Carved stone inscriptions, medieval manuscripts and early printed works are among items on display in a new exhibition looking at the act of writing and its impact on human civilisation at the British Library. Writing: Making Your Mark spans five millennia and five continents and includes writing examples from more than 30 writing systems including Greek, Chinese and Arabic. Highlights include an 1,800-year-old ancient wax tablet, early 19th century Burmese tattooing instruments, the final diary entry of Antarctic explorer Captain Robert Falcon Scott, James Joyce’s notes for Ulysses, Caxton’s 1476-7 printing of The Canterbury Tales – the first book printed in England, and the personal notebooks of Elizabethan explorer Sir Walter Raleigh (pictured). There’s also a 60,000 signature petition from 1905 protesting the first partition of Bengal, Mozart’s catalogue of his complete works from 1784-1791 featuring his handwriting and musical notation, and Alexander Fleming’s notebook in which he recorded his discovery of penicillin in 1928. A programme of events accompanies the exhibition which runs until 27th August. Admission charge applies. For more see www.bl.uk. PICTURE: © British Library.

London’s forgotten rivers, tunnels, sewers, deep shelters, and the world’s first subterranean railway are all explored in a new free exhibition at the London Metropolitan Archives in Clerkenwell. Under Ground London in part celebrates the 200th anniversary of the birth of Victorian engineer Sir Joseph Bazalgette – who designed the scheme to overhaul the city’s sewers in the 19th century. As well as Bazalgette’s landmark work, the exhibition explores the legend of a cobbled street buried beneath today’s Oxford Street and tells the story of the Thames Tunnel which, when it opened in 1843, was the world’s first tunnel under a river. There’s also information on London’s ‘ghost stations’, including Strand and King William Street; and the Metropolitan Railway – the world’s first underground railway as well as images of the River Fleet, displayed for the first time. The display can be seen until 31st October. For more, follow this link.

Women artists working in Britain in the past 60 years are being celebrated in a new display at the Tate Britain in Millbank. Sixty Years features about 60 works spanning painting, photography, sculpture, drawing and film and includes many recent acquisitions. Artists whose works are on show include Mona Hatoum, Sarah Lucas, Bridget Riley, Mary Martin and Anthea Hamilton. Highlights include Gillian Wearing’s film Sacha and Mum (1996), Susan Hiller’s large scale multimedia installation Belshazzar’s Feast, the Writing on Your Wall (1983-84), and two new mixed media works by Monster Chetwynd – Crazy Bat Lady (2018) and Jesus and Barabbas (Odd Man Out 2011) (2018). For more, see www.tate.org.uk/visit/tate-britain.

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Wishing all of our readers a very happy Easter!

Easter is being celebrated in London through a range of events over the long weekend. They include an ‘Easter Extravaganza’ treasure hunt for children at The Royal Mews, Buckingham Palace, and a special Easter-themed trail at the Russia: Royalty & the Romanovs exhibition in the Queen’s Gallery, Lindt Gold Bunny Hunts at royal palaces including Hampton Court Palace and Kensington Palace, and, of course, all the pageantry of Easter services at the city’s many churches.

A major new exhibition of the work of contemporary glass artist Dale Chihuly has opened at Kew Gardens in London’s west. Chihuly at Kew features 32 works by the Seattle-based artist at 13 locations across the gardens. Highlights include Sapphire Star – located at the Victoria Gate, Drawings, the Rotolo series and Seaforms – all located in the Shirley Gallery of Botanical Art and a new, specially-designed sculpture as well as nine other installations in the Temperate House. An interactive trail designed for families takes visitors around the installations and there will be special night-time viewings from 15th August. Kew is also running family activities during Easter. Chihuly runs until 27th October. Admission charge applies. For more, see www.kew.org.

New works by Irish-born but American-based artist Sean Scully have gone on show at the National Gallery. Sea Star: Sean Scully at the National Gallery was inspired by the artist’s love for JMW Turner’s painting The Evening Star and features new and recent large scale multi-panel works that include his celebrated Landline paintings as well as Robe Blue Blue Durrow (2018), which suggests the seventh-century Book of Durrow from his native Ireland, and Human 3 (2018), inspired by the New York subway. Admission is free. Runs until 11th August. For more, see www.national gallery.org.uk.

On Now: Mary Quant. This exhibition at the V&A focuses on the 20 years between 1955 and 1975 and reveals how Dame Mary Quant democratised fashion for a new generation as she popularised the miniskirt, colourful tights, and tailored trousers. The display brings together more 120 garments as well as accessories, cosmetics, sketches and photographs, most of which have never been on display. Highlights include 35 objects from 30 people received after a public call-out to track down rare Quant items from wardrobes across the nation and 50 photographs of women wearing their Quant clothes. Runs until 8th March, 2020. Admission charge applies. For more, see vam.ac.uk/exhibitions/mary-quant.

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A sapphire and diamond coronet made for Queen Victoria goes on permanent display in the V&A’s William and Judith Bollinger Gallery from today. The new display is being unveiled as part of the V&A’s commemoration of the 200th anniversary of the births of the Queen and her husband, Prince Albert. The coronet was designed for the Queen by Prince Albert in 1840, the year they were married. Albert based the design on the Saxon Rautenkranz (circlet of rue) which runs diagonally across the coat of arms of Saxony. Victoria wore the coronet in a famous portrait by Franz Xavier Winterhalter completed in 1842 and again in 1866 when she wore it instead of her crown at the opening of Parliament. Entrance to the gallery is free. For more, see www.vam.ac.uk.

A major new exhibition of the work of Edvard Munch (1863-1944) opens at the British Museum in Bloomsbury today. Edvard Munch: love and angst, a collaboration with Norway’s Munch Museum, features 83 artworks taken from the museum’s collection as well as loans from across the UK and Europe. Highlights include a black-and-white lithograph of The Scream – the first time any version of the work has been on show in the UK for a decade, Vampire II – considered to be one of his most elaborate and technically accomplished prints, the controversial erotic image Madonna, and, Head by Head, a print representing the complex relationship between human beings. All of the latter three latter prints are being displayed alongside their original matrix (the physical objects Munch used to transfer ink onto paper). Runs until 21st July in the Sir Joseph Hotung Exhibition Gallery. Admission charge applies. For more, see www.britishmuseum.org. (PICTURE: The Scream (1895), Edvard Munch (1863-1944), Private Collection, Norway. Photo: Thomas Widerberg)

A retrospective of the work of Abram Games (1914-1996), a poster artist for the War Office during World War II, has opened at the National Army Museum in Chelsea. The Art of Persuasion: Wartime Posters By Abram Games features more than 100 posters he designed while working in the War Office’s Public Relations Department between 1941 and 1945. It explores how his Jewish refugee heritage, his experiences while a soldier and the turbulent politics of the time shaped his career and how his work – Games is described as a “master of reductive design” – still influences design professionals today. In conjunction with the opening of the exhibition last week, Games has been commemorated with an English Heritage Blue Plaque at his former home in Golders Green. Runs until 24th November. Admission charge applies. For more, see www.nam.ac.uk/artofpersuasion.

