The Victoria and Albert Museum is celebrating the opening of its ‘Exhibition Road Quarter’ with a week long public festival featuring art, performances, fashion and family activities. Kicking off tomorrow (Friday), the REVEAL festival also coincides with the museum’s 165th anniversary. It opens with a music and digital-themed Friday Late, hosted in the Boiler Room, and culminates on 7th July with Fashion in Motion, four special catwalk shows in the new Sainsbury Gallery featuring Molly Goddard, British emerging talent winner at the 2016 Fashion Awards. Other events during the week include an immersive light experience by Simon Heijdens, a special performance by Julie Cunningham & Company responding to Yoko Ono’s ‘Dance Pieces’, a new hybrid opera by Anat Ben-David, and musical performances with the Royal College of Music and Albert’s Band from the Royal Albert Hall. The week also includes collaborations with partners from across Exhibition Road, including Discover South Kensington, Imperial College London, the Natural History Museum, Royal Albert Hall, the Royal College of Music and the Science Museum. The V&A’s Exhibition Road Quarter has been designed by Stirling Prize-winning architect Amanda Levete and her practice AL_A and, the museum’s largest architectural intervention in the past 100 years, it comes with new public areas and gallery spaces as well as revealing the historic facades of the existing Grade I buildings. The new spaces include the 1,100 square metre Sainsbury Gallery, the all-porcelain Sackler Courtyard and a new entrance from Exhibition Road, The Blavatnik Hall. A 1909 feature – the Astor Webb screen – has also been restored and incorporated into the design. Entry to the festival is free. For more, see vam.ac.uk/reveal. PICTURE: The Sackler Courtyard and Cafe, V&A Exhibition Road Quarter, designed by AL_A.

The Mayor of London, Sadiq Khan, has called on Londoners from all communities to join in this year’s Eid Festival celebrations in Trafalgar Square as a gesture of solidarity with those affected by the Finsbury Park attack and the Grenfell Tower fire, which, like Finsbury Park, affected many Muslim families. The event, held to mark the end of Ramadan, will feature live music and performances, arts and crafts, exhibitions, calligraphy, henna, face painting and food from across the world. Highlights include Rai musician Cheb Nacim, British Sudanese artist Rasha from the Shubbak festival, children’s writer Hajera Memon – who will be promoting her childrens’ book Hats of Faith, beat-boxer Omar Sammur, breakdancer Hakim, and a bazaar-style market area. The free event runs between noon and 6pm. For more, see www.london.gov.uk/eid.

A series of newly commissioned installations exploring perceptions and connections to colour have gone on show at the Design Museum. Breathing Colour, by designer Hella Jongerius is an installation-based exhibition that blurs the boundaries between art and design. The display is divided into separate spaces that simulate light conditions at morning, noon and evening and explore the impact of changing light on our perception of colour. Each of the three spaces includes a series of three dimensional objects as well as textiles, some of which have been hand-woven. Runs until 24th September at the Kensington High Street premises. Admission charge applies. For more, see www.designmuseum.org.

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Flowers on Westminster Bridge, placed there in the wake of last week’s terror attack in which an assailant, named as 52-year-old Khalid Masood, killed three people and injured at least 50 as he drove a vehicle at high speed across the bridge along a pedestrian walkway. Crashing outside the Houses of Parliament he then stabbed to death PC Keith Palmer before he was shot dead by another officer. Addressing a vigil in Trafalgar Square in the aftermath of the attack, London Mayor Sadiq Khan said the city “will never be cowed” by terrorism. “Those evil and twisted individuals who try to destroy our shared way of life will never succeed and we condemn them,” he said. PICTURE: David Holt/Flickr/CC BY 2.0

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Trafalgar Square at Christmas. PICTURE: London & Partners

A fixture of London’s Christmas festivities since 1947, the Trafalgar Square Christmas Tree is given annually to the people of Britain by the city of Oslo as gift thanking them for their support of Norway during World War II.

christmas-treeThis included hosting the Norwegian Government-in-exile and the Royal Family during the Nazi occupation of the country between 1940 and 1945.

The tree is harvested from forests near the Norwegian capital and the selection process for the giant, known by forestry workers as the “Queen of the Forest”, starts in May.

The tree is typically a Norway spruce aged somewhere between 50 and 60 years and stands at least 20 metres high. This year’s tree – the 70th – is said to be 116-years-old, stands 22 metres tall and weighs

In keeping with tradition, it was cut down on 16th November in a special ceremony attended by the Mayor of Oslo, Marianne Borgen, and the Lord Mayor of Westminster, Cr Steve Summers, along with various local school children so it can shipped to Britain ready in time for its unveiling at the start of December.

The tree is adorned with lights – in more recent years these are energy efficient light bulbs – in Norwegian style and these are turned on at a special ceremony on the first Thursday in December. The tree remains on display until just before the Twelfth Night of Christmas when it is taken down and recycled as mulch.

