• See a glimpse of London as it was during the Victorian era at a new exhibition opening at the London Metropolitan Archives.Lost Victorian City: a London disappeared features photographs, prints, watercolours and documents depicting buildings, horse-drawn transport, docks and various forms of entertainment along with artists’ views of the capital. Highlights include images taken in 1875 by the Society for Photographing Relics of Old London of the 17th century coaching inn, the Oxford Arms, which was demolished two years later, two images by Philip Henry Delamotte showing the moving of the Crystal Palace from Hyde Park to Sydenham following the Great Exhibition of 1851, and a photograph showing the public disinfects whose job was to remove all textiles after an infectious disease outbreak. The display can be seen at the Clerkenwell-based archives until 5th February next year. For more, see
Yinka Shonibare CBE, Cowboy Angel V from the series Cowboy Angels. Colour woodcut and collage of Dutch wax batik fabric. Reproduced by permission of the artist.
• An exhibition has opened featuring works of art acquired by the British Museum over the past two decades including works by David Hockney, Damien Hirst, Julian Opie, Yinka Shonibare and Cornelia Parker. Contemporary collecting: David Hockney to Cornelia Parker features around 100 works acquired since 2001. Many of the works, which span the period from the 1960s onwards, are being exhibited for the first time. Highlights include Hockney’s prints The Marriage (1962) and Henry Seated with Tulips (1976), Parker’s Articles of Glass and Jug Full of Ice from One Day This Glass Will Break (2015), Michael Craig-Martin’s Coathanger, Light bulb and Watch from Drawings (2015); Caroline Walker’s colour lithograph Bathed (2018); Shonibare’s colour woodcuts Cowboy Angel I, II, V (2017) and Joy Gerrard’s Vigil/Protest (Westminster 14th March 2021), a 2023 drawing in Japanese ink. Runs until 29th September in Room 90. Admission is free. For more, see www.britishmuseum.org/david-hockney-cornelia-parker.
• A landmark exhibition exploring the final three decades of the life of Renaissance master Michelangelo has opened at the British Museum. Michelangelo: the last decades focuses on how his art and faith evolved and centres on the two metre high Epifania (about 1550–53), which is being displayed for the first time since conservation work on it began in 2018. Showing alongside it is a painting made from it by Michelangelo’s biographer, Ascanio Condivi, as well as preparatory drawings from the Last Judgment, which chart how Michelangelo invented a fresh vision of how the human form would be refashioned at the end of the world, and works created as part of his correspondence with his friends Tommaso de’ Cavalieri and the poet Vittoria Colonna. The latter include The Punishment of Tityus (about 1532) showing an eagle tearing out the liver of a bound naked man which was gifted to Tommaso as moral guidance for the young man. Other highlights include a group of drawings of Christ’s crucifixion which he made during the last 10 years of his life and through which he explored his feelings about mortality, sacrifice, faith, and the prospect of redemption. Runs until 28th July in the Joseph Hotung Great Court Gallery. Admission charge applies. For more, see www.britishmuseum.org/michelangelo.
• A new exhibition has opened celebrating the expressionists’ radical experimentations with form, colour, sound and performance at the Tate Modern. Expressionists: Kandinsky, Münter and the Blue Rider features masterpieces from the Lenbachhaus in Munich and includes some works never previously seen in the UK. Among the artists whose work is on display are everyone from renowned artists like Wassily Kandinsky, Gabriele Münter, Franz Marc and Paul Klee, through to lesser known figures like Wladimir Burliuk and Maria Franck-Marc. Highlights include Marianne Werefkin’s Self-Portrait (c1910), Münter’s Listening (Portrait of Jawlensky) (1909), Erma Bossi’s Circus (1909), Kandinsky’s Impression III (Concert) (1911), Franz-Marc’s Deer in the Snow II (1911), Klee’s Legend of the Swamp (1919), and a selection of photographs from the Masterpieces of Muhammadan Art exhibition staged in Munich in 1910. Runs until 20th October. Admission charge applies. For more, see tate.org.uk.
• On Now – Dinosaur rEvolution.This exhibition at the Horniman Museum in Forest Hill highlights discoveries from recent decades which have changed the way we envisage dinosaurs – not all as scaly green reptiles but many with an array of colours, feathers, quills and spikes. At the centre of the display are five large animatronic dinosaur models – including a seven metre-long Tyrannosaurus rex – as well as well as artworks by artist and exhibition curator Luis V Rey. The exhibition also features fossil casts including the horned skull of a Diabloceratops, the claw of a Therizinosaurus, and skeletons of Velociraptor and Compsognathus – a chicken-sized, feathered dinosaur. Runs until 3rd November. Admission charge applies. For more, see www.horniman.ac.uk.
• Caravaggio’s last painting – the 1610 work known as The Martyrdom of Saint Ursula – has gone on display in the UK for the first time in almost 20 years. The National Gallery is displaying the work – lent by the Intesa Sanpaolo Collection (Gallerie d’Italia – Naples) – alongside another late work by the Italian artist from the gallery own collection – Salome receives the Head of John the Baptist (about 1609–10). The Martyrdom of Saint Ursula, which features a self-portrait of the artist, was only reattributed to Caravaggio in 1980 following the discovery of an archival letter describing its commission. The letter – which is being displayed along with the painting – was sent from Naples, where Caravaggio created the work, to Genoa, where his patron, Marcantonio Doria, lived. Caravaggio died in Porto Ercole on 18th July, 1610, less than two months after finishing the work. He was attempting to return to Rome where he believed he would be pardoned for a 1606 murder at the time. Admission to the display is free. Runs until 21st July. For more, see www.nationalgallery.org.uk.
Tulips in the Netherlands. PICTURE: Giu Vicente/Unsplash
• Hampton Court Palace’s Tulip Festival is on again. Displays include thousands of tulips spilling from a Victorian horse cart in the heart of the palace courtyards, giving the appearance of a Dutch flower seller’s cart, ‘floating’ bowls in the Great Fountain, free-style plantings in the kitchen gardens and more than 10,000 tulips in a display in Fountain Court. There are also daily ‘Tulip Talks’ sharing the history of the flower and Queen Mary II, who was responsible for introducing them to Hampton Court. Runs until 6th May (including in palace admission). For more, see www.hrp.org.uk/hampton-court-palace/whats-on/tulip-festival/.
