The V&A has reopened the second of its two Cast Courts following a redevelopment which has seen the addition of a new interpretation gallery, new exhibits and the restoration of historic original features. The West Court, now renamed the Ruddock Family Cast Court, has been returned to its historic past with original 19th century floors and wall colours and the Central Gallery, now renamed the Chitra Normal Sethia Gallery, features a new exhibition exploring the history, significance and contemporary relevance of the casts on display. Among the new exhibits are a scaled down digital reproduction of the arch of Palmyra destroyed by the so-called Islamic State in 2015 while one of the key existing exhibits, a 35 metre high cast of Trajan’s Column (displayed in two parts – see picture) has had its base permanently opened so visitors can gain an internal perspective. The reopening follows that of the Weston Cast Court in 2014 and completes a project which was begun in 2011. The Cast Courts were first opened in 1873, then known as the Architecture Courts, and house a collection of casts of some of the world’s most inspiring objects including everything from Michelangelo’s David to 16th-century tombs by Peter Vischer in Nuremberg and the Pórtico de la Gloria from the Cathedral of Santiago de Compostela. They are the only public galleries in the South Kensington institution to display the same collection of objects as when they first opened. Entry to the Cast Courts is free. For more, see www.vam.ac.uk. PICTURE: © Victoria and Albert Museum, London.

Works by Edward Burns-Jones, Dante Gabriel Rossetti, John Everett Millais and Grayson Perry are among those on show as part of a new exhibition at the City of London Corporation’s Guildhall Art Gallery. Visions and Visionaries – a collaboration between the Guildhall Art Gallery, The Sir Denis Mahon Charitable Trust, Flat Time House, and the Bologna-based Association Age of Future, highlights some of the key figures who defined the ‘Visionary’ idea of art and laid the foundations for a later generation of avant-garde artists. Among the works on show are Sir John Gilbert’s depiction of two knights ambushed by fairies in a moon-lit forest, Marcello Pecchioli’s Alien Priest, and John Latham’s experimental screen print, NO IT, 1967 as well as Sir John Gilbert’s The Enchanted Forest, Burne-Jones’ St Agnes and St Dorothy; and a series of 25 drawings by Blake to illustrate two poems by Thomas Gray, The Bard and The Fatal Sisters. Admission is free. Runs until 28th April. For more, follow this link.

On Now: Cats on the Page. Featuring original illustrations of Mog by Judith Kerr, Beatrix Potter’s Kitty-in-Boots as imagined by Quentin Blake and two illustrations by Axel Scheffler for TS Eliot’s Old Possum’s Book of Practical Cats, this exhibition at the British Library is a celebration of literary felines and their creators. Objects on show include Lewis Carroll’s own copy of the exceptionally rare 1893 (third) edition of Through the Looking-Glass and what Alice found there (in which the author expresses frustration with the printing including a comment on an illustration of Alice’s kitten), an 1879 letter by Edward Lear in which he included doodles of himself and his cat Foss, a 16th century pamphlet on witchcraft with a woodcut image accompanying the description of a black cat or familiar belonging to ‘Mother Devell’, and a letter written by TS Eliot to Alison, daughter of his friend Geoffrey Tandy, which contains a draft of his poem Mungojerrie and Rumpelteazer as well as Alison’s reply which includes drawings of the two cats. Coinciding with the 80th anniversary year of the original publication of Old Possum’s Book of Practical Cats, the free exhibition is being accompanied by a programme of events and can be seen until 17th March. For more, see www.bl.uk/events/cats-on-the-page.

