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This Week in London -Courtauld carpet returns to Eltham; art from Asia-Pacific; London broadsides; and, a Blue Plaque for a ground-breaking astronomer…

by exploringlondon

• An antique Chinese carpet which originally was part of furnishings at Eltham Palace has returned home after 80 years. The carpet, dyed in the “dynastic blue” of the Qing dynasty and featuring symbols including dragons, Buddhist emblems and masks, represents the demand for the Chinese decorative arts in the 1920s and 1930s and serves as a reminder of how Chinese art was produced, circulated, and displayed in Britain. The carpet, donated from the estate of Mrs M R Bernard – the niece of former palace owner Stephen Courtauld, has undergone extensive conservation work. It can be seen in what was Virginia Courtauld’s boudoir. Eccentric millionaires Stephen and Virginia Courtauld built a magnificent art deco mansion right next to the medieval Great Hall of Eltham Palace in 1936 but moved out in 1944 and passed the lease to the Army Educational Corps. Over the ensuing decades many of the original items in the palace were dispersed but English Heritage, which took over management of the palace in 1995, has been working to restore the interiors back to when the Courtaulds lived in them. Other original items which have returned to the palace in recent history including a gold telephone and a pair of Cartier brooches. Admission charge applies. For more, see www.english-heritage.org.uk/visit/places/eltham-palace-and-gardens/.

Pala Pothupitiye / Kalutara Fort, 2020–21 / Purchased 2021 with funds from Professor Emeritus Ian O’Connor AC and Anna Reynolds through the QAGOMA Foundation / Collection: QAGOMA, Brisbane/© Pala Pothupitiye

• The works of more than 40 artists from 25 countries across the Asia Pacific region are going on show at the V&A in South Kensington. Rising Voices: Contemporary Art from Asia, Australia and the Pacific, to be held in The Porter Gallery, is being held in partnership with Australia’s Queensland Art Gallery/Gallery of Modern Art. Highlights include: Mchael Parekōwhat’s life-sized sculpture of a Mãori security guard, Kapa Haka (Whero) (2003); Pala Pothupitiye’s Kalutara Fort (2020-21) – a reimagined map of an historic Sri Lanka military camp; Brenda Fajardo, Elisabet Kauage, Mathias Kauage and John Siune’s There is still a war going on in Bougainville (1995) which responds to Papua New Guinea’s Bougainville conflict between 1988-98; and, a series of porcelain busts by Ah Xian. The exhibition opens on Saturday and runs until 10th January. Admission charge applies. For more, see https://www.vam.ac.uk/.

• The role broadsides played in spreading news, advice and gossip in London from the 16th century onwards is the subject of a new exhibition at the Guildhall Library. Broadsides: Speaking to the People explores the history of broadsides and how they were used to speak to the general public, high and low alike. Free to see. Runs until 29th October. For more, see www.cityoflondon.gov.uk/events/exhibition-broadsides-speaking-to-the-people.

• Ground-breaking astronomer Cecilia Payne-Gaposchkin has been honoured with an English Heritage Blue Plaque at the home in Notting Hill where she lived as a teenager. The plaque at 70 Lansdowne Road marks where Payne-Gaposchkin’s journey towards expanding our understanding of space began. Payne-Gaposchkin earned a doctorate in astronomy from Harvard after moving to the US. Her groundbreaking 1925 thesis proposed that stars are composed primarily of hydrogen and helium, a discovery that fundamentally changed scientific understanding of the universe, and in 1927, she became the youngest astronomer ever to have a star of distinction next to her name in the publication American Men of Science. For more, see www.english-heritage.org.uk/visit/blue-plaques/.

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This Week in London – Henry Moore at Kew; The National Gallery expands online offering; and, Churchill’s paintings…

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• The largest outdoor exhibition of the art of Henry Moore – including a series of monumental sculptures – goes on display at Kew Gardens this Saturday. Henry Moore: Monumental Nature features 30 of Moore’s work placed across Kew’s landscapes and inside the Temperate House along with more than 90 smaller works on show in the Shirley Sherwood Gallery of Botanical Art. Among the large sculptural works on show will be Large Two Forms, Oval with Points, Reclining Woman: Elbow, Locking Piece and Three Piece Sculpture: Vertebrae while the smaller works include bronzes as well as stone and wood carvings, prints and drawings. Meanwhile, from 5th June Wakehurst, Kew’s wild botanic garden in Sussex is hosting a parallel exhibition of four more of Moore’s sculptures shown alongside newly commissioned pieces from contemporary artists. Both displays can be seen until 27th September. Admission charge applies. For more, see www.kew.org/kew-gardens.

• The entire collection of The National Gallery can be seen in a new online tour. The new Google Arts & Culture tour shows the 2024–25 Bicentenary redisplays of the whole collection, CC Land: The Wonder of Art. There’s also a highlights tour covering seven rooms which focuses on specific paintings including Jan Van Eyck’s Arnolfini Portrait, Sebastiano del Piombo’s The Raising of Lazarus, Johannes Vermeer’s A Young Woman Standing at a Virginal, Elisabeth Louise Vigée Le Brun’s Self Portrait in a Straw Hat, Edouard Manet’s portrait of the artist Eva Gonzalès, Sir Thomas Lawrence’s The Red Boy and Claude Monet’s The Water-Lily Pond. The Google Arts & Culture National Gallery Complete Tour can be found at www.nationalgallery.org.uk/visiting/virtual-tours/google-street-view-virtual-tour, and the The Google Arts & Culture National Gallery Highlights Tour at www.nationalgallery.org.uk/stories/virtual-curated-tour.

• Now On: Winston Churchill: The Painter. The first major retrospective of Sir Winston Churchill’s paintings since his death, this display at the Wallace Collection brings together 50 of his works, more than half from private collections. As well as wartime scenes and Mediterranean views, they include still lives, portraits, Moroccan cityscapes and paintings of Churchill’s home of Chartwell. Runs until 29th November. Admission is free. For more, see www.wallacecollection.org/whats-on/exhibitions-displays/winston-churchill-the-painter/

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A Moment in London’s History…London Zoo is founded…

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PICTURE: Richard Cook/Unsplash

The origins of the modern ZSL London Zoo go back 200 years to the founding of the London Zoological Society by Sir Thomas Stamford Raffles on 29th April, 1826.