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A state-of-the-art, multi-sensory experience focusing on the beasts, large and small, that have helped shaped London opens at the Museum of London tomorrow. Beasts of London, being run in conjunction with the Guildhall School and Music & Drama, tells the story of the capital from before London existed through to the city today, all through the perspective of animals. Inspired by objects in the museum’s collection, the nine “episodes” of the experience encompass subjects including the arrival of the Romans, the creation of the first menageries during the medieval period, the plague years of the 1600s, the first circuses in the late 1700s, the end of the animal-baiting period in the Victorian era and the role of animals in today’s contemporary city. There’s also a special episode on the contribution horses have made to the city. Well-known identities including Kate Moss, Brian Blessed, Pam Ferris, Nish Kumar, Stephen Mangan, Angellica Bell and Joe Pasquale provide voices for the animals alongside actors from the Guildhall School. The family-friendly experience can be enjoyed until 5th January, 2020. Admission charge applies. For more, see www.museumoflondon.org.uk/beastsoflondon. PICTURE: Lion sculpture; courtesy Museum of London.

A new exhibition about Britain’s role in the Cold War opens at the National Archives in Kew today – exactly 70 years since the formation of NATO. Protect and Survive: Britain’s Cold War Revealed features original documents including political memos, spy confessions, civil defence posters and even a letter from Winston Churchill to the Queen as it explores the complexities of government operations during a time of paranoia, secrets and infiltration. Other highlights include George Orwell’s infamous list of suspected communist sympathisers, Winston Churchill and Joseph Stalin’s ‘percentages agreement’, a plan of Lionel ‘Buster’ Crabb’s fateful spy mission, ‘Atom spy’ Klaus Fuchs’ confession and Civil Defence posters. There’s also a recreated government bunker and a 1980s living room showing the impact of the Cold War on both government and ordinary lives as well as digital screens on which Dame Stella Rimington, the first female Director General of MI5, shares her experiences along with insights from historian Dominic Sandbrook and curator Mark Dunton. The display is being accompanied by a series of events including night openings, film screening and talks. Runs until 9th November (30th anniversary of the fall of the Berlin Wall). Admission charge applies. For more, see nationalarchives.gov.uk/coldwar.

Prince Albert’s personal contributions to the V&A’s Library collection are the subject of a new exhibition which opened this week as part of the South Kensington Institute’s celebration of the 200th anniversaries of the births of both the Prince and Queen Victoria. Prince Albert: Science & the Arts on the Page features books and photographs include one volume containing a letter written by the Prince’s librarian Ernst Becker highlighting Albert’s wish to promote knowledge and learning in science and the arts. There’s also a volume of songs written and set to music by Albert and his brother, featuring amendments in Albert’s own hand, as well as his signed season ticket to the Great Exhibition of 1851. Runs until 1st September on the Library Landing. Admission is free. Head here for more.

Forty years of computer game history is once again on show at the Science Museum from Saturday. Returning for its fourth year, Power UP features 160 consoles and hundreds of games, from retro classics like Space Invaders to the latest in VR technology. Special events include two adults-only evening sessions on 10th and 17th April. Runs until 22nd April. For more, see sciencemuseum.org.uk/power-up.

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At Eternity's GateThe first exhibition to examine the work of Dutch artist Vincent van Gogh through his relationship with Britain has opened at Tate Britain this week. Van Gogh and Britain includes more than 40 works by the artist including L’Arlésienne (1890), Starry Night on the Rhone (1888), and Sunflowers (1888). The exhibition will also feature later works by Van Gogh including two he painted while in the Saint-Paul asylum – At Eternity’s Gate (1890 – pictured) and Prisoners Exercising (1890). The exhibition shows how Van Gogh, who lived in London between 1873 and 1876 working as a trainee art dealer, responded to works by artists like John Constable and John Everett Millais and his love of British writers like William Shakespeare, Christina Rossetti and, particularly, Charles Dickens (L’Arlésienne features one of Dickens’ favourite books in the foreground). The show runs until 11th August and is being accompanied by a series of talks and other events. Admission charge applies. For more, see www.tate.org.ukPICTURE: Vincent van Gogh (1853 –1890), ‘Sorrowing old man (‘At Eternity’s Gate’)’ (1890), Collection Kröller-Müller Museum, Otterlo

On Now – Elizabethan Treasures: Miniatures by Hilliard and Oliver. This exhibition at the National Portrait Gallery – which is focused on the work of Nicholas Hilliard (1547-1619) and Isaac Oliver (c1565-1617) – is the first major display of Tudor and Jacobean portrait miniatures to be held in the UK for more than 35 years and includes new discoveries as well as portraits on public display for the first time. A large section of the exhibition is devoted to portraits of Queen Elizabeth I as well as King James I, his wife Anne of Denmark and his three children – Henry, Elizabeth and Charles (later King Charles II). There are also miniatures of famous figures like Sir Walter Ralegh, Sir Francis Drake and a little known portrait of Shakespeare’s patron, the Earl of Southampton. Other highlights include a previously unknown portrait by Hilliard of King Henri III of France. Runs until 19th May. Admission charge applies. For more, see www.npg.org.uk.

A major exhibition exploring the role of money in Jewish life has opened at the Jewish Museum London in Camden Town. Jews, Money, Myth looks at the “ideas, myths and stereotypes” that link money and Jews over two millennia. It features art works such as Rembrandt’s Judas Returning the Thirty Pieces of Silver as well as new commissions by Jeremy Deller and Doug Fishbone along with film, literature and cultural emphemera ranging from board games and cartoons to costumes and figurines. There are a series of related events. For more, see www.jewishmuseum.org.uk.