• Five hundred years of Black British music is being celebrated in a new exhibition at the British Library. Beyond the Bassline: 500 Years of Black British Music features soundscapes, artworks and films along with costumes, interactive displays, and of course, music. Highlights among the more than 200 exhibits include letters from 18th-century composer Ignatius Sancho, records by likes of Fela Kuti and Shirley Bassey, a nostalgic video archive of grime’s golden era captured on Risky Roadz DVD, and the equipment that Jamal Edwards used to start SB.TV, theYouTube channel dedicated to Black British music. The display concludes with a multi-screen film installation by South London-based musical movement and curatorial platform Touching Bass. Admission charge applies (with Pay What You Can days on the first Wednesday of each month). Runs until 26th August. For more, see https://beyondthebassline.seetickets.com/timeslots/filter/beyond-the-bassline.
• The National Gallery is celebrating its 200th anniversary with festivities kicking off with a special night of celebrations on Friday, 10th May, and continuing over the weekend. In a special Friday night late, Jools Holland is performing in the Rausing Room with friends including Ruby Turner, Louise Marshall, and Sumudu while across the rest of the gallery there will be DJ sets, music from London Contemporary Voices, soundscapes by Anna Phoebe and poetry from Ben Okri. There will also be a celebration of music collaboration past and present in the Future Room and creative workshops offering sculptural postcard making and ‘Renaissance Selfies’ with London Drawing while outside on Trafalgar Square the building’s facade will be illuminated in a light show featuring projections of paintings from the gallery as well as the story of its history. Meanwhile, across the weekend visitors to the gallery will have the chance to join in the making of a creative “birthday day” by contributing their own paper creations. All events are free but booking is advised and tickets to the public open today. For more, see nationalgallery.org.uk/whats-on/big-birthday-weekend-late.
• Trafalgar Square hosts two days of celebrations this weekend with Eid in the Square on Saturday and St George’s Day festivities on Sunday. Eid in the Square runs from noon to 6pm and features creative arts workshops, storytelling and VR experiences with musical performances on the main stage and food stalls from across the world. Among those performing will be Love’s Pilgrim, Raghad Haddad and Raghad Haddad and members of the Orchestra of Syrian Musicians, Muslim Belal and Chahat Mahmood Ali Qawwal and Group. For more, see www.london.gov.uk/Eid-in-the-Square-2024. Meanwhile, St George’s Day, which also runs from noon to 6pm, features a wide range of entertainment, food stalls and music with artists including The Kurfew, Natalie Shay of Busk in London, West End Kids and Snottledogs. Folkdance Remixed will present a mass barn dance while She’s Got Brass, an all-female brass group, Nick Howe and the Stringbeats Trio and Tom Carradine will lead a cockney sing-a-long. Other activities will include an English Pentathlon – events include welly wanging, pancake tossing, human Crufts, bubble Olympics, the art of Morris Dancing and a chance to meet Pearly Kings and Queens. St George and the dragon will be available for selfies. For more, see www.london.gov.uk/st-georges-day-celebrations-trafalgar-square-sunday-21-april. Both events are free to attend.
• A new display revealing stories of loss from The Troubles in Northern Ireland opens at the National Portrait Gallery opens on Monday.Silent Testimony features 18 large-scale portraits by Belfast-born artist Colin Davidson which were painted between 2014 and 2015 and speak to the impact of the conflict on the sitters, their families and friends and the wider community. The paintings were first displayed at the Ulster Museum in Belfast and most recently at Stormont’s Parliament Buildings and the Irish Arts Center in New York. The display in Room 14, level three, is free to see and runs until 23rd February next year. For more, see www.npg.org.uk.
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• The remarkable life and legacy of Maharaja Ranjit Singh (1780-1839), the founder of the Sikh Empire, is the subject of a new exhibition which opened at the Wallace Collection this week.Ranjit Singh: Sikh, Warrior, King features historic objects from Ranjit Singh’s court, courtiers and family members, including those personally owned by the Maharaja and the most famous of his wives, Maharani Jind Kaur, as well as their son, Maharaja Duleep Singh. Highlights include a fine miniature painting of Ranjit Singh and his favourite, a Golden Throne made by Hafez Muhammad Multani, and a sword richly mounted in gold and gemstones which was thought to belong to the Maharajah. Runs until 20th October at the Manchester Square institution. Admission charge applies. For more, see www.wallacecollection.org/whats-on/events/ranjit-singh-sikh-warrior-king/.
• A “fresh perspective” on London can be seen in a new exhibition by multi-award-winning wood engraver Anne Desmet at the Guildhall Art Gallery. Inspired by looking at a fragmented view of the world through a toy kaleidoscope, Anne Desmet: Kaleidoscope/London features works created by the artist slicing into prints focused on London from her earlier wood-engravings, linocuts and hand-drawn lithographs to make a new series of digital collages. The display features 150 works including 41 London-themed kaleidoscopic prints created exclusively for this exhibition. Among highlights is a complex collage, Fires of London, created using 18 razor-clam shells to present a theme of the many historic fires of London over the last 1,500 years. Admission is ‘pay what you can’. There are an accompanying series of artist-led tours. Runs until 8th September. For more, see www.cityoflondon.gov.uk/events/anne-desmet-kaleidoscopelondon-exhibition.
• Photographs depicting women and children forced to leave their Ukrainian homes following Russia’s invasion is on at the Foundling Museum in Bloomsbury.Polly Braden: Leaving Ukraine features the work of photographer Polly Braden and includes first-hand photographs, personal films and recorded conversations. It focuses on four central stories – that of three school friends trying to forge new lives and continue their education; that of a young graduate making a fresh start as a lawyer in London; that of a mother whose baby was born shortly after a perilous escape from Kherson to Warsaw; and that of two friends and their children who fled to Moldova with help from a kickboxing club, now struggling to find work in Italy. Admission charges apply. Can be seen until 1st September. For more, see https://foundlingmuseum.org.uk/event/polly-braden-leaving-ukraine/.
The East Wing of Buckingham Palace with the Central Balcony. PICTURE: Mike Marrah/Unsplash
• The East Wing of Buckingham Palace – including the room off which the famous central balcony sits – is being opened to the public for the first time this year as part of the annual summer opening. Tours will take visitors to locations including the Principal Corridor, where paintings by artists such as Thomas Gainsborough, Sir Thomas Lawrence andFranz Xaver Winterhalter are on display, as well as the Yellow Drawing Room, decorated with recently restored Chinese hand-painted wallpaper from the 18th century, where visitors will seetwo hexagonal, nine-tiered Chinese porcelain pagodas and the Kylin Clock. They’ll also see the Centre Room, which leads on to the balcony, where highlights include a newly restored glass chandelier shaped to resemble a lotus flower, and twoChinese 18th-century imperial silk wall hangings, presented to Queen Victoria by Guangxu, Emperor of China, for her Diamond Jubilee in 1897. A limited number of tours will run daily from 15th July and through August. Tours must be booked in addition to standard entry. Admission charge applies. For more, see https://www.rct.uk/event/the-state-rooms-and-east-wing-highlights-tour-07-2024.