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A “human vending machine” appeared near St Paul’s Cathedral in central London on Monday – Human Rights Day – as part of an initiative to highlight the plight of the estimated 25 million people trapped in forced labour around the world. An initiative of the University of Hull’s Wilberforce Institute, the machine, which was only present for the day, was stocked with everyday food items to illustrate that fruit, vegetables, meat, fish and cheese bought in the UK are at high risk of being supplied, at some point in the chain, by forced labour. To be seen the university’s campus in Hull on Thursday, the ‘human vending machine’ is part of the “It’s Time to Break the Chain” campaign which the institute has launched to “galvanise consumer power and influence companies to combat slavery practices in supply chains across all sectors”. For more on how you can help “break the chain”, see www.hull.ac.uk/special/hidden-human-cost.aspx. PICTURE: David Parry/PA Wire (Courtesy University of Hull).


Dame Judi Dench has called for the public to nominate “women you admire” for more English Heritage blue plaques in London.
Dame Judi (here pictured at the 2017 unveiling of a blue plaque commemorating actor Sir John Gielgud) call comes after news that women make up just 14 per cent of the more than 900 blue plaques in London. “So far the scheme honours some brilliant women; Florence Nightingale, Ava Gardner and the Pankhursts, but there are many, many more unsung female heroes who deserve recognition,” Dame Judi said. “So nominate the women you admire, the women who did great and remarkable things throughout history, and the women who did not go quietly. English Heritage needs your help.” The most recent woman to appear on a blue plaque is actor Margaret Lockwood. A popular actor in the 1930s and 1940s, Lockwood (1916-1990) was the star of Alfred Hitchcock’s The Lady Vanishes (1938) and lived at 14 Highland Road in Upper Norwood after moving to London as a child in the 1920s. To make your nomination, head to www.english-heritage.org.uk/visit/blue-plaques/. PICTURES: English Heritage.

 

Visitors to Hampton Court Palace will be transported back to 1906 from Saturday as the palace community prepares for Christmas. Christmas Present, Christmas Past features a range of activities from carol singing around the tree to telling ghost stories (and looking at the traditions behind them) as well as live culinary demonstrations in the kitchens showing the evolution of Christmas dinner as we know it today. Meanwhile, the Hampton Court Palace Festive Fayre returns next weekend (7th to 9th December) with more than 90 stalls set up in the palace courtyards selling mince pies, mulled wine and a host of other festive treats. And the palace’s ice-skating rink has returned to the Tudor West Front (and will be there until 6th January). Admission charges apply. For more, see www.hrpfoodfestivals.com.

Sir Edwin Landseer’s dramatic work – The Monarch of the Glen – is at the centre of a new exhibition celebrating the connections between the 19th century artist and the National Gallery. “Coming home” to the Trafalgar Square-based institution for the first time in more than 160 years, the painting – arguably the most famous animal painting in the world – is one of 14 works included in a new free show opening today. Among paintings created to decorate the Palace of Westminster after fire devastated the building in 1834, Landseer’s (1802-1873) work was first exhibited at the Royal Academy in 1851, then housed in what is now the National Gallery building. It’s now on loan from the National Galleries of Scotland, which acquired the work in 2017. This is the first London showing since 1983. Other works in the display include Landseer’s Ecorche drawing of a dog’s leg (1821), as well as paintings and drawings connected with the famous lions Landseer designed for Trafalgar Square including a John Ballantyne portrait of the artist modelling the lions in his studio and a work by Queen Victoria, whom Landseer tutored in etching, entitled A pencil drawing of a stag after Landseer’s mural on the Dining Room wall at Ardverikie Shooting-lodge (1847). Can be seen in Room 1 until 3rd February. For more, see www.nationalgallery.org.uk. PICTURE: Edwin Landseer, ‘The Monarch of the Glen’ (about 1851), © National Galleries of Scotland

More than 40 paintings created during the final year of World War I by artist Alfred Munnings (1878-1959) go on show at the National Army Museum in Chelsea tomorrow. Alfred Munnings: War Artist, 1918 shows his mastery of equine subjects as well as portraiture and landscapes. Munnings was commissioned by the Canadian War Memorials Fund as an official war artist to capture the fighting front and logistics behind the scenes and in early 1918 was embedded with the Canadian Expeditionary Force. The exhibition has been developed by the Canadian War Museum in partnership with The Munnings Art Museum and is supported but The Beaverbrook Canadian Foundation. Can be seen until 3rd March. Admission charge applies. For more, see www.nam.ac.uk.

