Originally installed at the Stocks Market in the City of London, this equestrian statue shows a figure atop a horse which is trampling over a prostate figure lying on the ground.
The marble statue, which stands on a tall plinth, is believed to have been created in Italy by an unknown sculptor. It originally depicted Polish King John III Sobieski riding down a Turkish soldier. But it was bought to London by goldsmith and banker Sir Robert Vyner in the early 1670s.
A strong supporter of King Charles II, he had the sculpture’s head remodelled by Jasper Latham to depict the King (although the figure beneath was left largely untouched, meaning if it is supposed to represent Cromwell, he’s wearing a turban).
Sir Robert, who had been responsible for making the king’s new coronation regalia to replace items lost or destroyed during the Commonwealth, offered to have the statue installed at the Royal Exchange after it was rebuilt following the Great Fire of 1666. When that was rejected, he had the statue installed at the Stocks Market – originally named for being the only location of fixed stocks in the City – near Cornhill in 1675 (Sir Robert served as Lord Mayor around the same time).
The statue was removed in 1739 to make way for the Mansion House. But all was not lost – given back to Vyner’s grandnephew, also Robert Vyner, it reappeared some years later at the Vyner family estate at Gautby Hall. In 1883, it was relocated to Newby Hall in North Yorkshire (which had come into the family via an inheritance) and still remains there today, about 150 metres east of the hall. It received a Grade II listing in 1967.
• The V&A is celebrating 150 years since the opening of the Bethnal Green Museum (now known as the Young V&A) with the launch of a year long celebration on Friday. The museum, which opened in 1872 as the first ever museum in east London, is currently undergoing a major redevelopment and is scheduled to reopen in summer, 2023, as a new national museum dedicated to children to the age of 14. To mark the 150th – and a year until Young V&A’s opening – the museum has launched a year-long ‘Reinvent Festival’ with the first event – an online summit called Sparking Creative Futures headlined by children’s author, Ed Vere, and live-illustrated by Beano’s youngest ever artist, Zoom Rockman – on Friday. On Sunday, Young V&A will celebrate its birthday with families at Rich Mix’s ‘Everyone a Maker’ event with free, fun activities. Further events will be held over the year including pop ups at Queen Elizabeth Olympic Park’s Great Get Together on 23rd July featuring large-scale, creative construction and making sessions for children and families using playful building materials by Hackney-based architect Emilie Quene. For more (including the full programme of events), see www.vam.ac.uk/blog/museum-life/reinvent-festival-young-va-summer-family-events.
• Europe’s biggest free musical theatre festival – West End LIVE – will transform Trafalgar Square into an open-air theatre this weekend. A joint production by Westminster City Council and the Society of London Theatre, the event will feature hundreds of performers, creatives and production staff, showcasing the best the West End has to offer. No tickets are required for the free event. For more, head to www.westendlive.co.uk.
• An English Heritage Blue Plaque has been unveiled on a house in Hackney, commemorating the hundreds of stranded and sometimes abandoned South and East Asian nannies, known as ayahs, who sheltered there in the early 20th century. The Ayah’s Home at 26 King Edward’s Road housed around 100 women a year between 1900 and 1921 after which the home moved to another address nearby. The ayahs were women who served the British in India and other colonies as children’s nannies, nursemaids and ladies’ maids and who were sometimes required to care for babies, children and their sea-sick mothers on the long sea voyage from the colonies to England but who were generally not expected to serve the families once they arrived, instead either contracted to wait until needed for the return journey or take a passage home. The Hackney shelter, which also welcomed ‘amahs’ – nursemaids of East Asian origin, appears to have been the only one of its kind in Britain for almost the whole of its existence. For more, see www.english-heritage.org.uk/visit/blue-plaques/.
Send all items for inclusion to firstname.lastname@example.org.
We finish our series of lesser known statues of English monarchs with a Bloomsbury building featuring four English queens.
Tucked away in niches over the main entrance of the Hotel Russell – which opened in 1898, the four queens – Elizabeth I, Mary II, Anne, and Victoria – were the work of Henry Charles Fehr.
The larger than lifesize terracotta statues – which face out to Russell Square – don’t include Queen Mary I and are rather unusual and represent idealised versions of the queens. Elizabeth is readily identifiable due to the ruff she wears but there is some confusion over who’s who when it comes to Mary II and Anne. Victoria, meanwhile, is depicted as a very young woman.
