LondonLife – Celebrating wildlife at the Natural History Museum…

‘The Big Buzz’ by Karine Aigner, USA, winner of Wildlife Photographer of the Year.

An up-close image of a buzzing ball of cactus bees over the hot sand at a Texas ranch has won American photographer Karine Aigner the honour of Wildlife Photographer of the Year. The image depicts male bees as they compete for the attention of the single female bee at the centre of the ball. Aigner is the fifth woman to win the Grand Title award in the 58 year history of the competition, which is run by the Natural History Museum. Her image is being shown along with that of 16-year-old Thai Katanyou Wuttichaitanakorn – who won Young Wildlife Photographer of the Year for an up-close image of a whale’s baleen – as well as those of category winners in this year’s contest in a redesigned exhibition at the museum in South Kensington.  Alongside the photographs, the display features short videos, quotes from jury members and photographers and insights from museum scientists on how human actions continue to shape the natural world. The exhibition can be seen until 2nd July. Admission charge applies. For more, see www.nhm.ac.uk/visit/exhibitions/wildlife-photographer-of-the-year . The 59th annual competition is now open for entries. For more on how to enter, see www.nhm.ac.uk/wpy/competition.

‘The Beauty of Baleen’ by Katanyou Wuttichaitanakorn, Thailand, winner of Young Wildlife Photographer of the Year.

10 unusual parks or gardens in London…7. Natural History Museum’s Wildlife Garden…

A scene from the Wildlife Garden. PICTURE: Kotomi_ (licensed under CC BY-NC 2.0)

Opened in July, 1995, this garden in the grounds of the Natural History Museum in South Kensington has been found to be home to more than 3,300 species.

A scene from the Wildlife Garden. PICTURE: Kotomi_ (licensed under CC BY-NC 2.0)

The garden, located on the corner of Cromwell Road and Queen’s Gate, and covering a single acre, was envisaged as a “place to put habitat creation and wildlife conservation into practice”, according to the museum’s website, where visitors can learn about wildlife in the UK and where naturalists, students and museum scientists carry out research.

It features a variety of habitats –  everything from woodland, grassland, scrub, heath, fen, aquatic, reedbed, and hedgerow as well as urban environments – and among the species living there have been hedgehogs, common frogs, ladybirds (Rhyzobius forestieri) and Greyface Dartmoor sheep which are brought in to graze in the autumn.

‘Bioblitzes’ are held during the year by experts and amateurs which involve recording as many species of plants, animals and fungi as possible within a day.

Under the museum’s Urban Nature Project, all five acres of the grounds are being transformed into a fully accessible green space that promotes urban wildlife research, conservation and awareness and according to the museum, the Wildlife Garden will have an integral role to play in that with its overall size doubled (check before visiting to ensure it’s not closed for the renovation work). The new gardens will open next summer.

WHERE: Wildlife Garden, Natural History Museum, Cromwell Road, South Kensington (nearest Tube stations are South Kensington and Gloucester Road); WHEN: 11am to 5pm daily until 31st October (closed during wet weather); COST: Free; WEBSITE: www.nhm.ac.uk/visit/galleries-and-museum-map/wildlife-garden.html

This Week in London – Natural History Museum unveils a new ‘Urban Nature Project’; BBC at 100; and, UK sculpture goes online…

The Natural History Museum’s five acre site in South Kensington will be transformed into a free-to-visit green space under a new project. The Urban Nature Project will feature new outdoor galleries telling the story of life on Earth from 540 million years ago to the present day as it follows an immersive timeline of plants, trees, reptiles, birds and mammals. Children will come face-to-face with a giant bronze diplodocus surrounded by plants from the Jurassic period. The garden will also be home to scientific sensors gathering environmental DNA and acoustic data, to monitor, understand and protect urban nature. You can find out more and donate at www.nhm.ac.uk/support-us/urban-nature-project/donate.html.

Cyberman costume as used in the T.V. series ‘Dr Who’ made by the BBC, London, c1988

• A new display exploring how the BBC developed and popularised new media has opened at the Science Museum in South Kensington. BBC at 100 features five iconic items from broadcast history that have influenced how we interact wth modern media platforms. They include a six foot tall 1988 Cyberman costume from Doctor Who, a World War II “Midget” Portable Disc Recorder developed to bring listeners close to the reality of conflict, and the BBC microcomputer developed during the Computer Literacy Project in the 1980s. The display, which is part of the Science Museum Group’s  Broadcast 100  activities marking the 100th anniversary of the BBC and the 40th anniversary of Channel 4, to free to visit. For more, see www.sciencemuseum.org.uk/see-and-do/bbc-100.