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The ice skating season is upon us so we thought it timely to take a look at where the oldest rink is located.

QUEENS: Skate, Dine, Bowl at 17 Queensway in Bayswater houses what’s generally said to be the oldest surviving ice skating rink in London, having opened its doors as QUEENS Ice Club on 3rd October, 1930.

It was the work of architect and entrepreneur Alfred Octavius Edwards who apparently had a passion for ice skating.

It was apparently the first rink used by the BBC for televised ice skating and a number of world and Olympic champions have skated here.

The establishment underwent a revamp a couple of years ago (although bowling lanes were added as far back as 1994) and now features a wide range of amenities including, as well as the ice rink, bowling lanes, a vintage games arcade and bars and a diner. For more on Queens, see https://queens.london.

Ice-skating. PICTURE: rawpixel/Unsplash

 

Christmas at Kew kicks off tonight with the garden landscape once again transformed into a spectacular light and sound show. Highlights from this year’s display include a ‘Field of Light’ by Brighton based artists Ithaca which reaches across the landscape towards the newly restored Great Pagoda, a laser garden by Australian studio Mandylights, 300 illuminated origami boats floating on Kew’s lake in an installation by Italian artists Asther & Hemera, ‘Firework Trees’ lit up by explosions of coloured light, a seven metre tall Cathedral of Light, a fire garden and “enchanted walkway” of giant glowing peonies and papyrus by French artists TILT and, of course, the famous Palm House finale which brings the giant glasshouse to life with a show featuring criss-crossing laser beans, jumping jets of light and kaleidoscopic projections playing across a giant water screen. Santa and his helpers can be found along the trail and there is a festival fairground with a Victorian carousel as well as food and drink at a range of stalls in Victoria Plaza. Runs from 5pm on select dates until 5th January. Admission charge applies. For more, head to www.kew.org/christmas. PICTURE – Below: The Fire Garden/Raymond Gubbay Ltd (RBG Kew).

All 12 surviving portraits of celebrated 18th century artist Thomas Gainsborough’s daughters have been brought together for the first time in a major new exhibition at the National Portrait Gallery. Gainsborough’s Family Album depicts the development of the Gainsborough girls from playful young children to fashionable adults with highlights including The Artist’s Daughters chasing a Butterfly (c1756) and The Artist’s Daughters with a Cat (c1760-1) as well as the little seen double full-length of Mary and Margaret Gainsborough as young women (c1774). More than 50 works are included in the display and a number have never been seen in the UK before. The latter include an early portrait of the artist’s father John Gainsborough (c 1746-8) and a drawing of Thomas and his wife Margaret’s pet dogs, Tristram and Fox. The display traces the career of the artist (1727-88) who, despite his passion for landscapes, painted more portraits of his family members than any other artist of the time or earlier. Together they form an “unusually comprehensive” visual record of an 18th century British kinship network, with several of its key players shown more than once at different stages of their lives. The exhibition runs until 3rd February. Admission charge applies. For more, see www.npg.org.uk.

Artist William Heath Robinson and his fascination with domestic life is the subject of a new exhibition opening at the Heath Robinson Museum in Pinner on Saturday. Heath Robinson’s Home Life centres on the fact that from about 1930 onwards, the artist’s humour was centred on domestic life including the construction of his house, ‘The Gadgets’, at the Ideal Home Exhibition of 1934 and the release, from 1936, of the first of his ‘How to’ books, How to Live in a Flat. The display features an early series of “Ideal Home” cartoons published in 1933 and rare photographs of ‘The Gadgets’ under construction at the Ideal Home Exhibition. There’s also original artwork from How to Live in a Flat and examples of a set of nursery china that he designed for a Knightsbridge department store in 1927. Runs until 17th February. Admission charge applies. For more see www.heathrobinsonmuseum.org.

