The history and culture of the Krio people of Sierra Leone are the subject of a new display opening at the Museum of London Docklands tomorrow. The Krios of Sierra Leone explores the dress, architecture, language, lifestyle, traditions and history of the Krio community with contemporary objects from Krio Londoners on show as well as items related to the history of British colonial rule of Sierra Leone from the museum’s collections. Highlights include a large carved wooden printing block dating from around 1800, known as a ’tillet block’, that bears the crest of the Sierra Leone Company, a silver entrée dish which was presented to Thomas Cole, acting colonial secretary of Sierra Leone and assistant superintendent of Liberated Africans, who was responsible for assisting people freed from slave ships when they arrived in the colony, and, a typical Krio dress ensemble wore by Krio women. The free exhibition can be seen until 27th September next year. For more, see www.museumoflondon.org.uk/krios.

Portraits of everyone from Sir David Attenborough to actor Tilda Swinton are on show as part of the largest ever exhibition of the work of photographer Tim Walker at the V&A. The display, Tim Walker: Wonderful Things (pictured above), features more than 150 new works inspired by the V&A’s collections and boasts more than 300 objects, encompassing photographs and the objects that inspired them as well as images of some of the biggest names in fashion – Lily Cole, Lindsey Wixson, Stella Tennant and Alexander McQueen among them – and portraits of such luminaries as Margaret Atwood, David Hockney, Daniel Day-Lewis, Claire Foy, Saoirse Ronan, Kate Moss, and artist Grayson Perry. Runs until 8th March. Admission charge applies. For more, see www.vam.ac.uk.

Writers Angela Carter and Martha Gellhorn were both commemorated with English Heritage Blue Plaques earlier this month. Carter, an award-winning novelist, spent the last 16 years of her life at the property at 107, The Chase, in Clapham, and it was there she often tutored her then-student Kazuo Ishiguro and received fellow writers like JG Ballard, Ian McEwan and Salman Rushdie. Meanwhile, Gellhorn, a war correspondent who reported on conflicts ranging from the Spanish Civil War to the Vietnam War, was commemorated with a blue plaque on her former top floor flat in Cadogan Square where she spent the last 28 years of her life. For more, see www.english-heritage.org.uk/visit/blue-plaques/.

The final release of tickets for this year’s New Year’s Eve fireworks go on sale from midday on Friday. Those who wish to attend the fireworks in central London must purchase a ticket priced at £10. To sign up for ticket updates and more information go to www.london.gov.uk/nye

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It’s Open House London weekend and that means your chance to explore behind what are normally closed doors. More than 800 buildings are opening up to the public over the two day festival – this year’s theme is ‘social’ – and there’s an extensive programme of walks and architect-led tours with all events free to attend. While some buildings – like Number 10 Downing Street, BT Tower and the US Embassy London – are only open to those who were successful in already-held public ballots, there’s still plenty to see for those who have’t scored a place. Highlights include a chance to see inside first-time participants like Millennium Mills in Royal Docks (pictured above), the new Museum of London in West Smithfield and the new social housing estate, Kings Crescent Estate in Hackney, as well as a Tokyo Bike cycle tour, and By Beck Road 19 – a Bethnal Green terrace serving as an open-door art gallery. There’s also the chance to see inspiring residences like Open Practice Architecture’s Gin Distillery and Nimtim Architect’s Block House, family activities and the Open House ‘Elements’ photography competition to take part it. For the full programme of events, head to www.openhouselondon.org.uk.

Images of London’s street food and hawkers, spanning the 16th to the 19th centuries, have gone on show at a new open-air exhibition in Aldgate Square. Hot Peascods! explores how selling food, which could require little more investment than buying basket and the first batch of pies or eels or gingerbread, provided an income for those who couldn’t find other work and was relied upon as a source of food for those who were so poor they couldn’t afford cooking facilities at home. As well as images, it features interviews recorded in the 1850s by pioneering social reformer Henry Mayhew. The exhibition, which is curated by the City of London Corporation’s Guildhall Library, can be seen in Aldgate Square until 29th September and then moves to Guildhall Yard where it can be seen between 1st and 16th October. Free.

The work of acclaimed British sculptor Antony Gormley is the subject of a new exhibition opening at the Royal Academy of Arts on Saturday. Antony Gormley, which spans all 13 rooms in the RA’s Main Galleries, brings together both existing and specially conceived new works. They include Iron Baby (1999) located in the Annenberg Courtyard, works from the 70s and 80s like Land, Sea and Air (1977-79) and Fruits of the Earth (1978-79) in which natural and man-made objects are wrapped in lead (these evolved into Gormley’s ‘body case’ sculptures), and a series of concrete works from the 1990s including Flesh (1990). There are a series of whole-of-room installations including Lost Horizon I (2008) which features 24 cast-iron figures, and Host in which an entire gallery is filled, to a depth of 23 centimetres, with seawater and clay, while at the centre of the exhibition are two of Gormley’s early ‘expansion’ works, Body and Fruit, both from 1991-3. The exhibition also includes a selection of works on paper including Mould (1981), the Body and Light drawings, Linseed Oil Works (1985-1990), Double Moment (1987), and the Red Earth drawings (1987-1998). Runs until 3rd December. Admission charge applies. For more, see www.royalacademy.org.uk.

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The largest survey of the work of visionary artist and poet William Blake to be seen in the UK in a generation has opened at the Tate Britain in Millbank. William Blake features more than 300 works with highlights including The Spiritual Form of Nelson Guiding Leviathan (c1805-9) and The Spiritual Form of Pitt Guiding Behemoth (c1805) which, in a bid to see them as Blake intended, have been digitally enlarged and projected onto the gallery’s wall, providing them with the sort of the scale he had envisaged for them but never realised. The actual works themselves are displayed nearby in a recreation of the artist’s only significant attempt to acquire a public reputation as a painter – his ill-fated exhibition of 1809 which took place in a room over his family’s hosiery shop. The exhibition also provides a focus on London, described as a “constant inspiration” for Blake, and highlights the vital role of his wife Catherine played in the creation of his engravings and illuminated books with illustrations to Pilgrim’s Progress (1824-27) and a copy of the book The complaint, and the consolation Night Thoughts (1797) on display, both of which are thought to have been coloured by Catherine. Other highlights include what is thought to be the only self-portrait of Blake – exhibited in the UK for the first time, the work Albion Rose (c1793) depicting the mythical founding of Britain, illuminated books such as Songs of Innocence and of Experience (1794) and some of his best-known paintings including Newton (1795-c1805 – pictured above) and Ghost of a Flea (c1819-20). The exhibition closes with The Ancient of Days (1827), a frontispiece for an edition of Europe: A Prophecy, which was completed only days before Blake’s death. Runs until 2nd February. Admission charge applies. For more, see www.tate.org.uk. PICTURE: William Blake (1757-1827) Newton 1795-c1805 (Colour print, ink and watercolour on paper, 460 x 600mm Tate).