Among other ornamentation, the building – which was designed by C Fitzroy Doll, also features the busts of four Prime Ministers – Lord Derby, Lord Salisbury, William Gladstone and Benjamin Disraeli – on the Guilford Street facade.
The name of this pub in London’s north comes from its location at the corner of Ballards Lane and the High Road, a location known as Tally Ho Corner.
While the pub only dates from 1927, the name of the corner goes back further. The story goes that it originated with the Tally Ho Coach Company, which ran coaches from London to Birmingham and which kept 16 horses in a stable on the site since the 1830s.
• The Royal Parks are running a series of free sessions for bird-watching novices in all eight of its London parks during June and July. The sessions, for which binoculars will be provided, last up to two hours. Pete Lawrence, The Royal Parks’ biodiversity manager, says many people growing up in a city may not have had the “opportunity, the equipment or the know-how to take up this activity” before. “These free sessions aim to make bird watching more accessible, and, if they prove popular, we hope to repeat them in future years.” Author and TV naturalist David Lindo, aka ‘The Urban Birder’, will be leading some of the free bird watching sessions along with The Royal Parks’ conservation officer, Tony Duckett – a six decade veteran birdwatcher, and local bird enthusiast Julia Holland. To book a place, head to www.royalparks.org.uk/birdingtours. The Royal Parks is also hosting a bird watching photography competition with a top prize, binoculars worth £400. Entrants need to take a photo of one of the birds included on the parks’ bird spotter sheets and send it to email@example.com or submit via The Royal Parks’ social media channels. Find out more here.
• The “music, people and places” central to the grime scene which first emerged in London in the early 2000s are the subject of a new exhibition at the Museum of London. Grime Stories: from the corner to the mainstream, which opens on Friday, is co-curated by Roony ‘Risky’ Keefe, one of grime’s early documentarians, and features a series of newly commissioned films that explore the community at the heart of grime’s success as well as a large-scale illustration from artist Willkay and personal artefacts from the MCs and producers who developed grime’s unique sound. Admission is free. For more, see www.museumoflondon.org.uk/museum-london/whats-on/exhibitions/grime-stories.
• The ideas of repair, care and healing are explored in a new exhibition which opened at Somerset House this week. Eternally Yours, which is being staged across three Terrace Rooms, showcases some diverse examples of creative reuse including transformed items salved in the aftermath of Japan’s 2011 earthquake, shoes worn by Syrian migrants which have stories of survival sewn into the soles and a jumper from Annemor Sundbø’s ragpile collection which has been transformed by Celia Pym. At the heart of the exhibition is ‘The Beasley Brothers’ Repair Shop’, a pop-up created by designer Carl Clerkin and modelled on traditional East End repair shops of old, which is hosting live workshops and demonstrations from artists and designers. The free exhibition and accompanying events runs until 18th September. For more, see www.somersethouse.org.uk.
Send all items for inclusion to firstname.lastname@example.org.
The neo-Gothic former Public Record Office (now the Maughan Library of King’s College) in Chancery Lane is adorned with statues of several kings and queens including two kings – King Edward III and King Henry III – as well as four queens.
The queens, which can be found at the top of the tower over the main entrance, include three who are represented with more famous statues elsewhere – Queen Elizabeth I (on the facade of St Dunstan-in-the West), Queen Anne (outside of St Paul’s Cathedral) and Queen Victoria (outside Buckingham Palace among others).
But one of those statues – that of the Empress Matilda – is something of an outlier – unlike the others, the Empress Matilda, while she claimed the title of Queen of England, was never actually crowned (her attempt to be crowned at Westminster failed when opposed by the London mob which supported her opponent, King Stephen).
Instead, Matilda (sometimes known as Maud) claimed the title ‘Lady of the English’ and while she was eventually driven out of England to Normandy where she died, her eldest son did take the crown in 1154 as King Henry II.
The statue, which stands on top of the east side of the tower (and is quite difficult to spot), stands 2.4 metres high and was made of Portland stone to adorn the 1850s, now Grade II* listed building (the gatehouse leading to Chancery Lane – which features the two kings – was an extension in the 1890s). It is said to be the work of sculptor Joseph Durham.
What’s a little puzzling is why the Empress was included as one of the four, particularly given other English queens and monarchs – Queen Mary I and II – were not.
