The world famous Notting Hill Carnival takes places in London’s west this weekend. The biggest event of its kind in Europe, the programme kicks off Saturday evening (from 6pm to 10pm) with a steel band music competition and more Caribbean-themed outdoor entertainment in Emslie Horniman Pleasance Park. Sunday features the Children’s Parade, performances at the World Music Stage in Powis Square and static sound systems and food stalls at Emslie Horniman Pleasance Park (from 9am to 8.30pm). The Grand Finale parade on Monday features dancers, performers, 60 steel bands and mobile sound systems with more music and food stalls in the parade area as well as on the World Music Stage in Powis Square. This year’s event will also feature a minute’s silence at 3pm on both Sunday and Monday to remember the victims of the Grenfell Tower fire disaster. For more, see www.thelondonnottinghillcarnival.com or Visit London’s special guide. PICTURE: Eddie Starck/Flickr/CC-BY-2.0

Tate Modern is offering a limited number of free tickets to Soul of a Nation: Art in an Age of Black Power exhibition this Friday night (August’s Uniqlo Tate Late event) to coincide with the Notting Hill Carnival weekend. The tickets will be offered a first come, first serve basis from 6pm. The exhibition, which explores what is meant to be an African American artist during the civil rights movement and at the birth of the Black Power movement, runs until 22nd October. For more, see www.tate.org.uk.

On Now: The City is Ours. This major interactive exhibition at the Museum of London explores some of the key issues that affect Londoners and city dwellers elsewhere the world – from housing affordability and urban planning to transport, green spaces and air quality. Spread across three of the museum’s temporary exhibition spaces, key exhibits include a nine metre wide film, Urban Earth, which visualises and compares data from major cities around the world, an Oculus Rift headset which delivers a virtual view from the top of a Hong Kong skyscraper illustrating the impact of building upwards instead of outwards, and an exhibit which allows visitors to control and monitor CCTV cameras as they reflect on the impacts of increased surveillance. The free exhibition – at the heart of the museum’s year long focus on City Now City Future – can be seen until 2nd January. For more, see www.museumoflondon.org.uk/thecityisours.

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The life of gladiators in Roman Londinium and that of those who watched them are explored in a new exhibition opening in the remains of the city’s 7000 seat amphitheatre under the Guildhall Art Gallery. Featured as part of the display will be a Roman skull uncovered during excavations in the Walbrook Stream which, dated to around 150 AD, shows evidence of substantial head trauma at the time of death and is the closest archaeologists have come to identifying a potential gladiator in Londinium. Trauma, which is free to enter, opens tomorrow and runs until 29th October. For more, see www.cityoflondon.gov.uk/guildhallartgallery.

A landmark exhibition examining what it was like to be a black artist in the US during the civil rights movement and the purpose and audience of art during the emergence of ‘black power’ has opened at the Tate Modern. Soul of a Nation: Art in the Age of Black Power spans the era from 1963 to 1983, a time when race and identity become major issues across many spheres of society including music, sports and literature thanks to the likes of Aretha Franklin, Muhammad Ali and Toni Morrison. The display features more than 150 works by more than 60 artists, many of which are on display in the UK for the first time. Running until 22nd October, it is accompanied by a programme of talks and events. Admission charge applies. For more, see www.tate.org.ukPICTURE: Muhammad Ali by Andy Warhol/Tate Modern

The future of the world’s major cities – including London – is the subject of a new major exhibition which has opened at the Museum of London. The City is Ours is split into three sections: ‘Urban Earth’, centred on a 12 minute infographic film with comparative data about megacities such as London, Sydney, Tokyo, New York and Sao Paolo; ‘Cities Under Pressure’, which provides an overview of the risks, challenges and demands facing global cities through digital and physical interactive displays; and, ‘Urban Futures’, which presents solutions to the challenges increasing urbanisation poses. In addition, the exhibition takes a look at 25 innovative projects which are now taking place across London to improve life for its inhabitants. The free exhibition, part of the year-long City Now City Future season, can be viewed until 2nd January. For more, check out www.museumoflondon.org.uk/thecityisours.

