in memory of that country’s soldiers who lost their lives. This year marks 100 years since Australian troops first landed at Gallipoli during World War I.
While attention will be focused on Anzac Cove in modern Turkey and the Australian war memorials on what was the Western Front in western Europe, in London there will be several events including a wreath laying ceremony at The Cenotaph in Whitehall, a commemoration and thanksgiving service in Westminster Abbey and a dawn service held at the Australian War Memorial in Hyde Park Corner.
This last memorial, dedicated to the more than 100,000 Australians who died in both world wars, was unveiled on Armistice Day, 2003, in the presence of Queen Elizabeth II, then-Australian PM John Howard and then British PM Tony Blair.
It records the 23,844 names of town where Australians who served in World War I and II were born.
Superimposed over the top are 47 of the major battles they fought. Principal architect Peter Tonkin said the somewhat curvaceous design of the memorial, made of grey-green granite slabs, “reflects the sweep of Australian landscape, the breadth and generosity of our people, the openness that we believe should characterise our culture”.
For more on the wall – including the ability to search for town names – see www.awmlondon.gov.au.
This Week in London – Wellington Arch marks the Battle of Waterloo; Shakespeare’s Globe celebrates the Bard’s birth; and the ‘cathedral on the marsh’ open day…
• The Battle of Waterloo comes under the microscope in a new exhibition opening at Wellington Arch on Hyde Park Corner tomorrow. Wellington Arch: Waterloo 1815 – The Battle for Peace provides an overview of the battle and the reasons which led to it, the people involved and the battle’s legacy. Displayed items include the sword the Duke of Wellington carried at the battle, his handwritten battle orders and an original pair of ‘Wellington boots’ as well as, of course, the arch itself, which was built in 1825-27 as a monument to Wellington’s victories over Napoleon. Admission charge applies. For more, see www.english-heritage.org.uk/visit/places/wellington-arch/.
• Shakespeare’s Globe in Southwark celebrates the Bard’s birthday with a Hamlet-themed day of free family events this Sunday. Along with an Elsinore bouncy castle, there will be sword-fighting demonstrations, ‘skull’ coconut shies and a grave-digging ball pool while actors who have taken on the role of Hamlet over the years while appear on stage attempting to deliver the quickest ever reading of the play and famous film adaptions of Hamlet will be playing on screen around the site. The day will also mark almost a year since Shakespeare’s Globe embarked on an unprecedented two year global tour of Hamlet taking in every country in the world in honour of last year’s 450th anniversary of Shakespeare’s birth. The birthday event at the Globe runs between 11am and 4.30pm. For more, see www.shakespearesglobe.com.
• The famous “cathedral on the marsh” – the Crossness Pumping Station – is open to the public this Sunday, the first of five days it will be open this year. The pumping station at Abbey Wood in south-east London was built by Sir Joseph Bazalgette as part of a general sewerage system upgrade and was opened by the Prince of Wales in 1865. The Grade I-listed Beam Engine House was constructed in the Romanesque-style and features some of the “most spectacular ornamental Victorian cast ironwork” to be found today. The day runs from 10.30am to 4pm. Admission charges apply but no booking is required. For more, see www.crossness.org.uk.
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London Pub Signs – The Pillars of Hercules…
There’s been a pub on the site of this Soho institution since before the 1700s, although the current building at 7 Greek Street is believed to date from the start of the 20th century.
The pub’s name is an ancient one – it refers to two landmarks, the Rock of Gibraltar on the north side and Mount Hacho or Jebel Musa on the south side (there is apparently some dispute over which), that mark the entrance to the Mediterranean and are together known as the Pillars of Hercules. The name apparently comes from a legend that Hercules created the Strait of Gibraltar between them when pushed the two pillars apart apart and so separated Europe from Africa.
There’s been several pubs in London which have borne this name although this particular premises does get a mention in Dickens’ A Tale of Two Cities (a street which runs under the pub’s archway is named after one of its characters, Dr Manette). There was apparently a similarly named tavern on the site of what is now Apsley House at Hyde Park Corner (that one gets a mention in Henry Fielding’s The History of Tom Jones, a Foundling).