While the idea of a zoo had been debated for some years, it was the death of Chunee the bull elephant at Cross’s Menagerie in the Exeter Exchange on the Strand that is said to have been the catalyst for immediate action.

Chunee, who’d been kept in an enclosure at the menagerie for six years, had been put down by a firing squad of soldiers after, having become aggressive during musth (a natural condition in adult male elephants which sees them experience a massive surge of testosterone and is often characterised by erratic behaviour), had injured one of his keepers and killed another. The soldiers, acting on the wishes of the menagerie’s proprietor Edward Cross, had fired 152 musketballs into the elephant but still had to finish him off with a harpoon.

Such was the outrage at this tragic event, that Raffles, famous for having established a trading post at Singapore, moved to to found the society.

Sir Thomas obtained land for the zoo in Regent’s Park before his death on 5th July that year (his birthday) but it was his successor, Whig politician Henry Petty-Fitzmaurice, 3rd Marquess of Lansdowne, who oversaw the construction of the zoo’s first animal houses drawing on the services of architect Decimus Burton.

The zoo opened to fellows of the society on 27th April, 1828, permitting them to study the animals. It was granted a Royal Charter by King George IV in 1829. In 1831, animals held in the Tower of London’s menagerie were transferred to the zoo.

It wasn’t until 1847 that it opened to the public in a plan aimed at raising funds for its upkeep.

Initial animals at the zoo included monkeys, bears, kangaroos and zebras – naturalist Charles Darwin was among those who visited in the early years and was fascinated by an ape named Jenny.

While it wasn’t the first zoo in the world (but was the world’s first scientific zoo), it was later responsible for numerous world firsts with the first reptile house opening in 1849, the first public aquarium in 1853 and the first insect house in 1881. In 1850, Obaysch, the first hippo in Europe since Roman times, came to live at the zoo.

Others among the more famous animals housed at the zoo were the African elephant Jumbo who arrived in 1865, the Black bear Winnie who was part of the inspiration for Winnie-the-Pooh, and Guy the Gorilla who arrived in 1947.

Larger animals were moved out to Whipsnade Zoo, the world’s first open-air zoo, in Bedfordshire in 1931.

This Week in London – Zurbarán at the National Gallery; documents to mark the 250th anniversary of the US Declaration of Independence; and, NIGO at the Design Museum…

by exploringlondon
The Body of Saint Bonaventure, about 1629; Oil on canvas, 245 × 220 cm; Musée du Louvre, Paris © GrandPalaisRmn (musée du Louvre)/Franck Raux

• The work of 17th century Spanish painter Francisco de Zurbarán is the subject of a new exhibition opening at the National Gallery this weekend. Zurbarán, the first major monographic exhibition on his work in the UK, features almost 50 paintings spanning the breadth of his career. They include life-size depictions of saints, altarpieces and still lifes such as Saint Bonaventure on His Bier, Saint Apollonia, The Crucifixion, The Crucified Chrisr with a Painter and Still Life with Lemons, Oranges and a Rose. Zurbarán (1598-1664) spent most of his life in Seville and, along with Diego Velázquez and Bartolomé Esteban Murillo, is considered one of the leading Spanish artists of his era. Runs until 23rd August. Admission charge applies. The exhibition will travel on to the Musée du Louvre and then the Art Institute of Chicago. For more, see www.nationalgallery.org.uk.

• Rare documents related to the signing of the Declaration of Independence in the US are going on display in the City of London Heritage Gallery. The display, which marks the 250th anniversary of the signing, features two letters, dated 1775, which were sent to the City of London from the General Committee of Association of the City and County of New York and the Congress in Philadelphia along with a silk bookmark commemorating the assassination of Abraham Lincoln on 14th April, 1865, and the Roll of Fame recording the Honorary Freedom of the City of London opened at the entry for General Dwight D Eisenhower. Admission is free. The display, entered via the Guildhall Art Gallery, runs until 29th October. For more, see www.cityoflondon.gov.uk/events/heritage-gallery-display-america-and-london.

• The first UK exhibition showcasing the multi-faceted work of Japanese designer and creative director NIGO opens at the Design Museum tomorrow. NIGO: From Japan with Love features more than 700 objects with highlights including a recreation of NIGO’s teenage bedroom, ceramics hand-thrown by NIGO and a life-size glass tea house made especially for the exhibition. Runs until 4th October. Admission charge applies. For more, see https://designmuseum.org/exhibitions/nigo-from-japan-with-love.

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This Week in London – V&A East Museum opens; ‘Cool Britannia’ at the Barbican; and, Netherlandish drawings…

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V&A East Museum © Hufton+Crow

• The new V&A East Museum has opened to the public. Located in Queen Elizabeth Olympic Park, the new museum’s first exhibition The Music is Black: A British Story, reveals how Black British music has shaped British culture over the last 125 years. Highlights include Stormzy’s iconic 2019 Banksy-designed Glastonbury vest, Joan Armatrading’s childhood guitar, fashion worn by Seal, Sade and Skin, plus Fabio & Grooverider’s DJ equipment and Grooverider’s first turntable, newly acquired photographs by Eddie Otchere, Jennie Baptiste and Laura ‘Hyperfrank’ Brosnan, and a specially commissioned painting by Sir Frank Bowling. The museum also features two free permanent ‘Why We Make galleries’ which feature more than 500 objects from the V&A’s collection including new artworks by artists including Turner Prize-nominated Rene Matić, Carrie Mae Weems and Tania Bruguera and new acquisitions by designer Yinka Ilori, fashion designer Molly Goddard, photographer Jamie Hawkesworth and ceramicist Bisila Noha, as well as a range of objects from Renaissance portraits and historic scent cases to photographs by Maud Sulter and Shadi Ghadirian, Keith Khan’s carnival costumes, ballet costumes by Leigh Bowery, and fashion by Alexander McQueen and Vivienne Westwood. For more, see vam.ac.uk/east.