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PICTURE: designerpoint/Pixabay

Created by Russian-born artist Erik Bulatov to mark the centenary of the revolution, the 10 foot high steel Cyrillic letters, some of which appear to have fallen over, spell out the word ‘forward’ four times and are arranged in a circle. Forward 2016 is Bulatov’s first sculpture and was apparently conceived after a visit to a decommissioned 19th century iron foundry in France which Bulatov, who was born in 1933, felt represented – through its sheer scale and lost sense of power and energy – not only the aspirations of his generation but the disillusionment they experienced. While the bright colours of the letters create a sense of energy and movement, their distribution in a closed loop seem to imply that progress may not really be possible. The work, which is installed on the south terrace of the Tate Modern, will remain on display throughout the summer as a precursor to two major art exhibitions being held at the gallery in autumn – Ilya and Emilia Kabakov: Not Everyone Will Be Taken Into The Future, the UK’s first major exhibition of the works of this pioneering couple (from 18th October), and Red Star Over Russia, an exploration of visual culture and design in the decades following the revolution (from 18th November). For more, see www.tate.org.uk. PICTURE: Courtesy of Tate Photography.

Looking over the River Thames from the Tate Modern at the dome of St Paul’s. PICTURE: Christian Battaglia/Unsplash

Marking 50 years since the release of their first album, The Piper At The Gates Of Dawn, a new exhibition opens at the V&A this Saturday celebrating the work of pioneering band Pink Floyd. The Pink Floyd Exhibition: Their Mortal Remains is an “immersive, multi-sensory and theatrical journey” through the “extraordinary world” of the band, encompassing their music as well as their iconic visuals and staging, which included ground-breaking use of special effects, sonic experimentation and imagery. The exhibition features more than 350 objects with highlights including set and construction pieces from some of the band’s most famous album covers and stage performances including the more than six metre tall metallic heads from 1994’s The Division Bell and a life-sized model of a British soldier seen in the artwork of 1988’s The Final Cut as well as instruments such as David Gilmour’s famous ‘Black Strat’, Roger Waters’ handwritten lyrics songs Wish You Were Here and Have a Cigar and psychedelic prints and posters. There is also never-seen-before classic Pink Floyd concert footage and a custom-designed laser light show as well as an accompanying sound experience – featuring past and present band members – provided by Sennheiser. Runs until 1st October. Admission charge applies. For more, see www.pinkfloydexhibition.com. PICTURE: © Pink Floyd Music Ltd photo by Storm Thorgerson/Aubrey ‘Po’ Powell 1971 Belsize Park

The ongoing conflict in Syria is the subject of a new exhibition at the Imperial War Museum which explores its origins, escalations and impacts. Syria: Story of a Conflict features a collection of objects – some of which have recently come from Syria – which point to the tragic and complex nature of the conflict as well as a film installation and a series of personal stories from Syrians affected by the fighting. It runs alongside a collection of more than 60 photographs by award-winning Russian documentary photographer Sergey Ponomarev taken around the conflict, a number of which are being displayed for the first time. Both the photography display – Sergey Ponomarev: A Lens on Syria – and the exhibition are part of the IWM’s Syria: A Conflict Explored ‘season’, with Syria the first contemporary conflict to be explored in the Imperial War Museum’s ‘Conflict Now’ ‘strand’, launched to coincide with the museum’s centenary. Both the exhibition and photographic display can be seen until 3rd September. Admission to both, which are accompanied by a programme of events including debates and tours, is free. For more, see www.iwm.org.uk/exhibitions/iwm-london/syria-a-conflict-explored

The work of sculptor, painter and draughtsman, Alberto Giacometti, is the subject of a new exhibition at the Tate Modern – the UK’s first major retrospective of his work for 20 years. More than 250 works are featured in the exhibition, which draws on the collection of Paris’ Fondation Alberto et Annette Giacometti, including rarely seen and never before exhibited plasters and drawings as well as works from across the span of Giacometti’s 50 year career – from Head of a Woman [Flora Mayo] (1926) to Walking Man 1 (1960). While Giacometti is best known for his bronze figures, Tate Modern is, in this exhibition, repositioning him as an artist with a far wider interest in materials and textures, especially plaster and clay, Runs until 10th September. Admission charge applies. See www.tate.org.uk.

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mary-seacole

Immortalised in a statue in the grounds of St Thomas’ Hospital on South Bank last year, Mary Seacole is the first named black woman to have a memorial statue made in her image in London.

Mary Jane Seacole (nee Grant) was born in Kingston, Jamaica, in 1805, the daughter of a Scottish army lieutenant, James Grant, and a mixed-race Jamaican woman who kept a boarding house for invalid soldiers. She was taught traditional medicine by her mother from a young age and travelled extensively, visiting other parts of the Caribbean including Cuba and Haiti as well as Britain – staying in London for about a year around 1821, during which she added to her knowledge of medicine.