• A free display featuring the first coin bearing a portrait of Queen Elizabeth II has opened at the British Museum. Part of the celebrations marking the Queen’s Platinum Jubilee, The Asahi Shimbun Display Mary Gillick: modelling The Queen’s portrait showcases the production and reception of the coin which was designed in 1952 and released the following year. Gillick’s portrait – which remained in circulation on coins in the UK until the 1990s and was also adapted for use on commemorative stamps – combined modern design with Italian Renaissance influences. Can be seen until 31st July. For more, see www.britishmuseum.org.
• The UK’s first Stolperstein or “stumbling stone” has been installed in Soho as part of an initiative to remember the victims of the Nazis. The small brass plaque commemorates former resident Ada van Dantzig, a Dutch-Jewish paintings conservator for the National Gallery who came to London in the 1930s and worked and resided in Golden Square in Soho (where the plaque has been installed). She later re-joined her family in the Netherlands and was arrested in France in early 1943 along with her mother, father, sister and brother. Deported to Auschwitz, Ada, along with her parents, was murdered there on 14th February, 1943. Artist Gunter Demnig created the project almost 25 years ago to commemorate victims of Nazi Persecution during the Holocaust. More than 100,000 of stones have now been laid in 26 countries throughout Europe with the location of the stones the last address of those being remembered.
• A pioneering female landscape gardener has been honoured with an English Heritage Blue Plaque at her former flat in Shaftesbury Avenue. Fanny Wilkinson, who is believed to be Britain’s first professional female landscape gardener, was also a campaigner for the protection of open space in London. She lived and worked at the flat, which overlooks an open space she laid out herself, between 1885 and 1896. Wilkinson began her career as an honorary landscape gardener to the Metropolitan Public Boulevards, Gardens and Playgrounds Association – an organisation whose mission was the formation of gardens and public parks that would create playgrounds and green ‘lungs’, especially in poor districts of the capital. In June, 1885, it was agreed that she could charge five per cent on all her MPGA payments, leading her to drop the ‘honorary’ title and become Britain’s first professional female landscape gardener. For more, see www.english-heritage.org.uk/visit/blue-plaques/.
• A painting by Pablo Picasso – Woman with a Book (1932) from the Norton Simon Museum in Pasadena, California – and a painting by Jean-Auguste-Dominique Ingres – Madame Moitessier (1856) – are being shown together for the first time at The National Gallery. Picasso admired Ingres and referred to him throughout his career and this connection can be seen not only in his paintings but in drawings and studies he made during his ‘neoclassical’ phase in the 1920s. He encountered Madame Moitessie at an exhibition in Paris in 1921 and 11 years later painted Woman with a Book. The paintings, which are being show under a collaborative initiative between the two institutions, can be seen in Room 1 until 9th October. Admission is free. For more, see www.nationalgallery.org.uk.
Send all items for inclusion to email@example.com
Long thought to have been London’s oldest public statue (and certainly the oldest of a monarch), this statue of Anglo-Saxon King Alfred the Great stands in a quiet location in Trinity Church Square in Southwark.
The statue – which depicts the bearded king robed and wearing a crown – was believed to have medieval origins with some suggesting it was among those which north face of Westminster Hall since the 14th century and were removed by Sir John Soane in 1825.
But recent conservation work has shown that half of the statue is actually much older. In fact, it’s believed that the lower half of the figure was recycled from a statue dedicated to the Roman goddess Minerva and is typical of the sort of work dating from the mid-second century.
Measurements of the leg of the lower half indicate the older statue stood some three metres in height, according to the Heritage of London Trust. It is made of Bath Stone and was likely carved by a stone worker located on the continent. It probably came from a temple.
The top half, meanwhile is made of Coade stone and, given that wasn’t invented by Eleanor Coade until around 1770, the creation of the statue as it appears today is obviously much later than was originally suspected which may give credence to theory that it was one of a pair – the other representing Edward the Black Prince – made for the garden of Carlton House in the late 18th century.
Putting the two parts of the statue together would have required some specialised skills.
The Grade II-listed statue has stood in the square since at least 1826. Much about who created it still remains a mystery. The fact it incorporates a much older statue means the question of whether it is in fact London’s oldest outdoor public statue remains a matter of some debate.
