The next two in our countdown…
• The traditional Trafalgar Square tree lighting ceremony has gone virtual for the first time this year due to coronavirus restrictions. The online event, which will be held at 6pm on 3rd December via YouTube and Facebook, will include messages from the Lord Mayor of Westminster and the Mayor of Oslo as well as information on the history behind the gift of the tree, footage of its journey from the forests of Norway to London, and performances from the Salvation Army, the Poetry Society and the St Martin-in-the-Fields Choir. While the tree felling ceremony in Norway is usually attended by the Lord Mayor of Westminster, this year COVID restrictions meant he was represented by the British Ambassador to Norway, Richard Wood, who was joined by the Mayor of Oslo, Marianne Borgen, and school children from Maridalen school in Oslo, to witness the tree begin its journey to London. A Norwegian spruce has been given by the people of Oslo to the people of the UK in thanks for their support during World War II in the lead-up to every Christmas since 1947. Once the tree arrives in London, it is decorated with Christmas lights in a traditional Norwegian manner. For more on the tree, see westminster.gov.uk/trafalgar-square-christmas-tree.
• Eighteenth century anti-slavery campaigner Ottobah Cugoano – a former slave himself – has been honoured with an English Heritage Blue Plaque. The plaque is located at Schomberg House at 80–82 Pall Mall, the property where he was employed as a servant by artists Richard and Maria Cosway. It was while living here in the 1780’s that Cugoano wrote the book, Thoughts and Sentiments on the Evil and Wicked Traffic of the Slavery and Commerce of the Human Species, Humbly Submitted to the Inhabitants of Great-Britain, one of the first black-authored anti-slavery books to be published in Britain. The house was actually mentioned in the frontispiece of the 1787 edition of Thoughts and Sentiments as one of the places where copies of the book might be obtained. It is, says English Heritage, “evidence of the Cosways’ support for their servant’s endeavours as an author and a campaigner”. For more, see www.english-heritage.org.uk/visit/blue-plaques/.
• Somerset House is offering virtual tours of its exhibition Leila Alaoui: Rite of Passage. The exhibition is the first major retrospective of the work of Alaoui, a celebrated French-Moroccan photographer, video artist and activist who died in a terrorist attack at the age of 33 while working on a photography project promoting women’s rights in Burkina Faso in 2016. Guided by award-winning broadcaster and cultural commentator Ekow Eshun, the tour of the exhibition takes in three of the artist’s defining series – No Pasara, which documents the lives of North African migrants trying to reach Europe; Natreen (We Wait), which follows families trying to flee the Syrian conflict, and Les Marocains, which, inspired by Robert Frank’s The Americans, meets the many individuals who make up the multifaceted fabric of contemporary Morocco. The exhibition also includes an unfinished video project L’Ile du Diable (Devil’s Island) which Alaoui was working at the time of her death, featuring dispossessed migrant workers at the old Renault factory in Paris. The free tour can be accessed at www.somersethouse.org.uk/blog/virtual-tour-leila-alaoui-rite-passage.
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Formerly a noted church in London’s West End, St Andrew’s Church now has a new life in Kingsbury.
The church’s origins go back to its construction in Wells Street, Marylebone, in the mid-19th century. Designed by Samuel Daukes, the church, the construction of which began in 1845, was completed in February, 1847.
St Andrew’s soon become one of the city’s most fashionable churches (Prime Minister, William Gladstone, was an occasional worshipper).
Rev Benjamin Webb was vicar between 1862-85 – a time when the church was known for its High Anglican services, and it was during his tenure that the church’s rather splendid interior fittings were added.
These included a reredos (featuring five sculptures by James Redfern) designed by GE Street, a high altar by Augustus Pugin, a brass reading desk by William Butterfield and a litany desk by William Burges (now in the V&A).
By the start of the 20th century, the area around the church was being transformed as residences gave way to commercial property and warehouses. The congregation dwindled and eventually the church was declared redundant, its doors closing on Easter Sunday, 1931.
The church was set to be demolished but there was an outcry and eventually a proposal to relocate it to Kingsbury, in London’s north-west, where there was a congregation urgently needing a new building.
