LondonLife – Parliamentary pinnacles…

PICTURE: Maria Vartic/Unsplash

London Explained – London’s UNESCO World Heritage Sites…

UNESCO’s World Heritage List includes as many as 1223 properties right across the globe which the World Heritage Committee considers as having “outstanding universal value”.

Most of them are cultural sites (952) but they also include some 231 natural sites and 40 which have both qualities.

The UK is actually home to 35 sites on the list, ranging from Stonehenge and the English Lake District to neolithic Orkney and the City of Bath.

The Tower of London: PICTURE: Gavin Allanwood/Unsplash

London itself is home to four internationally recognised UNESCO World Heritage Sites. These include the Tower of London, the Royal Botanic Gardens in Kew, the Palace of Westminster and Westminster Abbey (including the neighbouring St Margaret’s Church), and maritime Greenwich.

The first of the four to be added to the list was the 10 hectare site of Palace of Westminster and Westminster Abbey in 1987 (described as being of “great historic and symbolic significance”). It was followed by the Tower of London in 1988, and the 109 hectare area covering the Queen’s House, Old Royal Naval College and Royal Observatory known as maritime Greenwich in 1997.

The 132 hectare site of the Royal Botanic Gardens at Kew was the most recent addition to the list in 2003.

As well as being added to the list, sites can also be removed as happened when Liverpool became the third site to be removed from the list in 2021 due to what the World Heritage Committee said was “the irreversible loss of attributes conveying the outstanding universal value of the property”.

Concerns have been raised over the Tower of London’s future on the list due to surrounding development and, of course, there are always other sites that can be added (we vote for Hampton Court Palace, among others).

This Week in London – A celebration of 14th century Siena works; ‘The Hedge of Halomancy’ at Tate Britain; and, ‘Unfolding Time’ at Lambeth Palace…

Duccio Maestà – Panels, 1308-11, Christ and the Woman of Samaria (Tempera and gold on panel 43.5 x 46 cm), Museo Thyssen-Bornemisza, Madrid (133 (1971.7)), © Copyright Museo Thyssen-Bornemisza, Madrid

Paintings by some of the greatest Italian artists of the 14th century have been reunited in a new exhibition opening at the National Gallery on Saturday. Siena: The Rise of Painting 1300‒1350, which is being held to mark the gallery’s 200th anniversary, features around 100 works including some of the most innovative in the Western tradition. Highlights include Maestà, painted by Sienese artist Duccio di Buoninsegna (active 1278, died 1319). The first double-sided altarpiece in Western painting, it was dismantled in the 18th century and the National Gallery’s own three panels are now reunited with others from the original ensemble including Christ and the Woman of Samaria from the Museo Thyssen- Bornemisza in Madrid, and The Calling of the Apostles Peter and Andrew from the National Gallery of Art in Washington DC. Another work being reunited for the exhibition is the Orsini Polyptych by Sienese artist Simone Martini (1284‒1344). A folding work of art made for private devotion, probably for Cardinal Napoleone Orsini, it is today divided into six works held by the Louvre, Paris, the Royal Museum of Fine Arts, Antwerp and the Gemäldegalerie, Berlin. All six panels are being brought together for the National Gallery’s exhibition. Two triptychs by Duccio which seem to have been conceived as a single work are also being reunited and the display also features works by Pietro Lorenzetti (active possibly 1306; died probably 1348) and his brother Ambrogio Lorenzetti (active 1319; died 1348/9) as well as Sienese works in a variety of media (metalwork, enamel, gilded glass, wood, marble, and manuscript illumination). The display runs until 22nd June. Admission charge applies. For more, see www.nationalgallery.org.uk.

