And so the day has finally arrived. Following its usual bonging at midday today, the famous bell nick-named Big Ben has now controversially fallen silent as what have been described as “critical” conservation works are carried out.

How long the 13.7 tonne bell, which sits at the top of Elizabeth Tower (formerly known as the Clock Tower) at the northern end of the Palace of Westminster (also known as the Houses of Parliament) and is officially known as the “Great Bell”, will be silent remains something of a mystery.

Following uproar over the initial announcement that the bell would be silent for four years (until 2021), officials have now said that the plan will now be reviewed. There have also been claims that the bell will continue to toll for significance events such as Remembrance Sunday and New Year’s Eve (Conservative MPs also reportedly want the bell to toll as the UK leaves the EU on 29th March, 2019).

It should be noted that while the mechanism which strikes the bell will be stopped from doing so during works to protect the ears of those working on it, the clock faces on the tower will continue to show the time.

The giant bell, which was cast by the Whitechapel Bell Foundry, went into action on 11th July, 1859, and has been bonging almost continually since. It apparently stopped for two years during World War I for fears it would attract Zeppelins to the site and was silent during the funerals of former PMs Winston Churchill and Margaret Thatcher. It was last silent in 2007 when maintenance was carried out.

PICTURE: Athena/Unsplash

 

 

 

A special tribute to Diana, Princess of Wales – who died 20 years ago this month, is included in this year’s Summer Opening of Buckingham Palace. Located in the Music Room, the display features the desk at which the Princess worked in her Kensington Palace sitting room along with selected objects, many of which have been chosen by her two sons, Prince William and Prince Harry. They include a silver Cartier calendar – a gift to the Princess from President Ronald Reagan and his wife Nancy when the Prince and Princess of Wales visited in 1985, a wooden tuck box which belonged to the then Lady Diana Spencer when she was at school, her childhood typewriter, and small round enamel boxes which were commissioned as gifts for the Princess to give to hosts on official overseas trips – among those shown are one decorated with an image of Rio’s Christ the Redeemer statue which was taken on a 1991 official visit to Brazil. Meanwhile, this Saturday, a special family festival is being held at the palace, and adjoining Royal Mews and Queen’s Gallery. Featuring drop-in arts and crafts activities, dance and drama workshops and story-telling sessions, the festival runs from 10.30am to 3pm. Entry is included in the admission price. For more on the festival, see www.royalcollection.org.uk/whatson/event/847051/Family-Festival. The summer opening of the palace, and the special exhibition on Royal Gifts, runs until 1st October. See www.royalcollection.org.uk for more. PICTURE: Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017 .

An exhibition exploring how artist Henri Matisse’s personal collection of treasured objects were both subject matter and inspiration for his work opens at the Royal Academy of Arts this Saturday. Matisse in the Studio features about 35 objects displayed alongside 65 of Matisse’s paintings, sculptures, drawings, prints and cut outs. The collection of objects includes everything from a Roman torso and African masks to Chinese porcelain and North African textiles, with most of them on loan from the Musée Matisse in Nice. The display is arranged around five thematic sections – ‘The Object as an Actor’, ‘The Nude’, ‘The Face’, ‘The Studio as Theatre’ and ‘The Language of Signs’. Runs until 12th November. Admission charge applies. For more, see www.royalacademy.org.uk.

On Now – Plywood: Material of the Modern World. This exhibition in the V&A’s Porter Gallery celebrates that most versatile of building materials – plywood – and features more than 120 objects ranging from the fastest plan of World War II – the de Havilland Mosquito – to the downloadable, self-assembly WikiHouse. While fragments of layered board have been discovered in ancient Egyptian tombs, plywood really came into its own during the 19th century and has since been used to construct everything from an experimental elevated railway in mid-19th century New York to tea chests, hat boxes, and surfboards. Highlights include a 1908 book printed during Ernest Shackleton’s Nimrod expedition to Antarctica and bound with plywood covers, pieces by modernist designers including Alvar Aalto, Marcel Breuer, Grete Talk, Robin Day and Charles and Ray Eames, and striking examples of transport design including a 1917 moulded canoe, a 1960s British racing car with plywood chassis and some of the first ever surf and skate boards. A cluster of ice-skating shelters designed in plywood by Patkau Architects can be seen in the John Madejski Garden during the exhibition. Admission is free. Runs until 12th November. For more, see www.vam.ac.uk/plywood.

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London’s Docklands Light Railway – the DLR as it’s better known – is celebrating 30 years of operation. The railway was officially opened by Queen Elizabeth II in the summer of 1987 and then had just 11 single carriage trains serving 15 stations. Extended six times since and now including some 38 kilometres of track, it now serves 45 stations using mainly three carriage trains. Carrying some 6.7 million passengers in its first year, it now carries a massive 122 million people annually. To mark the occasion, Transport for London has released a Destination DLR travel guide featuring 30 attractions across east and south-east London all easily reached by the DLR, ranging from the National Maritime Museum at Greenwich and the Tower of London to Queen Elizabeth Olympic Park and Wilton’s Music Hall. Transport for London have also released a new diagram of the DLR system (pictured below). PICTURES: Transport for London.

The life of gladiators in Roman Londinium and that of those who watched them are explored in a new exhibition opening in the remains of the city’s 7000 seat amphitheatre under the Guildhall Art Gallery. Featured as part of the display will be a Roman skull uncovered during excavations in the Walbrook Stream which, dated to around 150 AD, shows evidence of substantial head trauma at the time of death and is the closest archaeologists have come to identifying a potential gladiator in Londinium. Trauma, which is free to enter, opens tomorrow and runs until 29th October. For more, see www.cityoflondon.gov.uk/guildhallartgallery.