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We’ve come to the end of our series on significant London sites related to Mary Shelley – in honour of the 200th anniversary of the publication of Frankenstein – so it’s time for a quick recap before launching our next Wednesday series…

1. Somers Town…

2. St Pancras Old Churchyard…

3. Marchmont Street, Somers Town…

4. Church of St Mildred, Bread Street

5. The Temple of the Muses, Finsbury Square…

6. St Giles-in-the-Fields…

7. Charles and Mary Lamb’s house…

8. Chester Square…

9. A lock of Mary Shelley’s hair…

10. Memorials to Percy Bysshe Shelley…

 

 


A new permanent World War I memorial was unveiled at Brompton Cemetery earlier this month dedicated to the 24 members of the Royal Parks and Palaces staff who died in the Great War. The inscribed memorial stone, placed on one of the chapel’s colonnades (pictured above), also commemorates all the parks, gardens and grounds staff from across the UK who never returned from the war. It was unveiled at a service conducted by Reverend Canon Anthony Howe, Chaplain to the Chapel Royal at Hampton Court Palace, the gardens of which were managed by the Royal Parks during World War I. Meanwhile, the foundations for a new permanent wildflower meadow honouring the 2,625 Chelsea Pensioners buried in the cemetery were also laid near the Chelsea Pensioners’ monument (pictured below). The meadow will feature flowers which appeared in French fields after the Battle of the Somme including poppies, cornflowers, loosestrife, mallow and cranesbill. Two benches, positioned to either side of the Grade II-listed memorial, have been donated by the Royal Hospital Chelsea as a place for quite reflection. For more on the cemetery, see www.royalparks.org.uk/parks/brompton-cemetery. PICTURE: The Royal Parks/Paul Keene.

The portraits of Italian Renaissance painter Lorenzo Lotto, known for their rich symbolism, have gone on show at The National Gallery. Highlights of Lorenzo Lotto Portraits include masterpieces as the Bishop Bernardo de‘ Rossi (1505) and the monumental altarpiece of The Alms of Saint Antoninus of Florence (1540–2) brought to the UK from Venice for the first time as well as the Assumption of the Virgin with Saints Anthony Abbot and Louis of Toulouse (1506), The Mystic Marriage of Saint Catherine of Alexandria, with Niccolò Bonghi (1523 – pictured), the Portrait of a Young Man with a Lizard (1528–30), and the Portrait of a Man with a Felt Hat (1541?). The display, which is arranged over four rooms, also includes objects relating to the portraits including a carpet, sculpture, jewellery, clothing and books. Runs until 10th February. Admission is free. For more, see www.nationalgallery.org.ukPICTURE: Lorenzo Lotto, ‘Mystic Marriage of Saint Catherine with Donor Niccolò Bonghi’, 1523, Oil on canvas, 172 x 143cm, Accademia Carrara, Bergamo, © Fondazione Accademia Carrara, Bergamo.

The first exhibition to take a detailed look at the life of Assyrian King Ashurbanipal has opened at the British Museum. I am Ashurbanipal: king of the world, king of Assyria focuses on the 7th century BC when Ashurbanipal was the most powerful person on earth, ruling a vast and diverse empire from his capital of Babylon. More than 200 objects from the museum’s collection and other collections across the world feature in the display including massive stone sculptures, carved reliefs, carved ivories and metalwork, and ornate chariot fittings and weaponry. And in a contemporary twist, the final section of the exhibition looks at the challenges faced in protecting Iraqi cultural heritage in recent times. Runs until 24th February in the Sainsbury Exhibitions Gallery. Admission charge applies. For more, see www.britishmuseum.org.

