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This Week in London – Lucian Freud’s etching plates and prints; The Jolly Postman at the Postal Museum; and, Beano at the Tower…

by exploringlondon

• Newly acquired etching plates and prints of Lucian Freud’s go on display for the first time in a new exhibition at The National Portrait Gallery. Lucian Freud: Drawing into Painting, the UK’s first museum exhibition to focus on the artist’s works on paper, features rarely-seen drawings and preparatory studies alongside iconic paintings and is said to offer “unprecedented insight” into Freud’s creative process and working methods. The display features some 170 drawings, etchings and paintings and includes a look at the childhood drawings, sketchbooks, letters and unfinished paintings as well as a number of drawings and etchings that have a relationship with specific paintings. Runs until 4th May. Admission charge applies. For more, see www.npg.org.uk.

• An interactive exhibition celebrating 40 years of the much-loved children’s book The Jolly Postman opens at the Postal Museum on Saturday. Visitors are invited to follow Janet and Allan Ahlberg character on his postal rounds, from the Three Bears’ cottage, to Cinderella at the palace, and the Wicked Witch’s gingerbread bungalow with magical surprises at every stop and a treasure trove of original artwork, much of which is on display for the first time. The display shows how the Ahlbergs drew inspiration from the everyday magic of the post arriving through the letterbox to create their classic book. Admission charge applies (includes a ride on Mail Rail, and access to all the museum’s exhibitions, including The Jolly Postman for one year after the date of first visit). Runs until January 2027. For more, see www.postalmuseum.org/event/the-jolly-postman/.

• Beano arrives at the Tower of London for the February half-term with a twisting outdoor trail. With pieces of the Beano crews’ go-cart scattered across history, visitors are charged with helping track them down, repair the tangled timeline and transport Dennis and his pals back to Beanotown. Beano Mischief at the Tower of London runs from 14th until 22nd February. Admission charge applies. For more, see www.hrp.org.uk/tower-of-london/whats-on/beano-mischief-at-the-tower-of-london/.

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This Week in London – Love letters at the National Archives; photographs of the Pantanal; and, the Foundling Hospital Boys’ Band…

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PICTURE: Aaron Burden/Unsplash

• Love letters from some of the most famous – and infamous – love affairs have gone on show at the National Archives in Kew in the lead-up to Valentine’s Day. Love Letters features a note sent by Henry VIII’s fifth wife Catherine Howard to courtier Thomas Culpeper in 1541 – later used to prove they were having a treasonous affair, a never-before-seen love letter from the Cambridge Five spy ring’s “fifth man” John Cairncross to his 27-year-old girlfriend Gloria Barraclough, and, a letter Oscar Wilde’s lover Lord Alfred Douglas wrote to Queen Victoria on 25th June, 1895, begging her to exercise her “power of pardon” as Wilde began a two year sentence for gross indecency. Also included is a letter from Charles Kray in 1956, written to the courts on behalf of his son Ronnie, one of the notorious Kray twins, who was facing sentence for assault. The free display can be seen until 12th April. For more, see www.nationalarchives.gov.uk.

• More than 60 striking images showcasing the biodiversity of the Pantanal, a South American wetland, have gone on show at the Science Museum. Water Pantanal Fire features images by two of Brazil’s leading documentary photographers – Lala de Almeida and Luciano Candisani – which were taken between 2007 and 2024 and reveal a stark distinction between the teeming life seen in the region before fires and droughts ravaged the area, leaving a transformed barren landscape. The exhibition, which runs until the 31st May, is free to see. For more, see www.sciencemuseum.org.

• On Now: The Foundling Hospital Boys’ Band. This small display at The Foundling Museum in Bloomsbury looks at the history of the band from its founding in 1847 and explores how it shaped the boys’ lives with many of them graduating into professional military bands (in fact, by World War I, more than 80 per cent of the boys leaving the home went into military music. Admission charge applies. For more, see https://foundlingmuseum.org.uk/event/the-foundling-hospital-boys-band/.

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This Week in London – ‘Samurai’ at the British Museum; V&A East’s first exhibition; and, Jane Austen and the Royal Navy…

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Domenico Tintoretto, Portrait of Itō Mancio, Oil on canvas, Italy (1585), Property of Fondazione Trivulzio, Milan

• The evolution of the samurai over the past 1,000 years is the subject of a new exhibition at The British Museum. Samurai brings together around 280 objects and digital media as it explores the role of samurai as warrior as well as the later roles they fulfilled, during a prolonged peace after 1615, as government officials, scholars and patrons of the arts with women making up half of the samurai class. On display will be a suit of samurai armour, complete with helmet and golden standard, which was recently acquired by the museum as well as a vermillion red woman’s firefighting jacket, a rare portrait of Itō Mancio, a 13-year-old samurai who led an embassy to the Vatican in 1582, by Domenico Tintoretto (pictured), and a portrait of Henry, Count of Bourbon, which portrays him as a samurai warrior and which was commissioned by him while visiting Japan in 1889. The exhibition, which opens on 3rd February, runs until 4th May in The Sainsbury Exhibitions Gallery. Admission charge applies. For more, see www.britishmuseum.org/exhibitions/samurai.

• Tickets are now on sale for the V&E East Museum’s first exhibition, The Music is Black: A British Story. The multi-sensory exhibition features more than 200 objects ranging from musical instruments to soundtracks,
artworks, fashion, and personal belongings of world-famed artists including Winifred Atwell’s piano, the Nintendo Jme used for early music experiments, fashion worn by Little Simz, Seal, Dame Shirley Bassey and Skin and newly acquired photographs of Kemistry and Storm, Mis-Teeq, and Skepta. The exhibition opens on 18th April. Admission charge applies. For more, see www.vam.ac.uk/exhibitions/the-music-is-black-a-british-story

An etching print of the Canopus signed by artist Richard Henry Nibbs (c1849). PICTURE: ©National Maritime Museum, Greenwich, London.