In 1836, she married merchant Edwin Seacole (he was the godson of Vice-Admiral Horatio Nelson – some rumours have it that he was actually his illegitimate son) but he died only eight years later in 1844. She subsequently spent some time in Central America – opening a ‘hotel’ there and aiding in the response to an outbreak of yellow fever – before returning to Jamaica where she apparently provided nursing services at the British Army HQ in Kingston.

In 1854, Seacole returned to England and, amid reports of the hardships soldiers were facing in the Crimean War which had broken out the year before, asked the War Office to send her to the Crimea as an army nurse. She was refused on multiple occasions (some say because of her race; others because she was too late to join the teams of nurses that were sent) and so she headed to Crimea herself.

There, she founded the British Hotel near Balaclava which provided food, quarters and medical care for sick and convalescent officers. She also apparently rode out to the front line of battle where she cared for the sick and wounded and such was her fame that Mary became known as ‘Mother Seacole’, earning a reputation said to rival that of Florence Nightingale.

Seacole returned to England after the war in ill health and poverty and apparently such was her renown that a benefit festival was held in her honour in July, 1857, to raise funds for her to live on. That same year she published her memoir, The Wonderful Adventures of Mrs Seacole in Many Lands.

Seacole returned to Jamaica in the early 1860s but was back in London by 1870. She died at her home in Paddington of ‘apoplexy’ on 14th May, 1881, and was buried in Kensal Green.

In 2004, Seacole was ranked the greatest Black Briton in an online poll. She has also been honoured with an English Heritage Blue Plaque (located on her one-time residence at 14 Soho Square) and a City of Westminster Green Plaque in George Street on the Portman Estate.

The three metre high bronze statue of Mary, built through funds raised in a public appeal and installed using money granted by the government, is the work of sculptor Martin Jennings. It was unveiled by actress Baroness Floella Benjamin in June last year before a reported crowd of some 300.

A disk behind the statue is inscribed with the words of The Times‘ Crimean War correspondent Sir William Howard Russell, who wrote in 1857: “I trust that England will not forget one who nursed her sick, who sought out her wounded to aid and succour them, and who performed the last offices for some of her illustrious dead.”

Seacole remains somewhat of a controversial figure with some saying her recent fame has unfairly come at the expense of contemporary Florence Nightingale.

PICTURE: Matt Brown/Flickr/CC BY 2.0

royal-african-company• London’s role in the slave trade during the 17th and 18th centuries is the subject of a new display opening at the Museum of London Docklands tomorrow. Called The Royal African, it tells the story of the Royal African Company, founded as a joint venture between the Duke of York (the future King James II) and leading London merchants in 1672 (the coat-of-arms of which is pictured), through looking in-depth at the life of William Sessarakoo. An African prince, Sessarakoo grew up in a Royal African Company fort at Annamaboe in modern Ghana but when his father sent him to London to be educated, he was tricked and instead sold into slavery in Barbados. He spent four years as a slave until he was freed by members of the Royal African Company who wanted to retain good relations with his father and subsequently brought him to London. The display is being housed in the museum’s London, Sugar & Slavery Gallery and can be seen until 4th June next year. Entry is free. For more, see www.museumoflondon.org.uk/museum-london-docklands. PICTURE: © Museum of London.

• A rare Victoria Cross found on the foreshore of the River Thames has gone on show at the Museum of London in the City. Mystery surrounds the medal which was given for actions at the Battle of Inkerman during the Crimean War. While a number of medals were awarded for actions in the battle, only two have a location recorded as unknown. The first is that awarded to Scottish Private John McDermond from the 47th (the Lancashire) Regiment for saving the life of Lt Col O’Grady Hall who had been injured and surrounded by the enemy which leading a charge against a Russian column while the second is that awarded to Irish Private John Byrne of the 68th (Durham) Light Infantry who rescued a wounded comrade under fire. On show alongside the medal is a record book which details the engraving on each VC issued between 18554 and 1927, the original medal design from the jewellers Hancocks and a modern copy of a VC. The medal, which was found and then reported by Tobias Neto, is on show until 15th December. For more, see http://www.museumoflondon.org.uk/museum-london.