• Now Play This, London’s festival of innovative and experimental games marks its 10th anniversary as part of the city-wide London Games Festival from Saturday. The eight day event at Somerset House, this year running under the theme of ‘Liminal: Playing Between Worlds’, features games including Atuel (Matajuegos) which involves shapeshifting into animals within Argentina’s Atuel River Valley ecosystem and Proteus (Ed Key & David Kanaga) in which players explore unknown fantasy worlds as well as daytime events such as GOLF, a build-your-own mini-golf course, and evening events such as the Boring office party, a twist on the classic murder mystery. Admission charges apply. Runs until 14th April. For more, see https://nowplaythis.net.
• Trafalgar Square will host celebrations for the Sikh festival of Vaisakhi this Saturday. From noon until 6pm, the celebration of Sikh and Punjabi culture and heritage will be co-hosted by DJ and presenter Tommy Sandhu and entrepreneur, disability specialist and speaker Shani Dhanda. Events include Kirtan performances, demonstrations of Gatka, a Sikh martial art and talks by expert chefs as well as turban tying, film screenings, sports with the Sikh Games, and Sikh artists displaying their work. There’s also a children’s marquee with free activities from Kiddie Sangat and free vegetarian treats and traditional Indian tea will be available over the course of the afternoon. For more, see www.london.gov.uk/vaisakhi.
Walmer Castle in Kent. PICTURE: Ben Garratt/Unsplash
• Further Afield: The Lord Warden’s private apartment has opened to the public for the first time at Walmer Castle, the seaside retreat of the late Queen Elizabeth, The Queen Mother, in Kent. The private apartment is given to the Lord Warden of the Cinque Ports, a position the Queen Mother held between 1978 and 2002. Visitors are able to tour a selection of rooms in the apartment, including the sitting, dining and master bedroom, which were used by The Queen Mother, Lord Boyce and other 20th century Lord Wardens and their families. Among the private items on show are family photos of the Boyce family and artwork, including a selection of paintings from a private and much-treasured collection belonging to Sir Robert Menzies and which depict places connected with his political career, including his time as Prime Minister of Australia. The post of warden is currently vacant following the death of Lord Boyce in 2022. Some rooms in the castle are currently closed to allow for a major conservation project to take place, however visitors can still see Wellington’s bedroom and the famous Wellington boots. Admission charges apply. For more, see https://www.english-heritage.org.uk/walmer.
Gardens at Hampton Court Palace. PICTURE: edwin.11 (licensed under CC BY 2.0)
• The Lindt Gold Bunny hunt returns to Hampton Court Palace this Saturday with families once again invited to search the gardens for those elusive Gold Bunny statues. Each statue offers a chance to match the names of influential characters from Hampton Court Palace’s history to the distinctive red ribbons and a small Lindt bunny chocolate awaits those who succeed in finding the bunnies. Visitors will also have the chance to encounter a selection of the characters roaming the palace over the Easter period. The Gold Bunny hunt is included in general admission. Until 14th March. For more, see www.hrp.org.uk/hampton-court-palace/whats-on/easter-lindt-gold-bunny-hunt/.
• Rare vintage prints by two of art history’s most influential photographers – Francesca Woodman (1958-1981) and Julia Margaret Cameron (1815-1879) – go on show at the National Portrait Gallery today.Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In showcases more than 160 rare vintage prints including 97 by Woodman and 71 by Cameron as well as artist’s books by Woodman which have never been exhibited before in the UK. Key works include Cameron’s self-declared “first success” – a portrait of Annie Wilhemina Philpot taken in 1864, Woodman’s Self-portrait at thirteen, taken during a summer holiday in Italy in 1972, images from Woodman’s Angel series and Cameron’s ethereal portraits of actor Ellen Terry taken in 1864. Also featured are Woodman’s Caryatid pieces and Cameron’s portraits of her niece and favorite model Julia Jackson, Alice Liddell as the goddess Pomona, a portrait of John Frederick William Herschel called The Astronomer (1867), and those of her frequent muses, May Prinsep and Mary Ann Hillier. Runs until 16th June. Admission charge applies. For more, see www.npg.org.uk.
• A new collaboration with the Royal College of Music blends music with spring blooms at Kew Gardens.Sounds of Blossom: Awaken your senses, the first ever spring festival to be held at the gardens, features six bespoke commissions that celebrate Kew’s unique landscape in the spring emerging from locations such as Cherry Walk, Asano Avenue and the Japanese Landscape. And on weekends during the festival, visitors can enjoy live musical performances from the Royal College of Music as they showcase a varied repertoire from classical favourites to jazz melodies. Included in general admission. Runs until 14th April. For more, see www.kew.org/kew-gardens/whats-on/sounds-of-blossom.
• A new photographic exhibition exploring how Underground stations and metro systems provide shelter to citizens during periods of war, both now and in the past, opened at the London Transport Museum in Covent Garden last week.Echoes of the Blitz: Underground shelters in Ukraine and London features 70 images, including historical pictures from the museum’s collection as well as 38 contemporary photographs shot by six renowned, mainly Ukrainian, documentary photographers. The latter include photography showing ordinary Ukrainian citizens sleeping, waiting, cooking, washing clothes, caring for their pets and creating temporary make-shift homes in metro stations of Kyiv and and Kharkiv show alongside black and white archive images of Londoners taking refuge in Tube stations during World War II. The exhibition, which is being run in partnership with Berlin-based journalistic network n-ost, can be seen until spring next year. Admission charge applies. For more, see www.ltmuseum.co.uk.
A raven at the Tower of London. PICTURE: Kasturi Roy/Unsplash
• A new Ravenmaster has been appointed at the Tower of London. Yeoman Warder Michael ‘Barney’ Chandler took up the role at the start of this month, 15 years after he first became a Yeoman Warder at the Tower. The Ravenmaster oversees a team of four responsible for the care of the Tower’s seven ravens which legend says must remain at the Tower to ensure its protection. The legend apparently goes back to at least the reign of King Charles II – when the King’s astronomer John Flamsteed complained that the resident ravens were impeding his work at the Tower and requested their removal, the King was told that if the ravens left the Tower then the Kingdom would fall (and so they remained). While the Yeoman Warders have longed cared for the ravens, the post of Ravenmaster was only created in the past 50 years and was first held by Yeoman Warder Jack Wilmington. Yeoman Warder Chandler, who became the 387th Yeoman Warder at the Tower when he was appointed in March, 2009, is only the sixth person to hold the office. For more, see www.hrp.org.uk/tower-of-london/.