The tree now has its own Twitter account.

really-good-by-david-shrigley-c-gautier-deblondeA giant hand giving a thumbs-up, the latest commission to grace Trafalgar Square’s famous Fourth Plinth, was unveiled late last month. Really Good, by UK artist David Shrigley stands seven metres high and features a disproportionately long thumb arising from a closed fist. The sculpture is the latest in a string of artworks to have graced the plinth which was built in 1841 and originally designed to hold a statue of King William IV but, thanks to a lack of money, remained empty until recent times. Speaking at the launch of the new work last month, the artist said the work was about “making the world a better place or it purports to actually make the world a better place”. “Obviously, this is a ridiculous proposition, but I think it’s a good proposition,” The Independent reports him saying. “Artworks on their own are inanimate objects so they can’t make the world a better place. It is us, so I guess we have to ask ourselves how we can do this.” For more on the Fourth Plinth program, see www.london.gov.uk/what-we-do/arts-and-culture/art-and-design/fourth-plinth-2016

PICTURE: © Gautier Deblonde

fighting-temeraireIt’s an atmospheric image – both literally and metaphorically – that will soon be sitting in wallets and purses across the UK. Painter JMW Turner’s The Fighting Temeraire tugged to her last berth to be broken up, 1838 is among the most famous artworks hanging in The National Gallery and, as the Bank of England has announced earlier this year, will adorn newly produced £20 notes from 2020 onwards. It commemorates the end of the famous ship, the 98 gun HMS Temeraire, which had played a heroic role in Lord Nelson’s victory at the Battle of Trafalgar in 1805 and, say reports, had been dubbed the “Fighting” Temeraire ever since (although it’s also suggested the ship was actually known by the crew as the “Saucy” Temeraire) . The oil painting, which Turner created in 1839, depicts the ship being towed away to be broken up (although, while it was actually towed from Sheerness to Rotherhithe in London –  a westerly trip, the painting depicts it going eastward). The Temeraire itself is drawn romantically, almost spectrally, while in front of it is a steam tug shown in hard modernity and, of course, in the backdrop is the majestic setting sun, evoking a sense of the end. The painting, which was bequeathed to the gallery by the artist in the 1850s, and which incidentally appeared in the James Bond film Skyfall in a scene in which 007 (Daniel Craig) meets Q (Ben Wishaw) in front of it, can be found in Room 34 of gallery.

WHERE: The National Gallery, Trafalgar Square (nearest Tube stations are Charing Cross and Leicester Square); WHEN: 10am to 6pm daily (open to 9pm Saturdays); COST: free; WEBSITE: www.nationalgallery.org.uk.

PICTURE:  Joseph Mallord William Turner, The Fighting Temeraire tugged to her last berth to be broken up, 1838, © National Gallery, London

Steven-SpielbergDirector Steven Spielberg, actor and playwright Mark Rylance, physicist Professor Stephen Hawking, TV personality Simon Cowell, and The Duchess of Cornwall are among 50 high profile personalities who have put their childhood dreams and aspirations on show around the country – including in London – to mark not only the release of the film The BFG but also the 100th anniversary of Roald Dahl’s birth. Launched last weekend, the ‘BFG Dream Jar Trail’ features a series of up-to-six-foot-tall ‘Dream Jars’, each of which contains a sculpture representing the childhood dreams of a different personality. The free trail – which takes in London sites such as Trafalgar Square, the Tower of London, Leicester Square, Harrods, Emirates Stadium and The Shard – has been created in support of the work of Save the Children and a specialist nursing programme supported by Roald Dahl’s Marvellous Children’s Charity with the jars to be auctioned in collaboration with Paddle8 later this year to raise money for both causes (the auction will be launched on the film’s premiere on 17th July). At least 34 jars have already gone on display with more to be unveiled in coming days. The joint creation of  Save the Children, the Roald Dahl Literary Estate, Entertainment One and VisitLondon.com with support from Unilever, the trail can be seen until 31st August. To see the art trail map and discover the stories behind each jar and its location, head to www.visitlondon.com/bfg. For more on the 100th anniversary of Roald Dahl’s birth, head to www.roalddahl.com/roalddahl100. PICTURED: Above – director Steven Spielberg’s self-designed jar, on display in Leicester Square, illustrating his childhood fantasy of having all the sweets in the world but none of the ill effects from overindulgence.

Russia The “most important exhibition of Russian portraits ever to take place at a British museum” opens at the National Portrait Gallery off Trafalgar Square today. The portraits of key figures from Russia spanning the period from 1867 to 1914 come from Moscow’s State Tretyakov Gallery which is simultaneously displaying a selection of portraits of famous Britons from the National Portrait Gallery in a joint event being held to mark the 160th anniversary of both institutions. Russia and the Arts: The Age of Tolstoy and Tchaikovsky features portraits of the likes of Akhmatova, Chekhov, Dostoevsky, Mussorgsky, Rimsky-Korsakov, Rubinstein, Tchaikovsky, Tolstoy and Turgenev by artists including Nikolai Ge, Ivan Kramskoy, Vasily Perov, Ilia Repin, Valentin Serov and Mikhail Vrubel. The majority of the works featured were commissioned directly from the artists by Pavel Tretyakov, a merchant, philanthropist and founder of the State Tretyakov Gallery, whose own portrait by Repin opens the exhibition. The exhibition at the National Portrait Gallery runs until 26th June. Admission charge applies. For more, see www.npg.org.uk/russia. PICTURE: Ivan Morozov by Valentin Serov (1910) © State Tretyakov Gallery, Moscow.