Sir Elton John’s collection of modernist photography is the subject of an exhibition which opened at the Tate Modern in South Bank earlier this month. The Radical Eye: Modernist Photography from the Sir Elton John Collection features more than 150 works from more than 60 artists including Man Ray, André Kertész, Berenice Abbot, Alexandr Rodchenko and Edward Steichen. Among the subjects show in the images are Henri Matisse, Pablo Picasso and Jean Cocteau. The exhibition runs until 7th May. For more, see www.tate.org.uk/visit/tate-modern.

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royal-national-theatreIt was 40 years ago this year that South Bank landmark, The National Theatre, was officially opened by Queen Elizabeth II.

The National Theatre company had been founded 13 years before (although the concept was first proposed more than 100 years before) and was, until 1976, based at the Old Vic close to Waterloo Station.

The new (now Grade II*-listed) premises (which was originally also to house an opera house, although this plan was later dropped) was designed by architects Sir Denys Lasdun and Peter Softly and the structural engineers Flint & Neill. To this day the brutalist design provokes some strong opinions (Prince Charles once described it as “a way of building a nuclear power station in the middle of London without anyone objecting”).

It contains three auditoriums: the Olivier (named for acting great Sir Laurence Olivier), the Lyttelton (named for Oliver Lyttelton, Lord Chandos, first chairman of the National Theatre) and the Dorfman (known as the Cottesloe until 2014, it was originally named for Lord Cottesloe, chairman of the South Bank board which oversaw the building of the theatre, before being renamed after businessman and philanthropist Lloyd Dorfman) and were opened progressively between 1976 and 1977.

While the first performances began to be held in the Lyttelton theatre from March, the complex was only officially opened by the Queen on 25th October with parts of the building still unfinished. Sir Laurence Olivier gives a speech of welcome in the auditorium which bears his name – it is his only appearance on the complex’s stages.

In 1988, the complex was granted the title Royal by the Queen – hence it’s officially the Royal National Theatre – in honour of the company’s 25th birthday.

More than 1,000 people now work on the five acre site which as well as the theatres, features rehearsal rooms, workshops where sets and scenes are created and painted and costumes and props are made.

Since it was founded, the National Theatre has presented more than 800 productions to an audience numbering well into the millions.

For more, see www.nationaltheatre.org.uk.

PICTURE: Aurelien Guichard/CC BY-SA 2.0)

London-Eye

The London Eye features in the background of numerous recent films – everything from 2002’s 28 Days Later to 2004’s Thunderbirds and 2007’s Harry Potter and the Order of the Phoenix.

But the structure, which was built in 1999 and is currently known formally as the Coca-Cola London Eye, has a bigger role in another 2007 film – Fantastic Four: Rise of the Silver Surfer in which the film’s heroes must prevent it toppling into the Thames and a gaping hole that opens up in the river.

Thankfully, in the 2007 film, The Thing (played by Michael Chiklis), Mr Fantastic (Ioan Gruffudd) and the Invisible Woman (Jessica Alba) manage to do so, using their unique powers to save all the people being thrown around inside the Eye’s many pods.

Of course, as an iconic symbol of the city today, the London Eye has also been recreated in several animated films – from Flushed Away to Cars – and is even recreated, tongue-in-cheek, in wood for A Knight’s Tale.

There’s also quite a few films and TV shows which have featured scenes filmed inside the Eye’s pods, including Wimbledon in which one of them plays host to a punch-up.

The area of South Bank around where the Eye is located is a popular spot for films. The OXO Brasserie in the OXO Tower, for example, features in Thor: The Dark World, Millennium Bridge, linking South Bank to St Paul’s Cathedral, can be seen as part of the (imaginary) city on Xander in the film Guardians of the Galaxy and Jubilee Gardens, next to the Eye, was used as a landing pad in Thunderbirds for the T2.

Lord-Mayor's-ShowThe Lord Mayor’s Show will mark its 800th anniversary on Saturday as the newly elected Jeffrey Mountevans – the 688th Lord Mayor of the City of London – makes his way through the City to Westminster to swear loyalty to the Crown. The procession of 7,000 people, some 180 horses and 140 vehicles will set off on its way along a three-and-a-half mile route at 11am, starting at Mansion House and traveling down Cheapside to pause at St Paul’s Cathedral (which is open for free all day) before heading on via Ludgate Hill and Fleet Street to the Royal Courts of Justice before returning the City via Queen Victoria Street from 1.10pm. In a special nod to the 800th anniversary, the famous bells of St Mary-le-Bow will ring out a special 800-change at noon. The day will conclude with fireworks over the River Thames kicking off at 5.15pm (for the best view head down to the riverside between Waterloo and Blackfriars Bridges, either on Victoria Embankment or on the South Bank). The show’s origins go back to 1215 when, in exchange for a Royal Charter granting the City of London the right to elect its own mayor, King John insisted the newly elected mayor travelled to Westminster each year to swear loyalty to the Crown. For more (including a map to print out), see https://lordmayorsshow.london. PICTURE: From a previous show.

