Looking forward to a better year ahead in 2021! Don’t forget to check the site on New Year’s Day for the final two in top 100 posts countdown!
Reportedly cancelled for this year, the boisterous Christmas Eve meat auction at Smithfield usually draws a considerable crowd eager to snag a bargain.
The origins of the tradition, which apparently started at least 30 years ago, stems from the fact that most of the market butchers take at least a week off over Christmas, generally not returning to their stalls until the new year.
As a result, they would auction off their remaining stock on Christmas Eve to those keen enough to brave the cold and come out.
There has been a market at Smithfield since the 12th century – the premises was rebuilt in the mid-19th century after being formally established by the 1860 Metropolitan Meat and Poultry Market Act.
No, it’s not a memorial to that Diana, but a bronze statue depicting a mythological figure which forms the centrepiece of the Great Basin in Bushy Park.
Commissioned by King Charles I for his wife Queen Henrietta Maria, the statue (and other statuary on the monument) was the work of sculptor Hubert Le Sueur (he was also the sculptor of the famous equestrian statue of King Charles I which sits at the top of Whitehall).
While the 2.38 metre tall bronze statue, which weighs some 924 kilograms, is commonly referred to as Diana – the Roman goddess of hunting, she has none of the usual attributes of Diana, such as a bow, and is believed by some to actually represent Arethusa, a nereid or sea nymph from Greek mythology.
The statue is set on a marble and stone fountain carved with depictions of shells and sea life, and is surrounded, at a lower level, by groups of bronze statues -depicting boys holding fish or dolphins and water nymphs or mermaids astride sea monsters – through which water is discharged into four bronze basins.
The bronze figures were originally commissioned for a fountain, designed by Inigo Jones and built in the 1630s, in the Queen’s garden at Somerset House. Oliver Cromwell had the statues moved to the Hampton Court Palace’s Privy Garden in 1656 where they were incorporated into a fountain designed by Edward Pearce the Younger in 1689-90.
In 1713 the ensemble was moved again, this time to onto a new purpose-built podium in the middle of the Great Basin, located at the end of Bushy Park’s Chestnut Avenue, a grand avenue of trees designed by Sir Christopher Wren. While most of the statuary is believed to be from the original fountain designed by Inigo Jones, it’s thought some of the statues of the boys were recast for the new fountain.
The Grade I-listed monument was restored in 2009 and and during this process a stone which uncovered on its base which had a crown and the date AR 1712 (AR for ‘Anne Regis’) which would have been added when the statue and fountain were installed in the basin.
WHERE: The park lies north of Hampton Court Palace, just west of Kingston and Hampton Wick and south of Teddington (nearest train station is Hampton Wick or Hampton Court). WHEN: 24 hours except in September and November when it’s open between 8am and dusk; COST: Free; WEBSITE: www.royalparks.org.uk/parks/bushy-park
Looking east down Oxford Street from Oxford Circus. PICTURE: Joe Stubbs/Unsplash
We published part I of this two-part article last week. Part II follows…
Marshal had made his name as a knight and, was still in the retinue of Henry, the Young King, heir of Kind Henry II, when he again rebelled against his father (and brother, the future King Richard I).
This was despite a brief rift with the Young King following an accusation that Marshal had slept with Henry’s wife Marguerite (the truth of which remains something of a mystery). Despite their falling out, William and Henry had repaired their relationship to at some degree when, still in rebellion against his father, on 7th June, 1183, the Young King died of dysentery at just the age of 28.
In a dying wish, Henry had asked William to fulfil his vow to go on crusade to the Holy Land. This Marshal duly did, undertaking a pilgrimage to Jerusalem and spending two years in the Middle East before returning to England at around the end of 1185.
On his return, he entered the household of King Henry II and was on campaign with him in France in 1189 when the King died at the age of 56.
