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The V&A has reopened its ‘Europe 1600-1815’ galleries to the public this week following a major £12.5 million refurbishment. The seven transformed galleries, located close to the South Kensington museum’s grand entrance, tell the story of how France succeeded Italy as the “undisputed leader” of fashionable art and design in Europe in the late 17th century and how Europeans systematically “explored, exploited and collected” resources from Africa, Asia and the Americas. Featuring more than 1,100 objects, the galleries – redesigned in conjunction with architectural practice ZMMA – include four V&A2large rooms introducing the story of Europe across the period and three smaller rooms focusing on specific activities – ‘collecting in the Cabinet’, ‘enlightened thought in the Salon’, and ‘entertainment and glamour in the Masquerade’. Objects on display include a highly ornate Rococo writing cabinet made from Augustus III (on show for the first time since it has undergone a conservation work), a newly conserved 18th century bed from the Parisian workshop of George Jacob – furniture maker to Napoleon, a 17th century Venetian table by Lucio de Lucci and Pierre-Denis Martin’s oil painting, The Visit of Louis XIV to the Chateau de V&A3Juvisy (both on show for the first time) as well as several large recently cleaned tapestries including the 1860s Gobelins tapestry, The infant Moses tramples on Pharoah’s crown. The display also includes three recreated period rooms – a 17th century French bedchamber, Madame de Sérilly’s cabinet and a mirrored room from 18th century Italy – while in the Salon can be found a contemporary installation, The Globe. A curved architectural sculpture, it is the creation of Havana-based artist collective Los Carpinteros and forms a “room within a room” within the ‘Salon’. It will be used for events and discussions. Entry to the galleries is free. For more, see www.vam.ac.uk/europegalleries. PICTURES: David Grandorge/©Victoria and Albert Museum, London.

On Now: A Victorian Obsession: The Pérez Simón collection. This exhibition at the Leighton House Museum – former home of artist Frederic, Lord Leighton – features more than 50 works by leading Victorian artists, some of which are rarely exhibited. The paintings, which include six works by Leighton himself as well as works by Dante Gabriel Rossetti, Edward Burne-Jones, John Everett Millais and John William Waterhouse, all form part of the collection of Mexican Juan Antonio Pérez Simón who has the largest private collection of Victorian art outside the UK. The highlight of the exhibition, however, is Lawrence Alma-Tadema’s The Roses of Heliogabalus, being shown in London for the first time since 1913. Admission charge applies. The exhibition at the property on the edge of Holland Park runs until 6th April. For more, see www.leightonhouse.co.uk.

On Now: Handel’s Performers. This display of portraits and documents in The Foundling Museum’s Handel Gallery is a showcase of celebrities and singers who brought the work of composer George Frideric Handel’s work to the public in the 18th century. Among those depicted are Anastasia Robinson and Senesino, among the highest paid singers of their time, Anna Maria Strada, a leading soprano, Gustavus Waltz, a bass singer who sang at the benefit performance of Handel’s Messiah at the Foundling Hospital in 1754, and John Hebden, who played in the orchestra during benefit performances of the Messiah in 1754 and 1758. Runs at the Bloomsbury museum until 1st May. Admission charge applies. For more, see www.foundlingmuseum.org.

Send all items for inclusion to exploringlondon@gmail.com.

He-can-no-longer-at-theA “ground-breaking” exhibition of works of 18th and 19th century Spanish painter and printmaker Francisco Goya opens to the Courtauld Gallery at Somerset House today. Goya: The Witches and Old Women Album brings together the previously widely scattered pages of one of the artist’s most celebrated private albums in the first exhibition to ever recompile one of them. The album – which features themes of witchcraft, dreams and nightmares and has been reconstructed into its original sequence – is thought to have been made between 1819-23, a period during which Goya completed the murals known as the Black Paintings. Runs until 25th May. Admission charges applies. For more, see www.courtauld.ac.uk/goya. PICTURE: © The Courtauld Gallery (He can no longer at the age of 98, c. 1819-23, J. Paul Getty Museum).

The ‘Wolsey Angels’ have been “saved for the nation” after a campaign to acquire them by the V&A. The museum has reported that more than £87,000 was raised in a national public appeal – around £33,000 of which was raised via donations and through the purchase of badges at the South Kensington premises – which, along with grants including a £2 million National Heritage Memorial Fund grant and a £500,000 Art Fund grant, will be used to acquire the four bronze angels which were originally designed for the tomb of Cardinal Thomas Wolsey, chief advisor to King Henry VIII. The four bronze angels, which have been in display at the V&A, will now undergo conservation treatment before going back on display. For more on the history of the angels, see our earlier post here. For more information on the V&A, see www.vam.ac.uk.