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The Painted Hall in Greenwich’s Old Royal Naval College reopens on Saturday following a two-year, £8.5 million restoration project. The hall, known as the UK’s “Sistine Chapel”, was designed by Sir Christopher Wren as a ceremonial dining room for what was then the Royal Hospital for Seamen. Completed in 1705, its 4,000 square metre interior features a decorative scheme painted by Sir James Thornhill, the first British artist to be knighted, which took 19 years to complete. The paintings celebrate English naval power as well as the then newly installed Protestant monarchy with joint monarchs King William III and Queen Mary II as well as Queen Anne and King George I all represented in the artworks along with hundreds of other mythological, allegorical, historical and contemporary figures. The restoration project has also seen the King William Undercroft, located underneath the hall, converted into a new cafe, shop and interpretation gallery. Two cellar rooms from King Henry VIII’s palace – which once stood on the site – were discovered during the restoration works and are also now on public display. Other new touches include the return of a series of carved oak benches to the hall (having been introduced when it was used as an art gallery in the 19th century they were removed 100 years ago), two ‘treasure chests’ containing objects related to the ceiling artworks which can be handled, and new tour options – not just of the hall and undercroft but of the entire Old Royal Naval College site. There’s a host of special activities over the opening weekend, including a parade and official opening ceremony from 9.30am, the chance to meet historical characters, music, food stalls, kids activities and more. Admission charge applies. For more, see www.ornc.org. PICTURED: The Old Royal Naval College, home of the Painted Hall.

The V&A has announced it is extending its sell-out Christian Dior: Designer of Dreams exhibition due to unprecedented demand. The exhibition at the South Kensington museum, which had originally been scheduled to close on 14th July, will now run until 1st September with new tickets made available on 15th of each month (there’s also a limited number of tickets available to purchase daily at 10am from the V&A’s Grand Entrance on a first-come, first-served basis; V&A members, of course, attend free-of-charge with no need to book). The exhibition, which initially sold out of its five month run with 19 days of opening, is the most comprehensive exhibition ever staged in the UK on the House of Dior and the museum’s biggest fashion exhibition since Alexander McQueen: Savage Beauty in 2015. For more, see vam.ac.uk.

On Now: Merchant Navy Treasures: An Introduction to the Newall Dunn Collection. This display at the City of London’s Guildhall Library delves into the Newall Dunn Collection, one of the world’s most comprehensive photographic and reference collections on merchant shipping, and showcases the achievements of shipping historian Peter Newall and artist and writer Laurence Dunn. Alongside images, press releases and newspaper cuttings, on show are company brochures, menus and other items from the ocean liners and cargo vessels of three famous lines from the golden age of shipping: the Cunard, Orient and Union-Castle. Admission is free. Runs until 24th May. For more, follow this link.

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The first major UK exhibition of the work of “Spain’s Impressionist”, Joaquín Sorolla y Bastida (1863-1923), opens at the National Gallery on Monday. Sorolla: Spanish Master of Light – the first UK retrospective of the artist’s work since 1908 when he mounted an exhibition in London’s Grafton Galleries, spans seven rooms in the Sainsbury Wing and features more than 60 works including portraits and scenes of Spanish life as well as the landscapes, garden views and beach scenes for which he is most renowned. Highlights include his first great success, Another Marguerite! (1892 – pictured), The Return from Fishing (1894), Sewing the Sail (1896), Sad Inheritance! (1899), a portrait of the American painter Ralph Clarkson (1911) and Female Nude (1902) – both of which were responses to the work of Velázquez, large scale preparatory studies from 1912 for Vision of Spain, and sizeable canvases painted out of doors such as Strolling along the Seashore (1909) and The Siesta (1911). The exhibition, which runs until 7th July, is organised in partnership with the National Gallery of Ireland and the Museo Sorolla, Madrid. Admission charge applies. For more, see www.nationalgallery.org.uk. PICTURE: Joaquín Sorolla y Bastida, ¡Otra Margarita! (Another Marguerite!), 1892. Oil on canvas, Mildred Lane Kemper Art Museum, Washington University in St Louis. Gift of Charles Nagel, Sr, 1894.

On Now – The Poster Prize for Illustration 2019 – London Stories. One hundred illustrations depicting an aspect of London – in a current or historical, real or fictional state – and capturing a familiar or lesser-known narrative in a single image are on show at the London Transport Museum. The images were selected by a panel of judges and visitors have the chance to vote for their favourite poster with the winning illustration to be announced in June (it will then become a permanent part of the museum’s collection). Runs until 14th July. There’s a series of talks accompanying the display including ‘Bus Fare: Stories of the London Bus’ open 21st March. Admission charges apply. For more, see www.ltmuseum.co.uk/whats-on/exhibitions.

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The wedding dress and tiara worn by Princess Eugenie at her wedding in October last year has gone on display in a new exhibition at Windsor Castle, just to the west of London. A Royal Wedding: HRH Princess Eugenie and Mr Jack Brooksbank also features groom Jack Brooksbank’s morning suit and the maid-of-honour outfit worn by Princess Beatrice of York. But the star is the wedding dress, designed by Peter Pilotto and Christopher De Vos, which features fabric interwoven with symbols including the White Rose of York. The exhibition also includes the Greville Emerald Kokoshnik Tiara, lent by Queen Elizabeth II and on public display for the first time, Princess Eugenie’s diamond and emerald drop earrings – a wedding gift from the groom, a replica of the bridal bouquet, and the Zac Posen-designed evening gown worn by the princess for the reception. The display can be seen as part of visits to Windsor Castle until 22nd April. Admission charge applies. For more see www.rct.uk. PICTURE: Royal Collection Trust / © All Rights Reserved.

The work of pioneering artist Dorothea Manning is the subject of a new exhibition at the Tate Modern on South Bank. Opened last week, Dorothea Tanning is organised in collaboration with the Museo Nacional Centro de Arte Reina Sofía in Madrid and is the first large scale exhibition of her work for 25 years. It brings together some 100 works, a third of which are being shown in the UK for the first time, including ballet designs, stuffed textile sculptures, installations and large scale pieces. Highlights include the self-portrait Birthday (1942), Children’s Games (1942), Insomnias (1953), Etreinte (1969),Tango Lives (1970) and the room-sized installation Chambre 202, Hôtel du Pavot (1970-73). Runs until 9th June. Admission charge applies. For more see www.tate.org.uk.