• A new exhibition marking 30 years of ‘Cool Britannia’ has opened at the Barbican Music Library. 1996: 30 Years On features original costumes worn by the Spice Girls, previously unseen Oasis memorabilia, photography by Jill Furmanovsky and Derek Ridgers, and personal items from record producers and DJs Paul Oakenfold, Dave Pearce and Judge Jules. The exhibition, curated by the former editor of The Sun Dominic Mohan, also features a selection of pencil sketches of bands by Mike Smith who, in his role as a music executive, signed many of the most prominent acts of the era including Blur, Elastica, and Supergrass. The free exhibition runs until 19th September. For more, see www.cityoflondon.gov.uk/events/1996-30-years-on.

Portrait of an unknown man © The Trustees of the British Museum

• Some 110 works by artists such as Rogier van der Weyden, Lucas van Leyden, Pieter Bruegel the elder and Hendrick Goltzius feature in a new exhibition at the British Museum. Early Netherlandish drawings, which draws on the museum’s collection of pre-1600s Netherlandish drawings, also includes lesser-known masters, anonymous sheets and workshop copies to provide a rich and comprehensive account of drawing across the region. The display follows a chronological narrative and examines the function of drawings in the workshop and their role in the design and production of paintings, tapestries, painted glass, sculpture and prints while thematic displays highlight new subjects that were introduced during this period, including landscapes, proverbs and a local iteration of the antique style, spurred by contact with Italy. The free exhibition can be seen in Room 90 until 20th September. For more, see www.britishmuseum.org/exhibitions/early-netherlandish-drawings.

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This Week in London – Queen Elizabeth II’s fashion archive on show; London Transport Museum Depot’s open days; and, wartime London in art…

by exploringlondon
Janet Sutherland, the royal christening robe, 1841. © Royal Collection Enterprises Limited 2026 | Royal Collection Trust.

• A christening robe, first worn by Queen Victoria’s eldest child, Princess Victoria, at her christening in 1841, and subsequently by 61 other royal babies including Queen Elizabeth II, is one of the stars of a new exhibition opening at The King’s Gallery in Buckingham Palace tomorrow. Queen Elizabeth II: Her Life in Style features around 200 items from Queen Elizabeth II’s fashion archive – the largest exhibition of her clothing ever staged. Other highlights include a Norman Hartnell apple-green gown worn by the Queen a state banquet given for President Eisenhower at the British Embassy in Washington, DC, in 1957; a crinoline-skirted blue gown and matching bolero jacket worn by the late Queen for her sister Princess Margaret’s wedding in 1960; and, perhaps more surprisingly, a clear plastic raincoat made by Hardy Amies in the 1960s. The latter is just one example of late Queen’s private, off-duty wardrobe which is also included in the show. Other examples include a Harris tweed jacket and Balmoral Tartan skirt, designed by Norman Hartnell and worn in the 1950 and a green coat made by Angela Kelly. The exhibition runs until 18th October. Admission charge applies. For more, see www.rct.uk.

• Celebrate 120 years of the Bakerloo and Piccadilly Lines and 70 years of the Routemaster bus at a London Transport Museum Depot open day. The first to be held this year, the four open days at the Acton Town facility, will allow visitors to discover the more than 320,000 objects not on display at the museum’s Covent Garden site including the chance to climb aboard historic train stock dating from 1927 and 1938, get a close-up look at the pioneering RM1 and RM2 buses, and explore everything from rare signalling equipment to models, maps, station architecture and posters. A programme of talks is also taking place across the weekend along with activities for kids, heritage demonstrations, displays and stalls. The days run from today – 9th April – through to Sunday (12th April). Admission charges apply. For more, see www.ltmuseum.co.uk/whats-on/depot-open-days/icons-london.

• On Now: Beauty and Destruction: Wartime London in Art. This free exhibition at IWM London tells the story of London during World War II and features more than 45 paintings and drawings as well as photographs, films, objects and oral histories. Works include some by well-known artists such as Eliot Hodgkin, Graham
Sutherland, Henry Carr, Evelyn Dunbar, Duncan Grant and Edward Ardizzone as well as lesser known figures, many of whom were employed by the War Artists’ Advisory Committee. The works are presented under four themes -Travel, Thames, Street and Shelter – and highlights include Frances MacDonald’s Sketch for ‘London Docks’ (1944), John Edgar Platt’s Wartime traffic on the River Thames (1942) and fireman artist Leonard Rosoman’s The Houses of Parliament on Fire, May 1941 (1941) – which captures the last night of the Blitz. Other works in the display are Duncan Grant’s painting of that iconic symbol of wartime resistance, St Paul’s Cathedral, Henry Carr’s St Clement Dane’s Church on Fire after being Bombed (1941), Evelyn Gibbs’ WVS Clothing Exchange (1943) and Evelyn Dunbar’s Convalescent Nurses Making Camouflage Nets (1941). The display can be seen until 1st November. For more, see www.iwm.org.uk/events/beauty-and-destruction-wartime-london-in-art.

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Three unusual London Easter traditions…

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We pause our series on Winnie-the-Pooh to take a brief look at three uniquely London traditions which take place each Easter…

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This Week in London – Sophia Duleep Singh at Kensington Palace; ‘Fairy Tales’ at the British Library; astronomers at the National Maritime Museum; and, the Science Museum celebrates ‘Star Trek’…

by exploringlondon
Historic Royal Palaces conservator Nelson Garcia prepares a banner used by the National Union of Women’s Suffrage Societies (NUWSS) in the early 20th century, for display in a new exhibition at Kensington Palace. The exhibition ‘The Last Princesses of Punjab’ explores the life of Sophia Duleep Singh; suffragette, Punjabi princess and goddaughter of Queen Victoria. PICTURE: © Historic Royal Palaces

• A new exhibition celebrating the 150th anniversary of Punjabi princess and suffragette Sophia Duleep Singh opens at Kensington Palace today. The Last Princess of Punjab: The story of Sophia Duleep Singh and the women who shaped her explores the life of Sophia Duleep Singh and her intersections with six other women including her sisters Catherine and Bamba, her mother Bamba Muller, grandmother Jind Kaur and godmother Queen Victoria. On show is an ornately painted rocking horse from Princess Sophia’s childhood at Elveden Hall in Suffolk which was remodelled to resemble an Indian Mughal palace, an original copy of The Suffragette featuring an iconic image of Sophia selling copies of the magazine on the gate of Hampton Court Palace, a “No Vote, No Tax’ banner used in the early 1900s protest marches, and Princess Sophia’s handwritten letter to Winston Churchill reporting police brutality at the Black Friday suffragette march. And, for the first time since 1886, an iconic portrait of Jind Kaur will be reunited with real earrings she wore in the image. The exhibition runs until 8th November. Admission charge applies. For more, see https://www.hrp.org.uk/kensington-palace/whats-on/the-last-princesses-of-punjab/.