The best Scottish art in the Royal Collection goes on show at The Queen’s Gallery, Buckingham Palace, from tomorrow. Scottish Artists 1750-1900: From Caledonia to the Continent brings together more than 80 works collected by monarchs since King George III. It tells the story of the emergence of a distinctly Scottish school of art through works painted by the likes of Allan Ramsay – who in 1760 was commissioned to paint King George III’s State portrait and subsequently became the first Scot appointed to the role of Principal Painter in Ordinary to His Majesty, and Sir David Wilkie – whose works depicting small-scale scenes of everyday life attracted the attention of the Prince Regent (later King George IV) in the early 17th century. Other artists represented in the collection include Sir Joseph Noel Paton, David Roberts, James Giles, John Phillip, William Leighton Leith, and William Dyce. Runs until 9th October. Admission charge applies. For more, see www.royalcollection.org.uk.

The work of American photographer Paul Strand is on show at the V&A from Saturday in the first retrospective showing of his art in the UK in 40 years. One of the greatest photographers of the 20th century, Strand (1890-1976) was instrumental in defining the way fine art and documentary photography is understood and practiced today. He is also credited with creating the first avant-garde film, Manhatta. The exhibition, Paul Strand: Photography and Film for the 20th Century, features more than 200 objects including vintage photographic prints, films, books, notebooks, sketches and Strand’s cameras and includes newly acquired photographs from his only UK project – a 1954 study of the island of South Uist in the Scottish Hebrides. Can be seen until 3rd July. Admission charge applies. For more, see www.vam.ac.uk/paulstrand.

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National-Gallery2The Royal Mews – a stables and carriage house – is these days located at Buckingham Palace but prior to being moved there, the Royal Mews, previously usually referred to as the King’s and Queen’s Mews depending who was on the throne, was located on the site where the National Gallery (pictured) and Trafalgar Square now stand.

The name ‘mews’ actually refers to the fact that, from at least the reign of King Richard II in the late 14th century (although official records suggest there may have been a mews on the site as far back as the reign of King Edward I), the royal hawks were initially housed on the site – then in the village of Charing Cross – (the word ‘mew’ refers to the moulting of the birds and originally referred to when they were confined here for that purpose but later come to simply mean the place were the birds were caged).

The title of Keeper of the King’s Mews became a sought-after honour during the 15th century (although largely honorary with the actual work done by deputies) but among those who held the honour were Richard Neville, Earl of Warwick, known, during the Wars of the Roses as the ‘Kingmaker’.

In 1534, the King’s Mews was destroyed by fire and when it was rebuilt a few years later, it took the form of a stable but kept the original name of mews (although it has been suggested the change of use took place before the fire).

During the Civil War, the Mews were apparently used as a prison by the Parliamentarians for captured Royalists and during the Commonwealth, soldiers were apparently quartered here. Diarist Samuel Pepys also apparently visited several times.

In 1732 the building was again rebuilt, but this time it was to the grand designs of William Kent – images show a grand building with turrets and a great open square before it. In the 1760s, King George III had some of his horses and carriages moved to facilities on the grounds of Buckingham Palace (he had purchased this from the Duke of Buckingham for his wife’s use) but the bulk remained on the Charing Cross site.

In the early 19th century they were opened to the public but in the 1820s, King George IV – making Buckingham Palace his main residence – had the entire stables moved (the Royal Mews which now stand at Buckingham Palace were designed by John Nash and completed in 1825).

The old mews were subsequently demolished and Trafalgar Square – another Nash design – built on the site between 1827 and 1835 while the National Gallery opened in 1838.

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The site of the climatic showdown in V for Vendetta between the silent hoards of masked protestors and the military, Parliament Square is featured in some dramatic aerial shots before, moments after midnight in the early hours of 5th November, the Houses of Parliament explode to the sprightly sounds of Tchaikovsky’s 1812 Overture.

Of course, it’s far from the only London location to feature in the 2006 film which is largely set in the city – among other locations are Trafalgar Square where the protestors gather before marching down Whitehall, and the Old Bailey which explodes in the first scene as well as the former Underground station of Aldwych – located on a former spur line of Piccadilly Line which closed to the public in 1994.

Meanwhile, the Houses of Parliament – also known as the Palace of Westminster (for more on its history, head here) – and the Clock Tower (see our Treasures of London article for more here) have made innumerable appearances on the big screen, including in several Bond films including Thunderbolt (1965), 28 Days Later (2002)and, more recently, in Suffragette (2015).

Westminster-Abbey-west-front The biggest ever light festival to hit London opens tonight. Lumber London, produced by Artichoke with the support of the Mayor of London and visitlondon.com, will see a host of international artists transform a series of iconic buildings and locations in four areas across the city – Piccadilly, Regent Street and St James’s, Trafalgar Square and Westminster, Mayfair and King’s Cross. The 30 installations include French collective TILT’s Garden of Light featuring giant illuminated plants in Leicester Square, Patrice Warrener’s The Light of the Spirit which envelopes the west front of Westminster Abbey in colour and light, Deepa Mann-Kler’s Neon Dogs – a collection of 12 neon dogs inspired by the balloon dogs seen at children’s parties, this sits near Trafalgar Square, and, Pipette, a colourful installation by Miriam Gleeman (of The Cross Kings) and Tom Sloan (of Tom Sloan Design) which sits in the pedestrian subway, the King’s Cross Tunnel. Other highlights include Julian Opie’s work Shaida Walking, 2015 which will be permanently located in Broadwick Street, Soho, and Janet Echelon’s enormous net sculpture 1.8 London which is strung between buildings at Oxford Circus. The festival runs from 6.30pm to 10.30pm over the next four nights. You can download a free map on the installations or use the free London Official City Guide app to locate them. For more information – including the full programme – see www.visitlondon.com/lumiere.