A landmark exhibition examining what it was like to be a black artist in the US during the civil rights movement and the purpose and audience of art during the emergence of ‘black power’ has opened at the Tate Modern. Soul of a Nation: Art in the Age of Black Power spans the era from 1963 to 1983, a time when race and identity become major issues across many spheres of society including music, sports and literature thanks to the likes of Aretha Franklin, Muhammad Ali and Toni Morrison. The display features more than 150 works by more than 60 artists, many of which are on display in the UK for the first time. Running until 22nd October, it is accompanied by a programme of talks and events. Admission charge applies. For more, see www.tate.org.ukPICTURE: Muhammad Ali by Andy Warhol/Tate Modern

The future of the world’s major cities – including London – is the subject of a new major exhibition which has opened at the Museum of London. The City is Ours is split into three sections: ‘Urban Earth’, centred on a 12 minute infographic film with comparative data about megacities such as London, Sydney, Tokyo, New York and Sao Paolo; ‘Cities Under Pressure’, which provides an overview of the risks, challenges and demands facing global cities through digital and physical interactive displays; and, ‘Urban Futures’, which presents solutions to the challenges increasing urbanisation poses. In addition, the exhibition takes a look at 25 innovative projects which are now taking place across London to improve life for its inhabitants. The free exhibition, part of the year-long City Now City Future season, can be viewed until 2nd January. For more, check out www.museumoflondon.org.uk/thecityisours.

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ZSL London Zoo opened the gates to its new Zoorassic Park last weekend enabling families to step back in time to the Mesozoic era and experience life with the dinosaurs. Featuring life-size, moving dinosaurs ranging from a tyrannosaurus rex (above) to a triceratops (below), the exhibit, will provide insight into the lives of the extinct giants as well as the important work conservationists are doing now to help save today’s animals from the same fate Included in the price of entry into the zoo, the exhibit is only open until 3rd September. For more, see www.zsl.org. PICTURES: ZSL London Zoo.

The exchanging of gifts on Queen Elizabeth II’s official engagements both in the UK and overseas is the subject of a special exhibition at this year’s summer opening of the Buckingham Palace State Rooms. Displayed throughout the rooms are more than 250 objects from more than 100 countries and territories and among the gifts on show is the Vessel of Friendship (pictured), a model of a 15th century ‘treasure ship’ sailed by Chinese navigator and diplomat Zeng He which was presented to the Queen by President Xi Jinping of China during a State Visit to Buckingham Palace in October, 2015. There’s also a colourful beaded Yoruba throne presented to the Queen by the people of Nigeria in 1956, a pair of baskets woven from coconut leaves given by Queen Salote Tupou III of Tonga during a visit by the Queen and Duke of Edinburgh in 1953, and a wooden totem pole presented to the Queen during a visit to Canada in 1971. Royal Gifts can be seen at the palace from Saturday until 1st October. Admission charge applies. For more, see www.royalcollection.org.uk. PICTURE: Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017.

The lives of some of London’s most popular entertainers is the subject of a new exhibition at the London Metropolitan Archives in Clerkenwell. Life on the London Stage employs documents, prints and photographs to depict the lives of entertainers from the days of the Elizabethan theatre through to the 20th century. Among those whose lives are depicted are everyone from Edmund Keen and Dame Ellen Terry to Sir Henry Irving and Charlie Chaplin. Objects on show include documents recording the tragic life of William Shakespeare’s brother Edmund Shakespeare, Sir Laurence Olivier’s orders for bespoke boots and letters from Carry On actor Kenneth Williams to a young fan. Runs until 6th December. Admission is free. For more, see www.cityoflondon.gov.uk/lma.

Three time British Open champion and perhaps the first ‘celebrity golfer’ Henry Cotton has been honoured with an English Heritage Blue Plaque. The plaque, which was unveiled earlier this month, is located at the golfer’s former home at 47 Crystal Palace Road in East Dulwich. Cotton lived there with his family during his early years and developed the skills that would later lead to his success in the sport. For more, see www.english-heritage.org.uk/visit/blue-plaques/.

Head to the countryside at Kew Gardens as it hosts an ‘Insect Adventure Camp’ in its newly named ‘Natural Area’ of native woodlands this summer. The camp features bell tents, woodland houses, picnic tables and trails which will host a series of family-friendly activities including animation workshops, insect safaris and the chance to explore specimens under a microscope. Other attractions at the gardens this summer include a virtual reality climbing experience following head arborist Tony Kirkham as he scales at 150-year-old Giant Redwood, the return of the kitchen gardens, the Hive installation and the Kew Science Festival. Admission charges apply. Dates vary for different events, so head to www.kew.org for more information.