• A celebration of the fantastical creatures, heroes and villains that populate the world of fairy tales opens at the British Library tomorrow. Fairy Tales takes visitors on a journey through an mysterious forest and enchanted palace as they discover the origins and evolution of fairy tales. Items on show include a Mervyn Peake illustration made for an edition of Household Tales by the Brothers Grimm, early printed editions of the legend of Mulan, puppets of Kai and Gerda from the Little Angel Theatre’s production of The Snow Queen, a copy of Cinderella illustrated by Arthur Rackham, a beautiful manuscript illustration of a dragon from the Persian legend, the story of Darab, and the original manuscript of Lewis Carroll’s Alice’s Adventures Under Ground. Admission charge applies. Runs until 23rd August. For more, see https://events.bl.uk/exhibitions/fairy-tales.

• A new temporary space-themed gallery opens at the National Maritime Museum in Greenwich tomorrow. Astronomers Take Over is a hands-on space that provides the opportunity to meet astronomers from the Royal Observatory just up the hill, participate in science demonstrations and ask questions about space and astronomy. The gallery also includes a planetarium which features live astronomers shows ranging from ‘Animals in Space’ for young visitors to ‘The Night Sky’ – a classical guide to the cosmos, and ‘Solar System Sightseeing’, an introduction to Earth’s celestial neighbourhood. Science theatre shows will also be held at the museum from 3rd April. Admission charge applies. The gallery is open to 2028. For more, see https://rmg.co.uk/takeover.

• The Science Museum in South Kensington is marking the 60th anniversary of Star Trek with a new program of events. They include the chance to see all 13 Star Trek films on one of the biggest screens in Europe as well as a free trail featuring iconic objects from the franchise’s archives and an exclusive range of anniversary merchandise for purchase. For more, see sciencemuseum.org.uk/star-trek-60.

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This Week in London – Sculpture at the V&A East; ‘Londoners on Trial’; and, Elsa Schiaparelli…

by exploringlondon
Artist Thomas J Price unveiling ‘A Place Beyond’, outside of London’s V&A East Museum ahead of its opening on East Bank in Queen Elizabeth Olympic Park on 18th April. PICTURE: David Parry/PA Media Assigbments for the V&A

• An 18 foot tall sculpture of a young person, holding a mobile phone and looking towards a horizon “full of possibilities”, has appeared outside the V& East Museum ahead of its public opening next month. A Place Beyond, the work of artist Thomas J Price, has been created from an amalgamation of images, 3D scans and observations and has been constructed in bronze using digital technologies and ancient techniques. Also announced this month have been the artists involved with New Work, the V&A’s new six-monthly rotating creative commissions programme. The artists – who include Turner Prize-nominated artist Rene Matić, Lawrence Lek, Laura Wilson, Tania Bruguera, Es Devlin, Shahed Saleem, Justinien Tribillon and Carrie Mae Weems – have been invited to reflect on east London’s layered histories and creative futures under the theme of Making East London. The works will be displayed across V&A East’s two sites – V&A East Museum and Storehouse – from the museum’s public opening on 18th April. For more, see vam.ac.uk.

• On Now: Londoners on Trial: Crime, Courts and the Public 1244-1924. This free exhibition at The London Archives explores the history of law and order in the city and draws on documents from famous cases involving the likes of 17th century pickpocket Moll Cutpurse, highwayman Dick Turpin, Jack Sheppard, Oscar Wilde, and suffragette Sylvia Pankhurst. runs until 25th February next year. For more, head to www.thelondonarchives.org/visit-us/exhibitions/londoners-on-trial.

• The work and impact of Elsa Schiaparelli, one of the 20th century’s most innovative fashion designers is the subject of a new exhibition at the V&A. Opening on Saturday in the Sainsbury Gallery, Schiaparelli: Fashion Becomes Art follows the fashion house’s evolution from its origins through to its present day incarnation under creative director Daniel Roseberry. It features more than 200 objects including garments, accessories, jewellery, paintings, photographs, sculpture, furniture, perfumes and archive materials. Highlights include the V&A’s Skeleton􏰋 dress and the Tear dress as well as a hat shaped to look like an upside-down shoe – all of which were conceived in collaboration with Salvador Dalí. There will also be artworks by Pablo Picasso, Jean Cocteau and Man Ray on display. Runs until 1st November. Admission charge applies. For more, see vam.ac.uk.

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This Week in London – St Patrick’s Day celebrations; Banqueting House ‘sneak peeks’; and, George Stubbs…

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St Patrick’s Day celebration in 2022. PICTURE: Sebastien Mercier/iStockphoto

• The St Patrick’s Day parade and celebrations in Trafalgar Square take place this Sunday. The parade, which features Irish County􏰀Associations, marching bands, dancers, musicians and carnival performers, kicks off at noon and heads along Piccadilly, through Piccadilly Circus, down Regent Street and then Cockspur Street before ending in the square. In the square, Irish comedian Rachel Galvo will host the main stage where acts will include traditional and contemporary performances from the likes of Irish Culture Centre Hammersmith’s Singing and Reminiscence Choir, Moonlight: The Philip Lynott Enigma, Carrie Baxter, Cór na nÓg Caisleán, Jig and Swig and the London Bodhrán Band, The Wran, Nell Mescal, Huartan, David Keenan and Robert Arkins ‘Commitments’. There’s also a tent hosting comedy, spoken word, music, and Irish film and TV shorts, an exhibition, Irish language lessons, children’s arts and crafts, and the ‘Oldbog Cottage’ experience. Meanwhile, celebrity chef Anna Haugh and The Wee Sister restaurant will be serving Irish dishes while the square will also host a range of stalls offering food, crafts and other Irish delights. For more, see london.gov.uk/events/st-patricks- festival-2026

Oil on canvas, 268 x 244.5 cm, ‘Scrub, a bay horse belonging to the Marquess of Rockingham’, George Stubbs, about 1762

• George Stubbs’ (1724-1806) monumental portrait of a rearing horse is at the centre of an exhibition which opened at The National Gallery this week. Alongside Scrub, a bay horse belonging to the Marquess of Rockingham (c1762), Stubbs: Portrait of a Horse also features other paintings and works on paper by the artist and visitors can compare the large-scale equine portrait with another of Stubbs’ masterpieces, Whistlejacket (c1762), which is on display nearby in Room 34. The exhibition can be seen in Room 1 until 31st May. Admission is free. For more, see www.nationalgallery.org.uk/.

