This Week in London – Hans Holbein at The Queen’s Gallery; ‘Crown and Coronation’ at the Tower; Christmas at Kew; and, Charles Dickens’ friendship with Wilkie Collins explored…

Hans Holbein the Younger, 
Anne Boleyn (1532)/Royal Collection Trust / © His Majesty King Charles III 2023.

The largest exhibition of the work of Tudor-era artist Hans Holbein the Younger has opened at The Queen’s Gallery, Buckingham Palace. Holbein at the Tudor Court features more than 50 works by Holbein including intimate portrait drawings of the royal family and the Tudor nobility including one of few surviving drawings of Anne Boleyn made during her lifetime, drawings of Jane Seymour and Sir Thomas More, and an unfinished portrait of King Henry VIII’s son Prince Edward. Other portraits include that of Derich Born, a 23-year-old Steelyard merchant, and one of Richard Southwell, a convicted murderer who was one of King Henry VIII’s closest advisors. The exhibition also features objects including a Brussels tapestry, jewel-like miniatures and Henry VIII’s magnificent armour, usually on show at Windsor and in London for the first time in a decade. Runs until 14th April. Admission charge applies. For more, see www.rct.uk/collection/themes/exhibitions/holbein-at-the-tudor-court/the-queens-gallery-buckingham-palace

The White Tower looking south-east, showing a coloured light projection of St Edward’s Crown, the crown used at the moment of Coronation. PICTURE: © His Majesty King Charles III 2023 -Royal Collection Trust – Historic Royal Palaces

The magnificence of coronations and the Crown Jewels will be on show at the Tower of London from tomorrow night in a new light and sound show. Crown and Coronation – which has been created by Historic Royal Palaces in partnership with Luxmuralis as part of an artistic collaboration between artist Peter Walker and composer David Harper – brings the “spectacle, significance and shared experience” of coronations to life and demonstrates the pivotal role of the Crown Jewels in the ceremony as it takes visitors on a journey through the past 1,000 years. Images of the jewels will be projected on the White Tower in the show with visitors then able to view the actual jewels themselves in a special after hours opening. But you’ll have to be quick – the show can only be seen for nine days, ending on 25th November before it embarks on a two year UK-wide tour. Admission charge applies. For more, see www.hrp.org.uk/tower-of-london/.

The Palm House light show, part of Christmas at Kew. PICTURE: © Raymond Gubbay Ltd, Richard Haughton

Christmas returned to Kew this week with the launch of it’s new festive light trail featuring seven new installations. Highlights of this year’s trail include three metre tall illuminated flowers, cascading lights suspended from the tree canopy, one of the longest light tunnels to ever feature in Kew’s Christmas celebrations and the Hive – which recreates life inside a beehive – as well as the iconic Palm House light show, the twinkling tunnel of light inspired by arched church windows known as the ‘Christmas Cathedral’, and a ‘Fire Garden’ at the Temperate House. There’s also festive treats to sample and visitors can experience a traditional Christmas dinner at The Botanical Brasserie. Admission charges applies. Runs until 7th January (advance bookings only). For more, see www.kew.org/christmas.

Charles Dickens’ friendship and collaboration with writer Wilkie Collins is explored in a new exhibition at The Charles Dickens Museum in Bloomsbury. Dickens met Collins, who would become one of his most significant friends, in 1851 as they performed together in a play at the house of John Forster and their personal and professional relationship lasted more than 15 years. The display features works produced as a result of the friendship – everything from articles in Dickens’s Household Words through to novellas and plays such as The Lazy Tour of Two Idle Apprentices and The Frozen Deep – and features original letters, historic objects, and interactive displays focusing on everything from the pair’s moustache-growing contests and cruising international entertainment districts to co-writing side by side, discussing writer’s block and plot devices. Admission is included with general admission. Runs until 25th February. For more, see https://dickensmuseum.com.

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Lost London – The Holbein portrait of King Henry VIII’s family…

King Henry VIII; King Henry VII
by Hans Holbein the Younger
(ink and watercolour, circa 1536-1537
NPG 4027)
© National Portrait Gallery, London

Thankfully much copied (at least in part), this full length portrait of King Henry VIII, his third wife and parents was the work of Hans Holbein the Younger.

Holbein, appointed the king’s painter in 1536, was commissioned to create the work following the King’s marriage to Jane Seymour on 30th May, 1536, and completed it in 1537 (there’s some speculation it may have been commissioned in celebration of the birth of King Henry’s son, King Edward VI).

The mural featured the King standing in full splendour, although without typical symbols of royalty such as a crown or sceptre, as well as his wife Jane Seymour, and his parents, King Henry VII and Queen Elizabeth of York. They were all standing around a central pillar upon which are inscribed verses in Latin extolling the Tudor dynasty.

The work is understood to have been commissioned for one of the King’s more private chambers in the Palace of Whitehall which Henry had seized after the downfall of Cardinal Thomas Wolsey.

The portrait survived the reign of King Henry VIII but was destroyed in the fire which devastated the palace in 1698.

A full-sized cartoon of the left-hand side of the work which was completed by Holbein in preparation for its creation is held in the collection of the National Portrait Gallery (pictured right).

While there are numerous copies of the figure of King Henry VIII, the only complete copy of the mural is attributed to Remigius van Leemput who created it in 1667 – it can be seen at Hampton Court Palace.