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The 25.2 metre long skeleton of a blue whale named Hope along with that of an American mastodon, a meteorite which is one of the oldest specimens in Earth, a taxidermal display of a giraffe and giant coral are among items on display in the Natural History Museum’s newly transformed Hintze Hall from tomorrow. Selected from the museum’s more than 80 million specimens, the sometimes historic items are at the heart of 10 new displays which go on show in the ground floor alcoves known as ‘wonder bays’ as part of what is being described as a “once-in-a-generation” transformation of the 136-year-old museum. The 10 ‘wonder bays’ include five on the eastern side of the building focused on the origins and evolution of life on earth while those on the western side show the diversity of life on earth today. Elsewhere in the museum, hundreds of new specimens have been introduced including those in two new displays on the first floor balconies: the ‘Rocks and Minerals Balcony’ on the east side which features almost 300 rocks, ores and minerals and the ‘Birds Balcony’ on the west side which features more than 70 birds from as far afield as New Zealand and the Falkland Islands. To coincide with the new displays is the launch of a new summer exhibition – Whales – which features more than 100 specimens showing the diversity of whales, dolphins and porpoises. Featuring species ranging from the double-decker bus sized sperm whale – the largest toothed predator on Earth – to the 1.5 metre long harbour porpoise – one of the smallest cetaceans, the exhibition’s highlights include skulls revealing how whales sense and their eating habits, organs showing how they breathe and digest food and flippers which reveal swimming styles. For more on the exhibition and the transformation of the South Kensington museum, see www.nhm.ac.uk. PICTURE: Blue whale in Hintze Hall © The Trustees of the Natural History Museum, London.

The mysterious fate of Sir John Franklin and his 128 man crew – last seen in Baffin Bay in July, 1845, as they sailed in search of the North-West Passage – is the subject of a new landmark exhibition opening at the National Maritime Museum in Greenwich tomorrow. Death In The Ice: The Shocking Story of Franklin’s Final Expedition tells the story of the disappearance of the HMS Erebus and HMS Terror and the largely unsuccessful expeditions which were launched in the following 30 years to find them as well as the more recent work of forensic anthropologist, Dr Owen Beattie, and the 1845–48 Franklin Expedition Forensic Anthropology Project (FEFAP), and the eventual discovery of the remains of the HMS Erebus in 2014 and the HMS Terror in 2016. At the heart of the exhibition are objects found by Parks Canada’s archaeological teams including personal items, clothing and ship components with those from the Erebus, including the ship’s bell, being shown for the very first time since their discovery and some items found in earlier searches. Along with an examination of the Victorians fascination with the fate of the men, the exhibition will also show the significant role the Inuit played in learning their fate as well as in relation to recording the European exploration of the Arctic more generally and includes numerous Inuit objects, some of which incorporate materials of European origins traded from explorers or retrieved from abandoned ships. Developed by the Canadian Museum of History in partnership with Parks Canada and the National Maritime Museum and in collaboration with the Government of Nunavut and the Inuit Heritage Trust, the exhibition runs until 7th January. Admission charge applies. For more see www.rmg.co.uk/franklin.

Fifty drawings from Britain’s finest collections by artists including Leonardo da Vinci, Albrecht Durer, Peter Paul Rubens and Rembrandt van Rijn and eight portraits by Hans Holbein the Younger from the Royal Collection have gone on show at the National Portrait Gallery. The Encounter: Drawings from Leonardo to Rembrandt includes many rarely seen works with all those on show chosen because they captured an apparent moment of connection between the artist and a sitter. While some of those pictured in the portraits can be identified – such as the emperor’s chaplain or the king’s clerk, many are simply faces seen in the street, such as those of a nurse or a shoemaker or an artist’s friend or student. The display also includes the types of tools and media used to create the artworks and shows how the artists moved away from using medieval pattern books to studying figures and faces from life. Runs until 22nd October. Admission charge applies. For more, see www.npg.org.uk/encounter.

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• An new exhibition marking the 100th anniversary of the Women’s Royal Naval Service opens at the Old Royal Naval College in Greenwich on Saturday. The free display explores the lives and experiences of the women who served and trained at Greenwich, spanning the period from World War I to the late 1970s. As well as covering the role of the WRNS during the first and second World Wars, the exhibition also looks at the post war experiences of the Wrens and features 16 new interviews and rarely seen photographs which bring to life this chapter in the history of the Old Royal Naval College. The exhibition can be seen until 3rd December. Entry is free. For more, www.ornc.org/wrns. PICTURE: Newly commissioned WRNS officers at Greenwich, 1969. Courtesy Old Royal Naval College.

An English Heritage blue plaque commemorating Stella Reading, founder of the Women’s Voluntary Services, was unveiled at the organisation’s former London headquarters this week. Lady Reading (1894-1971) founded the “army that Hitler forgot” from a single room in the building in 1938 with the so-called ‘ladies in green’ going on to serve in a range of roles – from looking after child evacuees and collecting aluminium for aircraft to serving thousands of cups of tea from static and mobile canteens. The plaque at 41 Tothill Street in Westminster was unveiled by actress and Royal Voluntary Service ambassador Dame Patricia Routledge. For more on blue plaques, see www.english-heritage.org.uk/visit/blue-plaques/.

A year-long season of Korean art in the UK is being launched with a free festival at Olympia London this Saturday. The family-friendly London Korean Festival features food tastings, Korean drumming, martial arts exhibitions, traditional craft workshops and a sneak peak at the Olympic Winter Games in PyeongChang using the latest VR technology. There’s also a chance for budding K-Pop stars to audition for the K-Pop World Festival and a ticketed evening concert at 7pm featuring four K-pop sensations. The free daytime festival runs from 11am to 5.30pm. For more information, visit www.kccuk.org.uk. Tickets for the K-Pop concert can be obtained at londonkoreanfestival.co.uk.