The Platinum Jubilee weekend is finally upon us. Here’s some highlights of what’s happening over the next four days…
• The Queen’s Birthday Parade – Trooping the Colour – takes place today (Thursday) at Horse Guards Parade. It’s the largest parade in three years due to the coronavirus pandemic and will involve more than 1,400 soldiers, 200 horses and 400 musicians. The day will feature an appearance by the Queen on the Buckingham Palace balcony and an RAF flypast.
• More than 3,000 beacons will be lit all around the world tonight (Thursday) to mark the Jubilee. The event will culminate in a 21 metre high giant tree sculpture constructed of 350 smaller trees – the ‘Tree of Trees’ beacon – being set alight out the front of Buckingham Palace at 9pm. For more, see www.queensjubileebeacons.com.
• A service of thanksgiving will be held at St Paul’s Cathedral on Friday (sadly without the Archbishop of Canterbury who has COVID-19 and mild pneumonia). The event is private. The cathedral is also hosting Jubilee: St Paul’s, the Monarch and the Changing World, an exhibition which explores the history of Jubilee celebrations at St Paul’s Cathedral across three centuries and features objects from the cathedral’s collections including the Jubilee Cope which depicts the spires of 73 churches in the Diocese of London, three Royal Peculiars and St Paul’s Cathedral and was created to commemorate the Silver Jubilee of 1977. Entry to the exhibition is included in general admission. For more, see www.stpauls.co.uk/platinum-jubilee.
• The BBC’s Platinum Party at the Palace will take place on Saturday featuring a line-up of performers from the worlds of music and dance. Those attending include Duran Duran, Andrea Bocelli, Mimi Webb, Sam Ryder, Jax Jones, Celeste, Nile Rodgers, Sigala and Diversity as well as stars from stage, screen and the sporting world such as Sir David Attenborough, Emma Raducanu, David Beckham, Stephen Fry, Dame Julie Andrews, The Royal Ballet, and Ellie Simmonds who will also pay tribute in person and on film. Queen + Adam Lambert will open the concert, sure to evoke memories of Brian May’s historic appearance on the Palace roof at the Golden Jubilee Concert in 2002 – and Diana Ross will close it in her first UK live performance in 15 years. Advance booking and tickets are required but the event will be shown live on the BBC.
• The finale of the weekend will be the Platinum Jubilee Pageant which will take place in “four acts” through central London on Sunday. The pageant, which will begin with the ringing of the bells of Westminster Abbey, will start with a military spectacle – ‘For Queen and Country’ – celebrating all three services in the UK Armed Forces and involving some 1,750 people including from Commonwealth nations. Act two – ‘The Time of Our Lives’ – will feature a cast of some 2,500 people showing how British culture has changed over the past 70 years. In act three, ‘Let’s Celebrate’, performers will “mash street theatre, music-on-the-move, urban dance, and the very best of Carnival, May Day, Mela, Fiesta and Mardi Gras to celebrate The Queen’s extraordinary life experience”; this will also include a ‘River of Hope’ procession featuring children from across the UK carrying some 200 silk flags featuring pictures depicting their hopes and aspirations for the next 70 years, particularly with regard to climate change. The musical finale – ‘Happy and Glorious’ – will focus around the Queen Victoria Memorial in front of Buckingham Palace and will see attendees singing the National Anthem with appearances by Jeremy Irons, Bill Bailey and Gok Wan and Ed Sheeran and the public invited to become part of the performance. The pageant will start at Westminster Abbey and head down Whitehall, turn through Admiralty Arch into The Mall, travel to Buckingham Palace and then turn down Birdcage Walk. For more, see www.platinumpageant.com.
The equestrian statue of King Charles I at the top of Whitehall is one of London’s most well-known. But less well-known is the statue of the ill-fated King which can be found standing in a niche on the Temple Bar gateway, located at the entrance to Paternoster Square just outside of St Paul’s Cathedral.
Charles is not alone. Part of the gateway’s purpose was as a dynastic statement in support of the Stuarts so the grand portal also features statues of Charles’ father King James I, his mother Queen Anne of Denmark, and his son King Charles II. King James and Queen Anne can be found on the north side of the gateway (originally the east side) and the two Charles’ on the south side (originally the west side).
The design of the gateway, which originally stood at the intersection of Fleet Street and the Strand as a ceremonial entrance into the City of London, is believed to be the work of Sir Christopher Wren who was acting on the orders of King Charles II after the Great Fire of London.