Marshal’s allegiance was now with his son and heir, King Richard I, the “Lionheart”. He subsequently confirmed his father’s permission for Marshal to marry his ward, the wealthy heiress the 16-year-old Isabel of Clare which Marshal, now 42, quickly did, returning to London to claim his bride who was then living at the Tower of London. It’s believed they may have married on the steps of St Paul’s.
Somewhat controversially, when Richard I set off on the Third Crusade, Marshal remained behind in England, appointed as co-justiciar to govern in the king’s absence. Thanks to his marriage, Marshal was now a major landholder with his base at Striguil Castle (now Chepstow) in the Welsh Marches and he assembled a household befitting of his status. In 1190 his wife Isabel gave birth to a son, ‘Young’ William.
Marshal managed to successfully navigate the dangerous politics of the time as, in the absence of King Richard, his younger brother John manoeuvred to gain power and, following news that Richard had been captured on the way home from the Holy Land and was now imprisoned in Austria, went so far as to open ally himself with the French King Philip Augustus.
Richard was finally released for the exorbitant ransom of 150,000 silver marks and when he arrived back in England, Marshal returned to his side, joining the King as he dealt with the fallout, both in England and France, from John’s treachery (John, meanwhile, was back in his brother’s camp, having begged his forgiveness).
His kingdom largely restored, Richard died in April 1199 after being struck with a crossbow bolt while campaigning in Limousin. Following his death, Marshal supported John’s claim to the throne over his ill-fated nephew Arthur and at John’s coronation he was rewarded by being named, thanks again to his marriage, the Earl of Pembroke – the title of earl being the highest among the English aristocracy.
Pembroke in southern Wales now became his base but following John’s coronation Marshal spent considerable time fighting for the King on the Continent in an ultimately unsuccessful campaign that ended with the English largely driven from France. When Marshal then tried to keep his lands in Normandy by swearing an oath to King Philip, not surprisingly he fell from John’s favour.
Marshal then turned his attention to his own lands in Wales and in Ireland which he visited several times to assert his claim by marriage to the lordship of Leinster. But he again crossed John when he visited in early 1207 without the King’s permission and when John summoned Marshal back to England to answer for his impudence, his lands in Leinster were attacked by the King’s men. John’s efforts to seize Marshal’s Irish domains, however, failed and the King was eventually forced to back down, leaving Marshal to strengthen his position in Ireland.
John and Marshal’s relationship deteriorated even further in 1210 after Marshal was summoned to Dublin to answer for his role in supporting William Briouze, a one-time favourite of the King who had dramatically fallen out him (and who eventually died in exile in 1211 while his wife and eldest son were starved to death in Windsor Castle on John’s orders).
Despite the fact Briouze’s had apparently been on his lands in Ireland for 20 days after they’d fled England to escape the wrathful King, Marshal managed to come out relatively unscathed by the affair – but he was forced to relinquish a castle and place some of his most trusted knights and eldest sons in the King’s custody.
By 1212, however, Marshal was back in royal favour – his sons were freed the following year – and in 1213 he led his forces in support of King John who was facing revolt in England and a possible invasion from France (Marshal subsequently remained in England to guard against attack from the Welsh while the King was in France).
In 1215, Marshal was involved in the creation of the Magna Carta – his name was the first the English lords to appear on the document – and some have even suggested he was one of its principal architects (although this may be overstating his role).
He remained loyal to John in the subsequent strife but he was in Gloucester when King John died in 1216.
Marshal subsequently supported the claim of King John’s son, King Henry III, to the throne and, named as a ‘guardian of the realm’ (a role which was essentially that of a regent), he played an instrumental part in taking back the kingdom for Henry, including successfully leading the royalist forces against a French and rebel force on 20th May, 1217, at Lincoln – a battle which brought about a quick resolution to the ongoing war.
Marshal spent the next couple of years working to restore the King’s rule but in early 1219, at the age of 72, fell ill and retreated to his manor house at Caversham.
He died around noon on 14th May. His body was taken to London via Reading and after a vigil and Mass at Westminster Abbey, he was interred in the Temple Church.