The church was carefully dismantled – each stone labelled and numbered – and then transported 10 miles to Kingsbury where it reconstructed in Old Church Lane.
The rebuild – described at the time as putting together “the biggest jigsaw in the world” (yes, it’s a somewhat overused phrase when it comes to building relocations) – took three years and involved making as few changes to the former structure as possible.
The building was finally reconsecrated on 13th October, 1934, by Arthur Foley Winnington Ingram, the Bishop of London. St Andrew’s Kingsbury remains in use as a church today.
No, it’s not a memorial to that Diana, but a bronze statue depicting a mythological figure which forms the centrepiece of the Great Basin in Bushy Park.
Commissioned by King Charles I for his wife Queen Henrietta Maria, the statue (and other statuary on the monument) was the work of sculptor Hubert Le Sueur (he was also the sculptor of the famous equestrian statue of King Charles I which sits at the top of Whitehall).
While the 2.38 metre tall bronze statue, which weighs some 924 kilograms, is commonly referred to as Diana – the Roman goddess of hunting, she has none of the usual attributes of Diana, such as a bow, and is believed by some to actually represent Arethusa, a nereid or sea nymph from Greek mythology.
The statue is set on a marble and stone fountain carved with depictions of shells and sea life, and is surrounded, at a lower level, by groups of bronze statues -depicting boys holding fish or dolphins and water nymphs or mermaids astride sea monsters – through which water is discharged into four bronze basins.
The bronze figures were originally commissioned for a fountain, designed by Inigo Jones and built in the 1630s, in the Queen’s garden at Somerset House. Oliver Cromwell had the statues moved to the Hampton Court Palace’s Privy Garden in 1656 where they were incorporated into a fountain designed by Edward Pearce the Younger in 1689-90.
In 1713 the ensemble was moved again, this time to onto a new purpose-built podium in the middle of the Great Basin, located at the end of Bushy Park’s Chestnut Avenue, a grand avenue of trees designed by Sir Christopher Wren. While most of the statuary is believed to be from the original fountain designed by Inigo Jones, it’s thought some of the statues of the boys were recast for the new fountain.
The Grade I-listed monument was restored in 2009 and and during this process a stone which uncovered on its base which had a crown and the date AR 1712 (AR for ‘Anne Regis’) which would have been added when the statue and fountain were installed in the basin.
WHERE: The park lies north of Hampton Court Palace, just west of Kingston and Hampton Wick and south of Teddington (nearest train station is Hampton Wick or Hampton Court). WHEN: 24 hours except in September and November when it’s open between 8am and dusk; COST: Free; WEBSITE: www.royalparks.org.uk/parks/bushy-park
We’ve reached the end of our series on disease-related memorials in London. But, before we jump into the next Wednesday series, here’s a recap…
Partly located on a site now occupied by the church of St Giles-in-the-Fields in central London was a leprosy hospital founded by Queen Matilda, wife of King Henry I, in 1101.
The site was located outside the City walls making it ideal for such an establishment (given lepers had to isolate from the rest of the population) and the hospital, one of the first such establishments in England, was dedicated to St Giles, the patron saint of outcasts.
As well as an oratory or chapel, the hospital, initially founded on eight acres of farmland, is believed to have included houses for lepers, a master’s house, and quarters for a chaplain, clerk and servant. A chapter house was added in the early 14th century.
The hospital was under the care of the crown and in 1299, King Edward I ordered that the hospital be run by and its revenues given to the military Order of St Lazarus of Jerusalem (also known as the Leper Brothers of Jerusalem or Lazarists).
By the 15th century leprosy (now known as Hansen’s disease) was on the decline in England but this hospital continued to be used for lepers until at least 1500 after which it is recorded that it had opened it doors to the poor who needed care.
In 1539, the hospital was closed under King Henry VIII’s Dissolution of the monasteries. While the chapel remained in use as a parish church (it was at this time that “in-the-fields” was added to the church’s name), the hospital’s other buildings were given by King Henry VIII to John Dudley, Lord Lisle (and later Duke of Northumberland and Protector of Edward VI, the king’s eventual heir).