A new exhibition on the impact photographic reproduction had on illustrative art at the end of the 19th century has opened at the Heath Robinson Museum in Pinner. The Beardsley Generation looks at how a new generation of artists versed in process engraving replaced the craft wood engravers of the past and how the new technology led to an expansion in the production of illustrated books and periodicals. The work of Aubrey Beardsley, Charles Ricketts, Laurence Housman and the Robinson brothers will be on display in the form of original drawings, books and periodicals drawn from public and private collections. Runs until 19th May. Admission charge applies. For more, see www.heathrobinsonmuseum.org.

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One of the first ever exhibitions devoted to the work of French Revolution-era artist Louis-Léopold Boilly (1761-1845) opens at The National Gallery on Trafalgar Square today. Boilly: Scenes of Parisian Life features at its heart 18 paintings from private British collection the Ramsay Manor Foundation which have never been displayed or published before. They include early works like Two Young Women Kissing (1790-94), urban vistas like The Poor Cat (1832), The Barrel Game (c1828), and A Carnival Scene (1832), and portraiture like Portrait of the Comtesse François de Sainte-Aldegonde (c1800-05), and Portrait of a Lawyer (early 19th century). Also on display is The Meeting of Artists in Isabey’s Studio (1798, now held in the Musée du Louvre), the painting which, depicting the greatest artists of his generation, rocketed him to fame, and the National Gallery’s own Girl at a Window (Boilly was apparently the first to use the phrase “trompe l’oeil” to describe illusionistic paintings that “deceived the eye” by creating the illusion that depicted objects exist in three dimensions and this work gives the illusion that, though it’s oil on canvas, its a print in a mount). Though born in Lille, Boilly spent six decades in Paris from 1785 onwards and was an eyewitness to events including the French Revolution of 1789, the Terror, the rise and fall of Napoleon, and the restoration of the French monarchy. The free display can be seen in Room 1 until 19th May and admission is free. For more, see www.nationalgallery.org.uk. PICTURE: Louis-Léopold Boilly, ‘The Barrel Game’ (about 1828/oil on canvas/37.8 × 46.8 cm – The Ramsbury Manor Foundation) Photo © courtesy the Trustees.

The ‘Renaissance Nude’ and how it inspired some of the world’s most renowned masterpieces is the subject of a new exhibition opening at the Royal Academy in Piccadilly on Sunday. The display features about 90 works in a variety of media from across Europe with artists including Lucas Cranach the Elder, Albrecht Dürer, Jan Gossaert, Michelangelo, Raphael and Leonardo da Vinci all represented. It will look at developments that led to the nude holding a pivotal place in art between 1400 and 1530 and is organised around five main themes: ‘The Nude and Christian Art’, ‘Humanism and the Expansion of Secular Themes’, ‘Artistic Theory and Practice’, ‘Beyond the Ideal Nude’ and ‘Personalising the Nude’. Highlights include Titian’s Venus Rising from the Sea (‘Venus Anadyomene’) (c 1520), Agnolo Bronzino’s Saint Sebastian (c1533), Dürer’s engraving Adam and Eve (1504), Cranach’s A Faun and His Family with a Slain Lion (c1526) and Gossaert’s Hercules and Deianira (1517). Can be seen in the Sackler Wing of Galleries until 2nd June. Admission charge applies. For more, see www.royalacademy.org.uk.

How women have helped shaped the British Army will be the subject of a special day featuring theatrical performances, live music and discussion at the National Army Museum in Chelsea this Saturday (2nd March). The day, which is the first of new series of Saturday events at the museum and this month is being held in recognition of Women’s History Month, will feature a theatrical performance by Dr Kate Vigurs of History’s Maid telling the story of Mother Ross who in 1693 disguised herself as a man so she could join the army and find her husband who had gone missing while at war. There’s also a panel of five women – serving soldiers, veterans and army wives – who will share their stories as well as musical performances by the Military Wives Choirs, the chance to engage with re-enactors, gallery tours and object handling opportunities all centred around women in the army. Runs from 10am to 4.30pm and is free. For more, see www.nam.ac.uk/whats-on/women-and-army.

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The City of London’s largest rooftop viewing space – The Garden at 120 – has opened atop the newly opened Fen Court office building in Fenchurch Street. The viewing platform – located 15 storeys above the street – offers 360 degree views of the City and features a pergola planted with fruit trees and Italian wisteria, a water feature and coffee hut. Entry is free and access is between 10am and 6.30pm weekdays until 31st March (5pm on weekends) and between 10am and 9pm from 1st April to 30th September. For more, see www.thegardenat120.com. PICTURE: diamond geezer (licensed under CC-BY-NC-ND 2.0)

Rembrandt’s drawing and prints are the subject of a new free exhibition at the British Museum. Marking 350 years since the death of Rembrandt van Rijn in 1669, Rembrandt: thinking on paper features more than 60 of the Dutch artist’s works ranging from quick sketches to fully realised compositions with subject matter including self-portraits, landscapes and Biblical scenes. Works include Young woman sleeping (Hendrickje Stoffels?) (c1654), his printing plate for Reclining female nude (1658), the pen-and-ink Sketches of an old man and child (c1639-40), Self-portrait, bareheaded, bust in frontal view (1629), Self-portrait drawing at a window (1648), the Raising of Lazarus (c1632) and his late, large drypoints the Three Crosses (1653) and Ecce Homo (1655). Runs until 4th August in Room 90. Entry is free. For more, see www.britishmuseum.org.

The first posthumous retrospective of the work of Franz West (1947-2012) ever staged in the UK has opened at the Tate Modern. Franz West spans the artist’s career over four decades and includes examples from his series of early abstract small sculptures like Passstücke (Adaptives), furniture work first displayed in the artist’s pivotal 1989 exhibition at the Haus Lange Museum, as well as later, large-scale installations such as Auditorium (1992) and Epiphany on Chairs (2011). The artist’s works in papier-mâché – Legitimate Sculptures – are also featured and there’s a room devoted to Redundanz (1986), a three-part ensemble accompanied by text that stresses “the difference between language and art as ways of understanding the world”. The display finishes with an array of West’s dramatic aluminum works and a collection of maquettes for the artist’s outdoor sculptures, five of which are installed in the South Landscape. Runs until 2nd June. Admission charge applies. For more, see www.tate.org.uk.