Hylozoic/Desires, ‘The Hedge of Halomancy’, 2025. PICTURE: Courtesy the artists

An installation featuring new work by artist duo Hylozoic/Desires (Himali Singh Soin & David Soin Tappeser) has opened at Tate Britain. In The Hedge of Halomancy, which runs in parallel with a large-scale new commission by Hylozoic/Desires at Somerset House, the artists excavate the lost archive of the Inland Customs Line, a 4,000 kilometre-longe barrier which comprised 2,500 kilometres of planted hedge and was created by the British Empire in the 19th century to prevent salt smuggling between British-occupied territories and neighbouring independent states. A 23-minute film at the heart of the installation focuses on Mayalee, a character inspired by a courtesan who defied the British Empire’s attempts to cut off her stipends of salt. Alongside it sits an embroidered tapestry, entitled Mokshapat (Snakes and Ladders) which was woven as mashru fabric – cotton on one side and silk on the other. Runs until 25th August. Admission is free. For more, see www.tate.org.uk.

On Now: Unfolding Time: The Medieval Pocket Calendar. A “remarkable” set of medieval concertina-fold almanacs grappling with the concept of time is on display at the Lambeth Palace library. Less than 30 such manuscripts are known to exist and the display brings a group of the works, in which time is expressed in colourful pictures, poems, tables and devices, together for the first time. Runs until 15th May. For more, see https://www.lambethpalacelibrary.info.

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LondonLife – Sunset, Hyde Park…

PICTURE: F X/Unsplash

This Week in London – Of livery companies and pancakes; Museum of the Home celebrates East Enders; and, the ‘Hallelujah Chorus’ at the Foundling Museum…

Guildhall Yard where the annual Inter-Livery Pancake Race is held. PICTURE: David Adams

Shrove Tuesday, also known as Pancake Day, takes place this coming Tuesday and to mark the event, representatives from the City of London’s livery companies are coming in their annual Inter-Livery Pancake Race around Guildhall Yard. The event is organised by the Worshipful Company of Poulters while the Worshipful Company of Gunmakers provide the starting gun, the Worshipful Company of Clockmakers time the races and the Worshipful Company of Fruiterers provide lemons to accompany the pancakes. The starter’s gun fires at noon. Entry is free.

East Enders is celebrating its 40th anniversary and to mark the occasion, the Museum of the Home in Hoxton is featuring props and costumes from the show in its displays. EastEnders at 40: Icons of Home and Drama features props and costumes including the costumes from Syed and Amira’s wedding in 2010, Kat Slater’s leopard print coat and Frank Butcher’s spinning bow tie. Runs until 22nd June. Admission is free. For more, see www.museumofthehome.org.uk.

• The origins of the Hallelujah Chorus and its special connecting to the Foundling Hospital is the subject of a new display at the Foundling Museum in Bloomsbury. Composer George Frideric Handel first held a benefit concert at the venue in 1749 in which he premiered his Foundling Hospital Anthem. He returned the following year to perform the Messiah, which had made its debut in Dublin in 1742, and this event proved so popular it was held annually until the 1770s. The display can be seen until 29th March, 2026. Admission charge applies. For more, see https://foundlingmuseum.org.uk/event/hallelujah-display/.

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10 London mysteries – A recap…

1. The murder of Robert Pakington…

2. Who was Jimmy Garlick?

3. Where is Boudicca buried?

4. How did King Henry VI die?

5. The St Pancras walrus…

6. The disappearance of Edward V and his brother Richard…

7. The mysterious pyramid of St Anne’s Limehouse…

8. The Ceremony of the Rendering of the Quit Rents…

9. The “Beast of Sydenham”…

10. Who was Jack the Ripper?

LondonLife – Sentinel on Westminster Bridge…

PICTURE: Rafael de Souza/Unsplash (image cropped)

Special – Roman London’s first basilica found under an office block – here’s what it reveals about the ancient city

In an article first published on The Conversation, LACEY WALLACE of the University of Lincoln, looks at the recent discovery….

Archaeologists from the Museum of London have discovered a well-preserved part of the ancient city of London’s first Roman basilica underneath the basement of an office block. The basilica was constructed for use as a public building in the 70s or early 80s AD.

