Depicting the last crowned Anglo-Saxon king who famously died at the Battle of Hastings, this statue is located in a niche on the exterior of Waltham Abbey Church on the north-eastern outskirts of Greater London.
The life-sized statue was the work of Canadian-born, Dorset-based, sculptor Elizabeth Muntz and was erected in the 1960s.
King Harold, also known as King Harold II, not only rebuilt the abbey church (apparently after he was healed of paralysis on a pilgrimage to Waltham), the abbey is also a possible site for his grave.
The grave is marked by a memorial stone now located in the churchyard which was erected in 1960. The inscription says the stone marks the position of the former church’s high altar. King Harold is said to have been buried behind this in 1066 after he was killed, according to tradition, by a well-aimed arrow to the eye at the Battle of Hastings (the church was rebuilt in the 12th century which explains why the altar is now located outside).
There are alternate theories for his burial place including in Bosham, West Sussex.
• A temporary ‘Saxon’ camp will appear in Hyde Park this Saturday as Battle of Hastings’ re-enactors pause on their journey south to meet the forces of William, the Duke of Normandy, in an event marking the battle’s 950th anniversary. English Heritage is recreating the hurried march south of the Saxon King Harald and his followers following the Battle of Stamford Bridge in Yorkshire to Battle Abbey where they will join in an annual re-enactment of the world famous Battle of Hastings on 15th and 16th October. Having already visiting British landmarks like Lincoln’s Roman arch, Peterborough Cathedral, and Waltham Abbey, they will be found at a free “pop-up living history encampment” near Apsley House in Hyde Park between 11am and 3pm on Saturday. People are invited to visit the encampment and meet the re-enactors, learn how the armies lived and ate while on the march, discover which weapons they used and play some Norman games as well as see the Battle of Hastings recreated using vegetables. Later on Saturday, the re-enactors will head across London to the Jewel Tower in Westminster and then on, Sunday, on to Eltham Palace in the city’s south-east, before setting off for Battle to the south. For more – including a day-by-day calendar of the march – head to www.english-heritage.org.uk/learn/1066-and-the-norman-conquest/the-1066-march/. PICTURE: An earlier re-enactment of the Battle of Hastings/David Adams.
• A free exhibition celebrating all things punk has opened at the Museum of London to mark the end of a year long festival commemorating 40 years of the movement’s influence.Punks, which tells the stories of “ordinary punks” living in London in the late 1970s, features artefacts like handmade mixtape sleeves, DIY fanzines and the radical clothes sold on the King’s Road. The exhibition, which runs until 15th January, is accompanied by what is promised to be a “no holds barred” debate centred on the punk phenomena in November. For more information, see www.museumoflondon.org.uk and for more about other events related to the 40th anniversary of punk, see www.punk.london.
• On Now – Bridget Riley: Learning from Seurat. This exhibition at The Courtauld Gallery explores Riley’s breakthrough encounter with Georges Seurat’s 1887 work Bridge at Courbevoie. For the first time, it brings together a copy Riley made of the painting in 1959 with the original work as well as presenting a small group of Riley’s seminal works to show how her understanding of Seurat’s art led her to create what are described as “some of the most radical and original abstract works of the past five decades”. Part of the gallery’s ongoing series of displays focusing on major contemporary artists, it runs until 17th January. Admission charge applies. For more, see www.courtauld.ac.uk/gallery.
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