Vermeer’s The Music Lesson is among 27 of the finest 17th and 18th century Dutch paintings in the Royal Collection which will go on display in a new exhibition at the Queen’s Gallery at Buckingham Palace from tomorrow. Masters of the Everyday: Dutch Artists in the Age of Vermeer also features works by the likes of Gerrit Dou, Pieter de Hooch and Jan Steen, all produced during what is known as the Dutch ‘Golden Age’. The exhibition is being shown alongside another display – High Spirits: The Comic Art of Thomas Rowlandson – which will focus on the work of 18th and early 19th century caricaturist Thomas Rowlandson. Around 100 of Rowlandson’s works feature in the display with highlights including The Two Kings of Terror featuring Napoleon and Death sitting face-to-face after Napoleon’s defeat at Leipzig in 1813, The Devonshire, or Most Approved Method of Securing Votes depicting Georgiana, Duchess of Devonshire, kissing a butcher (it was claimed she had claimed kisses for votes in the Westminster election of 1784), and A York Address to the Whale. Caught lately off Gravesend in which the Duke of York thanks a whale for distracting attention from accusations that his mistress was paid by army officers to secure promotions from the Duke. Admission charge applies. Both exhibitions run until 14th February, 2015. For more, see www.royalcollection.org.uk.

The first major UK exhibition of the works of kinetic sculpture pioneer Alexander Calder opened at the Tate Modern this week. Alexander Calder: Performing Sculpture features more than 100 of the ground-breaking 20th century artist’s works which trace how Calder turned sculpture from the idea of a static object to a continually changing work to be experienced in real time. Works on show include figurative wire portraits of artists – Joan Miró and Fernand Léger (both 1930), works exploring the idea of forms in space – Red Panel, White Panel and Snake and the Cross (1936), motorised mobiles such as Black Frame and A Universe (1934), and chiming mobiles such as Red Gongs (1950) and Streetcar (1951). It closes with the large scale Black Widow (c.1948), shown for the first time ever outside Brazil. Runs until 3rd April. Admission charge applies. For more, see www.tate.org.uk.

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Turbine-HallOn Saturday, the Tate Modern’s Turbine Hall on South Bank will host an “audio-visual feast” of music, performances, art installations and activities. The free Turbine Festival will feature everything from an alternative hair salon and a London bus built on the day by artist John Costi to a pop-up juice bar where you can make your own drinks and a record shop where you can design your own vinyl record sleeve. The day will also feature performances by Grime/HipHop/AfroPop artist Afrikan Boy, Felix’s Machines – who will transform live music and sound into a 3D visual show, and poet Jacob Sam-La Rose, as well as a programme of “bite-sized” films running in collaboration with the London Short Film Festival, and a series of interactive workshops covering everything from beatboxing to crafting. Visitors to the festival, sponsored by Hyundai, are also encouraged to contribute to a special project by My Culture Museum by submitting photographs or bringing objects to be archived and curated. Runs from 12.30pm to 9.30pm. For more, see www.tate.org.uk.

•  Three paintings previously attributed to later followers of 16th century Venetian artist Titian but subsequently found to be by the artist himself and his studio have gone on display together for the first time at Apsley House. The three paintings – which include Titian’s Mistress (c1560), A Young Woman Holding Rose Garlands (c1550) and Danae (c1553) – were all in poor condition before conservation and cleaning by experts from English Heritage, the Museo del Prado in Madrid and the Hamilton Kerr Institute revealed their true quality (and Titian’s signature on two of the paintings). All three works were held in the Spanish Royal Collection and among 160 that Joseph Bonaparte, brother of Napoleon and King of Spain, tried to take out of the country following his defeat by the Duke of Wellington at the Battle of Vittoria in 1813. Wellington was subsequently given the paintings by a grateful King Ferdinand VII. The Titian at Apsley House exhibition, which opened earlier this month, runs at the Duke of Wellington’s home at Hyde Park Corner until 31st October. Admission charges apply. For more, see www.english-heritage.org.uk/visit/places/wellington-arch/.