A new gallery exploring how London’s scientists and artisans transformed our understanding of the world over 250 years spanning the period from the mid-16th century to the end of the 18th century opens at the Science Museum in South Kensington today. The 650 square metre gallery, known as ‘Science City 1550-1800: The Linbury Gallery’, features iconic objects such as Sir Isaac Newton’s famous work, Principia Mathematica, Robert Hooke’s microscope (pictured), and objects including an air pump and ‘Philosophical Table’ which were commissioned by King George III as the king conducted his own scientific investigations. There’s also a range of machine models including one of a pile driving machine used in the construction of Westminster Bridge in the 1740s. The gallery is free to visit. For more, see www.sciencemuseum.ac.uk. PICTURE: Microscope designed by Robert Hooke, 1671-1700 formerly in the George III collection, King’s College London © Science Museum Group

The Tower of London Food Festival is being held in the fortress’ dry moat this weekend. Culinary talents including Chris Bavin and Emily Roux are among those offering live cookery demonstrations while visitors can put their own skills to the test with masterclasses. There’s also wine and sherry tasting sessions, an expanded array of food and drink to sample, activities for kids including cookery classes, games and face painting, and the Bandstand is back with deckchairs to relax in. Admission is included with entry to the Tower. Closes on Sunday. For more, see www.hrpfoodfestivals.com.

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An exhibition exploring the changing roles of women in the British Army from 1917 to the present day has opened at the National Army Museum in Chelsea. Rise of the Lionesses, which is being held in partnership with the WRAC Association, charts the major contributions women have made to the Army’s history as well as how perceptions of “appropriate” roles for females have affected these contributions and how women have fought to redefine those roles. Highlights include the combat shirt and medical kit belonging to Sergeant Chantelle Taylor – the first female British soldier to kill in combat, the first Army-issue bra, and the vehicle chassis used to train Princess Elizabeth (now Queen Elizabeth II) while she served in the Auxiliary Territorial Service during World War II (pictured above). The free display can be seen until 20th October and is accompanied by a programme of public events. For more, head to this link. PICTURE: Courtesy of National Army Museum.

• Communications intelligence and cyber security are explored in an exhibition at the Science Museum, making the centenary of UK intelligence, security and cyber agency,  GCHQ. Top Secret: From ciphers to cyber security features more than 100 objects including cipher machines used during World War II, secure telephones of the type used by British Prime Ministers, and an encryption key used by the Queen. There’s also encryption technology used by Peter and Helen Kroger who, until their arrest in the 1960s, were part of the most successful Soviet spy ring in Cold War Britain, and the remains of the crushed hard drive alleged to contain top secret information which was given by Edward Snowden to The Guardian in 2013 while the work of GCHQ’s National Cyber Security Centre is also explored with visitors able to see a computer infected with the WannaCry ransomware which, in 2017, affected thousands of people and organisations including the NHS. Runs until 23rd February. Admission is free. For more, head to www.sciencemuseum.org.uk.

The pioneering work of Hungarian avant garde artist Dóra Maurer goes on show at the Tate Modern on South Bank next Monday in the first UK exhibition celebrating her five decade career. The free display brings together 35 of her works – from conceptual photographic series and experimental films to colourful graphic works and striking geometric paintings – with highlights including Seven Foldings (1975), Triolets (1981), Timing (1973/1980) and the six-metre-long Stage II (2016). The year-long display is one of several free displays opening at the Tate Modern this month. Others include an exhibition of Sol LeWitt’s graphic woodcut prints, a show featuring photograms, films, painting and drawings by Polish émigré artists Franciszka Themerson and Stefan Themerson, and photography displays by Mitch Epstein, Naoya Hatakeyama and David Goldblatt. For more, see www.tate.org.uk.

Cinema is being celebrated at Somerset House this month with the launch of Film4 Summer Screen at Somerset House. The event includes courtyard screenings, specially curated DJ sets and live performances, and panel discussions from industry insiders. Actor Antonio Banderas will join Spanish director Pedro Almodóvar to introduce the festival’s opening night premiere, Pain and Glory, with other special guests including the cast of Shane Meadows’ BAFTA-award winning film This is England, Francis Lee, the director and writer of God’s Own Country, and  the film’s lead actor Josh O’Connor as well as Peter Webber, director of Inna de Yard. Runs from 8th to 21st August. For more, see www.somersethouse.org.uk.

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The impact of Queen Victoria on Buckingham Palace, transforming what was empty residence into “the most glittering court in Europe”, is a special focus of this year’s summer opening of Buckingham Palace. Marking the 200th anniversary of the birth of the Queen, the exhibition Queen Victoria’s Palace recreates the music, dancing and entertaining that characterised the early part of the Queen’s reign using special effects and displays. Highlights include the Queen’s costume (pictured) for the Stuart Ball of 13th July, 1851, where attendees dressed in the style of King Charles II’s court. There’s also a recreation of a ball held in the palace’s newly completed Ballroom and Ball Supper Room on 17th June, 1856, to mark the end of the Crimean War and honour returning soldiers which uses a Victorian illusion technique known as Pepper’s Ghost to bring to life Louis Haghe’s watercolour, The Ball of 1856. The table in the State Dining Room, meanwhile, has been dressed with items from the ‘Victoria’ pattern dessert service, purchased by the Queen at the 1851 Great Exhibition, and the room also features the Alhambra table fountain, a silver-gilt and enamel centrepiece commissioned by Victoria and Albert in the same year, and silver-gilt pieces from the Grand Service, commissioned by the Queen’s uncle, King George IV, on which sit replica desserts based on a design by Queen Victoria’s chief cook, Charles Elme Francatelli. The summer opening runs until 29th September. Admission charges apply. For more, see www.rct.uk/visit/the-state-rooms-buckingham-palace. PICTURE: Royal Collection Trust/ © Her Majesty Queen Elizabeth II 2019

 The Victorian reign is also the subject of a new exhibition at the British Museum where rare etchings by Queen Victoria and Prince Albert have gone on display. At home: Royal etchings by Queen Victoria and Prince Albert features 20 artworks that they created during the early years of their marriage and depict scenes of their domestic lives at Windsor Castle and Claremont including images of their children and pets. The display includes three works donated to the museum by King George V, Queen Victoria’s grandson, in 1926, and it’s the first time they’ve gone on public display. Prince Albert introduced the Queen to the practice of etching soon after their wedding and under the guidance of Sir George Hayter they made their first works on 28th August, 1840. They would go on to collaborate on numerous works together. The display can be seen in Room 90a until mid-September. Admission is free. For more, see www.britishmuseum.org. PICTURE: The Princess Royal and Prince of Wales, 1843, by Albert, Prince Consort (after Queen Victoria) © The Trustees of the British Museum.