• On Now: Jane Austen and the Royal Navy. This display at the National Maritime Museum marks the 250th anniversary of Jane Austen’s birth and features manuscripts relating to her youngest brothers Francis and Charles Austen, both of whom had naval careers, and explores Jane’s connections to the Royal Navy and the influence her brothers had in her works. Francis – known as Frank (born in 1774) – entered the Royal Navy at the age of 12 and rose through the ranks to eventually captain the HMS Canopus during the Napoleonic Wars while Charles (born in 1779) also entered the Navy at age 12, was on board the Endymion when it captured the French ship Le Scipio, was captain of the Phoenix when it was wrecked at sea and ended his career as commander-in-chief of the East Indies and China Station. The display in the Caird Library can be seen until March. Admission is free. For more, see www.rmg.co.uk/national-maritime-museum.

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This Week in London – Hawai’i’s history and culture; Green Plaque commemorates FA; and, Turner and Constable at the Tate…

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‘ahu ʻula (feathered cloak) sent by Kamehameha I to King George III, received by George IV © Royal Collection Enterprises Limited 2025 | Royal Collection Trust

• The history and artistry of Hawaii along with its relationship with Britain is the subject of a new exhibition at the British Museum. Hawai􏰄i: a kingdom crossing oceans commemorates 200 years since a series of events including the visit of Hawaiian King Liholiho (Kamehameha II) and Queen Kamāmalu to London with a royal delegation to seek alliance and protection from the Crown. Building from the visit of the Hawaiian party to the British Museum, the exhibition features around 150 objects and artworks, many of which have never seen seen before, with highlights including an ‘ahu ‘ula (feathered cloak) which was sent in 1810 by the first king of united Hawai’i, Kamehameha I, to King George III, a nine foot ki’i image of the god Kū, and the Anglo-Franco proclamation of 1843, on loan from The National Archives, which highlights the UK and France’s formal recognition of Hawai’i’s independence and emphasises diplomatic bonds between these nations. Opening today, the exhibition can be seen until 25th May in The Joseph Hotung Exhibition Gallery􏰊 (Room 35). Admission charge applies. For more, see britishmuseum.org/hawaii.

• The former headquarters of the Football Association (FA) has been commemorated with a City of Westminster Green Plaque at 22 Lancaster Gate, an address synonymous with the FA from the early 20th century until the 1990s. In a statement, the City of Westminster said the plaque, which was unveiled late last year, “celebrates the cultural and historical significance of the FA’s presence in the area and its role in English football history”.

• On Now: Turner & Constable. An exhibition at the Tate Britain focuses on two of Britain’s greatest painters, JMW Turner and John Constable, who were also great rivals. The display, which marks 250 years since their births – Turner in 1775 and Constable in 1776, features more than 170 paintings and works on paper as it explores their intertwined lives and legacies. Highlights include Turner’s momentous The Burning of the Houses of Lords and Commons (1835), not seen in Britain for more than 100 years, and Constable’s The White Horse (1819). Admission charge applies. Runs until 12th April. For more, see www.tate.org.uk/whats-on/tate-britain/turner-and-constable/exhibition-guide.

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This Week in London – Art deco at the London Transport Museum; art storage during WWII commemorated; and, William Dobson’s self-portrait…

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• An exhibition exploring the influence of the art deco movement on graphic poster design in on now at the London Transport Museum in Covent Garden. Art deco: the golden age of poster design features more than a hundred original 1920s and 1930s transport posters and poster artworks alongside photography, short films, ceramics and other objects to mark the centenary of the 1925 Paris exhibition where art deco originated. In the UK, Frank Pick, then-chief executive of London Transport, was the individual most responsible for advancing this form of graphic style, master-minding the publicity for the Underground and LT from 1908 onwards. A number of the posters in the exhibition in the Global Poster Gallery have never been put on public display before. Admission charge applies. For more, see www.ltmuseum.co.uk/whats-on/art-deco.

Jeremy Deller, designed and carved by John Neilson ‘Manod Slate Tablet’, 2025 © Jeremy Deller / John Neilson
Photo: The National Gallery, London

• An inscribed stone tablet commemorating the Welsh quarry where The National Gallery’s art was protected during World War II has been put on permanent display in the gallery. The tablet, made from slate taken from the Manod quarry in Eryri (Snowdonia), was conceived by the artist Jeremy Deller and designed and carved by letter-carver John Neilson. The work, which was commissioned by Mostyn, an art gallery in Llandudno and supported by CELF – the national contemporary art gallery for Wales, can be seen in the Portico Vestibule, close to Boris Anrep’s floor mosaic of Sir Winston Churchill depicted in war time. The Manod slate mine in north Wales was chosen to store the art after an earlier proposal to evacuate the works to Canada was vetoed over fears of U-boat attacks. At the mine, explosives were used to enlarge the entrance to allow access for the the largest paintings and several small brick ‘bungalows’ were built within the caverns to protect the paintings from variations in humidity and temperature. What was known as an ‘elephant’ case was constructed to transport the paintings on trucks from London and, by the summer of 1941, the entire collection had moved to its new subterranean home, where it was to remain for four years, returning to London only after the end of the war in 1945. For more see www.nationalgallery.org.uk/.