• People are invited to visit the Banqueting House in Whitehall for a “sneak preview” following a major project to upgrade visitor facilities ahead of its formal reopening this summer. The 400-year-old building boasts a new passenger lift offering step-free access to the main hall, home, of Peter Paul Rubens’ masterpiece ceiling, for the first time while a new heating system has been installed along with a new sustainably sourced English Oak floor. The sneak previews will take place on 20th March, 3rd April, 1st May, 29th May and 26th June ahead of its reopening on 1st August. Admission charge applies. For more, see www.hrp.org.uk/banqueting-house/.

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This Week in London – Jock McFadyen’s large-scale Tube paintings revisited; Rose Wylie at the RA; new galleon arrives at Kensington Gardens; and, IWM Duxford’s new rooms…

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• Jock McFadyen’s large-scale Tube paintings have come together in a new exhibition opening at the Guildhall Art Gallery on Friday. Jock McFadyen with Jem Finer: Underground (and Surface) revisits McFadyen’s Underground series from the late 1990s and also features a layered soundscape by The Pogues’ Jem Finer which were composed from field recordings on the Northern and Central lines. Admission is by Pay What You Can. Runs until 20th September, 2026. For more, see www.cityoflondon.gov.uk/events/underground-and-surface-exhibition.

Rose Wylie, ‘Study for Red Twink’ (2002) Graphite and coloured pencil on paper, 31 × 42.5 cm (overall) Courtesy the artist and David Zwirner © Rose Wylie. Courtesy the artist and David Zwirner. Photo: Jack Hems

• The largest survey to date of celebrated British artist and Royal Academician Rose Wylie opens at the Royal Academy on Saturday. Rose Wylie: The Picture Comes First features more than 90 works, including Wylie’s most iconic, alongside new paintings and drawings. Works on show include those depicting memories of
family life and bombing raids in London during World War II such as Wing Tips and Blue Doodlebugs (2022/23), Room Project (2002-3) – Wylie’s first major series to receive significant critical acclaim, works on paper such as Bottom Teeth, Self-Portrait (2016), and works from the series Film Notes. It concludes with four large monochromatic paintings of animals in ginger, black, blue and red made directly by the artist onto the canvas using her hands. Runs in the Main Galleries until 19th April. Admission charge applies. For more, see www.royalacademy.org.uk/exhibition/rose-wylie.

• A life-sized wooden galleon has arrived in Kensington Gardens where it will become the centrepiece of the Diana, Princess of Wales Memorial Playground when it reopens this summer. The ship has been manufactured in Frasdorf, Germany, and is predominately made from mountain larch wood drawn from sustainably managed forests in the Bavarian Alps. It’s part of a £3 million renewal of the free-to-enter playground, which is inspired by the adventures of Peter Pan. For more, see www.royalparks.org.uk/visit/parks/kensington-gardens/diana-memorial-playground.

• Further Afield – Historic Duxford: Air Crew Room, Pilot’s Briefing Room and Pilots Locker Room. Three newly transformed historic rooms opened at IWM Duxford just south of Cambridge late last year, each of which contains newly acquired objects and interactive elements. The air crew room, located beside the Battle of Britain Hangar, tells the stories of the US 8th Air Force and RAF Bomber Command through personal objects belonging to former pilots and crew. They include false identity papers and the diary of American fighter pilot Lonnie Moseley of Duxford’s 78th Fighter Group who was forced to bail out of his P-47 Thunderbolt over France in 1944 and took shelter with a local French farmer’s family until returning to England. Nearby in the pilot’s briefing room, meanwhile, visitors can enjoy an audio-visual recreation of a real-life briefing given on D-Day in which they can sit among their ‘fellow pilots’. And in the pilot’s locker room, the everyday life of pilots who were stationed at Duxford in 1940 is explored including with interactive elements such as the opportunity to try on replica uniforms and see lockers containing recreated details of some of the pilots such as a conversation between 19 Squadron’s George ‘Grumpy’ Unwin and 302 (Polish) Squadron’s Julian Kowalski. The rooms can be visited with standard admission. For more, see www.iwm.org.uk/visits/iwm-duxford.

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This Week in London – Lunar New Year celebrations; Aardman at the Young V&A; and, the women in Dickens’ life…

by exploringlondon
PICTURE: Sandra Tan/Unsplash

• Lunar New Year festivities will be held in Chinatown in central London this weekend including lion dances and the Chinese New Year Parade. Lion dances will be held throughout Chinatown on Saturday and Sunday while the parade kicks off at 10am on Sunday just east of Trafalgar Square reaching the square at 12 where an afternoon of festivities will be held. For more, see www.london.gov.uk/events/lunar-new-year-festival-spring-2026. Meanwhile, Lunar New Year celebrations will also be held in Greenwich on Saturday. The celebrations include lion dances, musical and dance performances, a martial arts demonstration, workshops including one on Tibetan dance and another on lantern making and the chance to sample Asian food. For more, see www.rmg.co.uk/lunarnewyear.

• A new exhibition at the Young V&A in Bethnal Green takes a look behind the scenes of stop-motion classics such as Wallace & Gromit, Chicken Run and Shaun the Sheep. Inside Aardman: Wallace & Gromit and Friends, created primarily for children and families and marking Aardman’s 50th annversary, features some 150 objects including never-seen-before models, sets and storyboards from Aardman’s archives as well as interactive activities ranging from designing characters and experimenting with lighting through to creating live action videos. Among the items on show are early sketches of Wallace & Gromit, a hand-drawn storyboard from The Wrong Trousers (1993) train chase, Wallace & Gromit’s motorbike and sidecar from Vengeance Most Fowl (2024), and the airship model from The Pirates! (2012). Admission charge applies. Runs until 15th November. For more, see vam.ac.uk/young.