Marshal’s place of burial was due to an agreement he had made with the Templars back in the 1180s in which he agreed to enter their order before his death in exchange for the gift of a manor. The master of the Templars in England, Aimery of St Maur, had apparently travelled to Caversham before his death to perform the rite.
Marshal’s wife Isabel died the following year and sadly, while he had five sons, the Marshals gradually faded from history, the lack of male heirs in the family eventually leading to the break-up of the family lands.
A towering figure of his age – seen by many as the epitome of what a knight should be, Marshal’s story – despite a minor mention as Pembroke in Shakespeare’s King John – has largely been forgotten. But his influence on the world in which he lived – and hence the shaping of our world today – was significant.
With thanks to Thomas Asbridge’s The Greatest Knight: The Remarkable Life of William Marshal, the Power Behind Five English Thrones…
PICTURES: Top – An effigy believed to be that of William Marshal in the Temple Church, London (Michael Wal – licensed under CC BY-SA 2.0). Lower – The Temple Church in London in which William Marshall was buried. PICTURE: David Adams
One of the key contenders for the oldest school in London must be St Paul’s Cathedral School, originally established in the 12th century to cater for the education of choristers attending St Paul’s Cathedral (although there had apparently been a school associated with the cathedral since the 7th century).
The school, which has been described as one of the oldest educational institutions in the Western world, dates its establishment to about 1123 and started with just eight boys who were given a home and education in exchange for singing in the cathedral.
The school gradually became two separate institutions – a choir school and a grammar school – with the choristers graduating from the choir school to finish their education at the grammar school.
But in 1511, the grammar school was refounded by Dean John Colet as Saint Paul’s School. It’s now located in Barnes.
The former choristers school, now known as the St Paul’s Cathedral School, became known more for its acting in the 16th and early 17th centuries when the children performed regularly for Queen Elizabeth I at Greenwich Palace.
The original school building, which stood in St Paul’s Churchyard, was destroyed in the fire of 1666.
In 1874, the school was re-established in Carter Lane. It moved to its present location in New Change in the 1960s.
While now independent of the cathedral, the establishment now offers a preparatory school for boys and girls aged four to 13 and a residential choir school for the boy choristers of St Paul’s Cathedral. New boarding accommodation is expected to open on the site next year.
PICTURE: The concrete buildings of St Paul’s Cathedral School on the right with the surviving tower of St Augustine’s Church, Watling Street, and St Paul’s Cathedral behind (Google Maps)
Designed by the architect Charles Fitzroy Doll in distinctive French Renaissance-style for the Frederick Hotels Company, the Hotel Russell opened on the east side of Russell Square in 1898.
The now Grade II*-listed building, which is said to have been based on the 16th century Château de Madrid in Paris, is clad in decorative Doulton’s thé-au-lait (“tea with milk”) terracotta.
Its facade incorporates the coats-of-arms of the world’s nations as they were in 1898 and above the entrance are life-sized statues of four queens – Elizabeth I, Mary II, Anne and Victoria – which were designed by sculptor Henry Charles Fehr (pictured). The Guilford Street frontage features busts of four Prime Ministers: Lord Derby, Lord Salisbury, William Gladstone, and Benjamin Disraeli.
The hotel’s interior features ornate fixtures and fitting including a Pyrenean marble staircase which runs off the opulent marble foyer and an interior courtyard housing a Palm Court. Each bedroom was fitted with an en-suite bathroom.
Its restaurant, now named the Neptune but originally named after Doll, was designed almost identically to the RMS Titanic‘s dining room (Doll designed both). That’s not the only Titanic connection – the hotel also features a bronze statue of a dragon on the stairs named ‘Lucky George’ and the Titanic carried an identical statue.
The hotel survived World War II largely intact – with the exception of a roof-top dome which was damaged in an air raid in 1941 and not replaced.
Fast forward to April, 2018, and the hotel reopened as the The Principal Hotel (on the 106th anniversary of the sinking of the Titanic) following an extensive £85 million, two year renovation by designer Tara Bernerd.