American artist Ed Ruscha is the subject of the latest “Artist Rooms” annual free display in the Tate Modern’s Blavatnik building on South Bank. The display features works spanning Ruscha’s six-decade career, including large, text-based paintings and his iconic photographic series. There is also a display of Ruscha’s artist’s books – including Various Small Fires 1964 and Every Building on the Sunset Strip 1966 – as well as some 40 works on paper gifted to Tate by the artist. Highlights include his series of photographs of LA’s swimming pools and parking lots, paintings inspired by classic Hollywood cinema, and works such as DANCE? (1973), Pay Nothing Until April (2003) and Our Flag (2017). Runs until spring 2020. Admission is free. For more, see www.tate.org.uk.

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Three of Leonardo da Vinci’s notebooks are being displayed together in the UK for the first time as part of a new exhibition at the British Library marking 500 years since the artist’s death. Leonardo da Vinci: A Mind in Motion, which opens Friday and is being held in partnership with Automobili Pininfarina, will feature a selection of notes and drawings from the Codex Arundel, owned by the British Library, the Codex Forster, owned by the V&A, and the Codex Leicester, owned by US billionaire Bill Gates (and being displayed in the UK for the first time since Gates purchased it in 1994). They reveal Da Vinci’s close observations of natural phenomena and how these explorations of nature and motion directly informed his work as an inventor and artist. The exhibition, which runs to the 8th September, is being accompanied by a series of events and until Sunday, Automobili Pininfarina will be exhibiting a 1,900 hp, zero-emissions Battista hypercar on the British Library Piazza. Admission charge applies. For more, see www.bl.uk/events/leonardo-da-vinci-a-mind-in-motion. PICTURE: Part of the exhibition/courtesy British Library.

The mysteries of London’s hidden rivers are revealed in an exhibition at the Museum of London Docklands. Secret Rivers brings together art and archaeology along with photography, film, and mudlarking finds to show how the city has been shaped by the Thames and its tributaries – and how they in turn have been shaped by Londoners. It explores how rivers including the Effra, Fleet, Neckinger, Lea, Tyburn, Walbrook, Wandle and Westbourne have all been “exploited for transport and industry, enjoyed and revered, and have influenced artists and writers”. Among items on display are rare surviving fragments of the 13th century Blackfriars Monastery which were used to line a well, a medieval fish trap, and drawings and prints depicting rivers – including James Lawson Stewart’s watercolour Jacob’s Island (1887) which depicts an artificial island located in the Neckinger at Bermondsey. The free exhibition runs until 27th October. A series of talks is accompanying the display. For more, see www.museumoflondon.org.uk/museum-london-docklands.

All things African will be celebrated at the Open the Gate Festival in Shoreditch this weekend. The festival, one of a number of monthly key partner events being held in conjunction with the city’s new Africa in London festival – a summer long celebration of African culture and creativity, will be held at Rich Mix on Saturday and features live music, an African Market, family workshops and African street food. For more on the event and the Africa in London initiative, head to www.london.gov.uk/AfricaLDN.

The UK’s first ever retrospective of Russian avant-garde artist Natalia Goncharova has opened in the Tate Modern’s Eyal Ofer Galleries this week. The exhibition brings together more than 160 international loans – including from Russia’s State Tretyakov Gallery, home of the largest collection of Goncharova works in the world – and features, at its heart, a room designed to evoke Goncharova’s remarkable 1913 retrospective at the Mikhailova Art Salon in Moscow which featured more than 800 works. Highlights of this show include Peasants Gathering Apples (1911), the monumental seven-part work The Harvest (1911) and nude paintings which led to her trial for obscenity as well as the four panel religious work Evangelists (1911), examples of her forays into fashion and interior design including Spring (1928) and Bathers (1922), a reunion of her ground-breaking works Linen, Loom + Woman (The Weaver) and The Forest (1911), and her collaborations with Ballets Russes including her costume designs for Le Coq d’or (The Golden Cockerel) and Les Noces (The Wedding) – performed on London stages in the 1920s and 1930s. Runs until 8th September. Admission charge applies. For more, see www.tate.org.uk.

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An exhibition charting the changing architecture of London opens at the Guildhall Art Gallery on Friday. Architecture of London features more than 80 works by more than 60 artists and spans the period from the 17th century to the present day. The display is arranged thematically and starts with views of London before exploring the city’s continuous transformation – including its rebuilding after World War II, moving on to portrayals of everyday London and finishing with a focus on architectural details that help form the rich tapestry of the city’s built form. Highlights include a rare Jacobean view of London – Old St Paul’s Diptych (1616), Canaletto’s London Seen Through an Arch of Westminster Bridge (1747), David Ghilchik’s Out of the Ruins at Cripplegate (1962), Richard IB Walker’s London from Cromwell Tower, Barbican (1977), and works by Spencer Gore, Lucian Freud, and Frank Auerbach as well as Brendan Neiland’s Broadgate Reflections (1989) and Simon Ling’s paintings of East London. The exhibition, runs until 1st December, is being accompanied by a series of talks as well as a ‘Late View’ on 27th September. Admission charge applies.

The display forms part of the City of London Corporation’s outdoor public events programme, Fantastic Feats: the building of London, which celebrates London’s long-standing history of architectural and engineering firsts and looks at how these innovations have contributed to improving the lives of Londoners over the centuries. Another of the projects taking place under the Fantastic Feats umbrella is Illuminated River, an unprecedented light artwork by American architect Leo Villarreal and London-based Lifschutz Davidson Sandilands that will be installed on up to 15 of London’s bridges with the first four bridges – London, Cannon, Southwark, and Millennium – to be lit up this summer. Architectural drawings and visualisations of the project will be on show at Guildhall from Friday until 1st September sitting alongside paintings of the Thames from the gallery’s collection which have been selected by Villareal. Admission is free applies. For more on either exhibition and Fantastic Feats, follow this linkPICTURED: One of the panels from the Old St Paul’s Diptych by John Gypkin (1616) –  Society of Antiquaries of London.

A mass flight display will take place over the historic Duxford airfield in Cambridge next week as part of commemorations surrounding the 75th anniversary of the D-Day landings. On 4th and 5th June, IWM Duxford will host the Daks over Duxford event, featuring the greatest number of Douglas C-47 Skytrain aircraft – also known as Dakotas – in one location since World War II as well as mass parachute jumps and flight displays. The event will also feature a mass flight display over Duxford as aircraft head off for Normandy where parachute landings will take place on 6th June in a recreation of the original D-Day landings. Duxford is located less than 50 miles from central London. Admission charges apply. For more see www.iwm.org.uk/daks-over-duxford.

The first major retrospective of the work of British painter Frank Bowling opens at the Tate Britain on Friday. Frank Bowling will span the artist’s entire six decade career and will feature early works like Cover Girl (1966) – seen for the first time in the UK since it was painted, 10 of his celebrated ‘Map Paintings’ including Who’s Afraid of Barney Newman (1968) and Polish Rebecca (1971), examples of his ‘Poured Paintings’, sculptural works like his Great Thames paintings, and Sacha Jason Guyana Dreams (1989), a work inspired by the artist’s first visit to his birth country of Guyana with his son Sacha. Runs until 26th August. Admission charge applies. For more, see www.tate.org.uk.