A section of the wall from the Roman basilica. PICTURE: MOLA

In a Roman town, a basilica was a multi-functional civic building. Often paid for by leading local inhabitants, it provided a large indoor space for public gatherings. These ranged from political speeches to judicial proceedings.

Along with the connected forum – an arrangement of buildings that surrounded an open courtyard space – the building formed the centre of administrative and civic life in the ancient Roman city of Londinium.

Other walls of London’s basilica and forum have been known by archaeologists since the early 1880s. But they were only recognised as remains of the social and civic centre of Londinium in 1923.

The story until now

Peter Marsden, the author of The Roman Forum Site in London (1987), compiled disconnected evidence for the different phases of London’s forum basilica complex.

Referring to the current area of excavations (on Gracechurch Street), he noted that: “More than half of the archaeological deposits still remain, and should be carefully excavated when the opportunity arises, since only then will the history of the site be elucidated.”

Occasional opportunities have arisen to reveal small parts of the forum basilica. For example, during construction of a shaft to install a lift at 85 Gracechurch Street, some important remains from the first century were found. But the excavated area was too small to contribute greatly to our knowledge.

In contrast, the recent work is part of a major redevelopment. It has opened targeted excavation areas where walls of the basilica were expected to be found, exposing substantial parts of the building.

Archaeologists have found one-metre-wide foundations and walls of the interior, some of which probably extend for more than 10 metres in length. The walls are constructed of flint, tile and Kentish ragstone (a type of limestone quarried in Kent), and some stand at four metres high.

What was the basilica for?

Londinium was constructed on an unoccupied site beginning in about AD47 or 48. It began to gain the trappings of a Roman-style town, including a basilica building, in the lead-up to its destruction in the Boudican Revolt in AD60 or 61.

The city did not have a monumental forum and basilica complex until later, however, when a major programme of public and private construction was undertaken in the Flavian period (AD69–96).

London’s Flavian basilica took the plan of a long rectangle (44m x 22.7m) divided into three aisles. There is good evidence from the deeper central aisle (nave) wall foundations that the nave roof was raised to two storeys, to allow for windows to provide internal light.

A reconstruction drawing of the first London forum. PICTURE: PeterMarsden/MOLA

Shallow foundations crossing the nave are evidence of a raised dais or platform at the eastern end. The speaker or judge would sit there, elevated above the crowds, increasing both his visibility and status. This platform, or “tribunal”, is the area that has recently been revealed.

The basilica would have risen above the north side of the buildings that formed the forum courtyard. It would have dominated the high ground of this monumental space at the highly visible crossroads leading straight up from the Roman Thames bridge.

It would have been the largest building in the area and firmly announced that the people of Londinium were constructing a high-status Roman city.

Rebuilding following the British Queen Boudica’s revolt had been swift. The post-Revolt fort that was built only 100 metres or so down the street had likely been decommissioned and the people were ready to embark on a new phase and a major expansion of the urban centre.

The designs of late first century forum basilica complexes varied across the provinces. But generally they combined religious, civic, judicial and mercantile space.

An artist’s impression of the proposed exhibition space that will showcase the newly discovered walls. PICTURE: Woods Bagot/MOLA

In places like Pompeii, the forum had developed over time. But, when the town was buried by the ash of Vesuvius in AD79 (approximately the same time the forum basilica of London was built), the focus of the elongated monumental space was the Temple of Jupiter, symbol of the Roman state.

Although a classical temple was constructed to the west of the exterior of Londinium’s Flavian forum, it was clearly separate. No forum in Britannia was dominated by a temple, setting the core of urban space in this province apart from most examples in the rest of the empire.

The Flavian forum basilica at Londinium is one of the earliest examples to demonstrate this characteristic, along with that at Verulamium (St Albans). There, an inscription links the circa AD79–81 construction to the governor Agricola, who is well known among historians from the celebratory biography written by his son-in-law, Tacitus.