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The flowers of Colombia are at the heart of this year’s Kew Orchid Festival which kicked off in west London late last week. Featuring what’s promised to be “dazzling displays” inspired by Colombia’s fauna and flora – the country boasts some 4,270 species of orchids alone, the 24th annual festival includes music, food, crafts and, of course, coffee. More than 5,700 orchids – including the Flor de Mayo – feature in the display in the Princess of Wales Conservatory with visitors led through a series of zones that evoke the sights, smells and sounds of Colombia. The central display is a “carnival of animals’ which depicts a toucan in flight, a hanging sloth and swimming turtle – all made of orchids, bromeliads and other tropical plants. There’s also a cascade of colourful hanging vandas representing the “rainbow river” – the Cano Cristales, an enchanted forest with life-sized jaguars, and, a golden floating display featuring yellow orchids depicting the legend of El Dorado. Meanwhile, the glasshouse film room features Bogota-style street art murals by Colombian multidisciplinary artist, Vanessa Moncayo González. The festival runs until 10th March. Admission charges apply. For more, see www.kew.org.

The works of Harald Sohlberg, one of the great masters of landscape painting in the history of Norwegian art, are on show at Dulwich Picture Gallery in the first ever exhibition of his works outside of Norway. Marking the 150th anniversary of the artist’s birth, Harald Sohlberg: Painting Norway boasts more than 90 works revealing the role of colour and symbolism in his art as well as his passion for Nordic landscapes. Spanning the period from 1889 when he was starting out as a 20-year-old through to 1935, the last year of his life, the works include the ‘national painting of Norway’ – Winter Night in the Mountains (1914) which took some 14 years to complete (pictured), as well as Fisherman’s Cottage (1906), Summer Night (1899), Sun Gleam (1894) and Street in Røros in Winter (1903). Runs until 2nd June. Admission charge applies. Accompanying the exhibition is a new sculptural installation in the gallery’s mausoleum by Bristol-based artist Mariele Neudecker – And Then the World Changed Colour: Breathing Yellow. For more see www.dulwichpicturegallery.org.uk. PICTURE:  Harald Sohlberg, ‘Winter Night in the Mountains’, 1914, The National Museum of Art, Architecture and Design, Norway.

A new photographic exhibition documenting the living conditions of London’s most disadvantaged children has opened at the Foundling Museum in Bloomsbury. Being run in partnership with The Childhood Trust, Bedrooms of London features images of sleeping spaces by Katie Wilson and they are shown alongside stories collected by Isabella Walker which bring into sharp focus the consequences of London’s social housing shortage. The display builds on the history of the Foundling Hospital, providing a glimpse into what life is like for the 700,000 London children currently living below the poverty line. It can be seen until 5th May. Admission charge applies. For more, see www.foundlingmuseum.org.uk.

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The UK’s largest ever exhibition focusing on fashion designer Christian Dior and his work opens at the V&A on Saturday. Christian Dior: Designer of Dreams spans his career and legacy from 1947 – the year he hosted his first UK fashion show at the Savoy Hotel in London, to the present day. Based on an exhibition shown at the Musée des Arts Décoratifs in Paris, it will also include a section on the world renowned designer’s fascination with British culture. The more than 500 objects on show – revealed in 11 sections – include more than 200 rare haute couture garments as well as accessories, photography, film, perfume and make-up, illustrations, magazines and personal possessions. Alongside gowns worn by the likes of Princess Margaret, Margot Fonteyn and Jennifer Lawrence, highlights include the iconic Bar Suit, given to the V&A by the House of Dior in 1960. Runs until 14th July in The Sainsbury Gallery. Admission charge applies. For more, see www.vam.ac.uk. PICTURE: © Adrien Dirand (V&A).

The work of Sir Don McCullin – regarded as one of Britain’s greatest living photographers and perhaps best known as a photojournalist and war correspondent – is the subject of a new show opening at Tate Britain next Tuesday. Don McCullin features more than 250 photographs dating from the 1950s – when he started documenting the community in his native Finsbury Park – to 2017, when he visited Syria to document the destruction undertaken by the so-called Islamic State. Among the iconic photographs on show are The Guvnors, a portrait of a notorious local gang in Finsbury Park which launched his career as a photojournalist in 1958, Shell-shocked US Marine, The Battle of Hue (1968), Starving Twenty Four Year Old Mother with Child, Biafra (1968), Northern Ireland, The Bogside, Londonderry (1971), and The theatre on the Roman city of Palmyra, partly destroyed by Islamic State fighters (2017). Also on show are photographs depicting the changing social conditions in the UK, landscapes and still lifes as well as the photographer’s magazine spreads, contact sheets, McCullin’s helmet and the Nikon camera which took a bullet for him in Cambodia. Runs until 6th May. Admission charge applies. For more, see www.tate.org.uk.

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A plan of the Deptford Pumping Station signed by Sir Joseph Bazalgette is going on display at the City of London Heritage Gallery on Saturday to mark 200 years since the Victorian engineer’s birth. Other items in the new display include the Shakespeare Deed – only one of six documents to bear the signature of William Shakespeare, and one of the City of London’s earliest charters – granted by King Richard I in 1197. Admission to the gallery, located in the Guildhall Art Gallery, is free. Runs until 16th May. For more, follow this link.

The first major retrospective of French painter Pierre Bonnard in 20 years has kicked off at the Tate Modern on South Bank. The CC Land Exhibition, Pierre Bonnard: The Colour of Memory, features about 100 of his most celebrated works from public and private collections spanning the period from 1912 to his death in 1947. Bonnard, like his friend Henri Matisse, had a profound impact on modern painting and went on to influence the likes of Mark Rothko and Patrick Heron. Works on show include Dining Room in the Country (1913), The Lane at Vernonnet (1912-14), Coffee (1915), Summer (1917), Piazza del Popolo, Rome (1922), Nude in an interior (c1935), and Studio with Mimosa (1939-46). Runs to 6th May; admission charge applies. For more, see http://www.tate.org.uk. PICTURE: Pierre Bonnard (1867–1947), Coffee (Le Café), 1915,  Oil paint on canvas (via Tate Modern)

The work of pioneering video artist Bill Viola has been brought together with drawings buy Michelangelo in a new exhibition opening at the Royal Academy on Saturday. Bill Viola/Michelangelo features 12 major video installations by Viola, an honorary Royal Academician, which span the period 1977 to 2013 as well as 15 works by Michelangelo including 14 highly finished drawings as well as the Academy’s Taddei Tondo. It proposes a “dialogue” between the two artists with Viola, who first encountered Michelangelo’s works in the 1970s in Florence, considered an heir to the long tradition of spiritual and affective art which uses emotion to connect viewers with the subject depicted. Runs until 31st March. Admission charge applies. For more, see www.royalacademy.org.uk.