William Dobson, ‘Self-Portrait’, c1635-40. Image courtesy of Tate and the National Portrait Gallery

• A self-portrait by William Dobson, widely considered to be the first great painter born in Britain, has gone on display at Tate Britain alongside a Dobson’s portrait of his wife. Dobson’s painting, which was acquired by the Tate and the National Portrait Gallery, was made between 1635 and 1640 and is said to be a “groundbreaking example of English self-portraiture”. His Portrait of the Artist’s Wife (c1635-40), which joined Tate’s collection in 1992, depicts Dobson’s second wife Judith and would have been conceived around the time of their marriage in December, 1637. Dobson rose to the role of King Charles I’s official painter before his career was cut tragically short when he died at the age of 35. For more, see tate.org.uk/visit/tate-britain.

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This Week in London – Trafalgar Square Christmas tree to light up; new location for returning Sir John Tenniel plaque; and, Chinese crafts at the V&A…

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• The lights will be turned on the Trafalgar Square Christmas tree tonight. This year marks the 78th anniversary of the gift of the first Christmas tree to the people of London from the Norwegian city of Oslo in acknowledgement of the support Britain gave to Norway during World War II. The festivities will include the choir of St-Martin-in-the-Fields singing some well known Christmas carols to music led by the Regent Hall Band of the Salvation Army, the reading of a poem written by children who live in Westminster, a display by The Corps of Drums from the Band of His Majesty’s Royal Marines Collingwood and a performance by Det Norske Jentekor, The Norwegian Girls’ Choir, conducted by Anne Karin Sundal-Ask. Festivities start at 5pm and the lights switch on at 6pm. The tree will be in the square until 5th January after which it will be recycled. You can follow the tree on Instagram at  @TrafalgarTree, on TikTok at @TrafalgarTree, and on X at @TrafalgarTree.

• A Blue Plaque commemorating Alice in Wonderland illustrator and political cartoonist Sir John Tenniel has been returned to London’s streets – but to a different location than that where it was first positioned. The plaque, which is actually jade-green and white, was originally unveiled by the London County Council in 1930 at Tenniel’s longtime Maida Vale home (the colour was due to the request of the house-holder). But following its removal when the house was demolished in 1959, the plaque was so damaged that its destruction was authorised. But this wasn’t carried out and the plaque, which features an early “wreathed” design, has been in storage since. Following restoration, however, it has now been relocated to a new home – a property at 52 Fitz-George Avenue in West Kensington where Tenniel spent the final years of his life.

Figure from the ‘Century Doll’ series, glazed porcelain, by Yao Yongkang, 2004, Jingdezhen, China

• The first major UK exhibition exploring contemporary studio crafts in China is on now at the V&A South Kensington. Dimensions: Contemporary Chinese Studio Crafts features more than 80 objects including almost 50 new acquisitions and puts a spotlight on “contemporary and modern makers who build upon longstanding tradition to reinvent ancient practices, pioneer alternative techniques, and develop new channels for self-expression”. Many of the objects – displayed in the China and Ceramics galleries – sit in dialogue alongside permanent displays of historic Chinese craftsmanship. Highlights include large scale works such as Lin Fanglu’s She’s Bestowed Love (2025), that transforms intricate tie-dye practices into a monumental textile sculpture, more delicate pieces such as Zhang Huimin’s Golden Mammary 4 (2025), a brooch produced by pushing the boundary of filigree in a reinvention of traditional practice, a wall hanging by pioneering artist of studio pottery Tan Chang, as well as works by the three potters who were the first to be exhibited in China under the mantle of ‘modern ceramics’: Mei Wending, Zeng Li and Zeng Peng. Runs until 27th September next year. Free admission. For more, see www.vam.ac.uk/exhibitions/dimensions-contemporary-chinese-studio-crafts.

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LondonLife – Downing Street’s Christmas lights…

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Prime Minister Keir Starmer turns on the Christmas tree lights outside 10 Downing Street. PICTURE: Simon Dawson/No 10 Downing Street (licensed under CC BY-NC-ND 4.0)

This Week in London – Christmas at Hampton Court; Caravaggio’s Victorious Cupid; and, Romani art, culture and heritage…

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PICTURE: paulafrench/iStockphoto

• Christmas has come to Hampton Court Palace with the one-time home of King Henry VIII decorated with traditional decorations and hosting a range of Christmas-related activities. Musicians located throughout the palace are playing a mixture of classical tunes and familiar Christmas melodies while in the Wine Cellar “intriguing history” of Christmas is being brought to life in story-telling sessions. The culinary Christmas traditions of the Tudors, meanwhile, are on display in the historic kitchens with, between 20th December and 4th January, the Historic Kitchens team recreating recipes from the Tudor court. The Magic Garden is hosting a special playful outdoor adventure for younger ones between 17th December and 4th January. The Hampton Court Palace Ice Rink has also returned (until 4th January) and there’s a Christmas market being held in the Great Fountain Garden on 5th to 7th December and again on 12th to 14th December. The Festive Fayre will feature more than 100 independent exhibitors offering artisan food and drink, unique gifts and stocking fillers while there will be live music on the East Front bandstand and horse and cart rides in the grounds. Admission charge applies. For more on Christmas activties at the palace head to www.hrp.org.uk/hampton-court-palace/whats-on/christmas-festivities/.

• Caravaggio’s Victorious Cupid – never-before seen in public in the UK – is at the centre of a new exhibition which has opened at the Wallace Collection. The sculpture is presented with two Roman sculptures that along with the Caravaggio were all once part of the portfolio of Marchese Vincenzo Giustiniani (1564–1637), one of the most celebrated collectors of his day. The life-sized Cupid was once displayed along with works by the likes of Raphael, Titian and Giorgione in his grand palazzo located near the Pantheon in Rome along with an extensive gallery of classical sculpture. Caravaggio’s Cupid, which is free to enter, can be seen in the Exhibition Galleries until 12th April. For more, see www.wallacecollection.org/whats-on/exhibitions-displays/caravaggios-cupid/.