A property deed signed by playwright William Shakespeare and one of the most complete first folios of his works have gone on show in the London Heritage Gallery at the Guildhall Art Gallery. Alongside the two documents which dates from 1613 and 1623, the Shakespeare and London exhibition marks the 400th anniversary of Shakespeare’s death – to be commemorated on 23rd April this year – will also display other documents related to the story of London’s playhouses. The property deed – which relates to a property in Blackfriars – is only one of six surviving documents to bear the playwrights authenticated signature while the first folio is one of five of the most complete copies in existence and is apparently usually only brought out for consultation by Shakespearean scholars and actors. The exhibition runs until 31st March. Admission is free. For more on it and other events being run to commemorate the Bard’s death, see www.cityoflondon.gov.uk/shakespeare400. For more on other events this year, check out www.shakespeare400.org.

• See your art featured in an upcoming exhibition on the importance of bees and pollination by attending a drop-in workshop at Victoria Tower Gardens next to the Houses of Parliament next week. The workshop, which will be held from 10am to 2pm on 20th January, will see participants create their own 3D flowers based on famous paintings by Vincent Van Gogh and Jan Van Huysum currently in The National Gallery’s collection – all as part of a focus looking at what plants bees are attracted to. The art created in the workshop will be seen in an exhibition A Right Royal Buzz which is the result of a collaboration between The Royal Parks, The National Gallery and Mall Galleries and will be seen across all three venues (Victoria Tower Gardens representing the Royal Parks) from 17th t0 20th February. For more, head to this link.

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A Hello Kitty! rice cooker, a selection of mobile phones designed by Naoto Fukasawa and a group of kimono from the 1920s and 1930s are among recent acquisitions on show in the V&A’s Toshiba Gallery of Japanese Art which reopened to the public following a refurbishment this week. The gallery, which first opened at the South Kensington premises in 1986 and was the first major gallery of Japanese art in the UK, now has about 550 items on show including 30 or so recent acquisitions. Spanning the period from the sixth century to the present day, the display features swords and armour, lacquer, ceramics, cloisonné enamels, textiles and dress, inro and netsuke, painting, prints and illustrated books. They include everything from modern objects such as the first ever portable stereo Walkman designed and manufactured by Sony in 1979 and a pair of gravity-defying shoes designed by Noritaka Tatehana through to historic items such as the Mazarin Chest, made in Kyoto around 1640, a late 17th century six fold screen depicting the Nakamura-za Kabuki theatre in Edo (Tokyo), and a group of high quality cloisonné enamels dating from 1880 to 1910. Admission to the gallery is free. For more, see www.vam.ac.uk.

Francesco Botticini’s monumental Palmieri Altarpiece is at the centre of a new exhibition, Visions of Paradise: Botticini’s Palmieri Altarpiece, which opened in the National Gallery off Trafalgar Square yesterday. The altarpiece, depicting the Assumption of the Virgin, was completed in about 1477 for the funerary chapel of Matteo Palmieri (1406-1475) in the church of San Pier Maggiore in Florence, Italy. The exhibition, based on years of research, explores Palmieri’s life with special attention to his friendship with the Medici rulers of Florence and the King of Naples and his creative collaborations with Botticini including both the altarpiece and Palmieri’s epic poem of 1465, Citta di Vita (City of Life) –  which he had Bottinci provide illustrations for. Along with the altarpiece panel (which has been off display since 2011), the exhibition features around 30 works including paintings, sculpture, drawings, prints and manuscripts as well as a polyptych by Jacopo di Cione and his workshop made for the high altar of the same church in which Botticini’s altarpiece sat – Florence’s San Pier Maggiore. The polyptych includes a painted representation of the church and was later moved to the same chapel as Botticini’s Assumption. The exhibition is being held in the Sunley Room until 14th February. Admission is free. See www.nationalgallery.org.uk for more.

Bonfire Night will be celebrated across the UK tonight as we “Remember, remember, the fifth of November” and burn effigies of “the guy” (Guy Fawkes) (for more on the background, see our earlier story here). Find your local bonfire event in London via Visit London or Time Out.

On Now: Wildlife Photographer of the Year. This annual exhibition at the Natural History Museum features works selected out of the more than 42,000 entries to this year’s awards including the winning image, Tale of two foxes, taken by Canadian amateur photographer Don Gutoski at Cape Churchill in Canada. Other images on show include Fighting ruffs which won 14-year-old Ondrej Pelánek from the Czech Republic the Young Wildlife Photographer of the Year award. The exhibition at the museum in South Kensington runs until 10th April next year. Admission charge applies. Entries for next year’s competition open in December. For more, see www nhm.ac.uk.