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Carved stone inscriptions, medieval manuscripts and early printed works are among items on display in a new exhibition looking at the act of writing and its impact on human civilisation at the British Library. Writing: Making Your Mark spans five millennia and five continents and includes writing examples from more than 30 writing systems including Greek, Chinese and Arabic. Highlights include an 1,800-year-old ancient wax tablet, early 19th century Burmese tattooing instruments, the final diary entry of Antarctic explorer Captain Robert Falcon Scott, James Joyce’s notes for Ulysses, Caxton’s 1476-7 printing of The Canterbury Tales – the first book printed in England, and the personal notebooks of Elizabethan explorer Sir Walter Raleigh (pictured). There’s also a 60,000 signature petition from 1905 protesting the first partition of Bengal, Mozart’s catalogue of his complete works from 1784-1791 featuring his handwriting and musical notation, and Alexander Fleming’s notebook in which he recorded his discovery of penicillin in 1928. A programme of events accompanies the exhibition which runs until 27th August. Admission charge applies. For more see www.bl.uk. PICTURE: © British Library.

London’s forgotten rivers, tunnels, sewers, deep shelters, and the world’s first subterranean railway are all explored in a new free exhibition at the London Metropolitan Archives in Clerkenwell. Under Ground London in part celebrates the 200th anniversary of the birth of Victorian engineer Sir Joseph Bazalgette – who designed the scheme to overhaul the city’s sewers in the 19th century. As well as Bazalgette’s landmark work, the exhibition explores the legend of a cobbled street buried beneath today’s Oxford Street and tells the story of the Thames Tunnel which, when it opened in 1843, was the world’s first tunnel under a river. There’s also information on London’s ‘ghost stations’, including Strand and King William Street; and the Metropolitan Railway – the world’s first underground railway as well as images of the River Fleet, displayed for the first time. The display can be seen until 31st October. For more, follow this link.

Women artists working in Britain in the past 60 years are being celebrated in a new display at the Tate Britain in Millbank. Sixty Years features about 60 works spanning painting, photography, sculpture, drawing and film and includes many recent acquisitions. Artists whose works are on show include Mona Hatoum, Sarah Lucas, Bridget Riley, Mary Martin and Anthea Hamilton. Highlights include Gillian Wearing’s film Sacha and Mum (1996), Susan Hiller’s large scale multimedia installation Belshazzar’s Feast, the Writing on Your Wall (1983-84), and two new mixed media works by Monster Chetwynd – Crazy Bat Lady (2018) and Jesus and Barabbas (Odd Man Out 2011) (2018). For more, see www.tate.org.uk/visit/tate-britain.

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Wishing all of our readers a very happy Easter!

Easter is being celebrated in London through a range of events over the long weekend. They include an ‘Easter Extravaganza’ treasure hunt for children at The Royal Mews, Buckingham Palace, and a special Easter-themed trail at the Russia: Royalty & the Romanovs exhibition in the Queen’s Gallery, Lindt Gold Bunny Hunts at royal palaces including Hampton Court Palace and Kensington Palace, and, of course, all the pageantry of Easter services at the city’s many churches.

A major new exhibition of the work of contemporary glass artist Dale Chihuly has opened at Kew Gardens in London’s west. Chihuly at Kew features 32 works by the Seattle-based artist at 13 locations across the gardens. Highlights include Sapphire Star – located at the Victoria Gate, Drawings, the Rotolo series and Seaforms – all located in the Shirley Gallery of Botanical Art and a new, specially-designed sculpture as well as nine other installations in the Temperate House. An interactive trail designed for families takes visitors around the installations and there will be special night-time viewings from 15th August. Kew is also running family activities during Easter. Chihuly runs until 27th October. Admission charge applies. For more, see www.kew.org.

New works by Irish-born but American-based artist Sean Scully have gone on show at the National Gallery. Sea Star: Sean Scully at the National Gallery was inspired by the artist’s love for JMW Turner’s painting The Evening Star and features new and recent large scale multi-panel works that include his celebrated Landline paintings as well as Robe Blue Blue Durrow (2018), which suggests the seventh-century Book of Durrow from his native Ireland, and Human 3 (2018), inspired by the New York subway. Admission is free. Runs until 11th August. For more, see www.national gallery.org.uk.

On Now: Mary Quant. This exhibition at the V&A focuses on the 20 years between 1955 and 1975 and reveals how Dame Mary Quant democratised fashion for a new generation as she popularised the miniskirt, colourful tights, and tailored trousers. The display brings together more 120 garments as well as accessories, cosmetics, sketches and photographs, most of which have never been on display. Highlights include 35 objects from 30 people received after a public call-out to track down rare Quant items from wardrobes across the nation and 50 photographs of women wearing their Quant clothes. Runs until 8th March, 2020. Admission charge applies. For more, see vam.ac.uk/exhibitions/mary-quant.

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A state-of-the-art, multi-sensory experience focusing on the beasts, large and small, that have helped shaped London opens at the Museum of London tomorrow. Beasts of London, being run in conjunction with the Guildhall School and Music & Drama, tells the story of the capital from before London existed through to the city today, all through the perspective of animals. Inspired by objects in the museum’s collection, the nine “episodes” of the experience encompass subjects including the arrival of the Romans, the creation of the first menageries during the medieval period, the plague years of the 1600s, the first circuses in the late 1700s, the end of the animal-baiting period in the Victorian era and the role of animals in today’s contemporary city. There’s also a special episode on the contribution horses have made to the city. Well-known identities including Kate Moss, Brian Blessed, Pam Ferris, Nish Kumar, Stephen Mangan, Angellica Bell and Joe Pasquale provide voices for the animals alongside actors from the Guildhall School. The family-friendly experience can be enjoyed until 5th January, 2020. Admission charge applies. For more, see www.museumoflondon.org.uk/beastsoflondon. PICTURE: Lion sculpture; courtesy Museum of London.

A new exhibition about Britain’s role in the Cold War opens at the National Archives in Kew today – exactly 70 years since the formation of NATO. Protect and Survive: Britain’s Cold War Revealed features original documents including political memos, spy confessions, civil defence posters and even a letter from Winston Churchill to the Queen as it explores the complexities of government operations during a time of paranoia, secrets and infiltration. Other highlights include George Orwell’s infamous list of suspected communist sympathisers, Winston Churchill and Joseph Stalin’s ‘percentages agreement’, a plan of Lionel ‘Buster’ Crabb’s fateful spy mission, ‘Atom spy’ Klaus Fuchs’ confession and Civil Defence posters. There’s also a recreated government bunker and a 1980s living room showing the impact of the Cold War on both government and ordinary lives as well as digital screens on which Dame Stella Rimington, the first female Director General of MI5, shares her experiences along with insights from historian Dominic Sandbrook and curator Mark Dunton. The display is being accompanied by a series of events including night openings, film screening and talks. Runs until 9th November (30th anniversary of the fall of the Berlin Wall). Admission charge applies. For more, see nationalarchives.gov.uk/coldwar.