• A new display honouring the livelihoods, creativity and craft of Romani communities and their contribution to British society has opened at the London Museum Docklands. By Appointment Only: Romani art, culture and heritage centres on three works, Sugar Coated (2025) by Corrina Eastwood, Tap Your Heels Together Three Times (2025) by Delaine Le Bas and What Makes a Home? (2025) by Dan Turner. There’s also timeline by John-Henry Phillips which illustrates the history of Romani communities from 500-1000 up to 2022. This is displayed along with the Historic England film Searching for Romani Gypsy Heritage with John Henry Phillips (2024) and an oral history piece both of which contextualise the timeline. The exhibition in the Reflections Room is free. For more, see www.londonmuseum.org.uk/whats-on/by-appointment-only/.

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This Week in London – Wes Anderson’s archive explored; Edwin Austin Abbey at The National Gallery; and, Christmas at the Tower…

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• The first retrospective of the work of film-maker Wes Anderson has opened at the Design Museum in South Kensington. Wes Anderson: The Archives draws on the director’s own archives to chart the evolution of his films from early experiments in the 1990s and collaborations to an exploration of the design stories behind films such as The Royal Tenenbaums, The Grand Budapest Hotel, Fantastic Mr Fox and Isle of Dogs. The display features more than 700 objects including original storyboards, polaroids, sketches, paintings, handwritten notebooks, puppets, miniature models and costumes. Highlights include a candy-pink model of the Grand Budapest Hotel, vending machines from Asteroid City, a FENDI fur coat worn by Gwyneth Paltrow as Margot Tenenbaum in The Royal Tenenbaums, stop motion puppets used to depict the fantastical sea creatures in The Life Aquatic with Steve Zissou and Mr Fox wearing his signature corduroy suit and show dog Nutmeg alongside miniature sets. There’s also a screening of Bottle Rocket, Anderson’s first short film, created in 1993. Runs until 26th July. Admission charge applies. For more, see https://designmuseum.org/exhibitions/wes-anderson-the-archives.

Edwin Austin Abbey, ‘Study for The Hours in the Pennsylvania State Capitol’ (about 1909–11), oil on canvas, 381 × 381 cm Yale University Art Gallery, Edwin Austin Abbey Memorial Collection. PICTURE: Courtesy of Yale University Art Gallery

• A design for the ceiling of the House of Representatives in the Pennsylvania State Capitol in the US has gone on show at The National Gallery as part of a new exhibition dedicated to its creator Edwin Austin Abbey (1852-1911). The 12-feet diameter half-scale design for The Hours, newly conserved by the Yale University Art Gallery, depicts 24 female figures representing the 24 hours of the day. The display, Edwin Austin Abbey: By the Dawn’s Early Light, also features six preparatory drawings for his work, The Apotheosis of Pennsylvania, a vast wall mural featuring representations of 16th and 17th century English explorer Sir Walter Raleigh and American frontiersman Daniel Boone behind the Speaker’s dais. Abbey, who lived and worked in the UK, displayed the first of his Harrisburg murals at the University of London in 1908 prior to shipping them to the US – guests included King Edward VII and Queen Alexandria. The free display can be seen in the HJ Hyams Room (Room 1) until 15th February. For more, see www.nationalgallery.org.uk/exhibitions/edwin-austin-abbey-by-the-dawn-s-early-light

• The Tower of London is being transformed into a “magical storybook world” to mark Christmas this year. A Storybook Christmas at the Tower of London features royal romances, legendary figures and treasured traditions which include animals who once lived in the Tower’s royal menagerie, the famous tower ravens, the chance to step onto a regal throne for a family portrait and find storybook backdrops among Christmas trees and wreaths, and an opportunity to explore the story of the Tower’s Royal Observatory where the first Royal Astronomer was appointed in 1675. The “storybook Christmas” opens on Sunday and runs until 4th January. Included in general admission. For more, see www.hrp.org.uk/tower-of-london/.

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This Week in London – Kew’s Christmas light trail returns; ‘Time’ at the Old Royal Naval College; and, a royal Christmas shop…

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A scene from last year’s light show. PICTURE: James Carter-Johnson/iStockphoto

• Kew Garden’s famous light trail opens tomorrow and this year the three kilometres features eight new world premiere installations, interactive dance floors with giant headphones and, for the first time, the illumination of the Great Pagada. Christmas at Kew will also feature seasonal staples such as illuminated trees, a festive funfair and the ever-popular Christmas Cathedral. Among the new installations are Creative Culture’s Christmas Orchestra featuring festive music coordinated with lights and In Bloom, an installation by Netherlands’ multidisciplinary artist Wilhelmsusvlug said to evoke “delicate petals dancing through the air”. There will be a newly created projection at the Palm House while the Palm House Pond will feature a light display of 100 lillies and the trail concludes with a music and light show at the Temperate House. Runs until 4th January. Admission charge applies. For more, see www.kew.org/christmas.

• Time, a sound and light show by Luxmuralis, has transformed the Old Royal Naval College after dark with an “unforgettable journey through history and science”. Visitors start in the Painted Hall where they’s see Peter Walker’s Connection & Identity illuminated after which they’ll move through the Ripley Tunnel, Queen Mary Undercroft and chapel before heading outside across the colonnades and into the courtyard. Runs until 22nd November. Admission charge applies. For more, see https://ornc.org/whats-on/time-by-luxmuralis/.