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AnnetteBust of Annette is among more than 60 works by the 20th century Swiss artist Alberto Giacometti on display at the National Portrait Gallery in an exhibition which opened earlier this month. The first ever exhibition to consist solely of portraits by Giacometti (1901-66), Giacometti: Pure Presence features paintings, drawings and sculptures from across his entire career. While he is most famous for his tall, thin standing or walking figures – works which fueled his reputation as a leading surrealist sculptor, the exhibition focuses on his life-long preoccupation with portraiture. Apart from his wife Annette, subjects featured in his works include his brother Diego, friends such as the writers Louis Aragon and Jean Genet, retailer and philanthropist Lord Sainsbury, art writer James Lord, Isabel Nichol – who later become Francis Bacon’s muse, Isabel Rawsthorne, and a prostitute named Caroline with whom he worked for five years from 1960. Highlights of the exhibition include a portrait bust of his brother Diego created in 1914 when the artist was just 13, an Egyptian-inspired sculpture of Isabel’s head and his celebrated work, Women of Venice VIII, which stands at the centre of the exhibition. The exhibition, at the gallery just off Trafalgar Square, runs until 10th January. Admission charge applies. For more, see www.npg.org.uk. PICTURE: Bust of Annette by Alberto Giacometti, 1954 Private Collection/© The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris) 2015.

Objects and evidence from some of the UK’s most notorious crimes including the ‘Acid Bath Murder’ of 1949, the ‘Great Train Robbery’ of 1963 and the ‘Millennium Dome Diamond Heist’ of 2000 will go on show at the Museum of London from Saturday. Created with the support of the Metropolitan Police Service and the Mayor’s Office for Policing and Crime, The Crime Museum Uncovered exhibition features never-before-seen objects from the Metropolitan Police’s Crime Museum as it takes visitors through a series of real cases and tackles some of key challenges of policing in London – everything from terrorism and espionage through to counterfeiting and narcotics. The Crime Museum, which is now housed inside New Scotland Yard, was established in the mid-1870s as a teaching tool for police. Its Visitor’s Book contains some high profile names including that of King George V, Sir Arthur Conan Doyle – creator of Sherlock Holmes, illusionist Harry Houdini and comedians Stan Laurel and Oliver Hardy. Runs until 10th April. Admission charge applies. For more, see www.museumoflondon.org.uk.

GoyaAlmost half of Goya’s surviving portraits are on show in The National Gallery in an exhibition which opened yesterday. Goya: The Portraits features more than 60 of the celebrated Spanish artist’s surviving portraits, borrowed from public and private collections around the world. Highlights include the Duchess of Alba (a 1797 work depicting one of Goya’s patrons which has only left the US once before), the immense group portrait The Family of the Infante Don Luis De Borbon (pictured), the never-seen-in-public work Don Valentin Bellvis de Moncada y Pizzaro, the rarely exhibited Countess-Duchess Benavente, and the recently conserved 1798 portrait Francisco de Saavedra, exhibited for the first time in 50 years alongside a pendant painted the same year of Gaspar Melchor de Jovellanos. There are also works of royals including Charles IV in Hunting Dress and more personal works such as self portraits and paintings of his family members. Runs until 10th January in the Sainsbury Wing near Trafalgar Square. Admission charge applies. For more, see www.nationalgallery.org.uk. PICTURE: © Fondazione Magnani Rocca, Parma, Italy.

Black History Month is being celebrated in Trafalgar Square this Saturday in Africa on the Square, a programme of events inspired by the traditions and cultures of the continent.  The line-up includes a musicians and singers, acrobats, dancers, a fashion show and a market selling African-themed products as well as a host of activities for families, from hair braiding and face painting to mosaics and batik making. There will also be a talent show giving aspiring performances aged between 16 and 25 the chance to perform in front of a live audience. The free event runs between noon and 6pm. For more, see www.london.gov.uk/africa.

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Blue-PacificThe National Gallery has unveiled a coastal masterpiece by Australian painter Sir Arthur Streeton, Blue Pacific, lent to the gallery by a private collector for the next two years.

Painted in 1890, the painting – never seen before in the UK – depicts people strolling along the clifftops at Coogee in Sydney, looking eastward over the gleaming blue of the Pacific Ocean.

Christopher Riopelle, the gallery’s curator of post-1800 European paintings, says Streeton’s use of the vertical format was “brilliantly calculated to exploit the contrast between the azure sheet of water and the subtly observed depictions of rock face and sky”.

“Still young, but at the height of his powers, Streeton demonstrates here how impression was a capacious and flexible tool for confronting the awesome landscape unique to Australia.”

Streeton (1867-1943) was considered one of the most advanced landscape painters in Australia in the 1880s and 1890s and was one of the first to adopt an impressionist style. His masterpiece, Golden Summer (1889), was exhibited at the Royal Academy of Arts in 1891.

Blue Pacific is now on show in Room 43 at the gallery off Trafalgar Square alongside Monet’s Water-Lilies and Manet’s The Execution of Maximilian.  Entry is free. For more on the gallery, see www.nationalgallery.org.uk.

PICTURE: Blue Pacific, 1890, Sir Arthur Streeton (1867 – 1943), oil on canvas, © on loan from a private collection/via National Gallery.