More than 36,000 sculptures on public display across the UK can be seen online. Art UK has photographed and digitised more than 13,500 outdoor sculptures as well as almost every sculpture inside public collections from the last 1,000 years. The project, which was funded with a £2.8million Heritage Fund grant and involved more than 500 photography and data volunteers, can be accessed at Art UK website

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This Week in London – The Queen in wartime; Dippy returns; and, ‘Cancer Revolution’ at the Science Museum…

A new exhibition exploring the Queen’s role during wartime opens at IWM London in Lambeth tomorrow. Part of a suite of events at IWM venues celebrating the Queen Elizabeth II’s Platinum Jubilee, Crown and Conflict: Portraits of a Queen in Wartime features 18 images drawn from the museum’s image archive which chart the Queen’s experience of war – from growing up during World War II when she served in the Auxiliary Territorial Service to her role in carrying out important public duties involving the armed forces, including at the annual Service of Remembrance. Among newly digitised photographs included in the display are an image of the Queen dressed in overalls and cap while working on a vehicle during her time in the ATS, and another showing her with her father, King George VI, and mother, Queen Elizabeth, during a visit to airborne forces in 1944. IWM London is also launching a dedicated trail of historic objects spread across five gallery spaces which explores the Royal Family’s long-standing association with the British armed forces. Objects include a Princess Mary Gift Fund box which was sent to those serving at Christmas in 1914. Runs until 8th January. Admission charge applies. For more, see www.iwm.org.uk/events/queens-platinum-jubilee-iwm-london.

Dippy at the Natural History Museum. © Trustees of the Natural History Museum, London

• Dippy the dinosaur is back for a limited time at the Natural History Museum in South Kensington from tomorrow. A free, temporary exhibition – Dippy Returns: the nation’s favourite dinosaur – gives visitors the chance to get up close and personal with the 26 metre-long dinosaur which first went on display at the museum in 1905. The display comes at the end of a record-breaking tour of the UK in which Dippy was seen by more than two million people. Can be seen until 2nd January. To book tickets, head to www.nhm.ac.uk.

The first major exhibition to explore the history and future of cancer treatment and research opened at the Science Museum in South Kensington this week. Cancer Revolution: Science, innovation and hope features more than 100 objects including some never-before seen as well as information on cutting edge treatment and research, new artist commissions and installations, interactive exhibits and a breadth of personal stories. Runs until January, 2023. Admission is free but bookings required. For more, see www.sciencemuseum.org.uk/see-and-do/cancer-revolution-science-innovation-and-hope.

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This Week in London – The extraordinary story of George King; Guildhall statues survive (with explanations); and, Wildlife Photographer of the Year…

The extraordinary story of 18th century foundling and sailor George King, who fought in the Battle of Trafalgar, is the subject of a new exhibition opening at the Foundling Museum in Bloomsbury tomorrow. Fighting Talk: One Boy’s Journey from Abandonment to Trafalgar features King’s hand-written account of his life, a fragment of the flag from Nelson’s coffin, letters between the Foundling Hospital’s matron and Lady Emma Hamilton (annotated by Nelson himself) and two rare Naval General Service Medals, of which only 221 were awarded retrospectively when the medal was first issued in 1849, belonging to King and the foundling William South, who served aboard HMS Victory. There is also a display of works by contemporary artist and photographer Ingrid Pollard – Ship’s Tack – which reflects on the Foundling Hospital’s connections with Empire, trade and the Navy and which includes newly commissioned work responding directly to George’s autobiography. Runs until 27th February. Admission charge applies. For more, see www.foundlingmuseum.org.uk.

Two Guildhall statues portraying figures with links to the slave trade will be retained but have information added detailing those links. The City of London Corporation’s Court of Common Council voted last week to keep the statues of William Beckford and Sir John Cass which will have plaques or notices placed alongside them containing contextual information about the two men’s links to slavery. William Beckford was an 18th century slave owner and two-time Lord Mayor of London, while Cass – an MP and philanthropist – was a key figure in the Royal African Company, which traded in slaves in the 17th and 18th centuries. Sir John Cass’s Foundation Primary School in the City and the nearby Cass Business School have already changed their names to remove the association with their founder and his links to slavery.

•  French underwater photographer and biologist Laurent Ballesta has won the Natural History Museum’s Wildlife Photographer of the Year for an image showing camouflage groupers exiting their milky cloud of eggs and sperm in Fakarava, French Polynesia. The image was selected out of 50,000 entries from 95 countries and is being displayed with 100 images in an exhibition opening at the museum on Friday. Meanwhile 10-year old Vidyun R Hebbar, who lives in Bengaluru, India, was awarded the Young Wildlife Photographer of the Year 2021 for his colourful image, Dome home, showing a tent spider as a tuk-tuk passes by. The exhibition can be seen until 5th June next year. Admission charge applies. For more, see www.nhm.ac.uk/visit/exhibitions/wildlife-photographer-of-the-year.

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This Week in London – NHM’s Our Broken Planet’s finale; West End LIVE at Trafalgar Square; and, Helen Frankenthaler at Dulwich…

Juvenile European bison © The Trustees of The Natural History Museum, London

The third and final part of the free exhibition, Our Broken Planet: How We Got Here and Ways to Fix It, has opened at the Natural History Museum. Following on from sections exploring the food we eat and the products we use, the third phase of the display explores the energy humans consume and how we can we create a greener, cleaner future. Specimens in the display include a juvenile European bison, illustrating an experimental rewilding project in Kent which is investigating if bison feeding habits will improve the forest’s biodiversity and store more carbon in the soil, blue-green algae collected during Captain Scott’s famed RRS Discovery expedition which is being used in the study of climate change, and the recently extinct Chinese paddlefish, a casualty of the global boom in hydroelectric dams. Entry to the South Kensington museum is free but visitors are encouraged to book a time ticket in advance to ensure entry. For more, see www.nhm.ac.uk/visit/our-broken-planet.html.