• The Royal Shop in the Royal Mews at Buckingham Palace has been transformed into a Christmas pop-up shop for the first time. The Royal Mews Christmas Shop, which opens tomorrow, features a range of official royal gifts as well as food and drink from the Royal Collection Trust, a department of the Royal Household. Among the new offerings this year are mini 20cl bottles of gins infused with botanicals hand-picked from the grounds of royal residences including Buckingham Palace and Windsor Castle as well as a Property of the Royal Kitchen range of kitchen accessories, which takes its inspiration from the Great Kitchen at Windsor Castle, and wine accessories including crystal wine glasses, delicately etched with a pattern of knotted vines and grape leaves inspired by the Grand Punch Bowl, a majestic wine cistern in the Royal Collection known to have been used by Queen Victoria. To visit the shop online, head to www.royalcollectionshop.co.uk.

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LondonLife II – The Lady Mayor’s Show…

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The historic Lady Mayor’s Show took place on Saturday through the streets of the City of London. Dame Susan Langley, the 697th Lord Mayor of London, is only the third woman to hold the post in more than 800 years, and is the first ever to be titled the ‘Lady Mayor of London’.

The new Lady Mayor of London, Dame Susan Langley, waves from her carriage at the Lady Mayor’s Show. PICTURE: Ben Turner/UK MOD © Crown copyright 2025.
Participants in the Lady Mayor’s Show. PICTURE: Cpl Danielle Dawson/UK MOD © Crown copyright 2025
A military band in the Lady Mayor’s Show. PICTURE: Cpl Danielle Dawson/UK MOD © Crown copyright 2025
Pikemen guard the Lady Mayor’s carriage outside The Royal Courts of Justice. PICTURE: Ben Turner/UK MOD © Crown copyright 2025

LondonLife I – Marking 80 years since the end of World War II…

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Poppies being laid at remembrance at the Cenotaph on Sunday, 9th November 2025. PICTURE: Cpl Danielle Dawson/© MoD Crown Copyright 2025
The Royal Party in front of the Cenotaph. King Charles II led the nation in a two-minute silence to remember those who gave their lives serving in the armed forces at the National Service of Remembrance at the Cenotaph on Sunday. PICTURE: Cpl Tim Hammond/UK MOD © Crown copyright 2025.
The Hollow Square formed around Cenotaph on Remembrance Sunday. PICTURE: LPhot Ollie Leach/UK MOD © Crown copyright 2025

Earlier…

Rod Stewart plays with the RAF band at the Festival of Remembrance in the Royal Albert Hall, London on Saturday. The audience included the King, Queen and other members of the Royal Family. PICTURE: Cpl Danielle Dawson/UK MOD © Crown copyright 2025
Members of the British Army, Royal Navy and Royal Air Force muster and the book of remembrance is presented at the Festival of Remembrance in the Royal Albert Hall, London on Saturday. PICTURE: Cpl Danielle Dawson/UK MOD © Crown copyright 2025
A Chelsea Pensioner at the Field of Remembrance outside Westminster Abbey on Friday. The field has been an annual feature since November, 1928, to commemorate those who have lost their lives serving in the armed forces. PICTURE: Sergeant Anil Gurung/©MOD Crown Copyright 2025
Queen Camilla places a wooden cross of remembrance at the Field of Remembrance outside Westminster Abbey on Friday. PICTURE: Sergeant Anil Gurung/©MOD Crown Copyright 2025

This Week in London – The first Lady Mayor’s Show; Joseph Wright ‘of Derby’ at the National Portrait Gallery; and, Audrey Hepburn’s Blue Plaque…

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The State Coach at the Royal Courts of Justice in the 2013 Lord Mayor’s Show. PICTURE: S Pinter/iStockphoto.

• The Lord Mayor’s Show – or this year, for the first time in its 800 year history, the Lady Mayor’s Show – takes place on Saturday as Dame Susan Langley is celebrated as the City of London’s 697th Lord Mayor of London. Langley, who takes office at Guildhall on Friday in the ancient ‘Silent Ceremony’, is the third woman to hold the role and the first to adopt the title “Lady Mayor”. The more than three mile-long procession, which kicks off at 11am, features around 7,000 participants, 200 horses and more than 50 decorated floats and travels from the Mansion House, the official mayoral residence, through the City to the Royal Courts of Justice, via St Paul’s Cathedral, before returning. The centrepiece as always is the State Coach carrying the Lady Mayor as she fulfills the dual purpose of showing herself to residents and swearing allegiance to the crown. For more – including details of the procession’s route, head to https://lordmayorsshow.london/.

• The first exhibition dedicated to the work of 18th century artist Joseph Wright ‘of Derby’ opens at The National Gallery tomorrow. Wright of Derby: From the Shadows focuses on his career between 1765 and 1773 when he created his candlelight series. On show are a number of works from this series including Three Persons Viewing the Gladiator by Candlelight (1765), A Philosopher giving that Lecture on the Orrery in which a lamp is put in place of the Sun (1766), and the gallery’s own An Experiment on a Bird in the Air Pump (1768). Mezzotint prints of Wright’s works – key to the establishment of his international reputation – will also be on display. The exhibition, in the Sunley Room, runs until 10th May. Admission charge applies. For more, see www.nationalgallery.org.uk/exhibitions/wright-of-derby-from-the-shadows.