On Now: Picturing Hetty Feather. This exhibition at The Foundling Museum in Bloomsbury explores the depiction of the Foundling Hospital through the life of the fictitious Victorian foundling Hetty Feather. Feather first came to life in 2008 and Dame Jacqueline Wilson has since gone on to write four more books about the spirited character, the first two of which feature the Foundling Hospital. The popularity of the books, which have sold millions of copies, has resulted in a stage show and TV series. This exhibition, the first devoted to Hetty Feather and the Foundling Hospital, explores the ways in which curators, writers, directors and designers have used historical evidence (and gaps in it) to bring the 19th century hospital to life. Objects on show include props and original costumes from the CBBC TV series as well as treasures from the Foundling Hospital Collection and the exhibition also includes immersive experiences such as the chance for visitors to try on costumes, try their hand at script writing and discover their own ‘picturing’ abilities (a reference to the imaginative story-telling Hetty employs to help her cope with life’s challenges). Runs until 3rd September. Admission charge applies. For more (including information on associated events), see foundlingmuseum.org.uk.

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Restored and altered as part of the creation of the Victoria and Albert Museum’s £54.5 million Exhibition Road Quarter project, the screen was originally built in 1909 to conceal the museum’s boilers. 

Named for renowned architect Sir Aston Webb, who designed the screen as part of his masterplan of the V&A conceived in the last 1800s (but who is perhaps most famous for designing the facade of Buckingham Palace), the screen originally featured a solid stone wall along Exhibition Road on the museum’s west side topped with a colonnade (through which glimpses of the buildings behind could be seen) and featuring a central arch through which to enter the museum.

The screen, which was damaged during World War II by shrapnel, later had black metal gates fitted in the arch for security. They were topped by a large coat-of-arms.

Under the guidance of architect Amanda Levete and her practice AL_A, the work – which actually involved moving the screen off-site in 2013 and then reassembling its 1375 stones last year – has seen the removal of the wall so that people now have 11 entrances into the courtyard beyond (now redesigned as the porcelain-tiled Sackler Courtyard).

Which means the screen that was once designed to hide what was beyond it has been recast to reveal it instead.

The screen – and the Exhibition Road Quarter project as a whole – is being unveiled to the public today. The V&A is hosting a week long event to celebrate the completion of the project.

WHERE: Aston Webb Screen, Exhibition Road entrance, Victoria and Albert Museum, South Kensington (nearest Tube station is South Kensington); WHEN: Anytime; COST: free; WEBSITE: www.vam.ac.uk

PICTURE: The Aston Webb Screen, the V&A Exhibition Road Quarter, designed by AL_A ©Hufton+Crow

 

 

The Victoria and Albert Museum is celebrating the opening of its ‘Exhibition Road Quarter’ with a week long public festival featuring art, performances, fashion and family activities. Kicking off tomorrow (Friday), the REVEAL festival also coincides with the museum’s 165th anniversary. It opens with a music and digital-themed Friday Late, hosted in the Boiler Room, and culminates on 7th July with Fashion in Motion, four special catwalk shows in the new Sainsbury Gallery featuring Molly Goddard, British emerging talent winner at the 2016 Fashion Awards. Other events during the week include an immersive light experience by Simon Heijdens, a special performance by Julie Cunningham & Company responding to Yoko Ono’s ‘Dance Pieces’, a new hybrid opera by Anat Ben-David, and musical performances with the Royal College of Music and Albert’s Band from the Royal Albert Hall. The week also includes collaborations with partners from across Exhibition Road, including Discover South Kensington, Imperial College London, the Natural History Museum, Royal Albert Hall, the Royal College of Music and the Science Museum. The V&A’s Exhibition Road Quarter has been designed by Stirling Prize-winning architect Amanda Levete and her practice AL_A and, the museum’s largest architectural intervention in the past 100 years, it comes with new public areas and gallery spaces as well as revealing the historic facades of the existing Grade I buildings. The new spaces include the 1,100 square metre Sainsbury Gallery, the all-porcelain Sackler Courtyard and a new entrance from Exhibition Road, The Blavatnik Hall. A 1909 feature – the Astor Webb screen – has also been restored and incorporated into the design. Entry to the festival is free. For more, see vam.ac.uk/reveal. PICTURE: The Sackler Courtyard and Cafe, V&A Exhibition Road Quarter, designed by AL_A.

The Mayor of London, Sadiq Khan, has called on Londoners from all communities to join in this year’s Eid Festival celebrations in Trafalgar Square as a gesture of solidarity with those affected by the Finsbury Park attack and the Grenfell Tower fire, which, like Finsbury Park, affected many Muslim families. The event, held to mark the end of Ramadan, will feature live music and performances, arts and crafts, exhibitions, calligraphy, henna, face painting and food from across the world. Highlights include Rai musician Cheb Nacim, British Sudanese artist Rasha from the Shubbak festival, children’s writer Hajera Memon – who will be promoting her childrens’ book Hats of Faith, beat-boxer Omar Sammur, breakdancer Hakim, and a bazaar-style market area. The free event runs between noon and 6pm. For more, see www.london.gov.uk/eid.

A series of newly commissioned installations exploring perceptions and connections to colour have gone on show at the Design Museum. Breathing Colour, by designer Hella Jongerius is an installation-based exhibition that blurs the boundaries between art and design. The display is divided into separate spaces that simulate light conditions at morning, noon and evening and explore the impact of changing light on our perception of colour. Each of the three spaces includes a series of three dimensional objects as well as textiles, some of which have been hand-woven. Runs until 24th September at the Kensington High Street premises. Admission charge applies. For more, see www.designmuseum.org.