Three days of events kick off in London tomorrow to mark the 70th anniversary of Victory in Europe (VE) Day. Events will include a Service of Remembrance at the Cenotaph in Whitehall at 3pm tomorrow (Friday) coinciding with two minutes national silence while Trafalgar Square – scene of VE Day celebrations in 1945 – will host a photographic exhibition of images taken on the day 70 years ago (the same images will be on show at City Hall from tomorrow until 5th June) and, at 9.32pm, a beacon will be lit at the Tower of London as part of a nation wide beacon-lighting event. On Saturday at 11am, bells will ring out across the city to mark the celebration and at night, a star-studded 1940s-themed concert will be held on Horse Guards Parade (broadcast on BBC One). Meanwhile, on Sunday, following a service in Westminster Abbey, a parade of current and veteran military personnel will head around Parliament Square and down Whitehall, past the balcony of HM Treasury where former PM Sir Winston Churchill made his historic appearance before crowds on the day, to Horse Guards. A flypast of current and historic RAF aircraft will coincide with the parade and from 1pm the Band of the Grenadier Guards will be playing music from the 1940s in Trafalgar Square. Meanwhile, starting tomorrow, special V-shaped lights will be used to illuminate Trafalgar Square, St Paul’s Cathedral and the Houses of Parliament as a tribute. For more information, see www.gov.uk/government/topical-events/ve-day-70th-anniversary.

The works of leading London-based photographer Rut Blees Luxemburg are on show in at new exhibition at the Museum of London in the City. London Dust will feature three major newly acquired works by Luxemburg including Aplomb – St Paul’s, 2013, Walkie-Talkie Melted My Golden Calf, 2013, and the film London/Winterreise, 2013. Blees Luxemburg’s images – others of which are also featured in the exhibition – contrast idealised architectural computer-generated visions of London that clad hoardings at City-building sites with the gritty, unpolished reality surrounding these. In particular they focus on a proposed 64 floor skyscraper, The Pinnacle, which rose only seven stories before lack of funding brought the work to a halt. The free exhibition runs until 10th January next year. For more, see www.museumoflondon.org.uk.

The Talk: The Cutting Edge – Weapons at the Battle of Waterloo. Paul Wilcox, director of the Arms and Armour Research Institute at the University of Huddersfield, will talk about about the weapons used at Waterloo with a chance to get ‘hands-on’ with some period weapons as part of a series of events at Aspley House, the former home of the Iron Duke at Hyde Park Corner, to mark the bicentenary of the Battle of Waterloo. To be held on Monday, 11th May, from 2.30pm to 4pm. Admission charge applies and booking is essential – see www.english-heritage.org.uk/apsley for more.

On Now: On Belonging: Photographs of Indians of African Descent. A selection of ground-breaking photographs depicting the Sidi community – an African minority living in India – is on show at the National Portrait Gallery off Trafalgar Square. The works, taken between 2005 and 2011, are those of acclaimed contemporary Indian photographer Ketaki Sheth and the exhibition is his first solo display in the UK. They provide an insight into the lives of the Sidi, and include images of a young woman named Munira awaiting her arranged wedding, young boys playing street games, and the exorcism of spirits from a woman as a young girl watches. Admission is free. Runs in Room 33 until 31st August. For more, see www.npg.org.uk.

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ArthurWellesleyThe Duke of Wellington’s political and military career as well as his personal life is being explored in an exhibition running at the National Portrait Gallery off Trafalgar Square until August. Wellington: Triumphs, Politics and Passions features 59 portraits and other works including a rarely seen portrait of the Iron Duke painted by Sir Thomas Lawrence and commissioned by Sarah, Countess of Jersey, a year after Wellington had become Prime Minister. The portrait (pictured) remains unfinished – the state it was in when Lawrence died in 1830 – and, held in a private collection, hasn’t been shown in public for any significant period until now. The exhibition also includes a John Hoppner portrait of the duke as a young soldier, a daguerreotype taken by Antoine Claudet on Wellington’s 75th birthday in 1844 and drawings by Lawrence of Wellington’s wife, Kitty. The exhibition – which is part of the commemorations marking 200 years since the Battle of Waterloo, runs until 7th June. Admission is free. For more see www.npg.org.uk. PICTURE: Arthur Wellesley, 1st Duke of Wellington by Sir Thomas Lawrence (1829), © On loan to National Portrait Gallery by kind permission of Mr. & Mrs. Timothy Clode.

Upton House is Warwickshire has turned the clock back to 1939 with a display dedicated to the time when the Bearstead family moved their City-based bank, M Samuel & Co, to their historic family mansion to escape the Blitz in London. Twenty-two bank staff took over the house, sleeping in shared dormitories and taking meals of rook pie in the home’s Long Gallery while secretaries typed surrounded by works of art. The National Trust has returned 12 rooms to their wartime look based on research conducted by 80 of the volunteers at the house. They’re filled with thousands of objects, from ration-book toothpaste to wartime toilet rolls, to recreate a wartime experience at the home. Outside an Anderson Shelter stands in the garden where heritage vegetables are being grown in an allotment. Visitors will also find out how 40 of the most precious works in the home were sent to a special storage facility in a Welsh slate mine to protect them. Admission charge applies. For more, see www.nationaltrust.org.uk/upton-house/

On Now – Salt and Silver: Early Photography 1840-1860. This exhibition at Tate Britain in Millbank is the first major exhibition in Britain dedicated to salt prints, the earliest form of paper photography, and features 90 images including some of the best and rarest early photographs. The salt print technique was invented in Britain in the 1840s and 1850s and spread across the world, hence as well as portraits, still lifes and scenes from ‘modern life’, the images on show include from William Fox Talbot’s images of a Paris street to Nelson’s Column under construction, Linnaeus Tripe’s views of Puthu Mundapam in India and Auguste Salzmann’s studies of statues in Greece. Runs in the Linbury Galleries until 7th June. Admission charge applies. For more, see www.tate.org.uk.