A joint exhibition of works by Austrian artists Gustav Klimt (1862-1918) and Egon Schiele (1890-1918) has opened at the Royal Academy to mark the centenary of their deaths. Klimt / Schiele: Drawings from the Albertina Museum, Vienna is the first UK exhibition to focus on the fundamental importance of drawing to both artists and traces their use of the technique from their academic training days through to their later unconventional explorations of the human figure. About 100 works on paper feature in the display including studies for allegorical paintings, portraits and self-portraits, landscapes, erotic nudes and a sketchbook as well as carefully selected examples of lithographs, photographs and original publications. Runs in The Sackler Wing of Galleries until 3rd February. Admission charge applies. For more, see www.royalacademy.org.uk.

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And so we come to the final in our series looking at London sites which tell part of the story of Mary Shelley, writer of Frankenstein, the book which this year marks its 200th anniversary. Of course, one of the most influential figures in her life was her husband, poet Percy Bysshe Shelley, so to finish the series, we’re taking a quick look at three sites memorialising him in London…

1.  Poland Street, Soho. Shelley lived at number 15 after he was expelled from Oxford University in 1811 for publishing a pamphlet on atheism. He wasn’t here long – in August he eloped with Harriet Westbrook, then just 16, to Scotland. The building, which stands on the corner with Noel Street, features an English Heritage Blue Plaque and there’s a massive mural on its side, Ode to the West Wind, which takes its name from a poem he wrote in 1819. It was painted by Louise Vines in 1989. PICTURE: Google Maps.

2. Broadwick Street, Soho. The impressive Spirit of Soho mural on the corner with Carnaby Street was created in 1991 and restored in 2006. It features the images of numerous famous figures from the district’s history. As well as the likes of Casanova and Marx, Shelley also features – located a couple of people to the right of Casanova (here seen in red) at the base of the mural’s central panel. PICTURE: Dun.can (image cropped; licensed under CC BY 2.0)

3. Westminster Abbey. There’s no memorial to Mary Shelley in Westminster Abbey but in Poet’s Corner – located in the South Transept – you will find a small memorial to her husband. The joint memorial (which also commemorates John Keats) was designed by sculptor Frank Dobson and unveiled in 1954 by then Poet Laureate John Masefield. It simply features two plaques – one bearing the name Shelley and the other Keats with their birth and death years – linked by a “swag of flowers” attached to a lyre at the top of each plaque.

And that brings and end to our series on Mary Shelley’s London (although, of course there are still more sites associated with Shelley to explore!) . We’ll recap the series next week before launching our next Wednesday special series…

Thousands of people, including Queen Elizabeth II and members of the Royal Family, attended Whitehall on Sunday to take part in the National Service of Remembrance, this year marking 100 years since the end of World War I. The event included two minutes silence at 11am and wreaths were laid at the base of the Cenotaph to commemorate the servicemen and women killed in all conflicts from the World War I onwards. In an historic first, German President Frank-Walter Steinmeier laid a wreath during the ceremony. Following the service, a procession involving 10,000 members of the public who were selected by a ballot marched past the monument and through London. ALL PICTURES: Crown Copyright/Ministry of Defence.

This important Kensington thoroughfare runs through the heart of South Kensington’s world-famous museum precinct from Thurloe Place, just south of Cromwell Road, all the way to Hyde Park.

Along its length, it takes in such important institutions as the Victoria & Albert Museum, the Natural History Museum, Science Museum and Imperial College London while Royal Albert Hall is only a stone’s throw to the west.

It was, as might be expected given the name, indeed laid out as part of Prince Albert’s grand scheme surrounding the Great Exhibition of 1851 as a means of accessing the vast Crystal Palace which was located in Hyde Park (before moving out to south London).

It wasn’t the only road in the area built specifically for that purpose – the transecting Cromwell Road and Queen’s Gate, which runs in parallel and, yes, is named for Queen Victoria, were also built for to provide access to the Great Exhibition.