The church, meanwhile, had fallen into a poor state of repair by the early 1600s and was demolished. Construction of a Gothic replacement started in 1623 in a project largely funded by Alice, Duchess Dudley, daughter-in-law of Queen Elizabeth I’s favourite Robert Dudley. The new church was consecrated by William Laud, Bishop of London in 1631. The current building dates from 1733 (but more about that at another time).
The first recorded soundscape of London’s busy streets was created in 1928 as part of a Daily Mail campaign calling for noise restrictions. Recordings were made at five sites – Whitechapel East, St George’s Hospital at Hyde Park Corner, Leicester Square, Cromwell Road and Beauchamp Place in South Kensington – in a collaborative project between the Mail and the Columbia Graphophone Company. Now, more than 90 years later, the sounds at the five original locations – or rather the lack of sounds during the coronavirus pandemic lockdown – have been captured again, this time as binaural recordings, a method of recording sound that uses two microphones to create a 3D stereo sound. It’s all part of the Museum of London’s ongoing ‘Collecting COVID’ project and was created in collaboration with String and Tins, an award-winning team of sound designers, composers, sound supervisors and mix engineers. Both the 1928 recordings (now digitised) and the modern recordings have been made available to listen to in their entirety for the first time on the Museum of London’s website. There are accompanying photographs by Damien Hewetson as well as historic imagery from the museum’s archive. PICTURE: A sparsely populated Leicester Square in an image taken in May this year during the coronavirus lockdown (ACME/licensed under CC BY-NC 2.0)
The next two entries in our countdown are:
• Somerset House is releasing a new virtual tour of its exhibition Mushrooms: The Art, Design and Future of Fungi so people can explore the world of the mushroom and its role in the world’s survival from home. The exhibition, which will go live online on Monday to mark International Museum Day, features highlights including Beatrix Potter’s watercolours of mushrooms, conceptual artist Carsten Höller’s spinning, solar-powered mushrooms, a psychedelic film by Adham Faramawy, Seana Gavin’s hand-cut collages of mushroom-human hybrids and, shoes and shades made from mycelium, the fungal mass which lies beneath the earth under mushrooms. The exhibition will be released online on 18th May at www.somersethouse.org.uk. PICTURED: Kristen Peters, Mycoshoen, courtesy of the artist.
• The V&A are seeking homemade signs created during the coronavirus lockdown – everything from children’s rainbow signs to handwritten notes placed in public spaces – to add to its permanent collection. Noting the commonplace nature of such signs during the emergency, the V&A have said that “[w]hether they state temporary closure of a business, express messages of hope or critique, or raise awareness for a good cause, these signs have become a prominent way for us to communicate with the outside world during lockdown”. Through collecting the signs, the museum is aiming to “create and preserve a rich portrait of life under lockdown expressed through visual imagery.” Selected signs will be chosen to join the museum’s collections. Signs can be submitted to email@example.com while people are also encouraged to share signs they’ve come across on social media using #homemadesigns.
• The National Trust is asking people to write letters to its Director General Hilary McGrady, about their lockdown experiences in order to add a selection of them to its collection of historic letters. People are asked to write about what they have most missed since lockdown began and about what solace they may have drawn from nature, art, creativity and any forms of social contact. The National Trust is asking writers to scan or photograph their letter and email it to firstname.lastname@example.org or share it via the National Trust’s social media channels using @nationaltrust to ease pressure on the postal service. The Trust says it will request postal hard copies from selected authors at a later date.