• One of the most popular paintings at the Guildhall Art Gallery is being reinstalled to mark International Women’s Day on Friday. Dante Gabriel Rossetti’s La Ghirlandata has been on loan – first to the Tate Britain and then to the Delaware Art Museum in the US – but is now being returned. The painting dates from 1873 and depicts a ‘garlanded woman’ playing an arpanetta and looking directly at the viewer. The muse for the woman is said to have been the actor and model, Alexa Wilding, while the two ‘angels’ in the top corners were posed by William and Jane Morris’ youngest daughter, May Morris. The City of London Corporation acquired the oil on canvas work in 1927. On Saturday, free family activities will be held at the gallery to mark the work’s return. For more, see www.thecityofldn.com/la-ghirlandata.
• The role of women in the Royal National Lifeboat Institution is being celebrated in a new exhibition at the National Maritime Museum in Greenwich. Women of the RNLI, which marks the bicentenary of the organisation, features a series of 42 photographs depicting women volunteers and the lifeboat stations’ slipways where they work. The images by photographer Jack Lowe are part of his ongoing ‘Lifeboat Station Project’, an attempt to photograph all 238 operational RNLI lifeboat stations and their crews.. Lowe uses a 12×10 inch (30×25cm) Thornton-Pickard field camera from about 1905 and develops the photos using a process called ‘wet collodion’, a technique invented in the mid-19th century. The display also features oral histories from some of the sitters. The display can be seen from Saturday until 1st December. For more, see www.rmg.co.uk.
• A new exhibition exploring the architectural style of Tropical Modernism in West Africa and India opens at the V&A on Saturday. Tropical Modernism: Architecture and Independence centres on the work of British architects Jane Drew and Maxwell Fry who developed Tropical Modernism in the 1940s, working primarily in Ghana and India. The style, which valued function over ornamentation, became a symbol of a post-colonial future. The exhibition includes models, drawings, letters, photographs, and archival ephemera as it documents the key figures and moments of the Tropical Modernist movement. There is also a half hour film installation displayed on three screens. Runs until 22nd September. Admission charge applies. For more, see vam.ac.uk.
• A new memorial stone dedicated to Antarctic explorer Sir Ernest Shackleton has been unveiled at Westminster Abbey. The triangular-shaped memorial, which can be found on a wall in the south cloister, was unveiled at a service earlier this month attended by Princess Anne and members of Shackleton’s family. Located close to tributes to pioneering sailors Captain James Cook, Sir Francis Chichester and Sir Francis Drake, it was designed and made by sculptor Will Davies and its shape reflects Shackleton’s preference to be at the apex of a triangle in group photographs. The memorial incorporates stones including Connemara marble and Kilkenny limestone in reflection of Shackleton’s Irish heritage, and the names of his expedition ships, Nimrod and Endurance, are inscribed upon it, along with the lifeboat The James Caird, and his family motto, ‘FORTITUDINE VINCIMUS’ (‘By Endurance We Conquer’). For more, see www.westminster-abbey.org.
John Singer Sargent, Lady Helen Vincent, Viscountess d’Abernon, 1904 Birrmingham Museum of Art. Photo Sean Pathasema
• The work of portrait painter John Singer Sargent (1856-1925) is the subject of a new exhibition opening at Tate Britain today.Sargent and Fashion features some 60 paintings as well as a dozen period dresses and accessories with many of the former worn by his sitters and several reunited for the first time with the portraits in which they are shown. Highlights include Lady Helen Vincent, Viscountess d’ Abernon (1904), Mrs. Charles E. Inches (Louise Pomeroy) (1887), which will be juxtaposed with the red velvet evening dress illustrated, and, Charles Stewart, sixth Marquess of Londonderry at the Coronation of Edward VII (1904) which will be reunited with the regalia worn by the marquess. Also on show is Sargent’s iconic painting of socialite Virginie Amélie Gautreau, Madame X (1883-4), which caused a stir by depicting Mme Gautreau with one diamond strap falling from her shoulder, Mrs Montgomery Sears (1899) which is being shown alongside Mrs Sears’ own dresses and her photographs of Sargent at work, and his dramatic image, Ellen Terry as Lady Macbeth 1889 which is being shown alongside Terry’s dress and cloak. Runs until 7th July. Admission charge applies. For more, see www.tate.org.uk/whats-on/tate-britain/sargent-and-fashion.
• The public are being asked to vote on a shortlist of seven sculptural works to determine which of them will occupy Trafalgar Square’s Fourth Plinth in 2026 and 2028. The works include Ruth Ewan’s Believe in Discontent depicting a black cat, Chila Kumari Singh Burman’s The Smile You Send Returns to You featuring a colourful bus with a tiger atop it and Veronica Ryan’s Sweet Potatoes and Yams are Not the Same which features a sweet potato “island” with growing vine leaf sprouting out of it. Models of the short-listed works can be seen at The National Gallery (Room 1, entry is free) until 1st March. To vote, head to https://www.london.gov.uk/programmes-strategies/arts-and-culture/current-culture-projects/fourth-plinth-trafalgar-square/fourth-plinth-commissions
• A major exhibition exploring the Black figure opens at the National Portrait Gallery today.The Time is Always Now: Artists Reframe the Black Figure features 55 contemporary works, including sculpture, paintings and drawings, by some 22 African artists working in the US and UK. The works include Amy Sherald’s life-size greyscale portraits of African Americans, American figurative artist Nathaniel Mary Quinn’s fragmented portraits, Thomas J Price’s life-sized fictional female figure, As Sounds Turn to Noise (2023), Noah Davis’ depiction of Greenwood, Oklahoma, known as Black Wall Street (2008), Kimathi Donkor’s history painting Nanny of the Maroons’ Firth Act of Mercy (2012) and Lubaina Himid’s work Le Rodeur: The Exchange (2016) which responds to a case of blindness that affected a French slave ship in 1819. The display is curated by writer Ekow Eshun, former director of the Institute of Contemporary Arts. Runs until 19th May. Admission charge applies. For more. see www.npg.org.uk.