On Now: Festival of the Unconscious. This festival at Sigmund Freud’s former London home and now home to The Freud Museum sees artists, designers, writers and performers taking another look at Freud’s seminar 1915 paper, The Unconscious. Features of the festival, which runs until 4th October, include specially commissioned films by animators from Kingston University running throughout the house, sound and video installations by London-based art project Disinformation in the dining room and an installation from stage designers at the Royal Central School of Speech and Drama in Freud’s study. There’s also a display by Julian Rothenstein, co-author of Psychobox, and a chance to recline and “free-associate” on a psycho-analytic couch in Freud’s bedroom. An extensive programme of events accompanies the displays. Admission charges apply. For more, see www.freud.org.uk.

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The last 70 years of British history is under the spotlight at the Hayward Gallery, South Bank, in a new exhibition, History is Now:7 Artists Take on Britain. As the title suggests, seven UK-based artists – John Akomfrah, Simon Fujiwara, Roger Horns, Hannah Starkey, Richard Wentworth and Jane and Louise Wilson – are each looking at a particular period of cultural history spanning the years from 1945 to today. The artists have selected more than 250 objects from public and private collections and have displayed these along with photographs, newspapers, films, domestic items and artefacts. The exhibition, which runs until 26th April, is part of the Southbank Centre’s Changing Britain 1945-2015 Festival which runs until 9th May. For more, see www.southbankcentre.co.uk.

The use of Napoleon’s image in propaganda during the Napoleonic Wars is the subject of an exhibition which opened last week at the British Museum in Bloomsbury. Bonaparte and the British: prints and propaganda in the age of Napoleon looks at how propaganda was used on both sides of the channel and includes works by both British and French satirists. Among British artists whose work is featured is that of James Gillray, Thomas Rowlandson, Richard Newton and George Cruikshank and the exhibition also features a range of objects – mugs, banners and even Napoleon’s death mask – drawn from the museum’s collection. The exhibition, which runs until 16th August, is free and can be found in Room 91. For more, see www.britishmuseum.org.

DulwichCan you pick a copy? Visitors to the Dulwich Picture Gallery in the city’s south have the opportunity to test their skills with a new initiative which has seen a Chinese replica placed somewhere among the 270 Old Master paintings on display. Made in China: A Doug Fishbone Project explores the nature and importance of the concept of the original versus that of the copy and the role of art as commodity. People have three months – until 26th April – to visit the gallery and find the replica painting before submitting their answers via an iPad in the gallery (those who correctly identify it will be entered into a competition to win a custom print from the gallery’s collection signed by the American artist Doug Fishbone). The replica will be revealed on 28th April when it will hang side-by-side with the original. Admission charge applies. For more, see www.dulwichpicturegallery.org.uk. PICTURE: © Stuart Leech/Dulwich Picture Gallery.

• The Talk: Isambard Kingdom Brunel – The man who built the world. Robert Pulse, director of The Brunel Museum, will give a free talk about the life and achievements of the great Victorian engineer Brunel at the John Harvard Library 211 Borough High Street on 17th February at 6.30pm. For more information, follow this link.

On Now: Fulham Palace through the Great War. This exhibition at the former home of the Bishop of London on the Thames River in west London tells the story of the palace during World War I and examines the lives of those connected with the palace who died in the conflict, such as William Burley, son of Bishop Winnington-Ingram’s chauffeur. It tells how the bishop – described as an “enthusiastic” recruiter – visited the frontline in 1915 and how, in 1918, the palace was occupied by a Red Cross hospital. Runs until 16th April. Entry is free. For more, see www.fulhampalace.org/visiting-whats-on/exhibitions/.

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County-Hall

 

Located on the South Bank of the Thames opposite Whitehall is the former vast  headquarters of the London County Council and later, the Greater London Council. The Grade II* listed building, first opened in 1922, these days houses everything from the London Sea Life Aquarium, the London Dungeon and the visitor centre for the London Eye as well as hotels, restaurants and even flats.