Prince Albert’s personal contributions to the V&A’s Library collection are the subject of a new exhibition which opened this week as part of the South Kensington Institute’s celebration of the 200th anniversaries of the births of both the Prince and Queen Victoria. Prince Albert: Science & the Arts on the Page features books and photographs include one volume containing a letter written by the Prince’s librarian Ernst Becker highlighting Albert’s wish to promote knowledge and learning in science and the arts. There’s also a volume of songs written and set to music by Albert and his brother, featuring amendments in Albert’s own hand, as well as his signed season ticket to the Great Exhibition of 1851. Runs until 1st September on the Library Landing. Admission is free. Head here for more.

Forty years of computer game history is once again on show at the Science Museum from Saturday. Returning for its fourth year, Power UP features 160 consoles and hundreds of games, from retro classics like Space Invaders to the latest in VR technology. Special events include two adults-only evening sessions on 10th and 17th April. Runs until 22nd April. For more, see sciencemuseum.org.uk/power-up.

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The Painted Hall in Greenwich’s Old Royal Naval College reopens on Saturday following a two-year, £8.5 million restoration project. The hall, known as the UK’s “Sistine Chapel”, was designed by Sir Christopher Wren as a ceremonial dining room for what was then the Royal Hospital for Seamen. Completed in 1705, its 4,000 square metre interior features a decorative scheme painted by Sir James Thornhill, the first British artist to be knighted, which took 19 years to complete. The paintings celebrate English naval power as well as the then newly installed Protestant monarchy with joint monarchs King William III and Queen Mary II as well as Queen Anne and King George I all represented in the artworks along with hundreds of other mythological, allegorical, historical and contemporary figures. The restoration project has also seen the King William Undercroft, located underneath the hall, converted into a new cafe, shop and interpretation gallery. Two cellar rooms from King Henry VIII’s palace – which once stood on the site – were discovered during the restoration works and are also now on public display. Other new touches include the return of a series of carved oak benches to the hall (having been introduced when it was used as an art gallery in the 19th century they were removed 100 years ago), two ‘treasure chests’ containing objects related to the ceiling artworks which can be handled, and new tour options – not just of the hall and undercroft but of the entire Old Royal Naval College site. There’s a host of special activities over the opening weekend, including a parade and official opening ceremony from 9.30am, the chance to meet historical characters, music, food stalls, kids activities and more. Admission charge applies. For more, see www.ornc.org. PICTURED: The Old Royal Naval College, home of the Painted Hall.

The V&A has announced it is extending its sell-out Christian Dior: Designer of Dreams exhibition due to unprecedented demand. The exhibition at the South Kensington museum, which had originally been scheduled to close on 14th July, will now run until 1st September with new tickets made available on 15th of each month (there’s also a limited number of tickets available to purchase daily at 10am from the V&A’s Grand Entrance on a first-come, first-served basis; V&A members, of course, attend free-of-charge with no need to book). The exhibition, which initially sold out of its five month run with 19 days of opening, is the most comprehensive exhibition ever staged in the UK on the House of Dior and the museum’s biggest fashion exhibition since Alexander McQueen: Savage Beauty in 2015. For more, see vam.ac.uk.

On Now: Merchant Navy Treasures: An Introduction to the Newall Dunn Collection. This display at the City of London’s Guildhall Library delves into the Newall Dunn Collection, one of the world’s most comprehensive photographic and reference collections on merchant shipping, and showcases the achievements of shipping historian Peter Newall and artist and writer Laurence Dunn. Alongside images, press releases and newspaper cuttings, on show are company brochures, menus and other items from the ocean liners and cargo vessels of three famous lines from the golden age of shipping: the Cunard, Orient and Union-Castle. Admission is free. Runs until 24th May. For more, follow this link.

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One of the first ever exhibitions devoted to the work of French Revolution-era artist Louis-Léopold Boilly (1761-1845) opens at The National Gallery on Trafalgar Square today. Boilly: Scenes of Parisian Life features at its heart 18 paintings from private British collection the Ramsay Manor Foundation which have never been displayed or published before. They include early works like Two Young Women Kissing (1790-94), urban vistas like The Poor Cat (1832), The Barrel Game (c1828), and A Carnival Scene (1832), and portraiture like Portrait of the Comtesse François de Sainte-Aldegonde (c1800-05), and Portrait of a Lawyer (early 19th century). Also on display is The Meeting of Artists in Isabey’s Studio (1798, now held in the Musée du Louvre), the painting which, depicting the greatest artists of his generation, rocketed him to fame, and the National Gallery’s own Girl at a Window (Boilly was apparently the first to use the phrase “trompe l’oeil” to describe illusionistic paintings that “deceived the eye” by creating the illusion that depicted objects exist in three dimensions and this work gives the illusion that, though it’s oil on canvas, its a print in a mount). Though born in Lille, Boilly spent six decades in Paris from 1785 onwards and was an eyewitness to events including the French Revolution of 1789, the Terror, the rise and fall of Napoleon, and the restoration of the French monarchy. The free display can be seen in Room 1 until 19th May and admission is free. For more, see www.nationalgallery.org.uk. PICTURE: Louis-Léopold Boilly, ‘The Barrel Game’ (about 1828/oil on canvas/37.8 × 46.8 cm – The Ramsbury Manor Foundation) Photo © courtesy the Trustees.

The ‘Renaissance Nude’ and how it inspired some of the world’s most renowned masterpieces is the subject of a new exhibition opening at the Royal Academy in Piccadilly on Sunday. The display features about 90 works in a variety of media from across Europe with artists including Lucas Cranach the Elder, Albrecht Dürer, Jan Gossaert, Michelangelo, Raphael and Leonardo da Vinci all represented. It will look at developments that led to the nude holding a pivotal place in art between 1400 and 1530 and is organised around five main themes: ‘The Nude and Christian Art’, ‘Humanism and the Expansion of Secular Themes’, ‘Artistic Theory and Practice’, ‘Beyond the Ideal Nude’ and ‘Personalising the Nude’. Highlights include Titian’s Venus Rising from the Sea (‘Venus Anadyomene’) (c 1520), Agnolo Bronzino’s Saint Sebastian (c1533), Dürer’s engraving Adam and Eve (1504), Cranach’s A Faun and His Family with a Slain Lion (c1526) and Gossaert’s Hercules and Deianira (1517). Can be seen in the Sackler Wing of Galleries until 2nd June. Admission charge applies. For more, see www.royalacademy.org.uk.

How women have helped shaped the British Army will be the subject of a special day featuring theatrical performances, live music and discussion at the National Army Museum in Chelsea this Saturday (2nd March). The day, which is the first of new series of Saturday events at the museum and this month is being held in recognition of Women’s History Month, will feature a theatrical performance by Dr Kate Vigurs of History’s Maid telling the story of Mother Ross who in 1693 disguised herself as a man so she could join the army and find her husband who had gone missing while at war. There’s also a panel of five women – serving soldiers, veterans and army wives – who will share their stories as well as musical performances by the Military Wives Choirs, the chance to engage with re-enactors, gallery tours and object handling opportunities all centred around women in the army. Runs from 10am to 4.30pm and is free. For more, see www.nam.ac.uk/whats-on/women-and-army.