The West End comes to Trafalgar Square this weekend with a line-up of free performances from top shows taking to the stage. Forming part of Westminster City Council’s Inside Out Festival and the Society of London Theatre’s #BackOnStage campaign, the West End LIVE event will feature the first ever West End LIVE appearances from award-winning musicals Hamilton and The Book Of Mormon, as well as an exciting roster of new shows including The Prince Of Egypt, Dear Evan Hansen, Cinderella, Back To The Future: The Musical and Pretty Woman. More than 30 acts will be involved in the free and unticketed event. For the full programme, see www.westendlive.co.uk.

The first major UK exhibition of woodcuts by the leading abstract expressionist, Helen Frankenthaler, opened at the Dulwich Picture Gallery this week. Helen Frankenthaler: Radical Beauty brings together more than 30 works on loan from the Helen Frankenthaler Foundation which span the artist’s career from her first ever woodcut in 1973 to her last work published in 2009. Works include including Madame Butterfly (2000), East and Beyond (1973), Cameo (1980) and Freefall (1993). The display can be seen until 18th April. Admission charge applies. For more, see www.dulwichpicturegallery.org.uk.

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LondonLife – Wildlife snapshots…

Lynx on the threshold. PICTURE: © Sergio Marijuán, Wildlife Photographer of the Year

A selection of entries into this year’s Wildlife Photographer of the Year have been released ahead of the opening of the annual exhibition at the Natural History Museum in October. Among the images selected from the more than 50,000 entries in the 57th competition is that of Sergio Marijuán’s Lynx on the threshold depicting a young Iberian lynx pausing in the doorway of the abandoned hayloft where it was raised in Sierra Morena in Spain (pictured above), Gil Wizen’s Beautiful bloodsucker depicting a female ornamented mosquito in the process of biting (below), and Laurent Ballesta’s Deep feelers showing a vibrant community of narwhal shrimps in deep waters off the French Mediterranean coast (far below). The winners will be announced at a ceremony on 12th October. The exhibition at the South Kensington museum opens on 15th October at the Natural History Museum. To book tickets for the exhibition, head to www.nhm.ac.uk/visit/exhibitions/wildlife-photographer-of-the-year.html. The 2021 competition opens on 18th October.

Beautiful bloodsucker PICTURE: © Gil Wizen, Wildlife Photographer of the Year
Deep feelers. PICTURE: © Laurent Ballesta, Wildlife Photographer of the Year

This Week in London – English Heritage sets out timetable for reopening; Westminster Abbey a vaccination clinic; and, rare meteorite arrives at Natural History Museum…

Eltham Palace grounds in south-east London. PICTURE: Gordon Joly (licensed under CC BY SA 2.0)

English Heritage – which manages a number of historic properties in London including Eltham Palace, Kenwood House and Marble Hill House – has announced they will reopen progressively from 29th March. Initially only the grounds of more than 60 properties across England will be open with building interiors to open from 17th May. A summer events programme is scheduled to start on 21st June. Visits must be booked in advance and the organisation has asked that people bear in mind the government’s latest advice, and be aware that they shouldn’t travel outside of your local area. For a full list of properties that are reopening, see www.english-heritage.org.uk/visit/plan-your-visit/.

It’s a unique place to receive a coronavirus vaccine. The NHS announced this week that a new COVID-19 vaccination clinic has opened in Westminster Abbey’s South Transept, home to Poet’s Corner. Run by Chelsea and Westminster Hospital NHS Foundation Trust, on behalf of the local GP network, the location is expected to provide up to 2,000 inoculations each week. The clinic is only open for those with an appointment. Invitation letters will explain how people can book a slot and NHS leaders are urging people not to turn up at the centres without an appointment.

Meteorite recovered from Winchcombe PICTURE: Trustees of the Natural History Museum

A fragment of a meteorite which was located in Gloucestershire after recently falling to Earth in a rather spectacular fireball has been brought to the Natural History Museum in South Kensington. The 300 gram chunk of meteorite, which is known as a carbonaceous chondrite, was discovered on a driveway in the Cotswold town on Winchcombe. It’s path tracked by specialised cameras across the country as part of the UK Fireball Alliance, the meteorite was retrieved in such a good condition and so quickly after its fall that scientists say it is comparable to the samples returned from space missions, both in quality and size. Other pieces of the meteorite have also been recovered in the area. The rare meteorite – it is the first known carbonaceous chondrite to have been found in the UK and the first meteorite to be recovered in the UK in 30 years – will now undergo further study.

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This Week in London – V&A reimagines its online experience; ‘Wildlife Photographer of the Year’; and, most viewed works at The National Gallery…

More than 1.2 million items from the V&A’s vast collections can now be seen online in a new digital platform, Explore the Collections. The new platform, which launched in beta form this week and brings together previous online options in a single site, reimagines the online experience of the V&A in a story-led approach with users able to search for specific objects or allow the site to recommend options based on their interests. The platform will be continually developed and updated over the coming months. You can access it here –  www.vam.ac.uk/collections.

‘Bushfire’ by Robert Irwin, Australia. Winner 2020, Wildlife Photographer of the Year People’s Choice Award.