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A cyclist negotiates Regent Street in central London. PICTURE: Luke Stackpoole/Unsplash
• The world of mushrooms is explored in a new exhibition opening tomorrow at Somerset House. Part of the Charles Russell Speechly’s Terrace Rooms Series, Mushrooms: The art, design and future of fungi is curated by writer Francesca Gavin and features works by more than 35 artists, designers and musicians in an exploration of “the rich legacy and incredible potential of the remarkable organism, the ideas it inspires in the poetic, spiritual and psychedelic, and the powerful promise it offers to reimagine society’s relationship with the planet, inspiring new thinking around design and architecture”. Highlights include watercolours by renowned author Beatrix Potter (one of which is pictured), American artist Cy Twombly’s quasi-scientific portfolio Natural History Part I, Mushrooms (1974), and a spectacular floral display, featuring mushrooms grown in Somerset House’s former coalholes, by the London Flower School. The free exhibition, which runs until 26th April, is accompanied by a series of events. For more, see somersethouse.org.uk/mushrooms. PICTURE: Beatrix Potter, Hygrophorus puniceus, pencil and watercolour, 7.10.1894, collected at Smailholm Tower, Kelso, courtesy of the Armitt Trust
• A newly commissioned film which reimagines Tower Bridge as a musical instrument is at the heart of a new exhibition which opened in the bridge’s Victorian Engine Rooms this week. Created by internationally acclaimed artist, inventor and filmmaker Di Mainstone to mark the bridge’s 125th anniversary, Time Bascule draws inspiration from Hannah Griggs, one of the first women to work at the bridge (in her case as a cook for the Bridge Master and his family between 1911-1915). The display also includes behind-the-scenes footage, storyboards and early sketches, as well as the opportunity for visitors to play a range of specially created musical instruments. Runs until March. Included in admission to the bridge. For more, see www.towerbridge.org.uk.
• Dante Gabriel Rossetti’s Pre-Raphaelite masterpiece, La Ghirlandata, is being unveiled at the Guildhall Art Gallery today following a year-long restoration. William Russell, Lord Mayor of the City of London, is unveiling the portrait which was painted in 1873. Conversation work undertaken included cleaning the painting to reveal a “brighter, fresher scene with a cooler tonality”, repairing and cleaning Rossetti’s original frame, and replaced the deteriorating living canvas. The restoration was made possible thanks to a grant from the Bank of America.
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We’ve entered a new year but before we leave 2019 completely behind, here’s quick look at four sites in London that were put on the National Heritage List for England last year…
1. Sainsbury Supermarket, Camden Town. Listed at Grade II, it was the first purpose-built supermarket to be placed on the National Heritage List. The store was built in 1986-88 as part of Grand Union Complex designed by architectural practice Nicholas Grimshaw & Partners.
2. The Curtain Playhouse, Shoreditch. A scheduled monument, the theatre dates from about 1577 and hosted performances of Romeo and Juliet during Shakespeare’s lifetime, as well as Ben Jonson’s Every Man in His Humour with Shakespeare himself listed as a performer. Archaeological investigations in the years from 2011-16 revealed parts of the stage as well as the wings, galleries and yards and 17th century structures which showed the later use of the site as tenement housing.
3. Nursemaid’s Tunnel, Regent’s Park. Grade II listed, this is one of the earliest surviving pedestrian subways in London. It was built under New Road (now Marylebone Road) – linking Park Crescent with gardens in Park Square – in 1821 after residents campaigned for its construction due to the dangers of navigating the busy road (especially for children being taken to the playground by their nursemaids).
4. Cabman’s Shelter, corner Northumberland Avenue and Embankment Place. Grade II-listed, this still-in-use shelter was built in 1915 on the orders of the Cabmen’s Shelter Fund. It was based on Maximilian Clarke’s original design of 1882 and is one of just 13 examples to survive in London.
PICTURE: Google Maps.
Our countdown continues…
Laurel & Hardy, Bugs Bunny, Mr Bean and Mary Poppins are among the big screen icons who are coming to Leicester Square as part of a new art installation taking up residence from late February. Scenes in the Square, an initiative of the Heart of London Business Alliance in partnership with Westminster City Council and major film studios, celebrates a century of cinema with a “trail” of interactive bronze statues. Other characters include Gene Kelly – hanging off a lamp-post as he appeared in 1952’s Singin’ in the Rain – and more modern heroes like Batman and Wonder Woman. Paddington will also be present with visitors able to sit on a bench and have lunch beside him. Several of the eight statues will be illuminated at night and the trail will be enhanced with interactive content including maps, video and music. It is hoped further characters will be introduced following a six month pilot period. PICTURES: Above – An artist’s impression of what the square will look like; Below – Models of Laurel and Hardy with the life-size Laurel and sculptor David Field in the background.