Magna-Carta-1297_Copright-London-Metropolitan-Archives---CopyThe 13th century’s finest surviving copy of the Magna Carta is taking centre stage at the new City of London Heritage Gallery which opens to the public this Friday. The 1297 document, which bears a superimposed memo reading ‘make it happen’, is being featured as part of the Corporation’s efforts to mark next year’s 800th anniversary of the signing of the landmark document. Other items on display in the new permanent, purpose-built exhibition space at the Guildhall Art Gallery include the medieval Cartae Antiquae, a volume containing transcripts of charters and statues covering laws enacted between 1327 and 1425 – a period which includes the reign of King Richard III, a poster for a World War I recruitment meeting held at the Guildhall in 1914, and a series of paintings depicting the 25 City Aldermen who were in office in the mid-1400s. The gallery, admission to which is free, will in future feature a rotating selection of rare documents from the City of London Corporation’s archives including the purchase deed William Shakespeare signed on buying a home in Blackfriars in 1613. For more, including opening times, see www.cityoflondon.gov.uk/heritagegallery. For more on events to mark the 800th anniversary of the signing of the Magna Carta next year, see www.magnacarta800th.com. PICTURE: Copyright London Metropolitan Archives.

Rare depictions of Tudor monarchs will be seen at the National Portrait Gallery in the most complete presentation of their portraiture to date. The Real Tudors: Kings and Queens Rediscovered features the gallery’s oldest portrait – that of King Henry VII – displayed alongside a Book of Hours inscribed by the king to his daughter, six portraits of King Henry VIII along with his rosary (on loan from Chatsworth), portraits of King Edward VI and a page from his diary in which he relates his father’s death, five portraits of Queen Mary I along with her prayer book (on loan from Westminster Cathedral) and several portraits of Queen Elizabeth I displayed alongside her locket ring (on loan from Chequers, the country residence of the PM). There will also be a discussion surrounding the search for a “real” portrait of the ‘nine days queen’, Lady Jane Grey, alongside a portrait of her that dates from the Elizabethan period. With many of the portraits newly examined as part of the gallery’s ‘Making Art in Tudor Britain’ project, visitors to the gallery will also be able to access a specially created app which allowing them to access the new research while looking at the portraits. The display, which will form the core of a larger exhibition in Paris next year, can be seen until 1st March. Admission to the gallery, off Trafalgar Square, is free. For more, see www.npg.org.uk.

An exhibition of rare maps from London, dating from between 1572 and last year, at gallery@oxo on South Bank, is closing on Sunday. Part of the Totally Thames festival, the Mapping London exhibition shows how the landscape along the River Thames as it passes through the capital has changed over the years. It features the first available map of London, which dates from 1572, as well as a 2013 map of underground London, monumental wall maps, and even a map of London that doubles as fan. The free exhibition at Oxo Tower Wharf is being curated by Daniel Crouch, one of the world’s leading map dealers. For more, see www.totallythames.org/events/info/mapping-london.

• A Crafts Council touring exhibition showcasing the work of 12 contemporary artisans and design studios – each of which uses objects as a means of storytelling – has opened at Pitzhanger Manor House and Gallery in Ealing – its first stop – this week. Crafting Narrative: Storytelling through objects and making explores the potential of objects to reflect on history, culture, society and technology through a combination of new and commissioned works, film text and photography. Works include Hilda Hellström’s The Materiality of a Natural Disaster which consists of food vessels made of soil from a field belonging to the last resident inside the Japanese Daiichi nuclear plant exclusion zone, Onkar Kular and Noam Toran’s archive of objects belonging to the fictional Lövy-Singh clan – an East London family of mixed Jewish and Sikh descent, and Hefin Jones’ The Welsh Space Campaign which features objects such as astronaut boots in the form of traditional Welsh clogs in an attempt to show how Wales has the capacity to explore space. The free exhibition is at the manor until 19th October. For more, see www.pitzhanger.org.uk.

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It’s a rare chance to walk the historic Thames Tunnel between Wapping and Rotherhithe – the first tunnel ever dug under a navigable waterway. Transport for London and London Overground are offering the chance to purchase tickets to walk the tunnel – built by Marc Brunel, it’s now used by the London Overground – over the May Bank Holiday weekend on 24th to 26th May. Tickets, which cost £18 plus booking fee, go on sale today at 10am via the London Transport Museum in Covent Garden and are strictly limited (with no on the day admissions allowed). Proceeds from the day will go to the Railway Children’s Charity and the Brunel Museum. Also, worth noting is that the London Transport Museum is offering tours of its depot this Friday and Saturday. Admission charge applies. For more, see www.ltmuseum.co.uk.