Australian photographer Robert Irwin has won the 56th Natural History Museum’s ‘Wildlife Photographer of the Year People’s Choice Award’ with an image of bushfire in northern Australia. More than 55,000 people voted for one of 25 short-listed images selected from the more than 49,000 submitted works. Irwin, who used a drone to take the aerial image near the Steve Irwin Wildlife Reserve in Cape York, Queensland, said he was incredibly excited by the win. “For me, nature photography is about telling a story to make a difference for the environment and our planet,” he said. “I feel it is particularly special for this image to be awarded, not only as a profound personal honour but also as a reminder of our effect on the natural world and our responsibility to care for it.” Irwin’s and four other highly commended images will be shown at the Wildlife Photographer of the Year exhibition at the Natural History Museum when the museum reopens. For more, see nhm.ac.uk/visit/exhibitions/wildlife-photographer-of-the-year.html.

Jan van Eyck’s masterpiece, The Arnolfini Portrait, has topped a list of the National Gallery’s most viewed paintings since March last year. Others in the top 10 included Holbein’s The Ambassadors and Van Gogh’s Sunflowers along with works by Turner, Leonardo, Velázquez, Titian, Constable, Botticelli, Monet, Caravaggio and Vermeer. The data was collected between 19th March last year – when the gallery first closed in a lockdown – and the start of February. The gallery houses more than 2,300 works. For more, see www.nationalgallery.org.uk.

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This Week in London – Behind the scenes at the Tate; keep the Christmas tree up, says English Heritage; and, a new mineral found at Natural History Museum…

Take a behind the scenes look at how Tate gallery curators have been looking after their art during the coronavirus period. A new film released by the Tate just before Christmas features art handlers, conservators, archivists and registrars discussing the challenges of transporting, installing and preparing artworks during this unprecedented time.

The Tate has also released a range of online resources through which people can experience exhibitions online – check the Tate’s YouTube channel for artist interviews and exhibition guides as well as in-depth exhibition guides available on the Tate website.

English Heritage has urged people to keep their Christmas decorations up until February to “bring some cheer” into the dark winter months. The organisation says Candlemas, which falls exactly 40 days after Christmas, was observed as the official end to Christmas during the medieval period. More formally known as the Feast of the Purification of the Blessed Virgin Mary, Candlemas was so called because the candles which would be used in churches in the coming year would be blessed on that day. Dr Michael Carter, English Heritage’s senior properties historian adds: “The tradition that it is bad luck to keep decorations up after Twelfth Night and the Epiphany is a modern invention, although it may derive from the medieval notion that decorations left up after Candlemas eve would become possessed by goblins! I’m of the opinion that, after the year we’ve all had, we certainly deserve to keep the Christmas cheer going a little longer.”

A new mineral, named kernowite after the Cornish name for Cornwall where it was originally found, has been discovered in the collection of the Natural History Museum. The mineral, which was probably collected in the 1700s and which entered the museum’s collection in 1964, was previously believed to be a green variety of the traditionally blue liroconite. It was only when the museum’s principal curator of minerals, Mike Rumsey, decided to investigate colour variation in liroconite that it was recognised as a new species. “Although many liroconites are greenish, with this unusually dark-green ‘liroconite’ specimen in question my colleagues and I discovered a subtle difference in its chemistry,” he said. “Overall, one part of its internal structure was dominated by iron instead of aluminium, so we found it worthy of a new name, kernowite.”

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This Week in London – ‘Fantastic Beasts’; artwork of The Blitz; and, ‘The Adoration of the Kings’ explored…

The links between mythical and fictional creatures with animals of the natural world are explored in a new exhibition which opened at the Natural History Museum this week. Fantastic Beasts: The Wonder of Nature, a partnership between the museum, Warner Bros Consumer Products and the BBC Studios Natural History Unit, features some 120 exhibits including Dracorex Hogwartsia dinosaur – named in recognition of Harry Potter’s school, Hogwarts, along with a hoax mermaid, a 16th century map depicting sea monsters, and what was once believed to be a unicorn horn. There’s also the chance to learn more about the Galapagos marine iguana and the boneless hagfish as well as fictional creatures like the mooncalf and erumpent. Admission charge applies and pre-booking required. For more, see www.nhm.ac.uk.

Preparing for the Natural History Museum’s ‘Fantastic Beasts: The Wonder of Nature Conservation’ PICTURE: Trustees of the Natural History Museum

Artworks depicting The Blitz are the subject of a new exhibition at the Churchill War Rooms. Art of the Blitz shines a new light on the experiences of ordinary people who lived through the Nazi air raids. The display includes works by Henry Moore, William Matvyn Wright, Eric Ravilious, Ernest Boye Uden, Mabel Hutchinson, Evelyn Gibbs, Evelyn Dunbar, and Leila Faithfull. Free with general admission ticket purchase, the display can be seen until 30th April. For more, see www.iwm.org.uk/events/wartime-london-art-of-the-blitz.

Jan Gossaert’s 16th-century masterpiece The Adoration of the Kings is at the heart of a new immersive digital experience which launched at the National Gallery this week. Sensing the Unseen: Step into Gossaert’s ‘Adoration, which has been designed with social distancing in mind, starts with the voice of the African King Balthasar speaking to viewers before light and sound guide them to an individual pod where they can experience an interactive version of the painting. The experience can be seen in Room 1 until 28th February. Admission is free but pre-booking is required. Meanwhile, Father Christmas is making a special appearance at the National Gallery on the 12th and 13th December – and again on 17th to 23rd December – along with the chance to step into a ‘winter wonderland’ inspired by the iconic National Gallery painting A Winter Scene with Skaters near a Castle (about 1608–9) by Hendrick Avercamp (1585–1634). Admission charge applies and pre-booking required. For more, see www.nationalgallery.org.uk.