• King George IV’s public image and his taste for the theatrical and exotic as well as his passion for collecting are all the subject of a new exhibition opening at The Queen’s Gallery, Buckingham Palace, on Friday. Set against the tumultuous backdrop of his times (which included the French Revolution and Napoleonic Wars as well as a period of unprecedented global exploration), George IV: Art & Spectacle shows the contrasts of his character – on the one hand “a recklessly profligate showman” and, on the other, a “connoisseur with intellectual interests whose endless acquisitions made him one of the most important figures in the formation of the Royal Collection”. The display features artworks including Rembrandt’s The Shipbuilder and his Wife (1633) – at 5,000 guineas it was the most expensive artwork he ever purchased (pictured), as well as works by the likes of Jan Steen, Aelbert Cuyp and David Teniers. There’s also portraits the King commissioned from Sir Thomas Gainsborough, a Louis XVI service created by Sevres (1783-92) and the great Shield of Achilles (1821) – designed by John Flaxman, it was on display at his Coronation banquet. Other items include diplomatic gifts sent to the King – such as a red and yellow feather cape (‘ahu’ula) from King Kamehameha II and Queen Kamamalu of the Sandwich Islands (now Hawaii) and a Maori club brought from Hawaii by Captain Cook’s ship Resolution – and a copy of Emma sent to him by Jane Austen’s publisher. Runs until 4th May. Admission charge applies. For more, head to www.rct.uk/visit/the-queens-gallery-buckingham-palace. PICTURE: Sir Thomas Lawrence, George IV (1762-1830), 1821 (Royal Collection Trust/© Her Majesty Queen Elizabeth II 2019)
• A new exhibition commemorating the release of The Clash’s third album, London Calling, 40 years ago opens at Museum of London tomorrow. The display features items from the group’s personal archive such as Paul Simonon’s broken Fender Precision Bass, which Simonon smashed while on stage in New York City on 21st September, 1979, a handwritten album sequence by Mick Jones showing the final order for the four sides of the double album London Calling, one of Joe Strummer’s notebooks from 1979 and the typewriter he used to document his ideas, lyrics and other writing, and Topper Headon’s drumsticks. To coincide with the opening, Sony Music is releasing the London Calling Scrapbook, a hardback companion to the display which comes with the album, on CD. The free display can be seen until next spring. For more, see www.museumoflondon.org.uk.
• Skate at Somerset House with Fortnum & Mason is celebrating its 20th anniversary this year. The ice-skating rink, which opened this week, is being accompanied by the major exhibition 24/7 exploring the non-stop nature of modern life, as well as a programme of events including Somerset’s first skating ‘all-nighter’ on 7th December and special ‘Skate Lates’. There’s also Fortnum’s Christmas Arcade which, along with dining venue Fortnum’s Lodge has been created in Somerset House’s West Wing, as well as the rinkside Skate Lounge – home to the Bailey’s Treat Bar, and the Museum of Architecture’s Gingerbread City, now in its fourth year. Until 12th January. Admission charges apply. Head here for more.
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This West End thoroughfare obviously, now associated with London’s nightlife, owes its name to a windmill which once stood in the vicinity.
The windmill stood for at least 100 years before it was demolished in the late 17th or early 18th century – the rural land on which it stood was known as Windmill fields.
As the area now known as Soho was developed, the street, which runs between Brewer Street and Coventry Street (albeit split into two sections by Shaftesbury Avenue), was gradually constructed and by the early 1680s both sides of it had been developed.
Famous residents include the Scottish anatomist and physician William Hunter, who, built a large house at number 16 in 1767 which featured an anatomical theatre, dissecting rooms, library and museum. It now forms part of the Lyric Theatre and is recognised with an English Heritage Blue Plaque.
An upstairs room in the former Red Lion pub, located on the corner with Archer Street, is famous for being where Karl Marx and Frederick Engels were asked to write a program of action for the Communist League, published in 1848 as The Communist Manifesto.