According to a sign on the pub, this Pillars of Hercules was also frequented by nineteenth century poet and cricket lower Francis Thompson, author of the poet The Hound of Heaven.
The current half-timbered pub – located just to the south of Soho Square – has apparently continued as a favoured locale for literary types. Martin Amis, Julian Barnes and Ian McEwan are among more recent writers who have visited (along with Clive James who referred to it in the title of his collections of literary criticism, At the Pillars of Hercules).
10 of London’s World War I memorials – 7. The Machine Gun Corps Memorial…
While most of London’s World War I memorials feature sculptures depicting soldiers or weaponry, the controversial Machine Gun Corps Memorial at Hyde Park Corner takes as its centrepiece a more classical theme.
Designed by Francis Derwent Wood (known for his role in making masks for soldiers disfigured during the war), the larger than life-sized sculpture on top of this memorial is a nude statue of the Biblical character, David, who stands holding a giant sword – that of Goliath whose head he cut off. The Biblical theme is also found in an accompanying inscription from the Bible: 1 Samuel 18: 7 – “Saul hath slain his thousands but David his tens of thousands”.
To either side of the bronze figure – which has led to the memorial also being known as The Boy David – are two real bronzed Vickers guns wrapped in laurels while the Italian marble plinth carries a dedicated to the almost 14,000 of the corps who died between the raising of the corps in 1915 and its disbanding in 1922. The reverse of the memorial details the corps’ history, recording its service in “France, Flanders, Russia, Italy, Egypt, Palestine, Mesopotamia, Salonica, India, Afghanistan and East Africa”.
The Grade II* listed monument, which was much criticised thanks to the juxtaposition of the naked figure and machine guns, was unveiled by the Duke of Connaught in 1925. Originally located on a traffic island to the south of the Royal Artillery Memorial it was dismantled in 1945 when roadworks were carried out and it wasn’t until 1963 that it was reassembled on its current site.
Interestingly, there is another statue of The Boy David by Edward Bainbridge Copnall standing atop a column which stands on Chelsea Embankment.
10 of London’s World War I memorials – 5. Royal Artillery Memorial…
Often deemed to be one of London’s finest war memorials, if not the finest (indeed London Historians’ Mike Paterson has said so previously on these very pages), the Royal Artillery Memorial at Hyde Park Corner commemorates the more than 49,000 members of the Royal Artillery Regiment who died in World War I.
Designed by sculptor Charles Sargeant Jagger – who had served in the infantry during the war – and architect Lionel Pearson, it was unveiled in 1925 by Prince Arthur and Anglican priest, Rev Alfred Jarvis.
The monument, described by architectural historian Nikolaus Pevsner as a “masterpiece of British 20th century sculpture”, features an oversized stone replica of a 9.2 inch Howitzer Mk I atop a stone plinth accompanied by a series of four realistic bronze figures and a series of carved reliefs depicting scenes of military life.
The figures represent a gun crew: a driver, artillery captain, shell carrier and, controversially at the time, a dead soldier lying beneath his cape and helmet with an inscription from Shakespeare’s Henry V – “Here was a royal fellowship of death”.
Three bronze panels were later added at the south end of the monument in commemoration of the almost 30,000 of the Royal Artillery who died in World War II. It was unveiled by the then Princess Elizabeth in 1949.
In late 2011, English Heritage completed a major restoration of the Grade I-listed work with a grant from the Bulldog Trust.
PICTURE: Above – David Adams. Below – virtusincertus/Flickr
This Week in London – First World War galleries open at IWM; London’s WWI memorials the focus of new exhibition; and, London celebrates the Festival of Archaeology…
• New galleries dedicated to exploring the history of World War I will open – along with the rest of the refurbished building – at the Imperial War Museum in Lambeth on Saturday. The First World War Galleries span 14 areas displaying everything from shell fragments and lucky charms carried by soldiers to weapons and uniforms, diaries and letters, photographs, art and film. Interactive displays include ‘Life at the Front’ featuring a recreated trench with a Sopwith Camel plane and Mark V tank, and ‘Feeding the Front’ featuring an interactive table of more than four metres long which looks how troops were kept fed. There are also reflective areas in which visitors are encouraged to reflect on some of the most difficult aspects of war. The museum – which features a dramatic new atrium – is also launching the largest exhibition and first major retrospective of British World War I art for almost 100 years. Truth and Memory includes works by some of the UK’s most important artists. Entry to both is free with Truth and Memory running until 8th March. For more, see www.iwm.org.uk.