But the Principal Hotel Company sold its portfolio of hotels to Covivio a few months later and they, in turn, leased the management of the hotels to the InterContinental Hotels Group. The Principal was renamed the Kimpton Fitzroy London in October that year.
Alongside 330 or so rooms, amenities at the five star hotel include the glass-roofed Palm Court, cocktail bar Fitz’s (named for Charles Fitzroy Doll), and the coffee shop Burr & Co. There’s also a grand ballroom, meeting rooms and a fitness centre.
Interestingly, Doll designed another hotel, the Imperial, also on Russell Square, which opened in 1911. It was demolished in 1966.
For more, see www.kimptonfitzroylondon.co.uk/us/en/.
This is the final in our series on historic London hotels. We’ll be launching a new special series next Wednesday.
Thousands of people, including Queen Elizabeth II and members of the Royal Family, attended Whitehall on Sunday to take part in the National Service of Remembrance, this year marking 100 years since the end of World War I. The event included two minutes silence at 11am and wreaths were laid at the base of the Cenotaph to commemorate the servicemen and women killed in all conflicts from the World War I onwards. In an historic first, German President Frank-Walter Steinmeier laid a wreath during the ceremony. Following the service, a procession involving 10,000 members of the public who were selected by a ballot marched past the monument and through London. ALL PICTURES: Crown Copyright/Ministry of Defence.
• More than 800 buildings of all kinds open their doors to the public this weekend as part of the 26th Open House London. Highlights of this year’s event include new entries such as the US Embassy, the Royal Opera House and Bloomberg’s new HQ as well as returning favourites such as the BT Tower, The Shard and 10 Downing Street. There’s also a programme of activities “lifting the lid” of Old Oak and Park Royal – the heart of ‘making’ in London, explorations of new London districts such as Wembley Park, Hackney Wick and Barking Riverside, the chance to view RIBA Award-winners including the Belvue School Woodland Classrooms, Hackney Town Hall and No.1 New Oxford Street, the new COS HQ, and 100 “must-see” homes. The full programme of events – which also highlights the contribution women have made in shaping today’s London – can be found at www.openhouselondon.org.uk and there’s a free app to download. PICTURED: Top – Bloomberg European Headquarters (Nigel Young/Foster + Partners) and right – Valetta House (French & Tye) are among properties open to the public.
• A multi-screen art installation remembering the millions of African men and women who served in World War I and an immersive sound installation featuring personal reflections on the Armistice are among four exhibitions opening at the Imperial War Museum in Lambeth on Friday. Projected onto three screens, African Soldier combines a powerful sound score, historic footage and newly created film which has been shot by artist John Akomfrah in various locations around the world to speak to the African experience of World War I while the sound installation, I Was There: Room of Voices, features 32 people who fought and lived through war sharing their personal stories of the Armistice. The exhibitions also include Renewal: Life after the First World War in Photographs – a display of more than 100 black and white photographs showing how lives, landscapes and national identities recovered, evolved and flourished after the war – and Moments of Silence, an immersive installation commissioned from 59 Productions. The exhibitions, which can be seen until 31st March, are part of the IWM’s Making A New World, “a season of art, photography, film, live music, dance and conversations exploring how the First World War has shaped today’s society”. For more see www.iwm.org.uk.
• The role of science in the lives – and deaths – of the last Russian Tsar, Nicholas II, and his family is explored in a new exhibition opening at the Science Museum in South Kensington which marks 100 years since the end of the Romanov dynasty. The Last Tsar: Blood and Revolution explores the influence of medicine on the Imperial Family – everything from how they treated conditions such as the heir Alexei’s haemophilia through to the Tsarina’s fertility and the Red Cross medical training the Tsar’s daughters received – as well as recent advances in medicine and forensic science which have been deployed to transform the investigation into their disappearance. Objects on show include personal diaries, an Imperial Fabergé Egg presented to the Tsar by his wife a year before the fall of the Imperial house and photograph albums created by an English tutor to the Imperial Family. There’s also evidence from the scene of the family’s execution including the dentures of the Imperial physician, a diamond earring belonging to the Tsarina and an icon peppered with bullet holes. Opening on Friday, the exhibition runs until 24th March. For more, see www.sciencemuseum.org.uk/thelasttsar.