Meanwhile, the former Windmill Theatre, which first opened in the 1930s and famously “never closed” during the Blitz, was known for its “Windmill Girls” in which nude girls posed motionless in what were known as “tableaux vivants”, has long been associated with risqué entertainment. The establishment was owned by Laura Henderson, the subject of the 2005 film starring Dame Judi Dench, Mrs Henderson Presents.
The street is also home to the Trocadero complex, originally built in 1896 as a restaurant by J Lyons and Co – of Lyon’s Corner Houses fame – to cater for theatre crowds on the site of what had been the Argyll Assembly Rooms, an establishment which become notorious as a meeting place for prostitutes and their customers. The Trocadero was redeveloped in the 1980s into a shopping and entertainment complex. There are now plans to build a hotel on the site.
Other landmarks include the Soho Parish School – the only school in Soho – which, located at number 23, traces its origins back to 1699 as well as St James Tavern, said to be built in the late 1890s on the site of an earlier tavern, The Catherine Wheel.
Andrew Baker, author of the recently published From Bean To Bar: A Chocolate Lover’s Guide to Britain, talks about some of his favourite chocolate spots in London…
The Queen’s favourite chocolates, for example, are made by the Prestat company in a marvellous factory crammed with delicious and exotic ingredients – and almost in the shadow of the prison at Wormwood Scrubs. As well as Her Majesty, Prestat’s lovely truffles were a favourite of the author Roald Dahl, of Charlie and the Chocolate Factory…but this particular chocolate factory remains off-limits to visitors.
The same goes for the premises in Bethnal Green at which Phil Landers is currently the only person in the entire metropolis making chocolate from scratch, or “from bean to bar” as the technique is properly known. Phil’s lovely bars are available from his website and might be said to be the authentic taste of London chocolate.
But one place where you can both enjoy the finished product and – from time to time – watch it being made and chat with the master behind it is Paul A Young’s eponymous shop at 143 Wardour Street (pictured).
This long-established thoroughfare has existed along its present course since at least the 16th century, and in its time has been justly celebrated as a location for the stars of the music industry (David Bowie and The Jam, among many others) and the movie industry, which still retains a hefty presence.
PICTURE: Google Maps
But Young’s lovely purple corner shop has become a celebrated place of pilgrimage for fans of all things chocolatey.
The ginger-bearded, twinkly and genial Young has become one of Britain’s best-known chocolatiers through frequent appearances in print, online and on television, most notably making the treats of yesteryear in the deliciously nostalgic series The Sweet Makers.
But there is substance behind the fluency and charm: years of training as a pastry chef, working at an early stage with the superstar chef Marco Pierre White, and years of experience in the kitchens of his shops.
There are branches in Camden and Threadneedle Street in the City, but the most substantial outpost of his empire is here in Soho. This is a must-visit location not only for fans of filled chocolates – for Young is one of the finest exponents of those of those in the world – but also for barflys, because he stocks a full range of bars made by the wonderful Cleethorpes bean-to-bar maestro Duffy Sheardown. What is more, Young serves an enormously tempting cup of hot chocolate ladled, in the winter months, from a glorious copper cauldron steaming in the shop window. What better way to lure in customers on a chilly day?
The Barnsley-born Young is often to be found exploring new flavour combinations in the kitchen in the shop’s basement. There are frequent chocolate-making classes here as well, and there is no-one better at imparting, in a kindly and witty manner, the mysteries of tempering and ganache-making.
But he is at his best inventing wonderful new combinations of fine chocolate and delicious fillings, and it would be a foolish visitor to London who departed the capital without sampling at least several of Young’s most celebrated truffles – the Marmite version, for example, which I adore, the beer and crisp version made with Camden’s Brewdog ale, or the homage to his roots in the Yorkshire tea and biscuit truffle.
These and many, many more are laid out in mouthwatering rows in the Wardour Street shop, freshly made and so to be consumed as soon as possible. That is not a difficult piece of advice to heed.
From Bean To Bar: A Chocolate Lover’s Guide to Britain: is published by AA Publishing.
Wondering which ‘great’ Queen this street name is referring to? Perhaps Queen Victoria, our own Queen Elizabeth or even her namesake, Queen Elizabeth I?