The statues, which cost a third of the total £1,500 spent on the gateway, are said to have been sculpted by one John Bushnell. They are depicted in Roman attire rather than the dress they would have worn during the period.
They were removed when the gateway was dismantled in 1878 and stored in a yard of Farringdon Road and when the gateway was re-erected at Lady Meux’s Hertfordshire estate at Theobold’s Park, they were placed back in their original locations. And they also accompanied the gateway back to the city when it was positioned its current location in 2004.
Twenty million seeds have been sown into the Tower of London’s moat to create a floral display known as ‘Superbloom’ as part of the celebrations surrounding Queen Elizabeth II’s Platinum Jubilee.
Paths, walkways and viewing points have been installed throughout and in a first at the Tower, a four lane slide has been installed to provide an unusual entrance to the display.
Those visiting the display – which features wildflowers such as red poppies, yellow corn marigolds and blue cornflowers as well as garden plants including sunflowers, cosmos and rudbeckias – will hear a score by Scottish composer Erland Cooper – Music for Growing Flowers – while other attractions include a willow sculpture by artist Spencer Jenkins and a swarm of intricate copper insects by sculptor Mehrdad Tafreshi.
The centrepiece of the display is the “Queen’s Garden” which has been installed by Grant Associates – the lead designers for the Superbloom project – in the Tower’s historic Bowling Green.
Inspired by the Queen’s Coronation gown, this garden features a combination of meadow flowers, topiary and summer-flowering perennials, bulbs and ornamental grasses and draws on the colours, shapes and motifs used by designer Norman Hartnell in the 1953 gown.
Rising above the garden are 12 cast glass forms by glass artist Max Jacquard which represent the national emblems featured in Hartnell’s design and in their centre sits a glass crown, a reminder of the Tower’s role as home of the Crown Jewels.
Tower Wharf, meanwhile, has been transformed into a food and drinks venue, with street food and bars from KERB and fine dining available riverside in ‘The Glass Rooms’. The flowers are expected to gradually bloom in June and will continue to evolve until September. For more, including how to purchase tickets, head here.
Located on the site now occupied by the Middlesex Guildhall, the Sanctuary Tower and Old Belfry was where fugitives of the law could seek refuge from those who pursued them.
The 13th century tower was located on the western side of Thorney Island upon which Westminster Abbey stood. Standing two stories high, it was a fortified structure with heavy oak doors.
The tower had some high profile (temporary) residents over the years of its existence. These included Elizabeth Woodville, Queen of King Edward IV, who twice had to take sanctuary in the abbey during the Wars of the Roses, Henry Holland, the Duke of Exeter, who claimed sanctuary after the Battle of Barnet (and was subsequently found drowned in the Thames), and Tudor Poet Laureate John Skelton who had to flee here after crossing Cardinal Thomas Wolsey (he is buried in nearby St Margaret’s Church, some claim he died in the tower).
While the practice of granting sanctuary was abolished by King James I in 1623, the tower wasn’t demolished in 1776.
The name of the building and practice of sanctuary is reflected in the name of the nearby street known as Broad Sanctuary and short drive before Westminster named The Sanctuary.
• A new exhibition exploring the Queen’s role during wartime opens at IWM London in Lambeth tomorrow. Part of a suite of events at IWM venues celebrating the Queen Elizabeth II’s Platinum Jubilee, Crown and Conflict: Portraits of a Queen in Wartime features 18 images drawn from the museum’s image archive which chart the Queen’s experience of war – from growing up during World War II when she served in the Auxiliary Territorial Service to her role in carrying out important public duties involving the armed forces, including at the annual Service of Remembrance. Among newly digitised photographs included in the display are an image of the Queen dressed in overalls and cap while working on a vehicle during her time in the ATS, and another showing her with her father, King George VI, and mother, Queen Elizabeth, during a visit to airborne forces in 1944. IWM London is also launching a dedicated trail of historic objects spread across five gallery spaces which explores the Royal Family’s long-standing association with the British armed forces. Objects include a Princess Mary Gift Fund box which was sent to those serving at Christmas in 1914. Runs until 8th January. Admission charge applies. For more, see www.iwm.org.uk/events/queens-platinum-jubilee-iwm-london.