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• Buckingham Palace’s annual Summer Opening of the State Rooms kicks off this Saturday and this year, to mark the 70th birthday of Prince Charles, it features a special exhibition of more than 100 works of art – all personally selected by His Royal Highness. Prince and Patron features some of the Prince of Wales’ favourite works of art from the Royal Collection as well as works created by young artists supported by three of charities he’s founded to encourage the revival of dying arts and the maintenance of traditional skills – The Royal Drawing School, The Prince’s Foundation School of Traditional Arts and Turquoise Mountain. Among items featured from the Royal Collection are Johan Joseph Zoffany’s painting The Tribuna of the Uffizi (1772–77), and a cloak of Napoleon Bonaparte which, made of felt and embroidered in silk, was removed from the Emperor’s baggage train in the aftermath of the Battle of Waterloo in 1815 and presented to the future George IV by Field Marshal Blücher. There are also works from his personal collection including Michael Noakes’ oil sketches HM The Queen (1972-73) and Queen Elizabeth The Queen Mother (1973) as well as two preparatory oil sketches of the first official double portrait of Prince William and Prince Harry (the work of Nicky Philipps, they’re on show for the first time) and a previously unseen sketch in pencil on paper by Bryan Organ for the portrait HRH The Duke of Edinburgh. Prince and Patron can be seen as part of the Summer Opening of the State Rooms until 30th September. Admission charge applies. For more, see www.royalcollection.org.uk. PICTURE: Michael Noakes, Queen Elizabeth The Queen Mother (1973), © Anya and Jonathan Noakes/Royal Collection Trust.
• Buskers will be descending on Wembley Park this Saturday as London becomes one of numerous cities around the world marking the third International Busking Day. Multiple Grammy Award-winning composer, producer and guitarist Nile Rodgers will launch the day at 11.30am before performances – including by internationally renowned singer-songwriter Newton Faulkner, Nina Nesbitt and folk/rock band Keywest – kick off 12.30pm. The day, which runs until 7.30pm, will include music, magic, comedy, physical theatre and dance. For more, see http://wembleypark.com/international-busking-day-2018/.
• A free display of Pacific portraits has gone on show at the British Library in what’s described as a “creative response” to its exhibition James Cook: The Voyages. Created by New Zealand Māori photographer Crystal Te Moananui-Squares and New Zealand Māori producer Jo Walsh, Tūhuratanga: Voyage of Discovery features 20 portraits documenting the people of Te-Moananui-a-Kiwa (the Pacific Ocean) who are living in the United Kingdom today. The display can be seen in the Second Floor Gallery until 23rd September. For more, see www.bl.uk/events/tuhuratanga-voyages-of-discovery-photographs-by-crystal-te-moananui-squares.
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Thinking of all those affected by the London Bridge/Borough Market attack. PICTURE: http://www.freeimages.com
This year’s Serpentine Pavilion, marking the 15th anniversary of the annual summer commission by the Serpentine Galleries in Kensington Gardens, is a polygonal multi-coloured structure designed by Spanish architects selgascano. Made from a fluorine-based polymer, the pavilion has multiple entry and exit points and takes as its inspiration the site itself as well as the way in which people move through London, notably via the web-like network of the London Underground. Say selgascano: “We sought a way to allow the public to experience architecture through simple elements: structure, light, transparency, shadows, lightness, form, sensitivity, change, surprise, colour and materials. We have therefore designed a pavilion which incorporates all of these elements.” The architects say the pavilion was also designed as a tribute to the previous pavilion commissions, designed by the likes of Frank Gehry, Oscar Niemeyer and Zaha Hadid. For more, see www.serpentinegalleries.org. PICTURE: © Iwan Baan
The London residence of the Archbishop of Canterbury, Lambeth Palace was first acquired by the archbishopric in around the year 1200 with Archbishop Stephen Langdon – an important figure in the whole Magna Carta saga – believed to be the first to have lived there.