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This Week in London – King’s maps go online; life at Tower Bridge; Wildlife Photographer of the Year; and, the Gruffalo at Kew…

• Treasures including a hand-drawn map of New York City presented to the future King James II in 1664, Nicholas Hawksmoor’s architectural drawings for Castle Howard and some London churches, and Italian Jesuit Matteo Ripa’s massive 1719 Kangxi Map of China are among thousands of maps and views The British Library have placed online. The library is now nearing the end of the project to put 40,000 early maps and views online and most can now be accessed via the library’s Flickr Commons collection website. The documents are all part of the Topographical Collection of King George III, itself a distinct segment of the King’s Library which was donated to the Nation by King George IV in 1823. Other highlights to go online include Italian artist Bernardo Bellotto’s drawings of the town of Lucca, dating from about 1742, James Cook’s 1763 large manuscript map of the islands of St Pierre and Miquelon, and watercolours by noted 18th century artists including Paul Sandby and Samuel Hieronymus Grimm. PICTURED: Nicholas Hawksmoor, [An elevation and plan for St George, Bloomsbury]. London, between 1712 and 1730. Maps K.Top 23.16.2.a.

• A new exhibition celebrating the lives of those who work behind the scenes at Tower Bridge and the visitors who walk its floors opens in the iconic bridge’s Engine Rooms on Friday. Lives of a Landmark features images commissioned in 2019 to commemorate the 125th anniversary of the bridge. Photographer Lucy Hunter spent several months at the bridge, recording daily life there and this display is the result. Admission charge applies. For more, head here.

Winning images from The Natural History Museum’s Wildlife Photographer of the Year – including Sergey Gorshkov’s Grand Title winner, a rare glimpse of Siberian tigress – go on show at the South Kensington-based museum from Friday. The exhibition features the 100 images, selected from more than 49,000 entries, that were short-listed for the 56th annual competition, the results of which were announced in a virtual ceremony earlier this week. Runs until 6th June. Admission charge applies. For more, head to www.nhm.ac.uk/visit/exhibitions/wildlife-photographer-of-the-year.html.

The Gruffalo is the subject of a new “curated journey” taking place over the half-term break in Kew Gardens’ Arboretum. Visitors are encouraged to play the role of the “little brown mouse” and follow a trail to track down the Gruffalo, along the way encountering some of the other characters from Julia Donaldson’s famous book including Fox, Owl and Snake. Admission charge applies. For more, see www.kew.org.

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LondonLife – ‘Station Squabble’ and other natural wonders…


A startling image revealing two mice battling it out over a crumb on a platform at a London Underground station has won the Natural History Museum’s ‘Wildlife Photographer of the Year LUMIX People’s Choice award’.
Taken by Bristol-based photographer Sam Rowley, the image was voted the winner from a shortlist of 25 images selected by the Natural History Museum out of the more than 48,000 entries. Rowley, who visited multiple platforms over the course of week to get the image, said it the encounter between the two mice lasted for just a split-second before one scurried away, triumphant with the crumb. ‘I’m so pleased to win this award. It’s been a lifetime dream to succeed in this competition in this way, with such a relatable photo taken in such an everyday environment in my hometown,” he said. “I hope it shows people the unexpected drama found in the most familiar of urban environments.” Four other images were highly commended including Aaron Gekoski’s image of an Orangutan being exploited for performance, Michel Zoghzhogi’s picture of a mother jaguar and cub with a captured anaconda, Martin Buzora’s portrait of a special moment between a conservation ranger and a baby black rhino, and Francis De Andres’s image of a group of curious white arctic reindeer. The images can all be seen at the Natural History Museum until 31st March. For more, head to www.wildlifephotographeroftheyear.com.

 


This Week in London – The Moon up close; a new Children’s Garden for Kew; and, FOOD at the V&A…

Artist Luke Jerram’s installation Museum of the Moon goes on show at the Natural History Museum in South Kensington from tomorrow. Marking the 50th anniversary of the Apollo 11 Moon landing, the six metre spherical sculpture can be found in the museum’s Jerwood Gallery where visitors are invited to watch – or join in – a performance piece called COMPANION: MOON by interactive theatre makers Coney. The sculpture, which depicts the far side the Moon, is accompanied by a surround-sound composition by BAFTA-winning composer Dan Jones. The sculpture is part of a season marking the 1969 Moon landing including lunar-inspired yoga classes for kids, a series of expert space-related talks and museum late openings. The installation can be seen until 8th September. Entry is free. For more, see www.nhm.ac.uk/moon. PICTURE: Image credit for all: Trustees of the Natural History Museum 2019 (Dare & Hier Media).