After the exhibition was over, Exhibition Road formed part of the precinct known as “Albertopolis” in which, inspired by the Great Exhibition, became something of a knowledge and cultural centre featuring various museums and the great concert hall which sadly Albert didn’t live long enough to see.

In the 2000s, a scheme to give pedestrians greater priority along the road was realised (in time for the 2012 Olympics).

PICTURE: Looking north along Exhibition Road from the intersection with Cromwell Road (the Natural History Museum is on the left; the Victoria & Albert Museum – and the Aston Webb Screen – on the right)/Google Maps.

 

This Southwark establishment was built to the designs of Surrey surveyor George Gwilt in the 1790s and survived until the late 19th century.

Constructed adjacent to the Sessions House as a replacement for a former Tudor-era jail, it was once the largest prison in the country housing as many as 300 inmates, male and female. Quadrangular in shape, it featured three wings for criminals and a fourth for debtors and was three stories tall.

The prison had a constant turnover of temporary residents – during 1837, it’s recorded that some 1,300 debtors and 2,506 criminals spent time here.

Famous inmates included writer and intellectual Leigh Hunt (imprisoned for two years for libelling the Prince Regent – he met Lord Byron for the first time here) as well as Colonel Edward Despard, an Irishman found guilty of high treason and, along with six others, sentenced to be hanged, drawn and quartered (commuted to hanging and beheading and carried out on 21st February, 1803).

The prison was also a site of executions and more than 130 men and women were apparently executed here (Charles Dickens wrote to The Times of his horror after attending the hangings of murderers Maria and Frederick Manning here).

The executions initially took place on the roof of the gatehouse but were later moved inside the prison.

In the mid-1800s, the prison was renamed the Surrey County Gaol or New Gaol (Horsemonger Lane was renamed Union Road and is now Harper Road).

The gaol was closed in 1878 – it no longer met required standards – and demolished three years later on 1881 and the site is today a public park called Newington Gardens.

The 803rd Lord Mayor’s Show will this Saturday wend its way through the streets of the City of London as new Lord Mayor Peter Estlin takes office. This year’s hour-and-a-half long procession features more than 7,000 people, 200 horses and 140 motor and steam-driven vehicles. Leaving from Mansion House at 11am, it travels to the Royal Courts via St Paul’s and then returns along Embankment at 1.15pm. And while there will be no fireworks this year, there will be two new ‘family entertainment zones’. The first, in Paternoster Square and around St Paul’s Cathedral, will include a film show featuring archival footage, art installations and street theatre as well as food stalls. The second, in Bloomberg Arcade near Mansion House, will feature music and dance, art and sound installations, the MOLA’s (Museum of London Archaeology) Time Truck, as well as technology and apprenticeship workshops and food. For more information, head to https://lordmayorsshow.london. PICTURE: The Lord Mayor’s coach during last year’s procession (John; licensed under CC BY-NC-ND 2.0)

The National Service of Remembrance at the Cenotaph in Whitehall will this Sunday mark a century since the end of World War I. Starting at 11am (the public will be admitted to Whitehall from 8am), the service commemorates the contribution of British and Commonwealth military and civilian servicemen and women involved in the two World Wars and later conflicts. This year’s ceremony will be followed by ‘The Nation’s Thank You – The People’s Procession’, featuring 10,000 members of the public. Large viewing screens will be placed to the north of the Cenotaph, near the green outside the main Ministry of Defence building and outside the Scotland Office, and south of the Cenotaph on the corner of King Charles Street. For more on the day, follow this link and for more on bell-ringing ceremonies across the day, see https://armistice100.org.uk.