• The history of Billingsgate Market in the City of London is being explored in am exhibition at the City of London Heritage Gallery.Billingsgate Market at the Heritage Gallery features items including the Liber Horn, a compilation of charters, statutes, and customs made by Andrew Horn, chamberlain of the City of London from 1320-1328, in 1311 which is illustrated by small images of fish showing their importance to Londoners, a late 17th century petition by the fishermen protesting the landing of vessels loaded with salt and oranges, 19th century volumes recording the collection of tolls and detailing the licensing of porters, and 20th century photographs of the market at work. Free to view, the display, located in the Guildhall Art Gallery, can be seen until 16th May. For more, see www.thecityofldn.com/billingsgateexhibition
• A major new exhibition featuring new interpretations of landscape art has opened at the Dulwich Picture Gallery. Soulscapes features more than 30 contemporary works spanning painting, photography, film, tapestry and collage by artists such as Hurvin Anderson, Phoebe Boswell, Njideka Akunyili Crosby, Kimathi Donkor, Isaac Julien, Marcia Michael, Mónica de Miranda and Alberta Whittle. Highlights include Anderson’s Limestone Wall (2020), Akunyili’s Cassava Garden (2015) and Donkor’s Idyl series (2016-2020). Runs until 2nd June. Admission charge applies. For more, see www.dulwichpicturegallery.org.uk.
Blacas cameo depicting Augustus – Roman, AD 14–20 1867
• A selection of gems recovered after news that around 2,000 objects from the British Museum’s collections were missing, stolen or damaged go on show at the museum from today.Rediscovering gems explores the significance of classical gems – used as seals, worn as jewellery or collected as objects of beauty in the ancient world – and the impression they have left throughout history. The gems are displayed in a typical 18th century gem cabinet, along with a collector’s equipment, in reflection of the huge interest in classical gems during the period. The display can be seen in Room 3 until 15th June. Admission is free. For more, see britishmuseum.org/exhibitions/rediscovering-gems.
Claude Monet, ‘Cliffs at Etretat: The Needle Rock and Porte d’Aval’, c 1885. National Galleries of Scotland.
• A new exhibition exploring how Impressionist and Post-Impressionist artists in late 19th-century France radically transformed the status of works on paper opens at the Royal Academy on Friday. Impressionists on Paper: Degas to Toulouse-Lautrec features around 80 works on paper by artists including Mary Cassatt, Paul Cézanne, Edgar Degas, Paul Gauguin, Eva Gonzalès, Claude Monet, Berthe Morisot, Odilon Redon, Pierre-Auguste Renoir, Georges Seurat, Henri de Toulouse-Lautrec and Vincent van Gogh. Among the highlights are Degas’ Woman at a Window (1870-71), van Gogh’s The Fortifications of Paris with Houses (1887), Monet’s Cliffs at Etretat: The Needle Rock and Porte d’Aval (c1885) and Toulouse-Lautrec’s images of the urban underworld of Montmartre. The display can be seen in The Gabrielle Jungels-Winkler Galleries until 10th March. Admission charges apply. For more, see royalacademy.org.uk.
• English Heritage have unveiled their final Blue Plaque for 2023 and it celebrates two of the most influential painters of the early-to-mid 20th century, Vanessa Bell and Duncan Grant. The plaque was unveiled at number 46 Gordon Square in Bloomsbury, from where the Bloomsbury Group – of which Bell and Grant were leading members – drew its name. Bell first lived at number 46 with her siblings, including Virginia Stephen (later Woolf), and, in 1914, Grant moved in with Vanessa and her husband, Clive Bell. Paintings the pair made at number 46 include Grant’s Interior at Gordon Square (c1915) and Bell’s Apples: 46 Gordon Square (c1909-10), a still-recognisable view from the drawing-room balcony to the square. For more on the English Heritage Blue Plaques scheme, head to www.english-heritage.org.uk/visit/blue-plaques/.
• The history of Burnham Beeches has been brought to life with a new augmented reality app. The app allows users to superimpose periods of Burnham Beeches’ history – from the Iron Age, Middle Ages and World War II – over what they see when visiting the site and incorporates sounds from selected era as well. It can be accessed via a QR code which is being published on signs at Burnham Beeches. Burnham Beeches, located near the village of Burnham in Buckinghamshire, was acquired by the City of London in 1880 when the area was threatened by development and is managed as a free open space. For more, head here.
• The work of 30 young artists celebrating African community and culture is being showcased on billboards across the city in conjunction with Tate Modern’s current exhibition, A World in Common. The photographs have been selected following a call from the Tate Collective for 16-to-25-year-olds to submit images responding to the exhibition. More than 100 entries were submitted by young people based across the UK and beyond and Londoners will be able to view the 30 shortlisted works on billboards in Haringey, Lambeth, Southwark and Tower Hamlets over the next two weeks.
• The largest exhibition of the work of Tudor-era artist Hans Holbein the Younger has opened at The Queen’s Gallery, Buckingham Palace.Holbein at the Tudor Court features more than 50 works by Holbein including intimate portrait drawings of the royal family and the Tudor nobility including one of few surviving drawings of Anne Boleyn made during her lifetime, drawings of Jane Seymour and Sir Thomas More, and an unfinished portrait of King Henry VIII’s son Prince Edward. Other portraits include that of Derich Born, a 23-year-old Steelyard merchant, and one of Richard Southwell, a convicted murderer who was one of King Henry VIII’s closest advisors. The exhibition also features objects including a Brussels tapestry, jewel-like miniatures and Henry VIII’s magnificent armour, usually on show at Windsor and in London for the first time in a decade. Runs until 14th April. Admission charge applies. For more, see www.rct.uk/collection/themes/exhibitions/holbein-at-the-tudor-court/the-queens-gallery-buckingham-palace
• The magnificence of coronations and the Crown Jewels will be on show at the Tower of London from tomorrow night in a new light and sound show. Crown and Coronation – which has been created by Historic Royal Palaces in partnership with Luxmuralis as part of an artistic collaboration between artist Peter Walker and composer David Harper – brings the “spectacle, significance and shared experience” of coronations to life and demonstrates the pivotal role of the Crown Jewels in the ceremony as it takes visitors on a journey through the past 1,000 years. Images of the jewels will be projected on the White Tower in the show with visitors then able to view the actual jewels themselves in a special after hours opening. But you’ll have to be quick – the show can only be seen for nine days, ending on 25th November before it embarks on a two year UK-wide tour. Admission charge applies. For more, see www.hrp.org.uk/tower-of-london/.
• Christmas returned to Kew this week with the launch of it’s new festive light trail featuring seven new installations. Highlights of this year’s trail include three metre tall illuminated flowers, cascading lights suspended from the tree canopy, one of the longest light tunnels to ever feature in Kew’s Christmas celebrations and the Hive – which recreates life inside a beehive – as well as the iconic Palm House light show, the twinkling tunnel of light inspired by arched church windows known as the ‘Christmas Cathedral’, and a ‘Fire Garden’ at the Temperate House. There’s also festive treats to sample and visitors can experience a traditional Christmas dinner at The Botanical Brasserie. Admission charges applies. Runs until 7th January (advance bookings only). For more, see www.kew.org/christmas.