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The lives of three German princesses whose marriages into the British royal family during the Georgian era placed them right at the heart of progressive thinking in 18th century Britain are the subject of a new exhibition which opens at Kensington Palace today. Enlightened Princesses: Caroline, Augusta, Charlotte and the Shaping of the Modern World looks at how these three women – committed patrons of the arts and sciences – “broke the mould” in terms of their contributions to society, through everything from advocating for the latest scientific and medical advances to supporting the work of charities, changing forever the role women played in the British royal family. Caroline and Charlotte became queens consort to King George I and King George III respectively while Princess Augusta was at various times Princess of Wales, Regent and Princess Dowager (as mother to King George III) and between them, they had more than 30 children. But alongside their busy family lives, they also were at the centre of glittering courts where the likes of writers Alexander Pope and Jonathan Swift, scientist Isaac Newton and composer George Frideric Handel as well as successive Prime Ministers and international statesmen were welcomed. The display features almost 200 objects owned by the princesses, such as Charlotte’s hand-embroidered needlework pocketbook, pastels painted by their children and artworks and fine ceramics commissioned by some of the greatest artists and craftsmen of their day. The exhibition, which has previously been at the Yale Center for British Art, runs until 12th November. Admission charge applies. For more, see www.hrp.org.uk/kensington-palace/.

The UK’s first major exhibition featuring the watercolours of Anglo-American artist John Singer Sargent in almost 100 years has opened at the Dulwich Picture Gallery in south London. Sargent: The Watercolours features almost 80 works produced between 1900 and 1918, what was arguably his greatest period of watercolour production. Sargent mastered the art during expeditions in southern Europe and the Middle East and the show features landscapes, architecture and figurative scenes, drawing attention to the most radical aspects of his work – his use of close-up, his unusual use of perspective and the dynamic poses of his figures. The works include The Church of Santa Maria della Salute in Venice (c1904-1909), the mountain landscape Bed of a Torrent (1904), and figure study The lady with the umbrella (1911). The exhibition runs until 8th October. Admission charge applies. For more, see www.dulwichpicturegallery.org.uk. PICTURE: John Singer Sargent – Pool in the Garden of La Granja, c. 1903, Private Collection

The 249th Summer Exhibition has opened at the Royal Academy with Mark Wallinger, Yinka Shonibare and Antony Gormley among those with works on show. About 1,200 works are featured in the display with highlights including Shonibare’s Wind Sculpture VI, a new large scale work from Gilbert & George’s ‘Beard Speak’ series and, for the first time, a focus on construction coordination drawings, showing the full complexity of a building, in the Architecture Gallery. Runs until 20th August. Admission charge applies. For more, see www.royalacademy.org.uk.

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We pause for a moment before our regular coverage to remember all those affected by the Grenfell Tower fire in north Kensington.

• Giovanni da Rimini’s 700-year-old work, Scenes from the Lives of the Virgin and Other Saints, has gone open show at The National Gallery. Acquired by the gallery in 2015 on the understanding that the panel will largely remain with New York collector and philanthropist Ronald S Lauder during his lifetime but for limited exceptions such as this, the panel forms the centrepiece of the exhibition Giovanni da Rimini: A 14th Century Masterpiece Unveiled. It brings together Giovanni da Rimini’s three easel works – also including Scenes from the Life of Christ (on loan from the Galleria Nazionale d’Arte Antica, Palazzo Barberini in Rome) and The Virgin and Child with Five Saints (on loan from the Pinacoteca Communal, Faenza, Italy) – for the first time in the UK. There are seven panel paintings in the display in total as well as two ivory panels and a fragment of an illuminated leaf. Alongside works by Giovanni da Rimini are those by Neri da Rimini, Francesco da Rimini/Master of Verruchio, Giovanni Baronzio and the great Florentine painter Giotto. The display can be seen in Room 1 until 8th October. Admission is free. For more, see www.nationalgallery.org.uk. PICTURE: Scenes from the Lives of the Virgin and other Saints (c 1300-1305), Giovanni da Rimini 1300-1305. © The National Gallery, London.

Dulwich Picture Gallery is celebrating the 200th anniversary of its public opening with a series of free late openings on Friday nights. Running until the end of July, the themed evenings feature performance, talks, and music with food and drink in the pavilion bar supplied by The Camberwell Arms. The nights include one of exploring how the memory of people, buildings, places and experiences influences and impacts architecture (16th June), tours of the gallery in which dancers are the guides (23rd June and 14th July), and a botanical themed evening with flower workshops, infused cocktails and other “green-fingered creativity” (28th July). For the full programme, see www.dulwichpicturegallery.org.uk/whats-on/.

An exhibition focusing on the 600 year history of the Worshipful Company of Stationers and Newspaper Makers has opened at the Guildhall Library in the City of London. The free exhibition joins the existing photographic display, Books and Publishing in the City, which features the work of artist-in-residence Simon Gregor and includes images of streets, buildings and documents with a particular focus on Stationers’ Hall. Both run until 31st August. For more, follow this link.

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The RHS Chelsea Flower Show was held in London last week at the Royal Hospital in Chelsea and was once again a celebration of horticultural creativity and beauty. Here’s just a sample of what was on show…

Above, animal sculptures are displayed on the Easigrass exhibit while, below, a visitor listens to an audio recording whilst viewing a floral installation on the Interflora exhibit.

ALL PICTURES: RHS/Luke MacGregor.

Above, a visitor views “Neoteric” a floral installation by Robert Hornsby.

Above, lilies are displayed on the Harts Nursery exhibit.

Above, stilt walker “Mrs Flora” poses on the Big Hedge Co. garden.