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The UK’s largest ever exhibition focusing on fashion designer Christian Dior and his work opens at the V&A on Saturday. Christian Dior: Designer of Dreams spans his career and legacy from 1947 – the year he hosted his first UK fashion show at the Savoy Hotel in London, to the present day. Based on an exhibition shown at the Musée des Arts Décoratifs in Paris, it will also include a section on the world renowned designer’s fascination with British culture. The more than 500 objects on show – revealed in 11 sections – include more than 200 rare haute couture garments as well as accessories, photography, film, perfume and make-up, illustrations, magazines and personal possessions. Alongside gowns worn by the likes of Princess Margaret, Margot Fonteyn and Jennifer Lawrence, highlights include the iconic Bar Suit, given to the V&A by the House of Dior in 1960. Runs until 14th July in The Sainsbury Gallery. Admission charge applies. For more, see www.vam.ac.uk. PICTURE: © Adrien Dirand (V&A).

The work of Sir Don McCullin – regarded as one of Britain’s greatest living photographers and perhaps best known as a photojournalist and war correspondent – is the subject of a new show opening at Tate Britain next Tuesday. Don McCullin features more than 250 photographs dating from the 1950s – when he started documenting the community in his native Finsbury Park – to 2017, when he visited Syria to document the destruction undertaken by the so-called Islamic State. Among the iconic photographs on show are The Guvnors, a portrait of a notorious local gang in Finsbury Park which launched his career as a photojournalist in 1958, Shell-shocked US Marine, The Battle of Hue (1968), Starving Twenty Four Year Old Mother with Child, Biafra (1968), Northern Ireland, The Bogside, Londonderry (1971), and The theatre on the Roman city of Palmyra, partly destroyed by Islamic State fighters (2017). Also on show are photographs depicting the changing social conditions in the UK, landscapes and still lifes as well as the photographer’s magazine spreads, contact sheets, McCullin’s helmet and the Nikon camera which took a bullet for him in Cambodia. Runs until 6th May. Admission charge applies. For more, see www.tate.org.uk.

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A plan of the Deptford Pumping Station signed by Sir Joseph Bazalgette is going on display at the City of London Heritage Gallery on Saturday to mark 200 years since the Victorian engineer’s birth. Other items in the new display include the Shakespeare Deed – only one of six documents to bear the signature of William Shakespeare, and one of the City of London’s earliest charters – granted by King Richard I in 1197. Admission to the gallery, located in the Guildhall Art Gallery, is free. Runs until 16th May. For more, follow this link.

The first major retrospective of French painter Pierre Bonnard in 20 years has kicked off at the Tate Modern on South Bank. The CC Land Exhibition, Pierre Bonnard: The Colour of Memory, features about 100 of his most celebrated works from public and private collections spanning the period from 1912 to his death in 1947. Bonnard, like his friend Henri Matisse, had a profound impact on modern painting and went on to influence the likes of Mark Rothko and Patrick Heron. Works on show include Dining Room in the Country (1913), The Lane at Vernonnet (1912-14), Coffee (1915), Summer (1917), Piazza del Popolo, Rome (1922), Nude in an interior (c1935), and Studio with Mimosa (1939-46). Runs to 6th May; admission charge applies. For more, see http://www.tate.org.uk. PICTURE: Pierre Bonnard (1867–1947), Coffee (Le Café), 1915,  Oil paint on canvas (via Tate Modern)

The work of pioneering video artist Bill Viola has been brought together with drawings buy Michelangelo in a new exhibition opening at the Royal Academy on Saturday. Bill Viola/Michelangelo features 12 major video installations by Viola, an honorary Royal Academician, which span the period 1977 to 2013 as well as 15 works by Michelangelo including 14 highly finished drawings as well as the Academy’s Taddei Tondo. It proposes a “dialogue” between the two artists with Viola, who first encountered Michelangelo’s works in the 1970s in Florence, considered an heir to the long tradition of spiritual and affective art which uses emotion to connect viewers with the subject depicted. Runs until 31st March. Admission charge applies. For more, see www.royalacademy.org.uk.

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Costumes from a new film about Queen Anne, The Favourite, have gone on show at Kensington Palace where the Queen once lived. The film, directed by Yorgos Lanthimos, explores the relationships and power struggles between the Queen (played by Olivia Coleman) and two of her closest female attendants – Lady Sarah Churchill (Rachel Weisz) and Lady Churchill’s impoverished cousin turned chambermaid, Abigail (Emma Stone). The costumes have been designed by three-time Oscar winner Sandy Powell who worked with Fox Searchlight Pictures and Historic Royal Palaces in creating the display in the Queen’s Gallery, once used by Queen Anne and her husband for exercise when the weather was bad. The display can be seen until 8th February. Admission charge applies. The Favourite opens in the UK and Ireland on 1st January. For more, see www.hrp.org.uk/kensington-palace/. PICTURE: © Historic Royal Palaces/Michael Bowles

Previously unseen portraits of Amy Winehouse and Sir Kenneth Branagh and newly acquired portraits of explorer Sir Rannulph Fiennes, astronaut Tim Peake and British Museum director Neil MacGregor have gone on show at the National Portrait Gallery. The portraits, which also include photographs from the Duke and Duchess of Sussex’s wedding in May this year, form part of a major new display of the gallery’s contemporary collection which features works produced from the year 2000 until today. Sitting alongside the collection is a new exhibition of works by artist Njideka Akunyili Crosby from her series The Beautyful Ones – comprised of portraits of Nigerian youth, including some members of her own family. Admission is free and The Beautyful Ones display can be seen until 3rd February. For more. see www.npg.org.uk.

A recently discovered rare self portrait of Artemisia Gentileschi, the most celebrated female artist of the Italian Baroque, has gone on show at the National Gallery. Self Portrait as Saint Catherine of Alexandria (1615-17), which was acquired by the gallery in July, 2017, can be seen in the Central Hall of the gallery after going through a five month conversation and restoration process which was documented in a series of short films shared on social media via #NGArtemisia. In March, the painting will leave the gallery on a “pop-up” tour of unexpected venues across the UK. A major exhibition of Gentileschi’s work is planned at the National Gallery in 2020. Admission to see the painting is free. For more, see www.nationalgallery.org.uk.