• London’s memorials to those who died in World War I are the focus of a new exhibition which opened at Wellington Arch near Hyde Park Corner yesterday. The English Heritage exhibition, which has a particular focus on the six memorials cared for by English Heritage but also looks at other memorials, will include designs, statuettes and photographs of the memorials including the Cenotaph in Whitehall. Also featured in We Will Remember Them: London’s Great War Memorials are official documents – including a note of condolence and medals certificates – received by the family of author and broadcaster Jeremy Paxman on the death of his great uncle Private Charles Dickson, who died at Gallipoli in 1915. Runs until 30th November. Admission charge applies. For more see www.english-heritage.org.uk/daysout/properties/wellington-arch/. Meanwhile, coinciding with the opening of the exhibition has been news that five of London’s key war memorials – including the Edith Cavell Memorial in St Martin’s Place and the Royal Artillery Memorial at Hyde Park Corner – have had their heritage listing upgraded.
• In case you missed it, the 24th annual Festival of Archaeology kicked off last weekend and features a range of events across London. Highlights include the chance again to go ‘mudlarking’ on the Thames river bank below the Tower of London and have your finds assessed by archaeologists (this Saturday and Sunday from 11am to 4pm), guided 90 minute walks around Islington and Highbury this weekend with a particular focus on the 1940s, and a look behind the scenes at the London Metropolitan Archives (2pm to 5pm today). The festival continues until 27th July. Check the website for a full program of events – www.archaeologyfestival.org.uk.
This Week in London – Celebrating the Year of the Bus; the British Library looks at WWI; medieval jousting and The Duke of Wellington; and, Blue Plaque nominations resumed…
• Almost 50 buses, from a horse-drawn model of the 1820s to the New Routemasters of today, will come to Regent Street on Sunday in celebration of the Year of the Bus. The ‘Regent Street Bus Cavalcade’ – which will stretch from Piccadilly Circus to Oxford Circus and will see the iconic West End street closed to traffic – will also feature a variety of free family events including Lego workshops (there will be a bus shelter and bus stop made entirely out of Lego outside Hamley’s toy shop), children’s theatre performances, a pop-up London Transport canteen and the chance to have a personal message recorded by the voice of London’s buses, Emma Hignett. There will also be an exhibition – Battle Bus – which provides information about the B-type bus (a newly restored version of which will be on display) which was used during World War I to carry soldiers to the frontline as well as ambulances and mobile pigeon lofts while jewellery company Tatty Devine will feature a special range of bus-inspired jewellery and hold jewellery-making workshops on board a London bus. The cavalcade, supported by the Regent Street Association and The Crown Estate, is part of Transport for London’s celebrations marking the Year of the Bus, organised in partnership with the London Transport Museum and the capital’s bus operators. The free event runs from 11.30am to 6pm. For more information, see www.tfl.gov.uk/yearofthebus and www.ltmuseum.co.uk.
• A new exhibition of materials showing how people coped at home and on the front during World War I opens at the British Library in King’s Cross today as part of efforts to mark the war’s centenary. Enduring War: Grief, Grit and Humour features personal objects such as letters, a handkerchief bearing the lyrics of It’s A Long, Long Way to Tipperary, Christmas cards, school essays about airship raids over London sit and recruitment posters, humorous magazines and even a knitting pattern for balaclavas. Highlights include a letter in which Sir Arthur Conan Doyle expresses his concern over his son serving at the front, manuscripts by war poets such as Rupert Brooke as well as Wilfred Owen’s manuscript for Anthem for Doomed Youth, Vaughan Williams’ A Pastoral Symphony and Laurence Binyon’s For the Fallen. A specially commissioned video and ‘soundscape’, Writing Home, features personal messages contained on postcards written to and from the front. A range of events accompanies the free exhibition. Runs until 12th October. For more on the exhibition, see www.bl.uk.