• The women who influenced Charles Dickens are at the centre of a new exhibition at the Charles Dickens Museum. Extra/Ordinary Women features a portrait of Dickens’ daughters, Katey and Mamie, on display for the first time, Catherine Dickens’s cookbook, and a draft preface to an 1857 manual for educating working class children written by penned by Angela Burdett Coutts and including edits by Dickens in blue ink as well as items owned by Ellen Ternan, best known for her 12-year extra-marital relationship with Dickens. Admission charge applies. Runs until 6th September. For more, see https://dickensmuseum.com/blogs/all-events/extra-ordinary-women.

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This Week in London – Lucian Freud’s etching plates and prints; The Jolly Postman at the Postal Museum; and, Beano at the Tower…

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• Newly acquired etching plates and prints of Lucian Freud’s go on display for the first time in a new exhibition at The National Portrait Gallery. Lucian Freud: Drawing into Painting, the UK’s first museum exhibition to focus on the artist’s works on paper, features rarely-seen drawings and preparatory studies alongside iconic paintings and is said to offer “unprecedented insight” into Freud’s creative process and working methods. The display features some 170 drawings, etchings and paintings and includes a look at the childhood drawings, sketchbooks, letters and unfinished paintings as well as a number of drawings and etchings that have a relationship with specific paintings. Runs until 4th May. Admission charge applies. For more, see www.npg.org.uk.

• An interactive exhibition celebrating 40 years of the much-loved children’s book The Jolly Postman opens at the Postal Museum on Saturday. Visitors are invited to follow Janet and Allan Ahlberg character on his postal rounds, from the Three Bears’ cottage, to Cinderella at the palace, and the Wicked Witch’s gingerbread bungalow with magical surprises at every stop and a treasure trove of original artwork, much of which is on display for the first time. The display shows how the Ahlbergs drew inspiration from the everyday magic of the post arriving through the letterbox to create their classic book. Admission charge applies (includes a ride on Mail Rail, and access to all the museum’s exhibitions, including The Jolly Postman for one year after the date of first visit). Runs until January 2027. For more, see www.postalmuseum.org/event/the-jolly-postman/.

• Beano arrives at the Tower of London for the February half-term with a twisting outdoor trail. With pieces of the Beano crews’ go-cart scattered across history, visitors are charged with helping track them down, repair the tangled timeline and transport Dennis and his pals back to Beanotown. Beano Mischief at the Tower of London runs from 14th until 22nd February. Admission charge applies. For more, see www.hrp.org.uk/tower-of-london/whats-on/beano-mischief-at-the-tower-of-london/.

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This Week in London – Love letters at the National Archives; photographs of the Pantanal; and, the Foundling Hospital Boys’ Band…

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PICTURE: Aaron Burden/Unsplash

• Love letters from some of the most famous – and infamous – love affairs have gone on show at the National Archives in Kew in the lead-up to Valentine’s Day. Love Letters features a note sent by Henry VIII’s fifth wife Catherine Howard to courtier Thomas Culpeper in 1541 – later used to prove they were having a treasonous affair, a never-before-seen love letter from the Cambridge Five spy ring’s “fifth man” John Cairncross to his 27-year-old girlfriend Gloria Barraclough, and, a letter Oscar Wilde’s lover Lord Alfred Douglas wrote to Queen Victoria on 25th June, 1895, begging her to exercise her “power of pardon” as Wilde began a two year sentence for gross indecency. Also included is a letter from Charles Kray in 1956, written to the courts on behalf of his son Ronnie, one of the notorious Kray twins, who was facing sentence for assault. The free display can be seen until 12th April. For more, see www.nationalarchives.gov.uk.

• More than 60 striking images showcasing the biodiversity of the Pantanal, a South American wetland, have gone on show at the Science Museum. Water Pantanal Fire features images by two of Brazil’s leading documentary photographers – Lala de Almeida and Luciano Candisani – which were taken between 2007 and 2024 and reveal a stark distinction between the teeming life seen in the region before fires and droughts ravaged the area, leaving a transformed barren landscape. The exhibition, which runs until the 31st May, is free to see. For more, see www.sciencemuseum.org.

• On Now: The Foundling Hospital Boys’ Band. This small display at The Foundling Museum in Bloomsbury looks at the history of the band from its founding in 1847 and explores how it shaped the boys’ lives with many of them graduating into professional military bands (in fact, by World War I, more than 80 per cent of the boys leaving the home went into military music. Admission charge applies. For more, see https://foundlingmuseum.org.uk/event/the-foundling-hospital-boys-band/.

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This Week in London – ‘Samurai’ at the British Museum; V&A East’s first exhibition; and, Jane Austen and the Royal Navy…

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Domenico Tintoretto, Portrait of Itō Mancio, Oil on canvas, Italy (1585), Property of Fondazione Trivulzio, Milan

• The evolution of the samurai over the past 1,000 years is the subject of a new exhibition at The British Museum. Samurai brings together around 280 objects and digital media as it explores the role of samurai as warrior as well as the later roles they fulfilled, during a prolonged peace after 1615, as government officials, scholars and patrons of the arts with women making up half of the samurai class. On display will be a suit of samurai armour, complete with helmet and golden standard, which was recently acquired by the museum as well as a vermillion red woman’s firefighting jacket, a rare portrait of Itō Mancio, a 13-year-old samurai who led an embassy to the Vatican in 1582, by Domenico Tintoretto (pictured), and a portrait of Henry, Count of Bourbon, which portrays him as a samurai warrior and which was commissioned by him while visiting Japan in 1889. The exhibition, which opens on 3rd February, runs until 4th May in The Sainsbury Exhibitions Gallery. Admission charge applies. For more, see www.britishmuseum.org/exhibitions/samurai.