• Charles Dickens’ friendship and collaboration with writer Wilkie Collins is explored in a new exhibition at The Charles Dickens Museum in Bloomsbury. Dickens met Collins, who would become one of his most significant friends, in 1851 as they performed together in a play at the house of John Forster and their personal and professional relationship lasted more than 15 years. The display features works produced as a result of the friendship – everything from articles in Dickens’s Household Words through to novellas and plays such as The Lazy Tour of Two Idle Apprentices and The Frozen Deep – and features original letters, historic objects, and interactive displays focusing on everything from the pair’s moustache-growing contests and cruising international entertainment districts to co-writing side by side, discussing writer’s block and plot devices. Admission is included with general admission. Runs until 25th February. For more, see https://dickensmuseum.com.
• A new exhibition exploring the history of Myanmar, also known as Burma, opens at the British Museum today. Burma to Myanmar, the first major exhibition in the UK to focus on the country’s history, features more than 110 objects and spans the period from around 450 AD through today. Highlights include: agolden letter sent from King Alaungpaya to George II which, made of gold, is set with 24 rubies and placed in an elephant tusk case; a wall hanging (a ‘shwe-chi-doe’ or ‘kalaga’) illustrating scenes from the Ramayana; a gold Buddhist reliquary from the 1400s; a late 19th or early 20th century blanket from the Nung-Rawang people; an oil worker’s helmet from the early 1900s; a map of several Shan states from the 1880s made to assist the British in the process of drawing hard borders with China; and, a bust of General Aung San (1915–47), leader of the Burma Independence Army. The exhibition in the Joseph Hotung Great Court Gallery can be seen until 11th February. Admission charge applies. For more, see http://www.britishmuseum.org/exhibitions/burma-myanmar
• More than 30 portraits painted by British artist David Hockney at his Normandy studio between 2021 and 2022 can be seen for the first time in an exhibition of the artist’s works at the National Portrait Gallery. David Hockney: Drawing from Life was open for just 20 days prior to the gallery’s closure due to COVID-19 in 2020. It has now returned in an expanded form, featuring 160 works which trace the trajectory of Hockey’s practice largely through his intimate portraits of five sitters – Celia Birtwell, Hockney’s mother Laura Hockney; his former partner and curator Gregory Evans; master printer Maurice Payne and himself. The newly added portraits include depictions of the likes of actor and singer Harry Styles and people from the Normandy community in which he works. The exhibition can be seen until 21st January. Admission charge applies. For more, see ngp.org.uk/whatson/exhibitions/2023/hockney-drawing-from-life.
• The world’s fastest all-electric aircraft, Spirit of Innovation, has gone on show at the Science Museum in South Kensington. Suspended as if in mid-flight, the aircraft is the final object in Making the Modern World, a major gallery which presents advances in science and technology from the birth of the Industrial Revolution to the present day. Powered by a lightweight and energy efficient 400kW electric powertrain, Spirit of Innovation holds the all-electric aircraft world record for highest top speed over three kilometres, with an average of 555.9km/h (345.4 mph), breaking the previous record by over 200 kilometres per hour. The plane also set a new record for the fastest climb by an electric aircraft to three kilometres. Rolls-Royce created the aircraft as part of the Accelerating the Electrification of Flight (ACCEL) project, in collaboration with Electroflight (now part of Evolito), YASA, and the Aerospace Technology Institute. The gallery is free to visit. For more, see www.sciencemuseum.org.uk.
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• The first permanent gallery dedicated to the history of poster art and design at the London Transport Museum in Covent Garden opens tomorrow. The new Global Poster Gallery, sponsored by Global, the Media & Entertainment Group, showcases the museum’s collection of 20th century graphic art and design – one of the world’s largest. The new gallery, which is set over two floors, launches with the exhibition, How to Make a Poster, and an accompanying programme of events. The exhibition visually explores the process of creating posters from the pre-digital age from 1900 and features more than 110 poster artworks and posters including the Underground’s very first pictorial poster titled No need to ask a p’liceman by John Hassall, dating from 1908. Admission charge applies. The exhibition runs until 2025. For more, see www.ltmuseum.co.uk.
• A new interactive exhibition exploring the mysterious hold music can have over us opens at the Science Museum today. Turn It Up: The power of music features historic music players, inventions and unusual instruments. Among the inventions on show are the MiMU gloves invented by Imogen Heap and used by Ariana Grande and Kris Halpin which use gestures to control electronic music-making software, and a virtual instrument called Headspace, created by professional trumpeter Clarence Adoo and inventor Rolf Gelhar after Adoo was paralysed from the shoulders down in a car accident while among the unusual instruments are the pyrophone organ powered by flames to the Anarchestra satellite dish which can be played in multiple new ways to make music. The exhibition can be seen until 6th May at the South Kensington premises. Admission charges apply. For more, see www.sciencemuseum.org.uk.
• The work of acclaimed contemporary artist Mat Collishaw goes on show tomorrow at Kew Garden’s Shirley Sherwood Gallery of Botanical Art on Saturday. Highlights of the exhibition – Petrichor – include the UK premieres of Alluvion, a series of six new AI artworks inspired by Dutch Old Masters, and the large-scale projected work Even to the End. Other works include Heterosis – a collection of dynamic NFT’s which combine genetic algorithms with blockchain technology to facilitate the hybridisation of mutable digital flowers, The Centrifugal Soul – a zoetrope which creates a stunning illusion of motion, and Albion – a large-scale piece in the form of an intricate 19th-century ‘Pepper’s Ghost’ illusion which depicts the Major Oak in Sherwood Forest. Runs until 7th April. Admission charge applies. For more, see www.kew.org.