 

The later years of the life of Japan’s greatest artist, Katsushika Hokusai (1760-1849), is the subject of a new exhibition at the British Museum. Hokusai: beyond the Great Wave features his iconic print, The Great Wave (c1831), along with works he created during the last 30 years of his life until his death at the age of 90. Around 110 works – major paintings, drawings, woodblock prints and illustrated books depicting everything from iconic land and seascapes, to deities, mythological creatures, flora and fauna, and beautiful women – will be on display with about half the artworks changed over midway through the exhibition due to conservation reasons. Alongside The Great Wave, other key works, which come from the British Museum’s own collection as well as loans from Japan, Europe and the US, include Hokusai’s print series, Thirty-Six Views of Mt Fuji (published around 1831-33), a depiction of Red Shoki (the demon queller) – borrowed from the Metropolitan Museum in New York, and his brush drawing manual Hokusai manga. The exhibition, which opens today, runs until 13th August in Room 35. Admission charge applies. For more, see www.britishmuseum.org. PICTURE: British Museum

The fashions of Cristóbal Balenciaga are on show at the V&A in the first ever UK exhibition to explore his work and influence. Marking the centenary of the opening of Balenciaga’s first fashion house in San Sebastian and the 80th anniversary of the opening of his famous Paris house, Balenciaga: Shaping Fashion focuses on the latter part of his career in the 1950s and 1960s, a period during which he dressed some iconic figures and introduced revolutionary shapes such as the ‘baby doll’, the tunic and the sack. More than 100 garments and 20 hats are featured with highlights including ensembles made for Hollywood actress Ava Gardner, dresses and hats belonging to Sixties fashion icon Gloria Guinness and pieces worn by one of the world’s wealthiest women, Mona von Bismarck. Opens on Saturday and runs until 18th February. Admission charge applies. For more, see www.vam.ac.uk/balenciaga.

British female cartoonists and comic artists are celebrated in an exhibition on now at the Cartoon Museum in Bloomsbury. The Inking Woman features the work of more than 80 artists as it traces the evolution of British women in their role as satirists, humorists and story-tellers. Among them are Mary Darly, 18th century print seller, artist and the author of the first book on the art of caricature, Principles of Caricatura (1762), Marie Duval, an early artist for the 19th century magazine Judy, Sally Arts, Grizela and Kathryn Lamb – cartoonists for mainstream publications like Punch and Private Eye, political and joke cartoonists, strip cartoonists and caricaturists and comic artists and graphic novelists. Runs until 23rd July. Admission charge applies. See www.cartoonmuseum.org.

• An eight foot high snail will be touring The Royal Parks from the end of the month as part of The Royal Park’s Mission: Invertebrate. Funded with £600,000 from the People’s Postcode Lottery, the project aims to inspire people with the “amazing story of nature’s unsung workforce” and help park managers gain better insight into the 4,100 invertebrates species which live in The Royal Parks’ 5,000 acres. The snail, which will be visiting the parks during the half-term break and summer holidays, will bring with it interactive story-telling and a range of free, creative activities. For a full itinerary of the snail’s wanderings, head to www.royalparks.org.uk/be-involved/mission-invertebrate/family-programme.

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Methods employed by world renowned 18th century Venetian painter Canaletto in creating his evocative images of the city where he lived are the subject of a new exhibition which opens at The Queen’s Gallery in Buckingham Palace tomorrow. Canaletto & the Art of Venice showcases the findings of recent research in an exhibition which focuses on the Royal Collection’s remarkable group of paintings, drawings and prints by the artist – a collection obtained by King George III in 1762 from dealer (and the then-British Consult in Venice) Joseph Smith. Royal Collection Trust conservators used infrared technology to uncover previously hidden marks on drawings, providing new insights into Canaletto’s artistic techniques and casting doubt on a long held theory that he used a camera obscure to achieve topographical accuracy in his work. The exhibition, which features more than 200 paintings, drawings and prints, displays his work alongside that of contemporary artists Sebastiano, Marco Ricci, Rosalba Carriera, Francesco Zuccarelli, Giovanni Battista Piazzetta and Pietro Longhi. Runs until 12th November. Admission charge applies. For more, see www.royalcollection.org.uk. PICTURE: Canaletto, The Grand Canal looking East from Campo San Vio towards the Bacino, c.1727-8, from a set of 12 paintings of the Grand Canal. Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

• A rare ‘First Folio’ of William Shakespeare’s work – widely regarded as one of the most perfect copies in existence – will be available for viewing before an outdoor performance of Twelfth Night next month. Five actors from acting company The Three Inch Fools will perform the comedy in the St Mary Aldermanbury’s Garden on 1st June at 7pm, the same garden where Henry Condell and John Heminges, two of the Bard’s co-partners at the Globe Theatre and the men behind the production of the First Folio in 1623, were buried. Those attending the performance will be given the chance to view the folio in the nearby Guildhall Library before the performance. Tickets to this one night only opportunity can be purchased from Eventbrite.

Author and naturalist William Henry Hudson, whose work so inspired author Ernest Hemingway that his name was referenced in Hemingway’s first novel The Sun Also Rises, has been commemorated with a City of Westminster Green Plaque in Leinster Square, Bayswater. Born the son of British parents in Argentina, Hudson came to Westminster after leaving South America in 1874. An early support of the Royal Society for the Protection of Birds, his books on the English countryside became famous and helped foster the back to nature movement of the 1920s and 1930s.