• Armoured knights on horseback can be seen jousting at Eltham Palace in south London this weekend. The former childhood home of King Henry VIII will host a Grand Medieval Joust which will also include displays of foot combat, the antics of a court jester, medieval music performances and a series of children’s events including a knight’s school. Runs from 10am to 5pm on both Saturday and Sunday. Admission charge applies. For more, see www.english-heritage.org.uk/events. Meanwhile, the Battle of Waterloo is being remembered at the Duke of Wellington’s home of Apsley House near Hyde Park Corner. Visitors will come face-to-face with Wellington’s troops and their wives, having the chance to take a look inside a soldier’s knapsack, see the equipment he used and the drills he performed as well as see the Battle of Waterloo recreated in vegetables. The Waterloo Festival – this year marks 200 years since Napoleon’s abdication and exile to Elba – runs from 11am to 5pm on Saturday and Sunday. Admission charge applies. For more, see www.english-heritage.org.uk/apsley/.
• Nominations have reopened for English Heritage’s Blue Plaques scheme in London. In 2012 nominations were temporarily suspended while new funding for the scheme was found and thanks to one individual’s donation and the creation of a new Blue Plaques Club to support the scheme on an ongoing basis, they have now reopened. There are 880 official Blue Plaques on London’s streets – remembering everyone from Florence Nightingale to Fred Perry and Charles Darwin. For more and details on nominations, see www.english-heritage.org.uk/discover/blue-plaques/.
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This Week in London – William Shakespeare’s influence; new Fourth Plinth commissions; the car and landscape; and London Stories…
First up, apologies that we were unable to launch our new Wednesday series yesterday due to some technical difficulties (stayed tuned for next week). And now, on with the news…
• William Shakespeare’s influence on successive generations of theatrical performance is the subject of a new exhibition at the V&A to mark the 450th anniversary of his birth on 23rd April. Shakespeare: Greatest Living Playwright centres on the Bard’s First Folio which, published in 1623, contains 36 plays including 18 works – Macbeth, The Tempest and Twelfth Night among them – which would be unknown without it. The display includes interviews, archive footage and photography and objects from the V&A collections as well as an audio-visual presentation by Fifty Nine Productions featuring interviews with contemporary theatre practitioners such as actors, directors and designers. Objects on display include a skull used by Sarah Bernhardt when playing Hamlet in 1899, an embroidered handkerchief used by Ellen Terry when playing Desdemona in 1881 at the Lyceum Theatre, and a pair of red boots worn by actor-manager Henry Irving in an 1887 production of Richard III. Runs in the V&A’s Theatre and Performance Galleries until 21st September. Admission is free. For more, see www.vam.ac.uk. PICTURE: Sarah Bernhardt as Hamlet, 1899, © Victoria and Albert Museum, London.
• A skeletal horse and a giant hand giving a thumbs up will adorn the Fourth Plinth in Trafalgar Square during 2015-16. Hans Haacke’s Gift Horse is derived from an etching by painter George Stubbs and, while being a comment on the equestrian statue of King William IV which was intended for the plinth, also features an electronic ribbon displaying a live ticker of the London Stock Exchange on its front leg. Meanwhile David Shrigley’s Really Good is a 10 metre high hand giving a thumbs up – sending a positive message to those who see it. For more, see www.london.gov.uk/priorities/arts-culture/fourth-plinth.
• The impact of the car on England’s landscape and the listed buildings of motoring history are the focus of a new exhibition in Wellington Arch. Carscapes: How the Motor Car Reshaped England features archive photographs, historic advertising, cartoons and motoring magazines as well as a 1930s traffic light, a petrol pump and other accessories and memorabilia. Wellington Arch, which is managed by English Heritage, is a fitting location for the exhibition – it was moved to its current position due to increasing traffic back in 1883. Admission charge apply. For more, see www.english-heritage.co.uk.