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Eighty original comic strips hand-drawn by Charles M Schulz, of Peanuts fame, are on show at Somerset House on the Strand along with many of his personal effects and interactive installations in an exhibition marking the 70th anniversary of the creation of iconic character Charlie Brown. Good Grief, Charlie Brown! Celebrating Snoopy and the Enduring Power of Peanuts looks at the impact of the comics on the cultural landscape, from 1950 to now, and, alongside works by Schultz, features responses to them by 20 figures from the worlds of art, fashion and music. The comic strips are showcased in their original state and size – complete with inky thumbprints and correction marks – and sit alongside vintage Peanuts products and publications as well as correspondence between Schultz and people such as Billie Jean King and Hillary Rodham (now Clinton). Along with interactive displays including a real-life re-imagination of Lucy’s Psychiatric Help booth, light boxes where people can learn to draw the Peanuts characters and a Snoopy Cinema, here are also three large-scale lights installations illuminating the entrance to the exhibition. This landmark exhibition can be seen until 3rd March. Admission charge applies. For more, see www.somerset.org.uk.

Newly acquired contemporary artworks by Pacific Island artists are at the centre of an exhibition re-examining the relationship between Captain James Cook and the peoples of the Pacific Ocean which is running at the British Museum. Reimagining Captain Cook: Pacific Perspectives also features historic artefacts including Cook’s personal possessions and the British Museum’s oldest example of a Hawaiian shirt (pictured). Among the 14 contemporary artworks are eight specially acquired for the exhibition and all are in some way a response to Cook’s voyages to places including Australia, New Zealand, New Caledonia, Hawaii, Vanuatu and Tahiti. They include Maori artist Steve Gibbs’ Name Changer – an attempt to restore awareness of the traditional Maori names for the region around Gisborne in New Zealand, and a work by the Aboriginal photographer and artist Michael Cook, Civilised #12, which reflects on the legacy of William Dampier, the first Briton to visit Australia (before Cook). The display can be seen in Room 91 until 4th August. Admission is free. For more, see www.britishmuseum.org. PICTURE: ‘Hawaiian’ style vintage cotton shirt, decorated with designs from drawings done on Captain Cook’s voyages, Hawaii, 1970-1980. © Image The Trustees of the British Museum.

An exhibition marking the 80th anniversary of the Kindertransport is running at the Jewish Museum London in Camden. Remembering the Kindertransport: 80 Years On tells the story of how in 1938-39, the British Government allowed 10,000 Jewish and other ‘non-Aryan’ children from Nazi-occupied Europe to come to Britain in a rescue operation which became known as the ‘Kindertransport’. It features the children, now in their 80s and 90s, telling their stories on film as well as personal objects and artefacts they brought with them from their homelands. Also on show is a photographic exhibition – Still in Our Hands: Kinder Life Portraits – featuring archival photographs and portraits of former Kindertransportees and another – My Home and Me – which, held in partnership with the British Red Cross, explores the journey of young refugees arriving in Britain today. The exhibition, which is being accompanied by a series of events, runs until 10th February. Admission is free. For more, see www.jewishmuseum.org.uk/kindertransport.

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The V&A has reopened the second of its two Cast Courts following a redevelopment which has seen the addition of a new interpretation gallery, new exhibits and the restoration of historic original features. The West Court, now renamed the Ruddock Family Cast Court, has been returned to its historic past with original 19th century floors and wall colours and the Central Gallery, now renamed the Chitra Normal Sethia Gallery, features a new exhibition exploring the history, significance and contemporary relevance of the casts on display. Among the new exhibits are a scaled down digital reproduction of the arch of Palmyra destroyed by the so-called Islamic State in 2015 while one of the key existing exhibits, a 35 metre high cast of Trajan’s Column (displayed in two parts – see picture) has had its base permanently opened so visitors can gain an internal perspective. The reopening follows that of the Weston Cast Court in 2014 and completes a project which was begun in 2011. The Cast Courts were first opened in 1873, then known as the Architecture Courts, and house a collection of casts of some of the world’s most inspiring objects including everything from Michelangelo’s David to 16th-century tombs by Peter Vischer in Nuremberg and the Pórtico de la Gloria from the Cathedral of Santiago de Compostela. They are the only public galleries in the South Kensington institution to display the same collection of objects as when they first opened. Entry to the Cast Courts is free. For more, see www.vam.ac.uk. PICTURE: © Victoria and Albert Museum, London.

Works by Edward Burns-Jones, Dante Gabriel Rossetti, John Everett Millais and Grayson Perry are among those on show as part of a new exhibition at the City of London Corporation’s Guildhall Art Gallery. Visions and Visionaries – a collaboration between the Guildhall Art Gallery, The Sir Denis Mahon Charitable Trust, Flat Time House, and the Bologna-based Association Age of Future, highlights some of the key figures who defined the ‘Visionary’ idea of art and laid the foundations for a later generation of avant-garde artists. Among the works on show are Sir John Gilbert’s depiction of two knights ambushed by fairies in a moon-lit forest, Marcello Pecchioli’s Alien Priest, and John Latham’s experimental screen print, NO IT, 1967 as well as Sir John Gilbert’s The Enchanted Forest, Burne-Jones’ St Agnes and St Dorothy; and a series of 25 drawings by Blake to illustrate two poems by Thomas Gray, The Bard and The Fatal Sisters. Admission is free. Runs until 28th April. For more, follow this link.

On Now: Cats on the Page. Featuring original illustrations of Mog by Judith Kerr, Beatrix Potter’s Kitty-in-Boots as imagined by Quentin Blake and two illustrations by Axel Scheffler for TS Eliot’s Old Possum’s Book of Practical Cats, this exhibition at the British Library is a celebration of literary felines and their creators. Objects on show include Lewis Carroll’s own copy of the exceptionally rare 1893 (third) edition of Through the Looking-Glass and what Alice found there (in which the author expresses frustration with the printing including a comment on an illustration of Alice’s kitten), an 1879 letter by Edward Lear in which he included doodles of himself and his cat Foss, a 16th century pamphlet on witchcraft with a woodcut image accompanying the description of a black cat or familiar belonging to ‘Mother Devell’, and a letter written by TS Eliot to Alison, daughter of his friend Geoffrey Tandy, which contains a draft of his poem Mungojerrie and Rumpelteazer as well as Alison’s reply which includes drawings of the two cats. Coinciding with the 80th anniversary year of the original publication of Old Possum’s Book of Practical Cats, the free exhibition is being accompanied by a programme of events and can be seen until 17th March. For more, see www.bl.uk/events/cats-on-the-page.