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Marking 50 years since the release of their first album, The Piper At The Gates Of Dawn, a new exhibition opens at the V&A this Saturday celebrating the work of pioneering band Pink Floyd. The Pink Floyd Exhibition: Their Mortal Remains is an “immersive, multi-sensory and theatrical journey” through the “extraordinary world” of the band, encompassing their music as well as their iconic visuals and staging, which included ground-breaking use of special effects, sonic experimentation and imagery. The exhibition features more than 350 objects with highlights including set and construction pieces from some of the band’s most famous album covers and stage performances including the more than six metre tall metallic heads from 1994’s The Division Bell and a life-sized model of a British soldier seen in the artwork of 1988’s The Final Cut as well as instruments such as David Gilmour’s famous ‘Black Strat’, Roger Waters’ handwritten lyrics songs Wish You Were Here and Have a Cigar and psychedelic prints and posters. There is also never-seen-before classic Pink Floyd concert footage and a custom-designed laser light show as well as an accompanying sound experience – featuring past and present band members – provided by Sennheiser. Runs until 1st October. Admission charge applies. For more, see www.pinkfloydexhibition.com. PICTURE: © Pink Floyd Music Ltd photo by Storm Thorgerson/Aubrey ‘Po’ Powell 1971 Belsize Park

The ongoing conflict in Syria is the subject of a new exhibition at the Imperial War Museum which explores its origins, escalations and impacts. Syria: Story of a Conflict features a collection of objects – some of which have recently come from Syria – which point to the tragic and complex nature of the conflict as well as a film installation and a series of personal stories from Syrians affected by the fighting. It runs alongside a collection of more than 60 photographs by award-winning Russian documentary photographer Sergey Ponomarev taken around the conflict, a number of which are being displayed for the first time. Both the photography display – Sergey Ponomarev: A Lens on Syria – and the exhibition are part of the IWM’s Syria: A Conflict Explored ‘season’, with Syria the first contemporary conflict to be explored in the Imperial War Museum’s ‘Conflict Now’ ‘strand’, launched to coincide with the museum’s centenary. Both the exhibition and photographic display can be seen until 3rd September. Admission to both, which are accompanied by a programme of events including debates and tours, is free. For more, see www.iwm.org.uk/exhibitions/iwm-london/syria-a-conflict-explored

The work of sculptor, painter and draughtsman, Alberto Giacometti, is the subject of a new exhibition at the Tate Modern – the UK’s first major retrospective of his work for 20 years. More than 250 works are featured in the exhibition, which draws on the collection of Paris’ Fondation Alberto et Annette Giacometti, including rarely seen and never before exhibited plasters and drawings as well as works from across the span of Giacometti’s 50 year career – from Head of a Woman [Flora Mayo] (1926) to Walking Man 1 (1960). While Giacometti is best known for his bronze figures, Tate Modern is, in this exhibition, repositioning him as an artist with a far wider interest in materials and textures, especially plaster and clay, Runs until 10th September. Admission charge applies. See www.tate.org.uk.

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The Great Parchment Book, known as the ‘Domesday Book’ of the Ulster Plantation (now part of Northern Ireland), has gone on display at the City of London’s Heritage Gallery, located in the Guildhall Art Gallery. The book was compiled in 1639 and documents the period following King James I’s settlement of English and Scottish Protestants in Ulster. It came about after King Charles I seized estates around Derry which were managed by the Irish Society on behalf of the City of London and City livery companies and a survey was done to gather information about the lands. Stored at Guildhall, The Great Parchment Book was damaged in a fire in 1786 but following conservation is now on display. Runs until 10th August. Admission is free. For more, see www.greatparchmentbook.org. PICTURE: Courtesy City of London Corporation.

Works by Damien Hirst and David Hockney are among those on show in #LondonTrending which opens at the Guildhall Art Gallery today. A selection of limited edition prints on loan from British Land’s collection charts how collectives of London-based artists created some of the 20th century’s most innovative art. The display will also feature prints by pop artists Peter Blake, who created the sleeve design for The Beatles’ Sgt Pepper’s Lonely Hearts Club Band album, and Eduardo Paolozzi, who designed the mosaic patterned walls at Tottenham Court Road tube station as well as works by Richard Hamilton, Patrick Procktor, Jan Dibbets, Richard Long, Bruce McLean, Michael Lady, Simon Patterson, Gary Hume and Ian Davenport. Runs until 28th August in the Temple Room. Admission is free. A series of curator talks are scheduled. For more, see www.cityoflondon.gov.uk/londontrending.

Sheila Rock’s iconic portraits of musicians ranging from Sir Simon Rattle to Siouxsie Sioux are on show at the City of London’s Barbican Music Library. Picture This includes a wide range of her vintage prints including her work for album and vinyl 12” releases such as the shot of Debbie Harry used in 1978 for Blondie’s Denis’ 12. Other images included in the display feature Irish band U2 and conductor Daniel Barenboim. Rock, who has been based in London since 1970, was introduced to music photography by her ex-husband (and renowned rock photographer) Mick Rock and became known as a highly influential photographer during the punk and post-punk scene, later helping to shape the look of creative magazines such as The Face. Runs until 4th July. Entry is free. For more, follow this link.

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The Tower of London’s dry moat will be transformed into a 15th century medieval court gathered to welcome a new Queen, Margaret of Anjou, for the May bank holiday this long weekend. The world of 1445 is being reimagined in a series of festivities – under the banner of Go Medieval at the Tower – which will include sword-fighting knights, hands-on experiences for kids such as the chance to fire a real crossbow, the “scents, sights and sounds” of a medieval encampment, and the chance to witness trades such as armoury and coin-striking. As well as, of course, opportunities to meet King Henry VI and his 15-year-old queen, Margaret who, upon her coronation, was honoured with a lavish pageant from Westminster Abbey to the Tower in which she received extravagant gifts including a lion. Runs from 10am to 5pm from Saturday to Monday. Admission charge applies. For more, see www.hrp.org.uk/tower-of-london/. PICTURE: © Historic Royal Palaces.