• Hollywood icon Audrey Hepburn has been honoured with an English Heritage Blue Plaque on her former home in Mayfair. The plaque at 65 South Audley Street was where Hepburn lived in a flat with her mother between 1949 to 1954 as she launched her career as an actor. It was from here that she travelled to the West End to perform in chorus lines, appeared in British films such as 1951’s The Lavender Hill Mob and while living here that she was cast as the lead in Gigi on Broadway – a key stepping stone towards her breakthrough performance in 1953’s Roman Holiday. Hepburn was born in Brussels but had strong ties to London, training at the Ballet Rambert and working as a dancer and model before moving on to acting. Of course, as well as Roman Holiday, Hepburn performed notable roles Sabrina, Funny Face, Breakfast at Tiffany’s, My Fair Lady, and Charade. She later dedicated herself to humanitarian work, serving as a UNICEF Goodwill Ambassador, and was awarded the Presidential Medal of Freedom shortly before her death in 1993. For more on English Heritage Blue Plaques, see www.english-heritage.org.uk/visit/blue-plaques/.

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This Week in London – The story of Henry VIII’s lost dagger; ‘Secret Maps’ at the British Library; and, ‘Connection and Identity’ at Greenwich…

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Strawberry Hill House. PICTURE: claudiodivizia/iStockphoto

• The disappearance of a jewelled Ottoman dagger which is believed to have once belonged to King Henry VIII has inspired a new exhibition at Strawberry Hill House, Horace Walpole’s former home in Twickenham in London’s west. Henry VIII’s Lost Dagger: From the Tudor Court to the Victorian Stage looks at the history of the 16th century dagger which, said to have been richly decorated with “a profusion of rubies and diamonds”, was once part of Horace Walpole’s collection. When the collection was sold in 1842, the dagger passed into ownership of the Shakespearean actor Charles John Kean who directed private theatricals for Queen Victoria at Windsor Castle. Kean (1811-1868) pioneered what critics dubbed “living museums” on the Victorian stage by using real artifacts, including the dagger, during performances. But after Kean’s death the dagger vanished without a trace. Dr Silvia Davoli, the principal curator at Strawberry Hill House, launched an investigation to find the dagger and instead found six almost identical daggers scattered around the globe. Two of these daggers – known as the Vienna and Welbeck Abbey examples – are featured in the exhibition alongside reproductions of 18th century materials which related to Walpole’s lost dagger from Yale University’s Lewis Walpole Library. The exhibition can be seen from Saturday until 16th February. Admission charge applies. For more, see www.strawberryhillhouse.org.uk.

• The role maps have played in preserving secrets for the benefit of their creators from the 14th century to the present day is the subject of a new exhibition at the British Library. Secret Maps features more than 100 items ranging from hand-drawn naval charts given to Henry VIII to maps of cable networks used to intercept messages between the world wars; and the satellite tracking technology used by apps today. Among highlights are a map from 1596 attributed to Sir Walter Raleigh on an expedition in search of the mythical city of El Dorado in what is now Guyana in South America; a map produced in 1946 of British India (modern-day India, Pakistan and Bangladesh) with a ‘top secret’ report investigating the potential economic and military impact of partition for the proposed state of Pakistan; one of only two known existing copies of a secret map produced by Ordnance Survey during the General Strike of 1926 amid fears of a public uprising; and a 1927 Cable Map of the world which reveals a global network of censorship stations and was used by the British government to intercept messages sent via submarine and overland cables. Runs until 18th January (and accompanied by a programme of events). Admission charge applies. For more, see https://events.bl.uk/exhibitions/secretmaps.

• Staffordshire-based artist Peter Walker’s large scale interactive artworks, Connection and Identity, can be seen in the Painted Hall at the Old Royal Naval College in Greenwich from Friday. Identity features eight columns suspended within the hall which shift in colour and light while Connection showcases “a dramatic and modern reinterpretation of Michelangelo’s Creation of Adam“. The installation, which is located in the hall sometimes described as “Britain’s Sistine Chapel”, is accompanied by music specially composed by David Harper. Runs until 25th January. Admission charge applies. For more, see https://ornc.org/whats-on/connection-and-identity/.

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This Week in London – Turner’s ‘The Battle of Trafalgar’ returns to public display; Halloween at Hampton; Diwali at Greenwich; and, NYE tickets…

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The Queen’s House, Greenwich. PICTURE: Frank Chou/Unsplash

• Artist JMW Turner’s only royal commission has returned to public display in Greenwich to mark the 250th anniversary of the artist’s birth. The more than three metre-wide painting (Turner’s largest completed work), The Battle of Trafalgar, went on display on Tuesday – 220 years to the day since the battle it depicts – at the Queen’s House. The 1824 painting, which was commissioned by King George IV, commemorates the victory of the British Royal Navy over a combined French and Spanish fleet off Cape Trafalgar on 21st October, 1805. First displayed at St James’s Palace, it was transferred to the Naval Gallery at Greenwich Hospital in 1829. It was removed from public display in March last year to protect it during a works project at the National Maritime Museum and has now found a new home at the Queen’s House. Admission is free. For more, see www.rmg.co.uk/queens-house.

• The ghosts of King Henry VIII and Oliver Cromwell are among those which can be encountered at Hampton Court Palace from Friday as it marks Halloween. Immersive Halloween-inspired installations with unearth the stories of some of the palace’s former residents while outside there’s a Haunted Garden complete with skeletal horse and carriage. Halloween season at the palace runs until 2nd November and is included in general admission. For more, see www.hrp.org.uk/hampton-court-palace/whats-on/halloween-at-hampton-court-palace/.

• Diwali, the annual Hindu celebration, comes to the National Maritime Museum in Greenwich this Saturday with the ‘Illuminate’ festival. The free festival, which runs from 11am to 5pm and is curated by Mehala Ford – founder of South Asian art collective COMMONGROUND&, includes performances, creative workshops including traditional Rangoli art and Henna art, storytelling sessions including a puppet show telling the epic story of Ramayana, and a lantern parade around Greenwich Park. There ares also talks and Diwali-inspired food. For more, see www.rmg.co.uk/whats-on/national-maritime-museum/diwali.