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Visitors to Hampton Court Palace will be transported back to 1906 from Saturday as the palace community prepares for Christmas. Christmas Present, Christmas Past features a range of activities from carol singing around the tree to telling ghost stories (and looking at the traditions behind them) as well as live culinary demonstrations in the kitchens showing the evolution of Christmas dinner as we know it today. Meanwhile, the Hampton Court Palace Festive Fayre returns next weekend (7th to 9th December) with more than 90 stalls set up in the palace courtyards selling mince pies, mulled wine and a host of other festive treats. And the palace’s ice-skating rink has returned to the Tudor West Front (and will be there until 6th January). Admission charges apply. For more, see www.hrpfoodfestivals.com.

Sir Edwin Landseer’s dramatic work – The Monarch of the Glen – is at the centre of a new exhibition celebrating the connections between the 19th century artist and the National Gallery. “Coming home” to the Trafalgar Square-based institution for the first time in more than 160 years, the painting – arguably the most famous animal painting in the world – is one of 14 works included in a new free show opening today. Among paintings created to decorate the Palace of Westminster after fire devastated the building in 1834, Landseer’s (1802-1873) work was first exhibited at the Royal Academy in 1851, then housed in what is now the National Gallery building. It’s now on loan from the National Galleries of Scotland, which acquired the work in 2017. This is the first London showing since 1983. Other works in the display include Landseer’s Ecorche drawing of a dog’s leg (1821), as well as paintings and drawings connected with the famous lions Landseer designed for Trafalgar Square including a John Ballantyne portrait of the artist modelling the lions in his studio and a work by Queen Victoria, whom Landseer tutored in etching, entitled A pencil drawing of a stag after Landseer’s mural on the Dining Room wall at Ardverikie Shooting-lodge (1847). Can be seen in Room 1 until 3rd February. For more, see www.nationalgallery.org.uk. PICTURE: Edwin Landseer, ‘The Monarch of the Glen’ (about 1851), © National Galleries of Scotland

More than 40 paintings created during the final year of World War I by artist Alfred Munnings (1878-1959) go on show at the National Army Museum in Chelsea tomorrow. Alfred Munnings: War Artist, 1918 shows his mastery of equine subjects as well as portraiture and landscapes. Munnings was commissioned by the Canadian War Memorials Fund as an official war artist to capture the fighting front and logistics behind the scenes and in early 1918 was embedded with the Canadian Expeditionary Force. The exhibition has been developed by the Canadian War Museum in partnership with The Munnings Art Museum and is supported but The Beaverbrook Canadian Foundation. Can be seen until 3rd March. Admission charge applies. For more, see www.nam.ac.uk.

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Christmas at Kew kicks off tonight with the garden landscape once again transformed into a spectacular light and sound show. Highlights from this year’s display include a ‘Field of Light’ by Brighton based artists Ithaca which reaches across the landscape towards the newly restored Great Pagoda, a laser garden by Australian studio Mandylights, 300 illuminated origami boats floating on Kew’s lake in an installation by Italian artists Asther & Hemera, ‘Firework Trees’ lit up by explosions of coloured light, a seven metre tall Cathedral of Light, a fire garden and “enchanted walkway” of giant glowing peonies and papyrus by French artists TILT and, of course, the famous Palm House finale which brings the giant glasshouse to life with a show featuring criss-crossing laser beans, jumping jets of light and kaleidoscopic projections playing across a giant water screen. Santa and his helpers can be found along the trail and there is a festival fairground with a Victorian carousel as well as food and drink at a range of stalls in Victoria Plaza. Runs from 5pm on select dates until 5th January. Admission charge applies. For more, head to www.kew.org/christmas. PICTURE – Below: The Fire Garden/Raymond Gubbay Ltd (RBG Kew).

All 12 surviving portraits of celebrated 18th century artist Thomas Gainsborough’s daughters have been brought together for the first time in a major new exhibition at the National Portrait Gallery. Gainsborough’s Family Album depicts the development of the Gainsborough girls from playful young children to fashionable adults with highlights including The Artist’s Daughters chasing a Butterfly (c1756) and The Artist’s Daughters with a Cat (c1760-1) as well as the little seen double full-length of Mary and Margaret Gainsborough as young women (c1774). More than 50 works are included in the display and a number have never been seen in the UK before. The latter include an early portrait of the artist’s father John Gainsborough (c 1746-8) and a drawing of Thomas and his wife Margaret’s pet dogs, Tristram and Fox. The display traces the career of the artist (1727-88) who, despite his passion for landscapes, painted more portraits of his family members than any other artist of the time or earlier. Together they form an “unusually comprehensive” visual record of an 18th century British kinship network, with several of its key players shown more than once at different stages of their lives. The exhibition runs until 3rd February. Admission charge applies. For more, see www.npg.org.uk.

Artist William Heath Robinson and his fascination with domestic life is the subject of a new exhibition opening at the Heath Robinson Museum in Pinner on Saturday. Heath Robinson’s Home Life centres on the fact that from about 1930 onwards, the artist’s humour was centred on domestic life including the construction of his house, ‘The Gadgets’, at the Ideal Home Exhibition of 1934 and the release, from 1936, of the first of his ‘How to’ books, How to Live in a Flat. The display features an early series of “Ideal Home” cartoons published in 1933 and rare photographs of ‘The Gadgets’ under construction at the Ideal Home Exhibition. There’s also original artwork from How to Live in a Flat and examples of a set of nursery china that he designed for a Knightsbridge department store in 1927. Runs until 17th February. Admission charge applies. For more see www.heathrobinsonmuseum.org.