• Tickets are now on sale for the V&E East Museum’s first exhibition, The Music is Black: A British Story. The multi-sensory exhibition features more than 200 objects ranging from musical instruments to soundtracks,
artworks, fashion, and personal belongings of world-famed artists including Winifred Atwell’s piano, the Nintendo Jme used for early music experiments, fashion worn by Little Simz, Seal, Dame Shirley Bassey and Skin and newly acquired photographs of Kemistry and Storm, Mis-Teeq, and Skepta. The exhibition opens on 18th April. Admission charge applies. For more, see www.vam.ac.uk/exhibitions/the-music-is-black-a-british-story

An etching print of the Canopus signed by artist Richard Henry Nibbs (c1849). PICTURE: ©National Maritime Museum, Greenwich, London.

• On Now: Jane Austen and the Royal Navy. This display at the National Maritime Museum marks the 250th anniversary of Jane Austen’s birth and features manuscripts relating to her youngest brothers Francis and Charles Austen, both of whom had naval careers, and explores Jane’s connections to the Royal Navy and the influence her brothers had in her works. Francis – known as Frank (born in 1774) – entered the Royal Navy at the age of 12 and rose through the ranks to eventually captain the HMS Canopus during the Napoleonic Wars while Charles (born in 1779) also entered the Navy at age 12, was on board the Endymion when it captured the French ship Le Scipio, was captain of the Phoenix when it was wrecked at sea and ended his career as commander-in-chief of the East Indies and China Station. The display in the Caird Library can be seen until March. Admission is free. For more, see www.rmg.co.uk/national-maritime-museum.

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This Week in London – Hawai’i’s history and culture; Green Plaque commemorates FA; and, Turner and Constable at the Tate…

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‘ahu ʻula (feathered cloak) sent by Kamehameha I to King George III, received by George IV © Royal Collection Enterprises Limited 2025 | Royal Collection Trust

• The history and artistry of Hawaii along with its relationship with Britain is the subject of a new exhibition at the British Museum. Hawai􏰄i: a kingdom crossing oceans commemorates 200 years since a series of events including the visit of Hawaiian King Liholiho (Kamehameha II) and Queen Kamāmalu to London with a royal delegation to seek alliance and protection from the Crown. Building from the visit of the Hawaiian party to the British Museum, the exhibition features around 150 objects and artworks, many of which have never seen seen before, with highlights including an ‘ahu ‘ula (feathered cloak) which was sent in 1810 by the first king of united Hawai’i, Kamehameha I, to King George III, a nine foot ki’i image of the god Kū, and the Anglo-Franco proclamation of 1843, on loan from The National Archives, which highlights the UK and France’s formal recognition of Hawai’i’s independence and emphasises diplomatic bonds between these nations. Opening today, the exhibition can be seen until 25th May in The Joseph Hotung Exhibition Gallery􏰊 (Room 35). Admission charge applies. For more, see britishmuseum.org/hawaii.

• The former headquarters of the Football Association (FA) has been commemorated with a City of Westminster Green Plaque at 22 Lancaster Gate, an address synonymous with the FA from the early 20th century until the 1990s. In a statement, the City of Westminster said the plaque, which was unveiled late last year, “celebrates the cultural and historical significance of the FA’s presence in the area and its role in English football history”.

• On Now: Turner & Constable. An exhibition at the Tate Britain focuses on two of Britain’s greatest painters, JMW Turner and John Constable, who were also great rivals. The display, which marks 250 years since their births – Turner in 1775 and Constable in 1776, features more than 170 paintings and works on paper as it explores their intertwined lives and legacies. Highlights include Turner’s momentous The Burning of the Houses of Lords and Commons (1835), not seen in Britain for more than 100 years, and Constable’s The White Horse (1819). Admission charge applies. Runs until 12th April. For more, see www.tate.org.uk/whats-on/tate-britain/turner-and-constable/exhibition-guide.

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This Week in London – Art deco at the London Transport Museum; art storage during WWII commemorated; and, William Dobson’s self-portrait…

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• An exhibition exploring the influence of the art deco movement on graphic poster design in on now at the London Transport Museum in Covent Garden. Art deco: the golden age of poster design features more than a hundred original 1920s and 1930s transport posters and poster artworks alongside photography, short films, ceramics and other objects to mark the centenary of the 1925 Paris exhibition where art deco originated. In the UK, Frank Pick, then-chief executive of London Transport, was the individual most responsible for advancing this form of graphic style, master-minding the publicity for the Underground and LT from 1908 onwards. A number of the posters in the exhibition in the Global Poster Gallery have never been put on public display before. Admission charge applies. For more, see www.ltmuseum.co.uk/whats-on/art-deco.

Jeremy Deller, designed and carved by John Neilson ‘Manod Slate Tablet’, 2025 © Jeremy Deller / John Neilson
Photo: The National Gallery, London

• An inscribed stone tablet commemorating the Welsh quarry where The National Gallery’s art was protected during World War II has been put on permanent display in the gallery. The tablet, made from slate taken from the Manod quarry in Eryri (Snowdonia), was conceived by the artist Jeremy Deller and designed and carved by letter-carver John Neilson. The work, which was commissioned by Mostyn, an art gallery in Llandudno and supported by CELF – the national contemporary art gallery for Wales, can be seen in the Portico Vestibule, close to Boris Anrep’s floor mosaic of Sir Winston Churchill depicted in war time. The Manod slate mine in north Wales was chosen to store the art after an earlier proposal to evacuate the works to Canada was vetoed over fears of U-boat attacks. At the mine, explosives were used to enlarge the entrance to allow access for the the largest paintings and several small brick ‘bungalows’ were built within the caverns to protect the paintings from variations in humidity and temperature. What was known as an ‘elephant’ case was constructed to transport the paintings on trucks from London and, by the summer of 1941, the entire collection had moved to its new subterranean home, where it was to remain for four years, returning to London only after the end of the war in 1945. For more see www.nationalgallery.org.uk/.

William Dobson, ‘Self-Portrait’, c1635-40. Image courtesy of Tate and the National Portrait Gallery

• A self-portrait by William Dobson, widely considered to be the first great painter born in Britain, has gone on display at Tate Britain alongside a Dobson’s portrait of his wife. Dobson’s painting, which was acquired by the Tate and the National Portrait Gallery, was made between 1635 and 1640 and is said to be a “groundbreaking example of English self-portraiture”. His Portrait of the Artist’s Wife (c1635-40), which joined Tate’s collection in 1992, depicts Dobson’s second wife Judith and would have been conceived around the time of their marriage in December, 1637. Dobson rose to the role of King Charles I’s official painter before his career was cut tragically short when he died at the age of 35. For more, see tate.org.uk/visit/tate-britain.