A giant new ‘Children’s Garden’ featuring more than 100 mature trees and a four metre high canopy walk wrapped around a 200-year-old oak opens at Kew in London’s west this weekend. The 10,000 square metre garden – the size of almost 40 tennis courts – has been designed around the four elements plants need to grow: earth, air, sun and water. The Earth Garden features a giant sandpit and play hut village with tunnel slides; the Air Garden has winding paths, giant windmill flowers, pollen spheres, hammocks and trampolines and a mini amphitheatre; the Sun Garden features a large open space with cherry trees and pink candy floss grass as well as pergolas with edible fruits; and the Water Garden has water pumps and water lily stepping stones. Aimed at children aged between two and 12 years.  Entry included in admission. For more, see www.kew.org.

A “sensory journey through the food cycle”, FOOD: Bigger than the Plate opens at the V&A on Saturday. The exhibition explores how the way we grow, distribute and experience food is being reinvented and, split into four sections, features more than 70 contemporary projects, new commissions and creative collaborations by artists and designers who have been working with chefs, farmers, scientists and local communities. Highlights include GroCycle’s Urban Mushroom Farm installation, a pedal-powered Bicitractor developed by Farming Soul to support small-scale farming, a working version of MIT’s Food Computer, and Christina Agapakis and Sissel Tolaas’ Selfmade project which cultures cheese from human bacteria. Admission charge applies. Runs to 20th October. For more see vam.ac.uk/food.

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What’s in a name?…Exhibition Road…

This important Kensington thoroughfare runs through the heart of South Kensington’s world-famous museum precinct from Thurloe Place, just south of Cromwell Road, all the way to Hyde Park.

Along its length, it takes in such important institutions as the Victoria & Albert Museum, the Natural History Museum, Science Museum and Imperial College London while Royal Albert Hall is only a stone’s throw to the west.

It was, as might be expected given the name, indeed laid out as part of Prince Albert’s grand scheme surrounding the Great Exhibition of 1851 as a means of accessing the vast Crystal Palace which was located in Hyde Park (before moving out to south London).

It wasn’t the only road in the area built specifically for that purpose – the transecting Cromwell Road and Queen’s Gate, which runs in parallel and, yes, is named for Queen Victoria, were also built for to provide access to the Great Exhibition.

After the exhibition was over, Exhibition Road formed part of the precinct known as “Albertopolis” in which, inspired by the Great Exhibition, became something of a knowledge and cultural centre featuring various museums and the great concert hall which sadly Albert didn’t live long enough to see.

In the 2000s, a scheme to give pedestrians greater priority along the road was realised (in time for the 2012 Olympics).

PICTURE: Looking north along Exhibition Road from the intersection with Cromwell Road (the Natural History Museum is on the left; the Victoria & Albert Museum – and the Aston Webb Screen – on the right)/Google Maps.

 

This Week in London – Video games explored; NHM celebrates ‘James and the Giant Peach’; and Thames Mudlarks’ finds on show…

Video games – their design and use both in terms of gaming but also in pushing boundaries – are the subject of a new exhibition opening at the V&A this Saturday. Videogames: Design/Play/Disrupt will provide rare glimpses into the creative process behind games like The Last of Us, Journey and Kentucky Route Zero through original prototypes, early character designs and notebooks as well as cultural inspirational material ranging from a Magritte painting to a viral cat video. The display also features large scale, interactive and immersive multimedia installations featuring games like Minecraft and League of Legends, and explore how major technological advancements have transformed the way games are designed, discussed and played. Runs in Room 39 and North Court until 24th February. Admission charge applies. For more, see vam.ac.uk/videogames. PICTURE: V&A.

The Natural History Museum is celebrating Roald Dahl Day (13th September) with a James and the Giant Peach weekend. The South Kensington museum will this weekend offer a range of James and the Giant Peach-inspired family-friendly events and activities including the chance to see insects up close in the Darwin Centre and the Wildlife Garden as well as specimens in the Attenborough Studio. There’s also the chance to take in a ‘Whizzbanging Words’ session with a team from the Roald Dahl Museum and Story Centre, and music from the three-piece band, Roald Dahl’s Giant Bugs. Runs from 11am to 4.50pm on Saturday and Sunday. Admission is free (but some events are ticketed – check website for details). For more, see www.nhm.ac.uk/events/james-and-the-giant-weekend.html

An exhibition revealing some of the historical artefacts found by some of London’s most prolific Mudlarks along the banks of the River Thames opens on Tuesday as part of Totally Thames. Hannah Smiles has been taking the pictures over the past year and they capture everything from Tudor-era pins to World War II shells, medieval pottery, human teeth and even messages in bottles. The photographs and artefacts themselves both form part of the display. A series of talks by Mudlarks accompanies the free display. It can be viewed at the Art Hub Studios, 5-9 Creekside, in Deptford until 16th September. For more information, head to www.totallythames.org.

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This Week in London – Jousting at Hampton Court; into the shadows at the NHM; and, Bauhaus designers honoured…

Jousting returns to Hampton Court Palace this weekend with visitors invited to join King Henry VIII and his court as they watch this sporting spectacle. Along with the thrills and spills of the tourney, visitors can also partake of the delights of Tudor food and music and a specially commissioned play featuring chief minister Thomas Cromwell as he prepares a royal banquet to celebrate the king’s marriage to Anne of Cleves. The event kicks off with a royal procession in which knights will greet the king with a display of heraldic pageantry before they head to the jousting arena at the East Front Gardens. Admission charge applies. Runs on 14th and 15th July. For more, see www.hrp.org.uk. PICTURE: A previous jousting event at Hampton Court Palace (David Adams).