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The V&A has reopened the second of its two Cast Courts following a redevelopment which has seen the addition of a new interpretation gallery, new exhibits and the restoration of historic original features. The West Court, now renamed the Ruddock Family Cast Court, has been returned to its historic past with original 19th century floors and wall colours and the Central Gallery, now renamed the Chitra Normal Sethia Gallery, features a new exhibition exploring the history, significance and contemporary relevance of the casts on display. Among the new exhibits are a scaled down digital reproduction of the arch of Palmyra destroyed by the so-called Islamic State in 2015 while one of the key existing exhibits, a 35 metre high cast of Trajan’s Column (displayed in two parts – see picture) has had its base permanently opened so visitors can gain an internal perspective. The reopening follows that of the Weston Cast Court in 2014 and completes a project which was begun in 2011. The Cast Courts were first opened in 1873, then known as the Architecture Courts, and house a collection of casts of some of the world’s most inspiring objects including everything from Michelangelo’s David to 16th-century tombs by Peter Vischer in Nuremberg and the Pórtico de la Gloria from the Cathedral of Santiago de Compostela. They are the only public galleries in the South Kensington institution to display the same collection of objects as when they first opened. Entry to the Cast Courts is free. For more, see www.vam.ac.uk. PICTURE: © Victoria and Albert Museum, London.

Works by Edward Burns-Jones, Dante Gabriel Rossetti, John Everett Millais and Grayson Perry are among those on show as part of a new exhibition at the City of London Corporation’s Guildhall Art Gallery. Visions and Visionaries – a collaboration between the Guildhall Art Gallery, The Sir Denis Mahon Charitable Trust, Flat Time House, and the Bologna-based Association Age of Future, highlights some of the key figures who defined the ‘Visionary’ idea of art and laid the foundations for a later generation of avant-garde artists. Among the works on show are Sir John Gilbert’s depiction of two knights ambushed by fairies in a moon-lit forest, Marcello Pecchioli’s Alien Priest, and John Latham’s experimental screen print, NO IT, 1967 as well as Sir John Gilbert’s The Enchanted Forest, Burne-Jones’ St Agnes and St Dorothy; and a series of 25 drawings by Blake to illustrate two poems by Thomas Gray, The Bard and The Fatal Sisters. Admission is free. Runs until 28th April. For more, follow this link.

On Now: Cats on the Page. Featuring original illustrations of Mog by Judith Kerr, Beatrix Potter’s Kitty-in-Boots as imagined by Quentin Blake and two illustrations by Axel Scheffler for TS Eliot’s Old Possum’s Book of Practical Cats, this exhibition at the British Library is a celebration of literary felines and their creators. Objects on show include Lewis Carroll’s own copy of the exceptionally rare 1893 (third) edition of Through the Looking-Glass and what Alice found there (in which the author expresses frustration with the printing including a comment on an illustration of Alice’s kitten), an 1879 letter by Edward Lear in which he included doodles of himself and his cat Foss, a 16th century pamphlet on witchcraft with a woodcut image accompanying the description of a black cat or familiar belonging to ‘Mother Devell’, and a letter written by TS Eliot to Alison, daughter of his friend Geoffrey Tandy, which contains a draft of his poem Mungojerrie and Rumpelteazer as well as Alison’s reply which includes drawings of the two cats. Coinciding with the 80th anniversary year of the original publication of Old Possum’s Book of Practical Cats, the free exhibition is being accompanied by a programme of events and can be seen until 17th March. For more, see www.bl.uk/events/cats-on-the-page.

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The largest free-to-view motor show in the UK comes to Regent Street on Saturday showcasing vehicles from the past 125 years. The Illinois Route 66 Regent Street Motor Show, the key event in the Royal Automobile Club’s London Motor Week, features more than 100 pioneering vehicles, some of which date from pre-1905, which parade in a Concours d’Elegance judged by Alan Titchmarsh. There will also be retro F1 and Le Mans racers, “celebrity” vehicles such as ‘Herbie’ and the time-travelling DeLorean from the Back to the Future film franchise while manufacturers such as Renault and Triumph will be displaying their latest designs. Iconic US street machines on show as part of the Visit Illinois display will include a Ford Thunderbird, Dodge Charger, Pontiac Trans-Am, 1957 Chevy Pick-up and a pair of Harley Davidson Sportsters. There’s also activities for children including a state-of-the-art display by Scalextric. Among the anniversaries being marked at the show are the 80th anniversary of the Volkswagen Beetle and Jaguar anniversaries including the 70th anniversary of the XK120 and Mk C Saloon and the 50th anniversary of the XJ. Held on Regent Street between Oxford Circus and Piccadilly Circus, the free show runs from 10.30am to 4pm. For more, head to http://regentstreetmotorshow.com. PICTURE: One of the vehicles on show in 2011 (Garry Knight; licensed under CC BY 2.0)

A series of vibrant Japanese woodblock prints of orchids, first published in 1946, are on show at the Shirley Sherwood Gallery of Botanical Art at Kew Gardens. One of four art exhibitions currently on display as part of the gallery’s 10th anniversary, Rankafu: Masterpieces of Japanese Woodblock Prints of Orchids is believed to be the first major exhibition of Rankafu woodblock colour prints outside Japan. Other exhibitions showing simultaneously at the gallery feature a series of 20 highly intricate graphite drawings of veteran oaks by Mark Frith, a series of works focusing on the smaller details of trees such as leaves, seeds and fruit, and a display of the work of Pandora Sellars whose complex compositions have been described as “botanical theatre”. The four exhibitions can be seen until 17th March. Admission charge applies. For more, see www.kew.org.

The first UK retrospective of Russian-born American photographer Roman Vishniac (1897-1990) has opened simultaneously at the Jewish Museum in Camden and The Photographers’ Gallery in Soho. Roman Vishniac Rediscovered spans his career from the early 1920s to the late 1970s and features his well-known images of Jewish life in Eastern Europe between the two World Wars. Other items on show include recently discovered vintage prints, rare and ‘lost’ film footage from his pre-war period, contact sheets, personal correspondence, original magazine publications, newly created exhibition prints and his high magnification photography known as ‘photomicroscopy’. Runs until 24th February. For more, see www.jewishmuseum.org.uk or www.thephotographersgallery.org.uk.

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The first ever major survey of Oceanic art to be held in the UK opens at the Royal Academy in Piccadilly on Saturday. The exhibition – Oceania – brings together around 200 works created in Melanesia, Micronesia and Polynesia and includes pieces from public and private collections spanning a period of more than 500 years. It’s being held to mark the 250th anniversary of the RA which was founded in 1768, the same year Captain James Cook set sail on the Endeavour on his first expedition to the Pacific. Highlights of the display, which is organised around three major themes – ‘Voyaging’, ‘Place-making’ and ‘Encounter’, include a 14th century wooden Kaitata carving, excavated in 1920, which is one of the oldest known objects to have been found in New Zealand as well as two Maori hoe (canoe paddles) collected during Cook’s first voyage, and a 19th century feather god image from the Hawaiian Islands likely to be have been collected on Cook’s third voyage. There’s also an 18th century mourning costume known as a Heva tupapau which was obtained in Tahiti in 1791, a rare Fijian late 18th or 19th century double-headed whale ivory hook, and Maori sculptor Tene Waitere’s Ta Moko panel (1896-99 – pictured) depicting male and female tattoos as well as a 19th century Nguzunguzu (prow ornament for a war canoe) featuring a pigeon and a never-before-exhibited ceremonial feast bowl measuring almost seven metres in length, both from the Solomon Islands. Runs in the Main Galleries until 10th December. Admission charge applies. For more, see www.royalacademy.org.uk. PICTURE: Tene Waitere, Ta Moko panel, 1896-99. Te Papa (ME004211) © Image courtesy of The Museum of New Zealand Te Papa Tongarewa.