• Dippy the dinosaur is back for a limited time at the Natural History Museum in South Kensington from tomorrow. A free, temporary exhibition – Dippy Returns: the nation’s favourite dinosaur – gives visitors the chance to get up close and personal with the 26 metre-long dinosaur which first went on display at the museum in 1905. The display comes at the end of a record-breaking tour of the UK in which Dippy was seen by more than two million people. Can be seen until 2nd January. To book tickets, head to www.nhm.ac.uk.
• The first major exhibition to explore the history and future of cancer treatment and research opened at the Science Museum in South Kensington this week. Cancer Revolution: Science, innovation and hope features more than 100 objects including some never-before seen as well as information on cutting edge treatment and research, new artist commissions and installations, interactive exhibits and a breadth of personal stories. Runs until January, 2023. Admission is free but bookings required. For more, see www.sciencemuseum.org.uk/see-and-do/cancer-revolution-science-innovation-and-hope.
Send all items to firstname.lastname@example.org for inclusion.
These two statues are listed together because they both appear on the exterior of the same building – The Sanctuary which stands next to Westminster Abbey.
This Grade II-listed building, which contains a gateway to the Dean’s Yard, was designed by Sir George Gilbert Scott and built in Bath stone with slate roofs in the mid-1850s.
The statues, which stand in niches on the exterior of the turrets on either side of the gateway, have been identified as the two kings on London Remembers.
Their position at this location is not random. The king on the left, identified as Edward the Confessor, had St Peter’s Abbey rebuilt here in the mid 11th century (and was buried in it only a week after its consecration).
The king on the right, King Henry III, rebuilt the abbey church in the mid-13th century to provide a shrine to venerate Edward the Confessor and as a site for his own tomb.
The kings are apparently not the only monarchs adorning the building – two roundels below them depict Queen Victoria and Prince Albert.
Iconic London locations including Tower Bridge, The London Eye, and Marble Arch turned purple last night to mark the opening of the new Elizabeth Line today. Thousands of people are today expected to use the new Tube line which provides faster journeys between Paddington and Abbey Wood via 10 new stations using Class 345 trains that are more and than one-and-a-half times longer than a standard Tube train and able to carry 1,500 passengers. The line’s opening is the latest step in the £18.8 billion Crossrail project which is linking Reading, to the west of London, with Heathrow before travelling through central London to connect with Shenfield and Abbey Wood in the east. Sadiq Khan, the Mayor of London, said it was an “historic day”. “This is a huge moment, not just for London but the entire country – particularly in this special Jubilee year…This brand new line is the most significant addition to our transport network in decades.” Last week, the Queen and Prince Edward attended Paddington Station to mark the completion of the new line.
• Marble Hill in London’s west reopens on Saturday following a restoration and the reinstatement of a lost pleasure garden. Once home to King George II’s mistress Henrietta Howard, Countess of Suffolk, Marble Hill is a rare example of a home built by and for a woman in Georgian England and is one of the last survivors of the many 18th century villas that once fronted the Thames in the area. Marble Hill was built as a country retreat from London’s crowds and among those entertained here were poet Alexander Pope, Horace Walpole, John Gay and Jonathan Swift. English Heritage has invested £3 million into a major transformation of the house and 66 acres of riverside parkland which also used a £5 million grant from The National Lottery Heritage Fund and The National Community Lottery Fund. This has included the reinstatement of a pleasure garden – an “Arcadian landscape” which was inspired by sketches made by Pope – with the opening up of previously inaccessible woodland areas, the reinstallation of paths and the replanting of avenues of trees that led from the house to the river. Howard’s ninepin bowling alley has been restored and an 18th-century garden grotto has been excavated and returned to its 18th-century appearance. Inside the house, English Heritage has re-instated the paint scheme that existed during Howard’s lifetime in several interior spaces, including the Great Room, conserved the fine collection of early Georgian paintings which includes portraits of Howard’s circle and re-created furniture including an intricate carved peacock motif table and luxurious crimson silk wall hangings in her dressing room. The new display has reframed Howar’s beyond being simply the King’s mistress by also exploring her abusive first marriage and the role deafness played in her life as well as her rise in Georgian society and the social circles she captivated. Entry to the house is free. For more, head to www.english-heritage.org.uk/visit/places/marble-hill-house/.