• A new exhibition exploring some of the true and not-so-true stories inspired by and produced in London opens at the London Transport Museum in Covent Garden tomorrow. London Stories features the best entries from The Serco Prize for Illustration 2014 with more than 50 works of art on display depicting a well-known or obscure London narrative. The short-listed illustrations tackle everything from ghost buses to Buffalo Bill’s Wild West Show of 1887, a Pearly King and Queen, Lenin’s ‘Love letter to London’ and an escaped monkey jazz band. There’s also a host of musical and literary references – everything from Mary Poppins to Sweeney Todd and Oranges and Lemons. Tomorrow there will be a late opening of the exhibition complete with cash bar, DJ and story-telling for adults as well as the chance to create your own London story with illustration workshops and a photo-booth. Organised by London Transport Museum in partnership with the Association of Illustrators, it runs until 6th April. Admission charge applies. For more, see www.ltmuseum.co.uk.
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This Week In London: The London that might have been; the V&A’s Christmas tree; Christmas celebrations at the Geffrye; and, World War II recollections…
• A new exhibition looking at the London that might have been opened at Wellington Arch near Hyde Park Corner yesterday. Almost Lost: London’s Buildings Loved and Loathed uses digital technology to look at how several redevelopment proposals – including a 1950s conceptual scheme for a giant conservatory supporting tower blocks over Soho and a 1960s plan to redevelop Whitehall which including demolishing most of the Victorian and Edwardian buildings around Parliament Square – would have changed the face of the city. The exhibition also looks at how the latest developments in digital mapping can be used in the future and features ‘Pigeon-Sim’ which provides a bird’s-eye view of the city’s buildings with an interactive flight through a 3D photorealistic model of the city. The exhibition runs until 2nd February. Admission charge applies. For more, see www.english-heritage.org.uk/daysout/properties/wellington-arch/.
• A specially commissioned Christmas tree has been unveiled at the V&A in South Kensington. The 4.75 metre high ‘Red Velvet Tree of Love’ is the work of artists Helen and Colin David and will stand in the museum’s grand entrance until 6th January. The design of the tree – which is coated in red flocking and decorated with 79 sets of hand cast antlers and 67 white, heart shaped baubles – was inspired by an 1860 HFC Rampendahl chair in the V&A’s collection which features a real antler frame and velvet upholstery. For more, see www.vam.ac.uk.
• The annual Christmas Past exhibition is once again open at the Geffrye Museum in Shoreditch. Festive decorations have transformed the museum’s rooms and give an insight into how the English middle classes celebrated in times gone past. The exhibition runs until 5th January. Admission is free. Accompanying the exhibition are a series of events including an open evening celebrating an Edwardian Christmas between 5pm-8pm tonight. For more, see www.geffrye-museum.org.uk/whatson/christmas-past-2013/.
• The World War II experience of Chelsea Pensioners are being commemorated in a new display in the White Space Gallery at the National Army Museum in Chelsea. The Old and the Bold is the culmination of a year long collaboration between the museum and the Royal Hospital Chelsea and features nine interviews with 14 In-Pensioners. Their accounts span iconic moments in World War II history – from D-Day to North Africa and the Falklands and are supported by items from the museum’s collection. Runs until 3rd January. Admission is free. For more, see www.nam.ac.uk.
Where is it? #68…
Can you identify where in London this picture was taken and what it’s of? If you think you can, leave a comment below. We’ll reveal the answer early next week. Good luck!
Well done to Renate, John, Diego and José who all correctly named this as the Boy with a Dolphin fountain in Hyde Park’s Rose Garden. The fountain, which is the work of Alexander Munro and dates from 1862, was once the centrepiece of the Victoria-era sunken garden which stood on the site of a former reservoir but was removed to make way for the widening of Park Lane. The fountain was moved to The Regent’s Park in 1960 but returned to Hyde Park in 1995. The Rose Garden, located close to Hyde Park Corner, also contains an older fountain – the Artemis Fountain, which dates from 1822.