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• An iconic red coat worn by Princess Diana when she announced she was pregnant with Prince William is going on show in a new exhibition at the Museum of London Docklands at West India Quay. Fashion City: How Jewish Londoners shaped global style – the first major exhibition in two decades centred on the museum’s extensive dress and textile collection – tells the story of Jewish designers, makers and retailers responsible for some of the most recognisable looks of the 20th century. As well as the David Sassoon-designed coat,it also features a newly acquired Alexon tweed coat worn by EastEnders character Dot Cotton, hats relating to the ‘milliner millionaire’, Otto Lucas, who changed the global reputation of British fashion in the mid-20th century, and garments designed by Mr Fish, a leading figure of the Peacock Revolution whose flamboyant menswear was worn by stars including Jimi Hendrix, David Bowie, and Muhammad Ali. The fashion items are joined by personal items from some of the 200,000 Jewish people who arrived in Britain between the late 19th and mid 20th century, such as a small travelling case used by a child arriving in London as part of the Kindertransport (the rescue effort of children from Nazi-controlled territory in 1938-1939), and a leather bag owned by a woman who fled from Vienna in 1938. Opens on Friday and runs until 14th April next year. Admission charges apply. For more, see www.museumoflondon.org.uk/museum-london-docklands/whats-on/exhibitions/fashion-city
• Drawing on everything from Hokusai to Pokémon and Studio Ghibli, the influence of Japanese folklore on Japan’s art and design is the subject of the first exhibition at the new Young V&A. Japan: Myths to Manga is divided into four sections – Sky, Sea, Forest, and City – and features more than 150 historic and contemporary objects along with hands-on activities for visitors of all ages ranging from manga-making to Taiko drumming and yōkai interactive. Highlights in the display include works by celebrated 19th century Japanese artists, such as Hokusai’s Great Wave (1831), Sylvanian families matched with historic netsuke (small sculptures), a stage model for the Royal Shakespeare Company’s production of My Neighbour Totoro, and a Hello Kitty rice cooker from 2014. An installation of 1,000 paper cranes, a symbol of remembrance from the Hiroshima Peace Memorial Park in Japan, will also be present. The display, which opens at the Bethnal Green premises on Saturday, runs until 11th August next year. Admission charges apply. A series of events linked to the exhibition are also being run. For more, see www.vam.ac.uk/exhibitions/japan-myths-to-manga.
• Anti-racism activist and a ‘founding spirit’ of the Notting Hill Carnival, Claudia Jones, has been honoured with an English Heritage Blue Plaque in Vauxhall. The plaque marks the mid-19th century terraced house that was her home for almost four years during which she founded the West Indian Gazette and came up with the idea of bringing Caribbean carnival to London (the first carnival took place in It was during her time living in this shared dwelling that Jones founded the West Indian Gazette and came up with the idea of bringing Caribbean carnival to London (the first carnival took place in St Pancras Town Hall on 30th January, 1959; the Notting Hill Carnival, an outdoor event, came later). For more, see www.english-heritage.org.uk/visit/blue-plaques/.
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• A free exhibition exploring the “tricks, tools and elaborate plots that make up the secret world of spying and deception” has opened at IWM London. Spies, Lies and Deception features more than 150 objects including gadgets, official documents, art and newly digitised film and photography. Highlights include Operation Mincemeat mastermind Ewen Montagu’s private papers relating to the World War II plot – which fooled German High Command about the location of the next major Allied assault by planting a dead body with fake military documents off the Spanish coast – along with an oar from the submarine’s dinghy which deposited the body. There is also a box of matches with a match specially adapted for writing secret messages (pictured), footprint overshoes made by SOE (Special Operations Executive) in South-East Asia during World War II to disguise the wearer’s real footprints, and papier-mâché heads used to deceive snipers in World War I trenches. The exhibits also detail the work of the World War I Postal Censorships department – which examined letters sent to foreign locations including testing letters for invisible ink and tell the story of SOE operative Noor Inayat Khan – the first female wireless operator sent by SOE into Occupied France, she successfully transmitted messages to London for four months before being betrayed, captured and executed. There’s also a newly commissioned interview with Eliot Higgins, founder of Bellingcat, an international collective of researchers who used open source data to uncover the real identities of those responsible for the Salisbury Novichok poisonings in 2018, along with a photo album of double agent Kim Philby in Siberia after he escaped to the Soviet Union following his discovery in 1963. The free display can be seen until 14th April next year. For more, see iwm.org.uk/events/spies-lies-and-deception.
• A exhibition looking at the history of printing William Shakespeare’s plays has opened at the Guildhall Library. Folio 400: Shakespeare in Print covers everything from the printing of the small ‘Quartos’ of the late 16th century to the reworking of the text in the 18th century and the rediscovery of original texts in the 19th century. Running in parallel is a display at the City of London Heritage Gallery at Guildhall Art Gallery which features the library’s copy of the First Folio, widely regarded as one of the finest and most complete. Entry is free. Runs until 30th January. For more, see www.cityoflondon.gov.uk/things-to-do/history-and-heritage/guildhall-library.
• An exhibition centring on the spectacular light illuminations of the Georgian period has opened at Sir John Soane’s Museum. Georgian Illuminations celebrates the light shows of the period and the impressive and the elaborate temporary architectural structures created for them, often designed by leading architects and artists, including Sir John Soane. It featuresnewly discovered linen transparencies, which were back-lit in Georgian windows as patriotic decoration during the Napoleonic Wars, as well as a contemporary work by light artist Nayan Kulkarni light artist which sees the facade of the museum at Lincoln’s Inn Fields illuminated each night from dusk until about 11pm. A series of events accompanies the exhibition. Runs until 7th January, 2024. Entry is free. For more, see www.soane.org/exhibitions/georgian-illuminations,
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• A piece of the only surviving dress worn by Queen Elizabeth I, Charles Dickens’ court suit, an RSC robe worn by David Tennant as Richard II, and the coronation glove of Queen Elizabeth II are among highlights of a new exhibition at the Guildhall Art Gallery. Marking the 400th anniversary of the Worshipful Company of Gold and Silver Wyre Drawers, Treasures of Gold and Silver Wire features more than 200 objects related to royalty, the arts, military, and the church spanning the period stretching from the Middle Ages to today. Other highlights include a uniform of the State Trumpeter, The Jubilee Cope from St Paul’s Cathedral, a robe of Order of the Garter and the burse of the Great Seal of King Charles II. The exhibition, which opens on Friday, runs until 12th November. Admission charge applies. For more, see www.cityoflondon.gov.uk/events/treasures-of-gold-and-silver-wire-exhibition.
• The Laughing Cavalier serves as the centrepiece of a new exhibition of Frans Hals works at the National Gallery – the largest focused the 17th century Dutch painters’ works in more than 30 years. The Credit Suisse Exhibition: Frans Hals, which has been organised with the Rijksmuseum, Amsterdam features some 50 of the artists works gathered from across the globe. Alongside The Laughing Cavalier which is on loan from the Wallace Collection, highlights include Portrait of Isaac Massa (1626), Portrait of Pieter Dircksz. Tjarck (about 1635–38), The Rommel-Pot Player (1618–22) and Portrait of Tieleman Roosterman (1634). Admission charge applies. Runs until 21st January.