• England football captain Harry Kane is the subject of a new exhibition opening at the Museum of London on Saturday. Harry Kane: I want to play football features sporting memorabilia including the shirt Kane, who grew up in Chingford, East London, wore on his debut for England where he scored against Lithuania just 79 seconds after coming on the pitch, Kane’s MBE which was awarded to him in March 2019 for ‘services to sport’ and the 2018 World Cup Golden Boot (Kane being one of only two British players to receive a Golden Boot at a World Cup competition, where he was named Man of the Match three times) as well as family photos. The display also includes a changing room space where visitors can listen to Kane’s pre-match playlist and an interactive area where visitors can learn more about who has inspired Harry and share their own hopes and dreams. A programme of activities for families and children will run alongside the free display. Runs until December. For more, see www.museumoflondon.org.uk.
• The use of gold in embellishing and enhancing the written word across cultures, faiths and through time is the subject of a new exhibition opening at the British Library. Gold, which opens Friday, showcases some of the most luxurious illuminated manuscripts, gold-tooled books, sacred texts and scrolls from the British Library’s collection with objects on display including the Harley Golden Gospels, the Lotus Sutra and a treaty in Malayalam, beautifully inscribed on a long strip of gold itself. Admission charge applies. Runs until 2nd October. For more, see www.bl.uk.
This rather unusual statue of Queen Elizabeth I is a relatively new addition – it was dedicated 12 years ago on what was the 450th anniversary of the refounding of Westminster School – more properly The Royal College of St Peter in Westminster – by the aforementioned Queen.
The larger-than-life statue, which can be found in Little Dean’s Yard, is the work of a former pupil, sculptor Matthew Spender.
It depicts the Queen in white Travertino Noce stone while her head, surrounded by a giant white ruff is gilded bronze with what was auburn hair. The unusual depiction has certainly attracted its share of detractors.
The statue, which was commissioned by the Westminster School Society, was unveiled by the Queen’s namesake, Queen Elizabeth II, on 21st May, 2010.
Queen Elizabeth II didn’t attend the State Opening of Parliament last Tuesday for the first time in almost 60 years with Prince Charles delivering the Queen’s Speech for the first time. In an event that’s all about pomp and pageantry, more than 500 soldiers and 125 military horses took part in a variety of ceremonial roles over the day.
• Charles Jennens, who is best-known as the librettist of Handel’s Messiah but was also a patron of the arts, scholar and educator, is the subject of a new exhibition opening at the Foundling Museum in Bloomsbury on Friday.Charles Jennens: Patron & Polymath features portraits, correspondence and printed documents reflecting the varied interests and achievements of this Georgian character. Jennens was a non-juror – meaning he supported the legitimacy of the deposed Catholic Stuarts – but was also a Protestant. His art collection was one of the best in Britain and his Palladian mansion, Gopsall Hall in Leicestershire, featured a music room with an organ built to Handel’s specifications. Admission charge applies. Runs until 16th October. For more, see https://foundlingmuseum.org.uk/event/charles-jennens-polymath/.
• Dr John Conolly, an early advocate of human treatments for people living with mental illness and the former Hanwell Asylum have been commemorated with an English Heritage Blue Plaque to mark Mental Health Awareness Week. The plaque has been placed on what was the left wing of the asylum and is now part of St Bernard’s Hospital. It was here that Conolly, who was appointed Resident Physician at the Middlesex County Pauper Lunatic Asylum in 1839 – then one of the biggest asylums in London, advocated a system of ‘non-restraint’ which, though initially seen as controversial, drew support from reformers and which by 1846 had been embraced as ruling orthodoxy by the then-new national Lunacy Commission. For more, see www.english-heritage.org.uk/visit/blue-plaques/.
• On Now: The works of Kawanabe Kyōsai, the most popular Japanese painter of the late 19th century, are on show in the Royal Academy’s Gabrielle Jungels-Winkler Galleries.Kyōsai: The Israel Goldman Collection focuses largely on the art of sekiga or ‘spontaneous paintings’ which were produced at ‘calligraphy and painting parties’ (shogakai), often fuelled by prodigious amounts of saké. The display – the first monographic exhibition of Kyōsai’s work in the UK since 1993 – includes around 80 words, many of which have never been exhibited. Admission charge applies. Runs until 19th June. For more, see www.royalacademy.org.uk.
Send all items for inclusion to email@example.com