• Tickets to London’s New Year’s Eve celebrations have gone on sale. The 12 minute show celebrating the new year will kicks off with the familiar sounds of Big Ben’s chimes, before thousands of fireworks and hundreds of lights help to illuminate the night sky around the London Eye all set to a wide-ranging soundtrack. Around 100,000 Londoners and visitors are expected to attend. Ticket prices are between £20 and £35 for Londoners and £40 and £55 for visitors. For more, see www.london.gov.uk/nye.

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LondonLife – ‘Goavve-Geabbil’ at the Tate Modern…

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Hyundai Commission: Máret Ánne Sara: Goavve-Geabbil installation view featuring -Geabbil at Tate Modern 2025. © Máret Ánne Sara. PICTURE: © Tate/Larina Fernandez.

Described as an “immersive work honouring the reciprocal relationship between the Sámi people, the reindeer, and the land”, the Goavve-Geabbil is a monumental new sculptural installation by Sámi artist Máret Ánne Sara and has been made using materials which sustain her community in Sápmi, the territory of the Indigenous Sámi people which spans the countries of Norway, Sweden, Finland and Russia.

In this, Sara’s first major work in the UK, the artist draws on her experience as member of a reindeer herding family to highlight ecological issues impacting Sámi life and has combined hides and bones derived from traditional reindeer herding practices along with wood, industrial materials, sound and scent.

The Hyundai Commission: Máret Ánne Sara: Goavve-Geabbil can be seen in the Turbine Hall at the Bankside institution until 6th April. Admission is free. For more, see tate.org.uk/visit/tate-modern.

Hyundai Commission: Máret Ánne Sara: Goavve-Geabbil installation view featuring -Geabbil at Tate Modern 2025. © Máret Ánne Sara. PICTURE: © Tate/Sonal Bakrania.
Hyundai Commission: Máret Ánne Sara: Goavve-Geabbil installation view featuring Goavve- at Tate Modern 2025. © Máret Ánne Sara. PICTURE: © Tate (Larina Fernandez).

This Week in London – Wildlife Photographer of the Year exhibition; 20th century conflicts; Jennie Baptiste at Somerset House; and Nigerian Modernism…

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Wim van den Heever’s winning entry, Ghost Town Visitor.

• An exhibition of entries into the annual Wildlife Photographer of the Year competition opens tomorrow at the National History Museum in South Kensington. The exhibition features 100 images selected from a record-breaking 60,636 entries and follows from this week’s announcement of the winners at a ceremony held at the museum earlier this week. The display includes the winning image – ‘Ghost Town Visitor’ which, captured by South African wildlife photographer Wim van den Heever depicts a brown hyena near the ruins of a long-abandoned diamond mining town in Kolmanskop, Namibia – as well as the winner of the Young Wildlife Photographer of the Year 2025 – 17-year-old Italian Andrea Dominizi’s After the Destruction which spotlights a longhorn beetle in the Lepini Mountains of central Italy, an area once logged for old beech trees, with a background of abandoned machinery. Other images on show include the winner of the Impact Award – Brazilian photographer, Fernando Faciole’s Orphan of the Road depicting an orphaned giant anteater pup following its caregiver after an evening feed at a rehabilitation centre – as well as category winners. The exhibition can be seen until 12th July next year. Admission charge applies. For more, head here.

• Three 20th century conflicts which broke out in Malaya, Kenya and Cyprus after World War II are the subject of a new exhibition at the Imperial War Museum in Lambeth. Emergency Exits: The Fight for Independence in Malaya, Kenya and Cyprus looks at how these three conflicts, known as “emergencies” to the British Government, shaped and continues to shape Britain, its former territories and the wider world today. The display includes more than 70 objects such as propaganda posters, flags and artworks as well as oral histories and personal belongings which belonged to those impacted by them. As well as telling the stories of the three conflicts, Emergency Exits also explores Operation Legacy, the British Government’s attempt to prevent publication of sensitive documents related to the conflicts which included evidence of human rights abuses. The free exhibition, which opens on Friday, runs until 26th March. For more, see iwm.org.uk/events/emergency-exits-the-fight-for-independence-in-malaya-kenya-and-cyprus.

• The first major solo exhibition focusing on the work of pioneering Black British photographer Jennie Baptiste opens in the Terrace Rooms at Somerset House on Friday. Jennie Baptiste: Rhythm & Roots, which is a highlights of Somerset House’s 25th birthday programme, charts how Baptiste used her lens to capture youth culture, music, fashion, and urban life within the Black British diaspora in London in the past few decades. The exhibition can be entered under a “pay what you can” model. Runs until 4th January. For more, see www.somersethouse.org.uk/whats-on/jennie-baptiste-rhythm-and-roots.

Ben Enwonwu, ‘The Durbar of Eid-ul-Fitr, Kano’, Nigeria 1955. © Ben Enwonwu Foundation. Private Collection

• On Now: Nigerian Modernism. The Tate Modern is hosting the first UK exhibition to trace the development of modern art in Nigeria with more than 250 works by more than 50 artists on display. The exhibition, which spans the period from the 1940s to today, features works by globally celebrated artists of the 1940s, Ben Enwonwu and Ladi Kwali, as well as works by The Zaria Arts Society members Uche Okeke, Demas Nwoko, Yusuf Grillo, Bruce Onobrakpeya, and Jimo Akolo, Nsukka Art School members including Obiora Udechukwu, Tayo Adenaike and Ndidi Dike, and concludes with a spotlight on the work of Uzo Egonu. The display can be seen until 10th May. Admission charge applies. For more, see www.tate.org.uk/whats-on/tate-modern/nigerian-modernism.