• A major exhibition on the work of Flemish artist Peter Paul Rubens (1577-1640) has opened at the Dulwich Picture Gallery. Rubens & Women features more than 40 paintings and drawings along with archival material and challenges the perception that the artist only painted one type of women as it explores his relationships with women and how they nourished his career and creativity. Highlights include Portrait of a Woman (c1625), Marchesa Maria Serra Pallavicino or Marchesa Veronica Spinola Doria (1606-07), The Virgin in Adoration of the Child (c1616), Looking Down (Study for head of St Apollonia) (1628), Ceres and Two Nymphs (1615-17), The Birth of the Milky Way (1636-1638), and Clara Serena Rubens, the Artist’s Daughter (c1620-23). The exhibition runs until 28th January. Admission charge applies. For more, see www.dulwichpicturegallery.org.uk.
• An interactive exhibition exploring email’s impact in our lives – how it shapes our work, relationships, cultures and economies – opens at The Design Museum today.Email is D̶e̶ad̶ ̶, being held in partnership with Intuit Mailchimp, charts the history of email, from its embryonic beginnings in the 1970s to what the email experience might be like in 2070. Admission is free. Runs until 22nd October. For more, see https://designmuseum.org.
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• English Heritage has unveiled its 1000th Blue Plaque in London. The plaque – located on a three storey building at number 1, Robert Street in Westminster – marks the former London headquarters of the suffragist organisation, the Women’s Freedom League. The league, which was formed in 1907, worked out of the building between 1908 and 1915 – its most active period. The blue plaques scheme has been running for more than 150 years and honours everyone from John Keats and Charles Dickens to Ada Lovelace and Alan Turing. For more, see www.english-heritage.org.uk/visit/blue-plaques/.
• A major new work by Chris Ofili commemorating fellow artist Khadija Saye and the tragedy of the Grenfell Tower fire in which Saye died, has gone on display at the Tate Britain in Millbank.Requiem, a site-specific work which is shown across three walls, is described as a “journey through an imagined landscape of giant skies with vast horizons and flowing water” which unfolds in three chapters. Ofili says that when making the work, he recalled the feelings he had when creating No Woman, No Cry in 1998 as a tribute to murdered Black teenager Stephen Lawrence and his mother Doreen. “That feeling of injustice has returned,” he said. “I wanted to make a work in tribute to Khadija Saye. Remembering the Grenfell Tower fire, I hope that the mural will continue to speak across time to our collective sadness.” For more, see tate.org.uk/visit/tate-britain.
• The Astronomy Photographer of the Year display has opened at the National Maritime Museum in Greenwich featuring the competition’s winning image, Andromeda. The picture, the work of Marcel Drechsler, Xavier Strottner and Yann Sainty, depicts a huge plasma arc next to the Andromeda Galaxy. Other winners include two 14-year-old boys from China – Runwei Xu and Binyu Wang – who won the Young Astronomy Photographer of the Year award for The Running Chicken Nebula as well as Argentinian Eduardo Schaberger Poupeau who won the ‘Our Sun’ category for A Sun Question which captures a huge filament in the shape of a question mark, China’s Angel An, who won the ‘Skyscapes’ category for Grand Cosmic Fireworks – a photograph of the extremely rare phenomenon of atmospheric luminescence, and the UK’s John White who won the Annie Maunder Prize for Image Innovation for Black Echo which used audio source material from NASA’s Chandra Sonification Project, to visually capture the sound of the black hole at the centre of the Perseus Galaxy. For more, see www.rmg.co.uk/astrophoto.
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• A rare charity pin badge like those sold by Indian princess and suffragette Sophia Duleep Singh to raise funds for the Indian Army has gone on show at Hampton Court Palace. It’s part of a new display which shares the stories of Indian soldiers who took up residence on the Hampton Court estate four times: for the coronations of King Edward VII in 1902, King George V in 1911 and King George VI in 1937, as well as for the World War I Victory Parade in London. The Indian Army at the Palace explores their experiences in the camp and in London more generally – everything from food and rationing to entertainment, travel and religious accommodations. Highlights of thedisplay include objects from the Historic Royal Palaces’ collection – such as an official plan from one of the camps, press cuttings depicting the soldiers’ arrival at Hampton Court station, and Indian soldiers in and around the Palace grounds – as well as items on loan from the South Asian community, including a 32nd Sikh Pioneers Indian Army Officer’s tunic, medals and photos belonging to soldiers from the 1902 and 1911 contingents, original photographs of the Gurkha regiment in the 1919 parade and newspaper articles depicting the visits. The display can be seen until 3rd March next year and entry is included in general admission. For more, see www.hrp.org.uk/hampton-court-palace/.
• The first UK exhibition dedicated to the work of pioneering fashion designer Gabrielle ‘Coco’ Chanel opens at the V&A on Saturday. Gabrielle Chanel. Fashion Manifesto, which is being presented inpartnership with Palais Galliera, Fashion Museum of the City of Paris, Paris Musées, charts the evolution of Chanel’s iconic design style and the establishment of the House of Chanel, from the opening of her first millinery boutique in Paris in 1910 to the showing of her final collection in 1971. The display’s 10 sections feature more than 200 “looks” as well as accessories, perfumes and jewellery. Highlights include one of the earliest surviving Chanel garments from 1916; original Chanel-designed costumes for the 1924 Ballets Russes production of Le Train Bleu; outfits created for Hollywood stars Lauren Bacall and Marlene Dietrich; an early example of Chanel’s ground-breaking evening trousers; and, ensembles from Chanel’s final collection of 1971. Runs until 25th February. Admission charge applies. For more, see vam.ac.uk/chanel.
• Six of Andrea Mantegna’s monumental paintings The Triumphs of Caesar go on display at The National Gallery from Monday. On loan from the Royal Collection, the Renaissance artist’s greatest masterpiece will be on show at the gallery for around two years, while their usual home, the Mantegna Gallery at Hampton Court Palace, is closed for maintenance. Mantegna painted a total of nine canvasses for the Gonzaga family in Mantua, between about 1485 and 1506. They were acquired by King Charles I in 1629 and taken to Hampton Court Palace soon after their arrival in England. The paintings, which are being displayed in specially made frames, will be able to be seen in Room 14, along with Peter Paul Rubens’ A Roman Triumph (about 1630) to show a later artistic response to the Triumphs. Other works by Mantegna from the National Gallery’s collection including The Introduction of the Cult of Cybele at Rome, Samson and Delilah, Two Exemplary Women of Antiquity and The Virgin and Child with the Magdalen and Saint John the Baptist are displayed nearby in Room 5 while Mantegna’s The Agony in the Garden can be seen in Room 29. Admission is free. For more, see www.nationalgallery.org.uk.
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