The complex built in the early 13th century included a chapel, a great hall, a ‘great chamber’ where the archbishop would receive guests, and private apartments for Archbishop Langdon, who was appointed to the archbishopric in 1207 and remained in the post until his death in 1228 (his appointment was a major point of contention between King John and Pope Innocent III and a key factor in the dispute which led to the creation of the Magna Carta).
Not much remains of the original palace but the sections that do include the originally free-standing Langdon’s Chapel (although now much altered and connected to the rest of the complex) and the crypt beneath it (described as one of the best preserved medieval stone vaults in London it is now a chapel but was originally used for the storage of wine and beer).
They are both believed to have been completed in about 1220 with the other buildings now present added later over the centuries.
These include the formidable red brick gatehouse that fronts the complex today – known as Morton’s Tower, it is named after Archbishop Cardinal John Morton and dates from 1490 – while the Guard Room, which has its origins in the archbishop’s ‘great chamber’, dates from the 14th century and the infamous Lollard’s Tower – used as a prison in the 17th century – from the 15th century.
The Great Hall – now used as a library, first established in 1610 – was rebuilt in the mid 17th century although it is believed to stand on the site of that first used by Langdon (we’ll deal more with the later history of Lambeth Palace in a later post).
WHERE: Lambeth Palace, corner of Lambeth Palace Road and Lambeth Road (nearest tube stations are Westminster, Waterloo, Vauxhall, and Lambeth North); WHEN: Guided tours (90 minutes) only – check website for details; COST: £12 a person plus £2.95 booking fee (under 17s are free); WEBSITE: www.archbishopofcanterbury.org/pages/about-lambeth-palace.html.
Known as the “Father of Fleet Street”, Wynkyn de Worde was key figure in the early use of the printing press in England.
Born on the continent (candidates include Wœrth in Alsace in north-east France and Wœrden in The Netherlands), Wynkyn – whose name comes in various spellings, although it is said to have originally been Jan van Wynkyn – is believed to have become apprenticed to a printer in Cologne before meeting with famed pioneering English printer William Caxton in the early 1470s.
He apparently accompanied Caxton from Cologne to Bruges and then back to London in the late 1470s or early 1480s where he started working with Caxton at his premises in Westminster. During this period he is said to have lived with his English wife Elizabeth in a premises located with the sanctuary of Westminster Abbey (they are known to have attended St Margaret’s Church and even rented a pew there until Elizabeth’s death in 1498, after which Wynkyn is believed to have remarried.)
After Caxton’s death in 1492, Wynkyn took over his printing business and, around 1500, he relocated his office from Caxton’s Westminster premises to the “sign of the Sun” in Fleet Street near Shoe Lane – in fact, he is credited as being the first printer to locate in the street which becomes famously associated with publishing. There’s a plaque (pictured below), on the wall of the hall of the Worshipful Company of Stationers, located off Ave Maria Lane near St Paul’s Cathedral, commemorating the move (although Shoe Lane is located some distance away). Wynkyn later also ran a shop in St Paul’s Churchyard.
While Wynkyn, like Caxton before him, relied on the patronage of the rich and famous (Margaret Beaufort, mother of King Henry VII among them), he also printed relatively inexpensive books in a bid to capture a wider market. In all he published more than 400 different books in at least 750 editions ranging from religious texts and poetry to fictional romantic works, educational textbooks and books aimed at children. He is noted for his use of woodcuts illustrations while his other claims to fame include being the first English printer to use italic type and the first to print music from moveable type.
De Worde died around 1534 but his legacy lives on through the mass media publishing of today (albeit not longer from Fleet Street). There is a Wynkyn de Worde Society based in Suffolk which is aimed at furthering the printing industry.