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The portraits of Italian Renaissance painter Lorenzo Lotto, known for their rich symbolism, have gone on show at The National Gallery. Highlights of Lorenzo Lotto Portraits include masterpieces as the Bishop Bernardo de‘ Rossi (1505) and the monumental altarpiece of The Alms of Saint Antoninus of Florence (1540–2) brought to the UK from Venice for the first time as well as the Assumption of the Virgin with Saints Anthony Abbot and Louis of Toulouse (1506), The Mystic Marriage of Saint Catherine of Alexandria, with Niccolò Bonghi (1523 – pictured), the Portrait of a Young Man with a Lizard (1528–30), and the Portrait of a Man with a Felt Hat (1541?). The display, which is arranged over four rooms, also includes objects relating to the portraits including a carpet, sculpture, jewellery, clothing and books. Runs until 10th February. Admission is free. For more, see www.nationalgallery.org.ukPICTURE: Lorenzo Lotto, ‘Mystic Marriage of Saint Catherine with Donor Niccolò Bonghi’, 1523, Oil on canvas, 172 x 143cm, Accademia Carrara, Bergamo, © Fondazione Accademia Carrara, Bergamo.

The first exhibition to take a detailed look at the life of Assyrian King Ashurbanipal has opened at the British Museum. I am Ashurbanipal: king of the world, king of Assyria focuses on the 7th century BC when Ashurbanipal was the most powerful person on earth, ruling a vast and diverse empire from his capital of Babylon. More than 200 objects from the museum’s collection and other collections across the world feature in the display including massive stone sculptures, carved reliefs, carved ivories and metalwork, and ornate chariot fittings and weaponry. And in a contemporary twist, the final section of the exhibition looks at the challenges faced in protecting Iraqi cultural heritage in recent times. Runs until 24th February in the Sainsbury Exhibitions Gallery. Admission charge applies. For more, see www.britishmuseum.org.

A joint exhibition of works by Austrian artists Gustav Klimt (1862-1918) and Egon Schiele (1890-1918) has opened at the Royal Academy to mark the centenary of their deaths. Klimt / Schiele: Drawings from the Albertina Museum, Vienna is the first UK exhibition to focus on the fundamental importance of drawing to both artists and traces their use of the technique from their academic training days through to their later unconventional explorations of the human figure. About 100 works on paper feature in the display including studies for allegorical paintings, portraits and self-portraits, landscapes, erotic nudes and a sketchbook as well as carefully selected examples of lithographs, photographs and original publications. Runs in The Sackler Wing of Galleries until 3rd February. Admission charge applies. For more, see www.royalacademy.org.uk.

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This important Kensington thoroughfare runs through the heart of South Kensington’s world-famous museum precinct from Thurloe Place, just south of Cromwell Road, all the way to Hyde Park.

Along its length, it takes in such important institutions as the Victoria & Albert Museum, the Natural History Museum, Science Museum and Imperial College London while Royal Albert Hall is only a stone’s throw to the west.

It was, as might be expected given the name, indeed laid out as part of Prince Albert’s grand scheme surrounding the Great Exhibition of 1851 as a means of accessing the vast Crystal Palace which was located in Hyde Park (before moving out to south London).

It wasn’t the only road in the area built specifically for that purpose – the transecting Cromwell Road and Queen’s Gate, which runs in parallel and, yes, is named for Queen Victoria, were also built for to provide access to the Great Exhibition.

After the exhibition was over, Exhibition Road formed part of the precinct known as “Albertopolis” in which, inspired by the Great Exhibition, became something of a knowledge and cultural centre featuring various museums and the great concert hall which sadly Albert didn’t live long enough to see.

In the 2000s, a scheme to give pedestrians greater priority along the road was realised (in time for the 2012 Olympics).

PICTURE: Looking north along Exhibition Road from the intersection with Cromwell Road (the Natural History Museum is on the left; the Victoria & Albert Museum – and the Aston Webb Screen – on the right)/Google Maps.

 

The 803rd Lord Mayor’s Show will this Saturday wend its way through the streets of the City of London as new Lord Mayor Peter Estlin takes office. This year’s hour-and-a-half long procession features more than 7,000 people, 200 horses and 140 motor and steam-driven vehicles. Leaving from Mansion House at 11am, it travels to the Royal Courts via St Paul’s and then returns along Embankment at 1.15pm. And while there will be no fireworks this year, there will be two new ‘family entertainment zones’. The first, in Paternoster Square and around St Paul’s Cathedral, will include a film show featuring archival footage, art installations and street theatre as well as food stalls. The second, in Bloomberg Arcade near Mansion House, will feature music and dance, art and sound installations, the MOLA’s (Museum of London Archaeology) Time Truck, as well as technology and apprenticeship workshops and food. For more information, head to https://lordmayorsshow.london. PICTURE: The Lord Mayor’s coach during last year’s procession (John; licensed under CC BY-NC-ND 2.0)

The National Service of Remembrance at the Cenotaph in Whitehall will this Sunday mark a century since the end of World War I. Starting at 11am (the public will be admitted to Whitehall from 8am), the service commemorates the contribution of British and Commonwealth military and civilian servicemen and women involved in the two World Wars and later conflicts. This year’s ceremony will be followed by ‘The Nation’s Thank You – The People’s Procession’, featuring 10,000 members of the public. Large viewing screens will be placed to the north of the Cenotaph, near the green outside the main Ministry of Defence building and outside the Scotland Office, and south of the Cenotaph on the corner of King Charles Street. For more on the day, follow this link and for more on bell-ringing ceremonies across the day, see https://armistice100.org.uk.

The relationship between the British Royal Family and the Romanovs in Russia is explored in a new art exhibition opening at the The Queen’s Gallery, Buckingham Palace, this Friday. Highlights of Russia: Royalty & the Romanovs include a series of watercolours specially commissioned by Prince Alfred, second eldest son of Queen Victoria, to record his wedding to Grand Duchess Maria Alexandrovna, daughter of Alexander II, at the Winter Palace in St Petersburg in 1874 so that his mother, who was unable to attend, didn’t miss out. There’s also works by Fabergé and portraits of royal figures by the likes of Sir Godfrey Kneller and Sir Thomas Lawrence. The exhibition is accompanied by another display featuring renowned photographer Roger Fenton’s images from the war in Crimea in 1855. Both exhibitions run until 28th April. Admission charges apply. The exhibition is accompanied by a programme of events. For more, see www.rct.uk/visit/the-queens-gallery-buckingham-palace. PICTURE (above): Nicholas Chevalier, The Bal Polonaise at the Winter Palace, St Petersburg, 23 January 1874, 1876 (Royal Collection Trust/© Her Majesty Queen Elizabeth II 2018).

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