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This Week in London – Lee Miller at the Tate; the Hallelujah Chorus’ origins and impact, and conkers on Hampstead Heath…

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• The UK’s largest retrospective of trail-blazing 20th century surrealist photographer Lee Miller opens at Tate Britain today. Lee Miller features around 230 vintage and modern prints, some of which are on display for the first time, which reveal how her approach pushed boundaries and led to the creation of some of the most iconic images of last century. Highlights include the newly discovered solarisation exemplar, Sirène (Nimet Eloui Bey) (c1930-32), her celebrated surrealist image of Egypt’s Siwa Oasis, Portrait􏰊of Space (1937), London-based works such as You will not lunch in Charlotte Street today (1940) and Fire Masks􏰘(1941) which convey the “pathos and absurdity” of the city in wartime, and war-related images including portraits of Miller and David E Scherman in Hitler’s private bath in April, 1945, as well as a rare 1950 self-portrait showing Miller posed in Oskar Kokoschka’s London studio flanked by artworks. Runs until 15th February. Admission charge applies. For more, see www.tate.org.uk/whats-on/tate-britain/lee-miller

• The initial and enduring impact of the Hallelujah Chorus is the subject of a new display at the Foundling Museum in Bloomsbury. A Grand Chorus explores the profound impact music can have on listeners and performers and brings together musical scores, librettos, and musical instruments as well as paintings, photographs, audio, video, personal testimonies􏰞, and other archival material spanning three centuries. Originally􏰞composed as part of his famous Messiah oratorio, George Frideric Handel later incorporated the Hallelujah Chorus into an anthem he created specially􏰞for the Foundling Hospital that premiered in 1749 as a fund-raising exercise. The exhibition also showcases a major sound and video installation by􏰞Mikhail Karikis – We are Together􏰈 Because (2025), described as a modern counterpart to the Hallelujah Chorus. Runs until 29th March. Admission charge applies. For more, see https://foundlingmuseum.org.uk/event/a-grand-chorus-the-power-of-music/.

• Swing a conker at the Hampstead Heath Conker Championships this Sunday. People are all ages are invited to join in, whether a conker veteran or a newcomer, with competitions held in a range of age categories. The competition is being held near the Parliament Hill Bandstand from 1pm to 4pm. Entry is free. For more, see www.cityoflondon.gov.uk/events/go-conkers-on-hampstead-heath-5-october.

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LondonLife – Screen characters set a new record in Greenwich…

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It’s official, a new Guinness World Record was set in Greenwich on the weekend when some 874 people gathered at the Old Royal Naval College on Saturday dressed as their favourite characters from the big (and little) screen. The Old Royal Naval College team partnered with Elstree Studios for the event, part of the festivities being held to mark 100 years of film and TV at the site, which featured everyone from Stormtroopers to Jack Sparrow, Batman to characters from Bridgerton and Sherlock Holmes. The record, which was verified by Guinness, is officially known as the ‘largest gathering of people dressed as screen characters’.

This Week in London – Guildhall Library marks 600 years; the David Bowie Centre opens; the Chelsea History Festival; and returning to the Blitz Club…

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• Guildhall Library is celebrating its 600th anniversary with a new exhibition. The display, which can be seen for free at the library, looks at the founding of the original library in 1425, what a medieval library would have looked like and what books it would have included as well as links with the library as it is today. Runs until 30th December. For more, see www.cityoflondon.gov.uk/things-to-do/history-and-heritage/guildhall-library/information-and-enquiries/visit-guildhall-library.

Frockcoat designed by Alexander McQueen and David Bowie for his 50th Birthday Concert, 1997. Image courtesy of the V&A

• David Bowie’s final, unrealised musical projects – The Spectator, an unseen Ziggy Stardust guitar, and Bowie’s costume designs are just some of the treasures housed in the new David Bowie Centre which opened to the public this month. Located at the V&A East Storehouse in Queen Elizabeth Olympic Park, the new home for David Bowie’s archive features nine displays show-casing more than 200 items which also include handwritten lyrics, photography, costumes and sketches. As well as seeing the displays, visitors can book one-on-one time with some of the 90,000-plus objects in the archive through the ‘Order an Object’ service. More than 500 items were requested in the first week of the service going live with a frockcoat designed by Alexander McQueen and David Bowie for his 50th birthday concert in 1997 the most frequently requested item. Entry to the archive is free, but ticketed. For more, including bookings, see www.vam.ac.uk/exhibitions/david-bowie-centre.

• The annual Chelsea History Festival kicked off yesterday with more than 80 events taking place until Sunday. Events include tours of the Royal Hospital Chelsea, and the chance to visit the Soane Stable Yard, the free exhibition Lost and Found in Hong Kong: The Unsung Chinese Heroes at D-Day at the hospital, walking tours including ‘Rock ‘n’ Roll Chelsea’ and ‘1960s Chelsea’, and a medicinal trees tour at the Chelsea Physic Garden. For the full programme head here.

• A major exhibition on the Blitz club – which helped shape London’s culture not only in the mid-1980s but in the decades that followed – has opened at the Design Museum in Kensington High Street. Located in a Covent Garden side street, the club is credited with having “transformed 1980s London style”, generating a creative scene that had an enormous impact on popular culture in the following decade. Blitz: The Club that Shaped the 80s features more than 250 items including clothing and accessories, design sketches, musical instruments, flyers, magazines, furniture, artworks, photography, vinyl records and rare film footage. Runs until 29th March. Admission charge applies. For more, see https://designmuseum.org/exhibitions/blitz-the-club-that-shaped-the-80s.

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