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NPG_936_1374_KingCharlesIIbThe first ever display of works of overlooked 17th century artist Cornelius Johnson, court painter to Charles I, has opened at the National Portrait Gallery off Trafalgar Square. Cornelius Johnson: Charles I’s Forgotten Painter features rarely viewed portraits of the king’s children including the future Charles II, James II and Mary (later Princess of Orange-Nassau) as well as a painting of Mary’s son William – all of which have been taken from the gallery’s collection. Overshadowed by Sir Anthony van Dyck, Johnson – who emigrated to The Netherlands when the English Civil War broke out – has been largely ignored by art historians despite the breadth of his work – from group portraits, such as his largest surviving English painting, The Capel Family, to tiny miniatures – and the fact that he is thought to be the first English-born artist who took to signing date his paintings as a matter of course, something he is believed to have picked up during his training in The Netherlands. The display features eight painted portraits and six prints from the gallery’s collection as well as three paintings from the Tate. Runs until 13th September in Room 6. Admission is free. For more, see www.npg.org.uk. PICTURE: King Charles II by Cornelius Johnson , 1639. © National Portrait Gallery, London.

Trafalgar Square will be at the centre of London’s St George’s Day celebrations on Saturday with live music, celebrity chefs, a masterclass by leading tea experts and children’s games and activities. The musical lineup will feature the band from the West End musical Let It Be and the Crystal Palace Brass Band – one of the few traditional brass bands remaining in London. The free event runs between noon and 6pm on Saturday. For more, see www.london.gov.uk/stgeorges.

Indigenous Australia, the first major exhibition in the UK to present a history of Indigenous Australia through objects, opens at the British Museum today. Drawing on the museum’s collection, Indigenous Australia features objects including a shield believed to have been collected in Botany Bay on Captain Cook’s voyage of 1770, a protest placard from the Aboriginal Tent Embassy established in 1972 and contemporary paintings and specially commissioned artworks from leading indigenous artists. Many of the objects have never been on display before. Runs until 2nd August. Admission charge applies. For more, see www.britishmuseum.org.

Thirty prints from the Royal Collection will be on show at The London Original Print Fair to mark its 30th anniversary. The fair runs at the Royal Academy from today until Sunday and among the selected works from the more than 100,000 prints in the Royal Collection are the 2.3 metre long woodcut by Albrecht Durer entitled Triumphal Cart of the Emperor Maximillian (1523), Wenceslaus Hollar’s four etchings of tropical Seashells (c1650), a sequence of proofs of Samuel Reynolds’ portrait of King George III at the end of the monarch’s life, and lithographs produced by Queen Victoria and Prince Albert dating from 1842. For more on the fair, see www.londonprintfair.com. For more on the Royal Collection, see www.royalcollection.org.uk.

The question of what is meant by the concept of luxury is under examination in the V&A’s new exhibition What is Luxury? Opening at the South Kensington museum Saturday, the exhibition will feature a range of luxury objects – from the George Daniels’ Space Travellers’ Watch to a Hermés Talaris saddle, and Nora Fok’s Bubble Bath necklace. Also on show in a section of the exhibit looking at what could determine future ideas of luxury is American artist Gabriel Barcia-Colombo’s DNA Vending Machine (complete with prepackaged DNA samples) and Henrik Nieratschker’s installation The Botham Legacy which tells the fictional story of a British billionaire who sends altered bacteria into space in an attempt to find valuable metals on distant plants. Runs until 27th September. Admission charge applies. See www.vam.ac.uk/whatisluxury.

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great-seal-king-john-eton-college-british-library-magna-carta-law-liberty-legacyThe largest ever exhibition related to the Magna Carta opens at the British Library in King’s Cross tomorrow to mark the 800th anniversary of the document’s sealing. Magna Carta: Law, Liberty, Legacy features two original Magna Carta manuscripts from 1215 as well as 1215 document, the Articles of the Barons (known as ‘draft’ of the Magna Carta), the Petition of Right (1628), the English Bill of Rights (1689), and the Universal Declaration of Human Rights (1948). It will also display two of the most celebrated documents in American history – the Delaware copy of the Bill of Rights and Thomas Jefferson’s handwritten copy of the Declaration of Independence (both on loan from the US National Archives) –  along with UK cabinet papers from 1941 in which it was proposed an original Magna Carta manuscript from 1215 be given to the US in return for their support in World War II and artefacts including King John’s teeth, thumb bone and fragments of clothing taken from his tomb in 1797 as well as his will. The exhibition tells the story of the Magna Carta from its creation in 1215 through to its later use by people fighting for various rights and freedoms and its continuing impact on the world today. There’s also a series of interviews with politicians, historians and public figures including Burmese activist Aung San Suu Kyi, former US President Bill Clinton and William Hague. Runs until 1st September. Admission charge applies. For more – and a digitised gallery of artifacts – visit www.bl.uk/magna-carta-exhibition. PICTURE: Great Seal of King John, 1203 © Eton College Archives on display in Magna Carta: Law, Liberty, Legacy.