MatisseThe paper cut-outs of Henri Matisse are the focus of a landmark exhibition which opened at Tate Modern last week. Henri Matisse: The Cut-Outs features about 130 works created between 1937 and 1954 with many seen together for the first time. Highlights include maquettes featured in the 1947 book Jazz, The Snail and its sister work Memory of Oceania (both 1953) and the largest number of the Blue Nudes ever shown together. The display takes an in-depth look at the methods and materials Matisse used in the production of the cut-outs. Runs until 7th September (and keep an eye out for the accompanying film, Matisse: Live in cinemas). Admission charge applies. For more, see www.tate.org.uk. PICTURE: Henri Matisse, Icarus 1946, Maquette for plate VIII of the illustrated book Jazz 1947, Digital image: © Centre Pompidou, MNAMCCI, Dist. RMN-Grand Palais / Jean-Claude Planchet, Artwork: © Succession Henri Matisse/DACS 2014.

On Now: Spitting Image. This exhibition at the Cartoon Museum in Bloomsbury centres on the partnership of three dimensional artists Peter Fluck and Roger Law and their key role in the creation of what became known as Spitting Image. It features caricature drawings and photographs created for magazines in the 1970s and 1980s of the likes of Paul McCartney, Michael Jackson, Kate Moss, Saddam Hussein, Billy Connolly, Rupert Murdoch, Jo Brand and John Paul II as well as members of the Royal Family and politicians including Margaret Thatcher. Also present are some of the puppets used in the TV show which ran for 18 series between 1984 and 1996 – these include those of Thatcher, The Queen, Princess Diana and Mr Spock. Runs until 8th June (with selected late opening nights). Admission charge applies. For more, see www.cartoonmuseum.org.

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Aerofilms1A website launched last year – Britain from Above – boasts some unique perspectives on London among its more than 61,000 images including this one above of the South Bank site of the Festival of Britain – a national exhibition held at various venues across Britain as a post-war “tonic” for the nation – under construction, taken on 14th August, 1950. The website features images taken as part of a collection of aerial photographs taken between 1919 and 1953 by pioneering air survey company Aerofilms Ltd. It has been created by English Heritage, the Royal Commission on the Ancient and Historical Monuments of Scotland and the Royal Commission on the Ancient and Historical Monuments of Wales following their joint purchase of the company’s collection of more than 1.26 million negatives and 2000 photo albums and forms part of a four year project which aims to conserve and digitise some 95,000 of the oldest and most valuable photographs in the collection. Under the project, the general public is invited to share and record their knowledge and memories of the photographs featured. To get involved, head to www.britainfromabove.org.uk. Below can be seen an image of the FA Cup Final being played between Sheffield Wednesday and West Bromwich Albion (Sheffield were 4-2 victors) at Wembley Stadium on 27th April, 1935. PICTURES: © English Heritage. Aerofilms Collection EAW031792/© English Heritage. Aerofilms Collection EPW046905.

Aerofilms2

Mandela

A bust of the anti-apartheid activist and global icon Nelson Mandela at the South Bank Centre has become one of several places in London where people are paying their respects to the former South African president and Noble Peace Prize winner who died last Thursday at the age of 95. The bust – below which are a quoted Mandela’s words, “The struggle is my life” – was erected in 1985 by the Greater London Council. A full-length, larger-than-life statue of Mandela, by Ian Walters, stands in Parliament Square in Whitehall – it was unveiled in 2007 by then Prime Minister Gordon Brown with Mandela himself in attendance.

In-the-shadow-of-the-eyeIn a reminder of the summer’s past, here’s an image of Londoners enjoying the sun in the shadow of London’s Eye. The EDF Energy London Eye this year officially welcomed its 50 millionth visitor, some 13 years after the 135 metre high wheel first commenced operation. It was originally anticipated the Eye would only exist for five years but such has been its success that it’s been granted lifelong permission to remain at its South Bank site. For more on the Eye, check out www.londoneye.com.

Endless-Stair

Inspired by Escher’s staircase, the London Design Festival’s landmark project Endless Stair has taken up residence outside the Tate Modern overlooking the River Thames. Designed by Alex de Rijke of dRMM and Dean of Architecture at the Royal College of Art (in collaboration with AHEC, ARUP, Nüssli, Imola Legno, SEAM and Lumenpulse), the 187 step stairway is constructed from a series of giant interlocking staircases shaped from American tulipwood. The stairway will be in place until 10th October. The London Design Festival, meanwhile, kicked off on Saturday and runs until 22nd September. It features more than 300 events with the V&A once again the festival’s central hub. For more – including a full programme of events –  see www.londondesignfestival.comPICTURE: Cityscape