Venture into the hidden world of shadows in a major new exhibition opening at the Natural History Museum in South Kensington on Friday. Afraid of the dark? takes visitors deep into underground caves, to the depths of the oceans and into the pitch blackness of night as it recreates habitats usually hidden from view and presents hundreds of incredible creatures, some brand new to science, which have adapted to a life without sunlight. The sensory display allows visitors to touch some of Britain’s nocturnal animals, hear the sounds of the deep sea, smell the distinctive aromas of a bat cave and see through the eyes of a cave boa using infrared technology. Runs until 6th January. Admission charge applies (children aged up to 16 are free). For more, see www.nhm.ac.uk.

Bauhaus designers and teachers Walter Gropius, Marcel Breuer and László Moholy-Nagy have been honoured with an English Heritage Blue Plaque at the Belsize Park home where they lived and worked in the 1930s. Gropius (1883-1969) founded the art school known as Staatliches Bauhaus in Weimar in 1919 with Breuer (1902-1981), who initially joined as a student before becoming director of furniture workshops in 1924, and Moholy-Nagy (1895-1946) who joined the staff in 1923 and edited the house magazine and 14 books. All three went on to have successful careers in the field of design and architecture and live in flats in the Grade I-listed Isokon Building, completed in 1934 and originally known as the Lawn Road Flats, in Belsize Park. For more, see www.english-heritage.org.uk/visit/blue-plaques/.

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This Week in London – The Lord Mayor’s Show; Cézanne’s portraits; venom and its uses; and, Russia’s visual revolution…

The Lord Mayor’s Show takes place this Saturday as the new Lord Mayor of London, Charles Bowman, takes office with the event once again culminating in a spectacular fireworks display over the Thames. The Lord Mayor will arrive in the City at 9am via a flotilla which includes the QRB Gloriana and other traditional Thames barges. Riding in the splendid State Coach, the Lord Mayor then joins in the world famous procession which sets off from Mansion House at 11am, pausing at the Royal Courts where he swears allegiance to the monarch before returning via Victoria Embankment at 1pm. The fireworks display will start at 5.15pm from a barge moored between Blackfriars and Waterloo Bridges. For more details, head to https://lordmayorsshow.london. Meanwhile, on Sunday, annual Remembrance Sunday services will be held around the country centred on the Cenotaph in Whitehall where, in a break with tradition, Prince Charles is expected to lay a wreath on behalf of the Queen who, along with Prince Philip, will be watching from the balcony of the Foreign and Commonwealth Office building.

More than 50 portraits by Paul Cézanne have gone on show in a landmark exhibition at the National Portrait Gallery. Cézanne Portraits features works previously unseen in the UK including three self-portraits – one of which is Self Portrait in a Bowler Hat (1885-86) –  and two portraits of his wife –  Madame Cézanne Sewing (1877) and Madame Cézanne (1886–7) – as well as Boy in a Red Waistcoat (1888-90) and Madame Cézanne in a Yellow Chair, both of which haven’t been seen in London since the 1930s. The exhibition, which includes paintings spanning the period from the 1860s until shortly before Cézanne’s death in 1906, explores the special pictorial and thematic characteristics of the artist’s portraiture work such as his use of complementary pairs and his creation of multiple versions of works featuring the same subject. The exhibition, which has already been on show at the Musée d’Orsay and will be at the National Gallery of Art in Washington DC from late March next year, runs until 11th February. Admission charge applies. For more, see www.npg.org.uk. PICTURE: Self-Portrait with Bowler Hat by Paul Cézanne, 1885-6, © Private Collection 

The use of venom as the ultimate natural weapon is the subject of a new exhibition opening at the Natural History Museum on Friday. Venom: Killer and Cure explores how the use and effects of venom, the different biological roles it plays and how humans have attempted to harness and neutralise its power, with the former including some remarkable medical innovations. Specimens on show include everything from snakes to spiders, wasps, scorpions and the duck-billed platypus as well as live example of a venomous creature. Highlights include a gaboon viper head – a snake species with the largest known venom fangs, an emperor scorpion which engages in unusual mating behaviour known as “sexual stingings”, a flower urchin which can inject venom that causes muscular paralysis in humans for up to six hours, a tarantula hawk wasp which has one of the most painful venomous stings, and a box jellyfish, larger specimens of which can cause death in humans in two to five minutes. Admission charge applies. For more, see www.nhm.ac.uk.

Coinciding with the centenary of the Russian Revolution comes a new exhibition at the Tate Modern which offers a visual history of Russia and the Soviet Union. Red Star Over Russia: A Revolution in Visual Culture 1905-55 is based around the collection of late graphic designer David King (1943-2016) and charts how seismic events such as the overthrow of the last Tsar, the revolutionary risings of 1917 and Stalin’s campaign of terror inspired a wave of art and graphic design across the country. The display includes more than 250 posters, paintings, photographs, books and other ephemera by artists such as El Lissitzky, Aleksandr Rodchenko and Nina Vatolina. Runs until 18th February. Admission charge applies. For more, see www.tate.org.uk.

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Famous Londoners – Guy the Gorilla..

It’s 70 years ago this November that a gorilla named Guy arrived at London Zoo and went on to become one of its most famous residents. 