We’re back after an extended break with posts to resume as normal this week. This year we’ll continue with many of our usual features but will also be looking to introduce some new ones including A Moment in History in which we’ll look at some snapshots in London’s past.
To kick us off – and to launch our celebration of the 300th anniversary of the first Hanoverian king, King George I – we’re running a snap poll in which we’re asking which of the Hanoverian rulers of Great Britain you think was the best ruler?
• The UK’s first major exhibition on the work of the innovative but violent 17th century artist Giovanni Benedetto Castiglione opens tomorrow at the Queen’s Gallery next to Buckingham Palace. The exhibition, which features 90 drawings and prints from the Royal Collection, is aimed at re-establishing Castiglione as one of the greatest artists of the Baroque period, thanks to his being credited with creating huge drawings in oil directly on paper, producing about 60 etchings and inventing the technique of monotype. Works include his monotype prints Head of an oriental (late 1640s) and The Nativity with angels (about 1655), a translation of Titian’s Sacred and Profane Love and drawings like Circe with the companions of Odysseus transformed into animals. Castiglione’s “nomadic” career was marred by his violent temperament – he was repeatedly before the courts for assaulting people, apparently tried to throw his sister off a roof and was forced to leave Rome because, it is believed, he had committed murder. Castiglione: Lost Genius runs with Gifted: From the Royal Academy to The Queen, an exhibition of prints and drawings given to the Queen by Royal Academicians to mark her Diamond Jubilee, until 16th March. Admission charge applies. For more, see www.royalcollection.org.uk. PICTURE: Giovanni Benedetto Castiglione, The head of an oriental, late 1640s. Royal Collection Trust/©Her Majesty Queen Elizabeth II 2013.
• The restored Met Locomotive 1 and the Victorian Jubilee Carriage 353 will be on show this weekend as part of the London Transport Museum’s Open Weekend at its Acton Depot. Visitors will be able to explore the depot’s vast collection of more than 400,000 objects along with a range of other activities including miniature tram and railway rides, heritage bus rides, talks and film screenings, and costumed interpreters as well as the chance to watch artist Ross Ashmore paint the locomotive and Jubilee Carriage. The weekend kicks off tomorrow. For more information and bookings, see www.ltmuseum.co.uk/whats-on/museum-depot/events.
• On Now: Australia. This landmark exhibition at the Royal Academy of Arts at Burlington House in Piccadilly features more than 200 works including paintings, drawings, photography, watercolours and multimedia pieces by 146 Australian artists. Spanning the period from 1800 until today, the display includes works by Aboriginal artists such as Albert Namatjira, nineteenth century immigrants such as John Glover and Eugene von Guerard, impressionists like Arthur Streeton and Tom Roberts, early modernists like Margaret Preston and Roy de Maistre, 20th century painters including Arthur Boyd, Albert Tucker and Brett Whiteley and contemporary artists including Gordon Bennett, Fiona Hall and Shaun Gladwell. Highlights include Frederick McCubbin’s The Pioneer (1904), four paintings from Sidney Nolan’s Ned Kelly series (1946), Rover Thomas’ Cyclone Tracy (1991) and Emily Kame Kngwarreye’s Big Yam Dreaming (1995). Organised with the National Gallery of Australia, the exhibition runs until 8th December. Admission charge applies. For more, see www.royalacademy.org.uk.
Can you identify where in London this picture was taken and what it’s of? If you think you can, leave a comment below. We’ll reveal the answer early next week. Good luck!
OK, so for those who were wondering, this statue, an 1836 marble by John Gibson, depicts William Huskisson, a Tory politician and financier who was present at the fall of the Bastille in Paris on 14th July, 1789, but became best known for being the world’s first railway casualty after he was run over by George Stephenson’s locomotive engine, Rocket, when he failed to see the oncoming train while trying to speak to the Duke of Wellington. The statue is located in the Thames-side park, Pimlico Gardens.