Closing Soon – A Victorian Obsession: The Pérez Simón collection at Leighton House Museum. This exhibition at the former Holland Park of Lord Leighton presents more than 50 rarely exhibited paintings by leading Victorian artists including Albert Moore, Dante Gabriel Rossetti, Edward Burne-Jones, John Everett Millais, John William Waterhouse, Edward Pointer, John Strudwick and John William Godward as well as six pictures by Leighton himself and the highlight, Lawrence Alma-Tadema’s The Roses of Heliogabalus. Runs until 29th March. Admission charge applies. See www.rbkc.gov.uk/subsites/museums/leightonhousemuseum/avictorianobsession.aspx for more.

Holland-House2

This name lends itself both to a 55 acre park and the abutting area in the Royal Borough of Kensington and Chelsea in inner west London.

Both take their name from Holland House, a Jacobean mansion which started life as Cope Castle – the home of Sir Walter Cope, Chancellor of the Exchequer for King James I – but changed its name to Holland House when it was the property of Henry Rich, Cope’s son-in-law and the 1st Earl of Holland (Rich ended up being executed for his support of the Royalists in the Civil War). For more on the house – the remains of which can still be seen in the park – see our earlier post here.

The surrounding area became known as the abode of artists in the late 19th century – including Frederic Leighton, whose magnificently decorated house (now known as the Leighton House Museum) you can visit at 12 Holland Park Road, so much so that they became known as the Holland Park Circle.

Today the area is one of London’s most exclusive residential districts and contains a number of embassies. The streets include the Grade II*-listed Royal Crescent, designed in 1839 by Robert Cantwell in imitation of the more famous Royal Crescent in Bath.

Notable buildings include the 18th century Aubrey House (formerly known as Notting Hill House), located in the Campden Hill area (one of the most expensive parts of London for residential real estate), which was named by Aubrey de Vere who held the manor of Kensington at the time of the Domesday Book, and stands on the site of a former spa called Kensington Wells. At the end of the 1990s, it was reportedly thought to be London’s most expensive home.

PICTURE: Part of the restored Holland House, now a youth hostel.

Where is it? #33…

June 15, 2012

The latest in the series in which we ask you to identify where in London this picture was taken and what it’s of. If you think you can identify this picture, leave a comment below. We’ll reveal the answer early next week. Good luck!

Well done to Marina (via Facebook) who placed this in Holland Park. It is indeed part of a decorative fencing on the site of Holland House. Originally known as Cope Castle, the house was built in 1605 for Sir Walter Cope. For more on the house, see our earlier post here

• A new website has been launched to showcase the UK’s vast national collection of oil paintings. While the website, which is a partnership between the BBC, the Public Catalogue Foundation, and participating collections and museums, currently hosts around 60,000 works, it is envisaged that by the end of 2012 it will carry digitised images of all 200,000 oil paintings in the UK (in an indicator of how many there are, the National Gallery currently has around 2,300 oil paintings, about one hundredth of all those in the nation). The works on the site will eventually include almost 40,000 by British artists. The 850 galleries and organisations participating so far include 11 in London – among them the National Gallery, the Tate Gallery, the Victoria and Albert Museum, the Bank of England, the Imperial War Museum and Dr Johnson’s House. For more, see www.bbc.co.uk/arts/yourpaintings/

• Arctic explorer John Rae has had a Blue Plaque unveiled in his honor at his former home in Holland Park. Although his feats were relatively unsung in his lifetime, the explorer’s expeditions in the Canadian Arctic saw him travel 13,000 miles by boat and foot and survey more than 1,700 miles of coastline. He is also credited with having “signposted” the only north-west passage around America that is navigable without icebreakers. Rae, who died in 1893, lived at the property at 4 Lower Addison Gardens in Holland Park for the last 24 years of his life.

Transport For London is calling on Londoners to share experiences of “kindness” that they have witnessed or participated in while travelling on the Underground. Artist Michael Landy has created a series of posters which are calling on people to submit their stories. Some of the stories will then be shown at Central Line stations (the first four posters go up on 23rd July at stations including Hollard Park, Holborn and Liverpool Street). For more, go to www.tfl.gov.uk/art.

On the Olympic front, the City of London Corporation has announced Tower Bridge will be bedecked with a set of giant Olympic Rings and the Paralympic Agitos during the 45 days of next year’s Games. Meanwhile, the Corporation has also unveiled it will host next week the launch of a London-wide campaign to get people involved in sport and activity in the lead-up to the Games. More to come on that.

On Now: Toulouse-Lautrec and Jane Avril Beyond the Moulin Rouge. The Courtauld Gallery, based at Somerset House, is running an exhibition celebrating the “remarkable creative partnership” between Jane Avril, a star of the Moulin Rouge in Paris during the 1890s, and artist Henri de Toulouse-Lautrec. Lautrec created a series of posters featuring Avril which ensured she became a symbol of Lautrec’s world of “dancers, cabaret singers, musicians and prostitutes”. Runs until 18th September. See www.courtauld.ac.uk for more.