The relationship between the British Royal Family and the Romanovs in Russia is explored in a new art exhibition opening at the The Queen’s Gallery, Buckingham Palace, this Friday. Highlights of Russia: Royalty & the Romanovs include a series of watercolours specially commissioned by Prince Alfred, second eldest son of Queen Victoria, to record his wedding to Grand Duchess Maria Alexandrovna, daughter of Alexander II, at the Winter Palace in St Petersburg in 1874 so that his mother, who was unable to attend, didn’t miss out. There’s also works by Fabergé and portraits of royal figures by the likes of Sir Godfrey Kneller and Sir Thomas Lawrence. The exhibition is accompanied by another display featuring renowned photographer Roger Fenton’s images from the war in Crimea in 1855. Both exhibitions run until 28th April. Admission charges apply. The exhibition is accompanied by a programme of events. For more, see www.rct.uk/visit/the-queens-gallery-buckingham-palace. PICTURE (above): Nicholas Chevalier, The Bal Polonaise at the Winter Palace, St Petersburg, 23 January 1874, 1876 (Royal Collection Trust/© Her Majesty Queen Elizabeth II 2018).

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One of the more curious items related to Mary Shelley in London is a lock of her hair which is in the collection of the British Library. 

The lock of hair is contained in the decorative lining of a book of letters and other material along with a lock of her husband Percy Bysshe Shelley’s hair which once belonged to Claire Clairmont, Shelley’s step-sister.

Percy’s hair was originally enclosed within a wrapper upon which Clairmont had written “The Poet Shelley’s Hair” – it is presumed to have been cut off following his death by drowning in 1822.

The rear lining of the same book contains material said to be from the ashes of Percy collected by Edward Trelawny from the beach near Viareggio where Percy was cremated.

Other Mary Shelley-related items in the British Library include a letter written by Percy to Mary (then Godwin) on 16th December, 1816, following the death of his first wife, Harriet, and a frontispeace from an 1831 edition of Frankenstein, or The Modern Prometheus.

For more on Mary Shelley and the British Library, see www.bl.uk/people/mary-shelley.

PICTURE: Public domain (via British Library).

Thousands of flames have filled the moat at the Tower of London as part of a moving light and sound display marking the centenary of the end of World War I. Beyond the Deepening Shadow: The Tower Remembers evolves over four hours each night as the moat gradually fills with flames accompanied by a specially commissioned sound installation exploring the shifting political alliances, friendship, love and loss in a time of war. At the heart of the sound installation is a new choral work featuring the words of war poet Mary Borden taken from her Sonnets to a Soldier. The display, which can be seen at the Tower every night from 5pm to 9pm until Armistice Day on Sunday, 11th November, starts with a solemn procession led by the Tower’s Yeoman Warders who ceremonially light the first flame and then gains pace as volunteers slowly light up the rest of the installation. It’s free to view from Tower Hill and the Tower concourse. For more, see www.hrp.org.uk/tower-of-london/explore/the-tower-remembers/. PICTURES: © Historic Royal Palaces (click on the images to enlarge).


This Battersea pub’s name comes from its location on land which formerly belonged to the manor of Battersea.

Located at 2 St John’s Hill (on the corner with Falcon Road, close to Clapham Junction train station), the manor was, from the 17th century, in the possession of the St John family (hence the name of the street in which it’s located).

The family crest of the St Johns features a falcon, and so we have The Falcon pub (and, of course, Falcon Road).

A pub has been located at the site for centuries (at least since 1733) but the current Grade II-listed red brick building dates from the 1896 when it was constructed as a purpose-built hotel (with a billiard room added to the rear a few years later).

Interestingly, the pub, which has a 360 degree bar apparently partly designed by renowned Dutch artist MC Escher, once held the Guinness World Record for having the longest pub counter in England.

Other interior features include a stained glass window featuring a falcon from the St John family crest.

It’s not the only pub named The Falcon in the area – there’s another (this one’s bright yellow) pub at Clapham North with the same name.

For more, see www.nicholsonspubs.co.uk/restaurants/london/thefalconclaphamjunctionlondon.