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This Week in London – Trafalgar Square Christmas tree to light up; new location for returning Sir John Tenniel plaque; and, Chinese crafts at the V&A…

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• The lights will be turned on the Trafalgar Square Christmas tree tonight. This year marks the 78th anniversary of the gift of the first Christmas tree to the people of London from the Norwegian city of Oslo in acknowledgement of the support Britain gave to Norway during World War II. The festivities will include the choir of St-Martin-in-the-Fields singing some well known Christmas carols to music led by the Regent Hall Band of the Salvation Army, the reading of a poem written by children who live in Westminster, a display by The Corps of Drums from the Band of His Majesty’s Royal Marines Collingwood and a performance by Det Norske Jentekor, The Norwegian Girls’ Choir, conducted by Anne Karin Sundal-Ask. Festivities start at 5pm and the lights switch on at 6pm. The tree will be in the square until 5th January after which it will be recycled. You can follow the tree on Instagram at  @TrafalgarTree, on TikTok at @TrafalgarTree, and on X at @TrafalgarTree.

• A Blue Plaque commemorating Alice in Wonderland illustrator and political cartoonist Sir John Tenniel has been returned to London’s streets – but to a different location than that where it was first positioned. The plaque, which is actually jade-green and white, was originally unveiled by the London County Council in 1930 at Tenniel’s longtime Maida Vale home (the colour was due to the request of the house-holder). But following its removal when the house was demolished in 1959, the plaque was so damaged that its destruction was authorised. But this wasn’t carried out and the plaque, which features an early “wreathed” design, has been in storage since. Following restoration, however, it has now been relocated to a new home – a property at 52 Fitz-George Avenue in West Kensington where Tenniel spent the final years of his life.

Figure from the ‘Century Doll’ series, glazed porcelain, by Yao Yongkang, 2004, Jingdezhen, China

• The first major UK exhibition exploring contemporary studio crafts in China is on now at the V&A South Kensington. Dimensions: Contemporary Chinese Studio Crafts features more than 80 objects including almost 50 new acquisitions and puts a spotlight on “contemporary and modern makers who build upon longstanding tradition to reinvent ancient practices, pioneer alternative techniques, and develop new channels for self-expression”. Many of the objects – displayed in the China and Ceramics galleries – sit in dialogue alongside permanent displays of historic Chinese craftsmanship. Highlights include large scale works such as Lin Fanglu’s She’s Bestowed Love (2025), that transforms intricate tie-dye practices into a monumental textile sculpture, more delicate pieces such as Zhang Huimin’s Golden Mammary 4 (2025), a brooch produced by pushing the boundary of filigree in a reinvention of traditional practice, a wall hanging by pioneering artist of studio pottery Tan Chang, as well as works by the three potters who were the first to be exhibited in China under the mantle of ‘modern ceramics’: Mei Wending, Zeng Li and Zeng Peng. Runs until 27th September next year. Free admission. For more, see www.vam.ac.uk/exhibitions/dimensions-contemporary-chinese-studio-crafts.

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LondonLife – Downing Street’s Christmas lights…

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Prime Minister Keir Starmer turns on the Christmas tree lights outside 10 Downing Street. PICTURE: Simon Dawson/No 10 Downing Street (licensed under CC BY-NC-ND 4.0)

This Week in London – Christmas at Hampton Court; Caravaggio’s Victorious Cupid; and, Romani art, culture and heritage…

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PICTURE: paulafrench/iStockphoto

• Christmas has come to Hampton Court Palace with the one-time home of King Henry VIII decorated with traditional decorations and hosting a range of Christmas-related activities. Musicians located throughout the palace are playing a mixture of classical tunes and familiar Christmas melodies while in the Wine Cellar “intriguing history” of Christmas is being brought to life in story-telling sessions. The culinary Christmas traditions of the Tudors, meanwhile, are on display in the historic kitchens with, between 20th December and 4th January, the Historic Kitchens team recreating recipes from the Tudor court. The Magic Garden is hosting a special playful outdoor adventure for younger ones between 17th December and 4th January. The Hampton Court Palace Ice Rink has also returned (until 4th January) and there’s a Christmas market being held in the Great Fountain Garden on 5th to 7th December and again on 12th to 14th December. The Festive Fayre will feature more than 100 independent exhibitors offering artisan food and drink, unique gifts and stocking fillers while there will be live music on the East Front bandstand and horse and cart rides in the grounds. Admission charge applies. For more on Christmas activties at the palace head to www.hrp.org.uk/hampton-court-palace/whats-on/christmas-festivities/.

• Caravaggio’s Victorious Cupid – never-before seen in public in the UK – is at the centre of a new exhibition which has opened at the Wallace Collection. The sculpture is presented with two Roman sculptures that along with the Caravaggio were all once part of the portfolio of Marchese Vincenzo Giustiniani (1564–1637), one of the most celebrated collectors of his day. The life-sized Cupid was once displayed along with works by the likes of Raphael, Titian and Giorgione in his grand palazzo located near the Pantheon in Rome along with an extensive gallery of classical sculpture. Caravaggio’s Cupid, which is free to enter, can be seen in the Exhibition Galleries until 12th April. For more, see www.wallacecollection.org/whats-on/exhibitions-displays/caravaggios-cupid/.

• A new display honouring the livelihoods, creativity and craft of Romani communities and their contribution to British society has opened at the London Museum Docklands. By Appointment Only: Romani art, culture and heritage centres on three works, Sugar Coated (2025) by Corrina Eastwood, Tap Your Heels Together Three Times (2025) by Delaine Le Bas and What Makes a Home? (2025) by Dan Turner. There’s also timeline by John-Henry Phillips which illustrates the history of Romani communities from 500-1000 up to 2022. This is displayed along with the Historic England film Searching for Romani Gypsy Heritage with John Henry Phillips (2024) and an oral history piece both of which contextualise the timeline. The exhibition in the Reflections Room is free. For more, see www.londonmuseum.org.uk/whats-on/by-appointment-only/.

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