The first gallery exhibition devoted to the Duke of Wellington opens at the National Portrait Gallery off Trafalgar Square today. Marking the 200th anniversary year of the Battle of Waterloo, Wellington: Triumphs, Politics, and Passions explores Wellington’s political and military career as well as his personal life. Highlights include Goya’s 1812 portrait of Wellington following his entry into Madrid (later modified to recognise further battle honours and awards), and Thomas Lawrence’s famous portrait painted in 1815, the same year as the Battle of Waterloo (the painting, which normally hangs in Apsley House, was used as the basis of the design of the £5 British note from 1971 to 1991). The exhibition of 59 portraits and other works also includes rarely seen works loaned by Wellington’s family include a John Hoppner portrait of the duke as a young soldier and a daguerreotype portrait taken by Antoine Claudet for Wellington’s 75th birthday in 1844. Runs until 7th June. Admission is free. For more, see www.npg.org.uk or for more on the 200th anniversary of the Battle of Waterloo, see www.waterloo200.org.

An exhibition celebrating the works of the late fashion designer Alexander McQueen opens at the V&A in South Kensington on Saturday. Alexander McQueen: Savage Beauty presents his works in 10 sections which focus on everything from McQueen’s roots in London, his “skilful subversion of traditional tailoring practices”, his fascination with the animal world and his longstanding interest in Eastern cultures. At the centre of the exhibition is The Cabinet of Curiosities, a display showcasing more than 100 garments and accessories and shown with film footage from his many catwalk presentations. The exhibition runs until 2nd August. Admission charge applies but you’ll have to be quick – the exhibition has already set the record for the most ever advance sales for an exhibition at the museum. For more, see www.vam.ac.uk/savagebeauty.

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A new exhibition exploring how fashion survived and even flourished during World War II has opened at the Imperial War Museum in Lambeth to mark the 70th anniversary of the war’s end. Fashion on the Ration brings together more than 300 exhibits including clothes and accessories like the ‘respirator carrier handbag’, photographs and films as well as official documents from the period, letters and interviews. The exhibition is divided into six parts which examine in detail everything from the uniforms worn during the period to clothes rationing (introduced in 1941) and how the end of the war impacted fashion. Runs until 31st August. Admission charge applies. For more, see www.iwm.org.uk.

The UK’s first major exhibition devoted to Paul Durand-Ruel, the man who “invented Impressionism”, has opened at the National Gallery off Trafalgar Square this week. Inventing Impressionism features around 85 works including some of Impressionism’s greatest masterpieces, a number of which have never been seen in the UK before. The majority of the works were traded by Durand-Ruel (1831-1922) who is noted for having discovered and supported Impressionist painters like Monet, Pisarro, Degas and Renoir. Durand-Ruel purchased an astonishing 12,000 pictures between 1891 and 1922, including more than 1,000 Monets, about 1,500 Renoirs, more than 400 Degas’, some 800 Pissarros and close to 200 Manets. The images on display include a series of rarely-seen portraits of the dealer and his family by Renoir which are being exhibited in the UK for the first time as well as five paintings from Manet’s ‘Poplars’ series and all three of Renoir’s famous ‘Dances’, not seen in the country together since 1985. The exhibition finishes with a reference to an exhibition Durand-Ruel organised in London in 1905. Held at the Grafton Galleries, it presented 315 paintings. Admission charge applies. Runs until 31st May. For more, see www.nationalgallery.org.uk.

Gift Horse, New York-based German artist Hans Haacke’s sculpture of a skeletal riderless horse, will be unveiled on the Fourth Plinth in Trafalgar Square today. The horse, derived from an etching by English painter George Stubbs – whose works are in the nearby National Gallery, features an electronic ribbon tied to the horse’s front leg showing a live ticker of the London Stock Exchange. The statue, described as a ‘wry comment’ on the equestrian statue of King William IV which was originally to occupy the plinth, is the 10th to occupy the plinth since the first commission – Marc Quinn’s sculpture Alison Lapper Pregnant – was unveiled in 2005.

 Contemporary artist Dryden Goodwin’s first feature-length film is on show as part of a new exhibition, Unseen: The Lives of Looking, at the Queen’s House in Greenwich. Continuing Goodwin’s investigations into portraiture, the newly commissioned film focuses on three individuals who have a “compelling” relationship to looking – eye surgeon Sir Peng Tee Khaw, planetary explorer Professor Sanjeev Gupta and human rights lawyer Rosa Curling. Alongside the screening is a series of drawings made by Goodwin after observing the three individuals as well as tools and papers related to each of their trades and a series of objects connected three leading observers related to the history of the Royal Museums Greenwich sites – John Flamsteed, first Astronomer Royal, Edward Maunder, who observed Mars from the Royal Observatory Greenwich, and the artist Willem van de Velde the Elder who made detailed drawings of naval battles in preparation for producing paintings in his studio at the Queen’s House. Runs until 26th July. Admission is free. For more, see www.rmg.co.uk.

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