• Meanwhile, in another exhibition at the Royal Academy, 25 British watercolours and drawings – including works from BNY Mellon’s corporate art collection – have gone on show in the Tennant Gallery. British Watercolours: From the Collection of BNY Mellon features the work of prominent Royal Academicians including Thomas Gainsborough, JMW Turner, John Constable and Sir David Wilkie. Highlights include an 1833 view of Hampstead Heath by Constable, Italian landscapes painted in the 1770s by Thomas Jones and John Robert Cozens, John Frederick Lewis’ unfinished Study of a Bedouin Arab (1840s) and an expressive depiction of Venice by John Ruskin in 1876. The British drawings and watercolours in the BNY Mellon collection were largely acquired in the 1980s. The exhibition is being held as part of the Royal Academy’s 250th anniversary. Admission is free. For more, see www.royalacademy.org.uk.

A free exhibition focusing on one of pioneering groups of people migrating to Britain – the Bajan nurses from Barbados, is opening in Guildhall Yard on Friday as part of Black History Month. Celebrating 70 years of the NHS, the display reveals individual stories of achievements, struggles and leadership with the focus moving from world famous figures to the unsung midwives who helped deliver Britain’s post-war baby boom. The British-Barbadian Nursing Revolution can be seen anytime until 31st October. There’s a series of talks accompanying the display. For more, head to the City of London website.

New Year’s Eve is coming up fast – yes, it’s that time already! – and the first tickets for the world famous London event go on sale at midday on Friday. Tickets for the event, which features more than 12,000 fireworks, are still priced at £10 (a further batch will be sold in late November). Those without a ticket will not be able to enter the viewing area in central London (although it will, of course, be broadcast on TV). There are a maximum of four tickets per transaction. Head to www.london.gov.uk/nye.

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More than 800 buildings of all kinds open their doors to the public this weekend as part of the 26th Open House London. Highlights of this year’s event include new entries such as the US Embassy, the Royal Opera House and Bloomberg’s new HQ as well as returning favourites such as the BT Tower, The Shard and 10 Downing Street. There’s also a programme of activities “lifting the lid” of Old Oak and Park Royal – the heart of ‘making’ in London, explorations of new London districts such as Wembley Park, Hackney Wick and Barking Riverside, the chance to view RIBA Award-winners including the Belvue School Woodland Classrooms, Hackney Town Hall and No.1 New Oxford Street, the new COS HQ, and 100 “must-see” homes. The full programme of events – which also highlights the contribution women have made in shaping today’s London – can be found at www.openhouselondon.org.uk and there’s a free app to download. PICTURED: Top – Bloomberg European Headquarters (Nigel Young/Foster + Partners) and right – Valetta House (French & Tye) are among properties open to the public.

A multi-screen art installation remembering the millions of African men and women who served in World War I and an immersive sound installation featuring personal reflections on the Armistice are among four exhibitions opening at the Imperial War Museum in Lambeth on Friday. Projected onto three screens, African Soldier combines a powerful sound score, historic footage and newly created film which has been shot by artist John Akomfrah in various locations around the world to speak to the African experience of World War I while the sound installation, I Was There: Room of Voices, features 32 people who fought and lived through war sharing their personal stories of the Armistice. The exhibitions also include Renewal: Life after the First World War in Photographs – a display of more than 100 black and white photographs showing how lives, landscapes and national identities recovered, evolved and flourished after the war – and Moments of Silence, an immersive installation commissioned from 59 Productions. The exhibitions, which can be seen until 31st March, are part of the IWM’s Making A New World, “a season of art, photography, film, live music, dance and conversations exploring how the First World War has shaped today’s society”. For more see www.iwm.org.uk.

The role of science in the lives – and deaths – of the last Russian Tsar, Nicholas II, and his family is explored in a new exhibition opening at the Science Museum in South Kensington which marks 100 years since the end of the Romanov dynasty. The Last Tsar: Blood and Revolution explores the influence of medicine on the Imperial Family –  everything from how they treated conditions such as the heir Alexei’s haemophilia through to the Tsarina’s fertility and the Red Cross medical training the Tsar’s daughters received – as well as recent advances in medicine and forensic science which have been deployed to transform the investigation into their disappearance. Objects on show include personal diaries, an Imperial Fabergé Egg presented to the Tsar by his wife a year before the fall of the Imperial house and photograph albums created by an  English tutor to the Imperial Family. There’s also evidence from the scene of the family’s execution including the dentures of the Imperial physician, a diamond earring belonging to the Tsarina and an icon peppered with bullet holes. Opening on Friday, the exhibition runs until 24th March. For more, see www.sciencemuseum.org.uk/thelasttsar.

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Video games – their design and use both in terms of gaming but also in pushing boundaries – are the subject of a new exhibition opening at the V&A this Saturday. Videogames: Design/Play/Disrupt will provide rare glimpses into the creative process behind games like The Last of Us, Journey and Kentucky Route Zero through original prototypes, early character designs and notebooks as well as cultural inspirational material ranging from a Magritte painting to a viral cat video. The display also features large scale, interactive and immersive multimedia installations featuring games like Minecraft and League of Legends, and explore how major technological advancements have transformed the way games are designed, discussed and played. Runs in Room 39 and North Court until 24th February. Admission charge applies. For more, see vam.ac.uk/videogames. PICTURE: V&A.

The Natural History Museum is celebrating Roald Dahl Day (13th September) with a James and the Giant Peach weekend. The South Kensington museum will this weekend offer a range of James and the Giant Peach-inspired family-friendly events and activities including the chance to see insects up close in the Darwin Centre and the Wildlife Garden as well as specimens in the Attenborough Studio. There’s also the chance to take in a ‘Whizzbanging Words’ session with a team from the Roald Dahl Museum and Story Centre, and music from the three-piece band, Roald Dahl’s Giant Bugs. Runs from 11am to 4.50pm on Saturday and Sunday. Admission is free (but some events are ticketed – check website for details). For more, see www.nhm.ac.uk/events/james-and-the-giant-weekend.html

An exhibition revealing some of the historical artefacts found by some of London’s most prolific Mudlarks along the banks of the River Thames opens on Tuesday as part of Totally Thames. Hannah Smiles has been taking the pictures over the past year and they capture everything from Tudor-era pins to World War II shells, medieval pottery, human teeth and even messages in bottles. The photographs and artefacts themselves both form part of the display. A series of talks by Mudlarks accompanies the free display. It can be viewed at the Art Hub Studios, 5-9 Creekside, in Deptford until 16th September. For more information, head to www.totallythames.org.

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