PICTURE: Google Maps/Streetview

The largest free-to-view motor show in the UK comes to Regent Street on Saturday showcasing vehicles from the past 125 years. The Illinois Route 66 Regent Street Motor Show, the key event in the Royal Automobile Club’s London Motor Week, features more than 100 pioneering vehicles, some of which date from pre-1905, which parade in a Concours d’Elegance judged by Alan Titchmarsh. There will also be retro F1 and Le Mans racers, “celebrity” vehicles such as ‘Herbie’ and the time-travelling DeLorean from the Back to the Future film franchise while manufacturers such as Renault and Triumph will be displaying their latest designs. Iconic US street machines on show as part of the Visit Illinois display will include a Ford Thunderbird, Dodge Charger, Pontiac Trans-Am, 1957 Chevy Pick-up and a pair of Harley Davidson Sportsters. There’s also activities for children including a state-of-the-art display by Scalextric. Among the anniversaries being marked at the show are the 80th anniversary of the Volkswagen Beetle and Jaguar anniversaries including the 70th anniversary of the XK120 and Mk C Saloon and the 50th anniversary of the XJ. Held on Regent Street between Oxford Circus and Piccadilly Circus, the free show runs from 10.30am to 4pm. For more, head to http://regentstreetmotorshow.com. PICTURE: One of the vehicles on show in 2011 (Garry Knight; licensed under CC BY 2.0)

A series of vibrant Japanese woodblock prints of orchids, first published in 1946, are on show at the Shirley Sherwood Gallery of Botanical Art at Kew Gardens. One of four art exhibitions currently on display as part of the gallery’s 10th anniversary, Rankafu: Masterpieces of Japanese Woodblock Prints of Orchids is believed to be the first major exhibition of Rankafu woodblock colour prints outside Japan. Other exhibitions showing simultaneously at the gallery feature a series of 20 highly intricate graphite drawings of veteran oaks by Mark Frith, a series of works focusing on the smaller details of trees such as leaves, seeds and fruit, and a display of the work of Pandora Sellars whose complex compositions have been described as “botanical theatre”. The four exhibitions can be seen until 17th March. Admission charge applies. For more, see www.kew.org.

The first UK retrospective of Russian-born American photographer Roman Vishniac (1897-1990) has opened simultaneously at the Jewish Museum in Camden and The Photographers’ Gallery in Soho. Roman Vishniac Rediscovered spans his career from the early 1920s to the late 1970s and features his well-known images of Jewish life in Eastern Europe between the two World Wars. Other items on show include recently discovered vintage prints, rare and ‘lost’ film footage from his pre-war period, contact sheets, personal correspondence, original magazine publications, newly created exhibition prints and his high magnification photography known as ‘photomicroscopy’. Runs until 24th February. For more, see www.jewishmuseum.org.uk or www.thephotographersgallery.org.uk.

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One of the still standing properties most associated with Mary Shelley in London (hence the English Heritage Blue Plaque), Shelley lived in this home at 24 Chester Square, on the square’s north-west side, from 1846 until her death in 1851.

Mary moved here for the last few years of her life after her son Percy (a child she had with now deceased husband Percy Bysshe Shelley) had come into a substantial inheritance following the death of his grandfather in 1844.

During this period, she spent her time between this house which had been relatively recently built by Thomas Cubitt, and the Shelley’s ancestral home at Field Place, Sussex, where her son Percy Florence and his wife Jane lived.

Shelley was 53 when she died here on 1st February, 1851, of a suspected brain tumour. She had apparently asked to be buried with her parents in the graveyard of St Pancras Old Church but instead was buried at St Peter’s Church in Bournemouth close to her son’s new home in Boscombe. Her son had her parents exhumed and buried with her there.

The Blue Plaque was installed on this property in 2003 and unveiled by her biographer Miranda Seymour.

PICTURE: Spudgun67 (licensed under CC BY-SA 4.0).

 

Looking across the O2 Arena towards the Docklands. PICTURE: Claus Grünstäudl/Unsplash