Working Londoners from the past 500 years are the subject of an open air exhibition opening in Guildhall Yard on Saturday. Londoners: Portraits of a Working City, 1447 to 1980 features a range of photographs, prints and drawings – many displayed for the first time – from the London Metropolitan Archives. The exhibition – which includes images of Jack Black of Battersea, Queen Victoria’s rat-catcher, and Charles Rouse, believed to be the last nightwatchman in 19th century London as well as pictures of Savoy Hotel page boys, a brick dust seller, a farrier in 1980s Deptford and a 15th century Lord Mayor – complements The Londoners exhibition currently running at the LMA in Clerkenwell which features 50 portraits not included in the Guildhall display. The free outdoor exhibition can be seen into 23rd May – for more, see www.cityoflondon.gov.uk/thelondoners. The Clerkenwell display can be seen until 5th July – for more, follow this link.

The life of the butler will be up for examination at Apsley House, home of the Duke of Wellington, this long weekend in an event which will also see the duke’s Prussian Dinner Service laid out in all its glory. Butlers and Banquets will feature talks about the history of the service – commissioned by King Frederick William III of Prussia and presented as a gift to the 1st Duke of Wellington after his victory over Napoleon at the Battle of Waterloo in 1815 – with younger visitors also having the chance to meet the butler of the house and find out what running a grand home like Apsley House was like as well as learning skills such as how to lay a table. Runs between 11am and 4pm from Saturday to Monday. Admission charge applies. For more, see www.english-heritage.org.uk/apsley.

A new exhibition marking the 100th anniversary of the Russian Revolution opens at the British Library in King’s Cross on Friday. Russian Revolution: Hope, Tragedy, Myths tells how the revolution unfolded during the reign of the last tsar, exploring the growth of the revolutionary movements with a special focus on key figures such as Tsar Nicholas II and revolutionary leaders such as Vladimir Lenin. Among the items on display is a letter Lenin wrote in April, 1902, applying to become a reader at the British Museum Library which he signed with his pseudonym, Jacob Richter, to evade the tsarist police. Other items on display include a souvenir album of the Tsar’s coronation and wallpaper hand-painted by women factory workers propaganda along with posters, letters, photographs, banners, weapons, uniform items, recordings and films. Runs until 29th August. Admission charge applies. For more, follow this link.

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The fourth annual ‘Performance Festival’ opens at the V&A in South Kensington tomorrow. Highlights include a preview of the V&A’s exclusive virtual reality recording of David Bowie’s musical Lazarus, the museum’s first ever stand-up comedy night and a premiere screening of the film Lady Macbeth followed by a Q&A with director William Oldroyd, actress Florence Pugh and costume designer Holly Waddington. The festival, which runs until Sunday, 30th April, is being run in conjunction with the display The History of Europe – Told by its Theatres currently in the museum’s Theatre and Performance Gallery. Admission free to most events/selected events are ticketed in advance. For more, see vam.ac.uk/exhibitions/performance-festival.

The secrets and hidden spaces of the London Underground will be laid bare in an open day at the London Transport Museum’s Acton Depot this weekend. Activities include art and poster tours, a program of talks including discussions of the finds made during the Crossrail excavations, London’s mail rail and the Thames Tunnel, miniature railway rides and the chance to see heritage vehicles including the restored 1892 ‘Carriage 353’ . There’s also plenty of options for eating and shopping. Runs Saturday and Sunday (22nd and 23rd April). Admission charge applies but kids are free. For more, see www.ltmuseum.co.uk/whats-on/museum-depot/open-weekends

Turner Prize-winning artist Gillian Wearing has been commissioned to create a statue of suffragist leader Millicent Fawcett for Parliament Square, it was announced last week. The statue will be the first female statue to stand in the square when it’s unveiled next year as well as the first to do so which was created by a woman.

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The remains of several archbishops of Canterbury are believed to have been found beneath a former parish church in Lambeth. Workers were carrying out renovation works at the deconsecrated St Mary-at-Lambeth, removing flagstone, when they found a hitherto unknown crypt containing some 20 lead coffins one of which had a small gold archbishops’ mitre resting on top of it. Among those whose coffins have been identified are those of Archbishop Richard Bancroft (in office 1604-1610), who played an important role in the creation of the King James Bible, and Archbishop John Moore (1783-1805) as well as Moore’s wife Catherine and that of John Bettesworth, Dean of Arches, Judge of the Archbishop Prerogative court. It is also believed that archbishops Frederick Cornwallis (1768-1783), Matthew Hutton (1757-1758) and Thomas Tenison (1694-1715) were buried in the tomb under the church’s chancel. The church, which is located beside the River Thames adjacent to Lambeth Palace – London home of the archbishops of Canterbury, originally dates from the 11th century and was deconsecrated in the 1960s. The burial place of John Tradescant (c1570-1638), described as the first “great gardener” in British history, it was subsequently transformed into what is now known as the Garden Museum, the world’s first museum of garden history. The museum closed in 2015 for a £7.5 million redevelopment project and is expected to reopen in late May. PICTURE: Top – the lead coffins with metallic bishop’s mitre; a still taken from video posted on the Garden Museum website/Right – St Mary-at-Lambeth (right side of image).