None of the above – the West End thoroughfare which runs between Drury Lane and Kingsway, is named for Queen Anne (of Denmark), consort of King James I (and the ‘great’ in Great Queen Street, we imagine, refers to the size of the thoroughfare and not the ‘greatness’ of the Queen).
Originally a residential street dating from the first half of the 17th century (one of which apparently sported a statue of another queen, Henrietta Maria, wife of King Charles I, on its facade), the houses were gradually replaced over the years but some early 18th century abodes do remain.
Famous residents include everyone from Civil War Parliamentarian General Thomas Fairfax and 18th century composer Thomas Arne to late 17th and early 18th century portrait painter Sir Godfrey Kneller and James Boswell, biographer of Samuel Johnson.
Freemason’s Hall, home of the United Grand Lodge of England, is located on the corner with Wild Street and the De Vere Grand Connaught Rooms next door stand on the site of the former Freemasons Tavern where, in 1863, the Football Association was founded.
PICTURE: View down Great Queen Street with the edifice of Freemason’s Hall on the right. (Google Street View)
• An exhibition exploring the changing roles of women in the British Army from 1917 to the present day has opened at the National Army Museum in Chelsea. Rise of the Lionesses, which is being held in partnership with the WRAC Association, charts the major contributions women have made to the Army’s history as well as how perceptions of “appropriate” roles for females have affected these contributions and how women have fought to redefine those roles. Highlights include the combat shirt and medical kit belonging to Sergeant Chantelle Taylor – the first female British soldier to kill in combat, the first Army-issue bra, and the vehicle chassis used to train Princess Elizabeth (now Queen Elizabeth II) while she served in the Auxiliary Territorial Service during World War II (pictured above). The free display can be seen until 20th October and is accompanied by a programme of public events. For more, head to this link. PICTURE: Courtesy of National Army Museum.
• Communications intelligence and cyber security are explored in an exhibition at the Science Museum, making the centenary of UK intelligence, security and cyber agency, GCHQ. Top Secret: From ciphers to cyber security features more than 100 objects including cipher machines used during World War II, secure telephones of the type used by British Prime Ministers, and an encryption key used by the Queen. There’s also encryption technology used by Peter and Helen Kroger who, until their arrest in the 1960s, were part of the most successful Soviet spy ring in Cold War Britain, and the remains of the crushed hard drive alleged to contain top secret information which was given by Edward Snowden to The Guardian in 2013 while the work of GCHQ’s National Cyber Security Centre is also explored with visitors able to see a computer infected with the WannaCry ransomware which, in 2017, affected thousands of people and organisations including the NHS. Runs until 23rd February. Admission is free. For more, head to www.sciencemuseum.org.uk.
• The pioneering work of Hungarian avant garde artist Dóra Maurer goes on show at the Tate Modern on South Bank next Monday in the first UK exhibition celebrating her five decade career. The free display brings together 35 of her works – from conceptual photographic series and experimental films to colourful graphic works and striking geometric paintings – with highlights including Seven Foldings (1975), Triolets (1981), Timing (1973/1980) and the six-metre-long Stage II (2016). The year-long display is one of several free displays opening at the Tate Modern this month. Others include an exhibition of Sol LeWitt’s graphic woodcut prints, a show featuring photograms, films, painting and drawings by Polish émigré artists Franciszka Themerson and Stefan Themerson, and photography displays by Mitch Epstein, Naoya Hatakeyama and David Goldblatt. For more, see www.tate.org.uk.
• Cinema is being celebrated at Somerset House this month with the launch of Film4 Summer Screen at Somerset House. The event includes courtyard screenings, specially curated DJ sets and live performances, and panel discussions from industry insiders. Actor Antonio Banderas will join Spanish director Pedro Almodóvar to introduce the festival’s opening night premiere, Pain and Glory, with other special guests including the cast of Shane Meadows’ BAFTA-award winning film This is England, Francis Lee, the director and writer of God’s Own Country, and the film’s lead actor Josh O’Connor as well as Peter Webber, director of Inna de Yard. Runs from 8th to 21st August. For more, see www.somersethouse.org.uk.
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