A Western lowland gorilla, Guy was captured as a baby in French Cameroon on behalf of the Paris Zoo which then exchanged him for a tiger from London Zoo. He arrived in London while still a baby, clutching a tin hot water bottle, on Bonfire Night – 5th November, 1947, hence his name ‘Guy’ (after Guy Fawkes).

Guy went on to become one of the zoo’s biggest stars (on a par with a contemporary, Chi-Chi the Giant Panda, another of the zoo’s most famous residents).

The giant ape, who lived for the latter part of his life in the zoo’s Michael Sobell Pavilion ( it opened in 1971), weighed some 240 kilograms and had a nine foot armspan but was known, despite his size and occasional outbreaks of bad temper, for having been a ‘gentle giant’ – there are stories that he used to hold out his hands and carefully examine small songbirds that flew into his cage before letting them go.

He was introduced to a mate, Lomie, after 25 years in solitude but they never produced any offspring.

Guy died in 1978 of a heart attack during a tooth extraction. He continues to attract sightseers, however – Guy was stuffed and put on display at the Natural History Museum in 1982. He was later moved into storage but went back on permanent display in 2012.

A bronze statue of Guy, by William Timym, can be seen near the zoo’s main entrance (pictured).

PICTURE: Chris huh/Wikimedia Commons

 

This Week in London – The Natural History Museum transformed; mysteries of the Franklin expedition; and, portraits by Great Masters…

The 25.2 metre long skeleton of a blue whale named Hope along with that of an American mastodon, a meteorite which is one of the oldest specimens in Earth, a taxidermal display of a giraffe and giant coral are among items on display in the Natural History Museum’s newly transformed Hintze Hall from tomorrow. Selected from the museum’s more than 80 million specimens, the sometimes historic items are at the heart of 10 new displays which go on show in the ground floor alcoves known as ‘wonder bays’ as part of what is being described as a “once-in-a-generation” transformation of the 136-year-old museum. The 10 ‘wonder bays’ include five on the eastern side of the building focused on the origins and evolution of life on earth while those on the western side show the diversity of life on earth today. Elsewhere in the museum, hundreds of new specimens have been introduced including those in two new displays on the first floor balconies: the ‘Rocks and Minerals Balcony’ on the east side which features almost 300 rocks, ores and minerals and the ‘Birds Balcony’ on the west side which features more than 70 birds from as far afield as New Zealand and the Falkland Islands. To coincide with the new displays is the launch of a new summer exhibition – Whales – which features more than 100 specimens showing the diversity of whales, dolphins and porpoises. Featuring species ranging from the double-decker bus sized sperm whale – the largest toothed predator on Earth – to the 1.5 metre long harbour porpoise – one of the smallest cetaceans, the exhibition’s highlights include skulls revealing how whales sense and their eating habits, organs showing how they breathe and digest food and flippers which reveal swimming styles. For more on the exhibition and the transformation of the South Kensington museum, see www.nhm.ac.uk. PICTURE: Blue whale in Hintze Hall © The Trustees of the Natural History Museum, London.

The mysterious fate of Sir John Franklin and his 128 man crew – last seen in Baffin Bay in July, 1845, as they sailed in search of the North-West Passage – is the subject of a new landmark exhibition opening at the National Maritime Museum in Greenwich tomorrow. Death In The Ice: The Shocking Story of Franklin’s Final Expedition tells the story of the disappearance of the HMS Erebus and HMS Terror and the largely unsuccessful expeditions which were launched in the following 30 years to find them as well as the more recent work of forensic anthropologist, Dr Owen Beattie, and the 1845–48 Franklin Expedition Forensic Anthropology Project (FEFAP), and the eventual discovery of the remains of the HMS Erebus in 2014 and the HMS Terror in 2016. At the heart of the exhibition are objects found by Parks Canada’s archaeological teams including personal items, clothing and ship components with those from the Erebus, including the ship’s bell, being shown for the very first time since their discovery and some items found in earlier searches. Along with an examination of the Victorians fascination with the fate of the men, the exhibition will also show the significant role the Inuit played in learning their fate as well as in relation to recording the European exploration of the Arctic more generally and includes numerous Inuit objects, some of which incorporate materials of European origins traded from explorers or retrieved from abandoned ships. Developed by the Canadian Museum of History in partnership with Parks Canada and the National Maritime Museum and in collaboration with the Government of Nunavut and the Inuit Heritage Trust, the exhibition runs until 7th January. Admission charge applies. For more see www.rmg.co.uk/franklin.

Fifty drawings from Britain’s finest collections by artists including Leonardo da Vinci, Albrecht Durer, Peter Paul Rubens and Rembrandt van Rijn and eight portraits by Hans Holbein the Younger from the Royal Collection have gone on show at the National Portrait Gallery. The Encounter: Drawings from Leonardo to Rembrandt includes many rarely seen works with all those on show chosen because they captured an apparent moment of connection between the artist and a sitter. While some of those pictured in the portraits can be identified – such as the emperor’s chaplain or the king’s clerk, many are simply faces seen in the street, such as those of a nurse or a shoemaker or an artist’s friend or student. The display also includes the types of tools and media used to create the artworks and shows how the artists moved away from using medieval pattern books to studying figures and faces from life. Runs until 22nd October. Admission charge applies. For more, see www.npg.org.uk/encounter.

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