The Flavian basilica and forum only stood for about 20 or 30 years, however. With increased prosperity in the early second century, they were demolished and replaced by a new structure which was five times larger, leaving the remains of the first basilica underneath the surface of the later courtyard space.

Museum of London Archaeology will now analyse and publish the results of its find, applying modern methods to advance our understanding of the development of the first forum basilica. We can expect refined dating evidence and an improved understanding of the architecture from the post-excavation analyses. An exhibition space to make the remains visible for the public is also planned.

The Conversation

Lacey Wallace is a senior lecturer in Roman history & material culture at the University of Lincoln. This article is republished from The Conversation under a Creative Commons license. Read the original article.

This Week in London – Portraits from ‘The Face’; jazz and classical music at the London Transport Museum; and, Ralph Steadman at the Heath Robinson Museum…

Iconic portraits which featured in the trail-blazing magazine, The Face, have gone on show from today at the National Portrait Gallery off Trafalgar Square. The Face Magazine: Culture Shift features more than 200 prints by more than 80 photographers including Sheila Rock, Stéphane Sednaoui, David LaChappelle, Corinne Day, Elaine Constantine, Juergen Teller and Sølve Sundsbø. The display explores how the cult magazine, which ran from 1980 to 2004 before being relaunched in 2019, impacted culture in the Eighties, Nineties and Noughties and in particular how it shaped the tastes of Britain’s youth. Runs until 18th May. Admission charges apply. For more, see www.npg.org.uk.

Visitors to the London Transport Museum are being treated to live performances from some of London’s most promising classical and jazz musicians under a new initiative which kicked off earlier this month. The young musicians, from the Guildhall School of Music and Drama, Royal Academy of Music, Royal College of Music, or Trinity Laban, are performing in a programme designed to equip them with real-world performance experience. The music is being performed over various dates until 24th October. For more details, see www.ltmuseum.co.uk/whats-on/music-museum.

A new exhibition celebrating the work of illustrator Ralph Steadman has opened at the Heath Robinson Museum in Pinner. Ralph Steadman: INKling spans the 70 years of Steadman’s career and covers his literary illustrations, including Steadman’s interpretations of Alice in WonderlandAnimal Farm, and Treasure Island, his illustrations for children’s books such as From Fly Away Peter (1963) and The Ralphabet (2023), and the “Gonzo art” he created in collaboration with Hunter S Thompson. Runs until 10th May. Admission charges apply. For more, see www.heathrobinsonmuseum.org/#whatson.

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10 London mysteries…10. Who was Jack the Ripper?

Linked to the brutal slayings of at least five women in the later half of 1888, the identity of Jack the Ripper is London’s most infamous mystery and one which continues to fuel speculation – and make headlines – more than 130 years later.

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LondonLife – Low tide…

Low tide on the Thames looking towards Battersea. PICTURE: Lx1/Unsplash

Where’s London’s oldest…(purpose-built) mosque?

We’ve amended this article based on feedback….

While there is believed to have been at least one earlier mosque opened in London (a room in a house was apparently converted for this purpose in Albert Street, Camden, in 1895), London’s first purpose-built mosque opened in 1926 in Southfields in the city’s south-west.

Known as the Fazl Mosque (Grace Mosque in English), the mosque – which is also known as the London Mosque and is the second oldest in Britain – is said to have cost some £6,223 and is understood to have been designed by TH Mawson and Sons.

PICTURE: Ceddyfresse/Public Domain

Said to have been financed by the donations of Ahmadiyya community in India (the land had been purchased in 1920), the foundation stone was laid in 1924 by Mirza Bashir-ud-Din Mahmud Ahmad, the second Caliph of the Ahmadiyya and leader of the worldwide Ahmadiyya Muslim Community.

The Grade II-listed building was formally opened by Khan Bahadur Sheikh Abdul Qadir, an ex-minister of Punjab Legislative Council, on 4th October, 1926, with about 600 guests.

The mosque can accommodate about 150 people and the first Imam was Maulana Abdul Rahim Dard.

Visitors to the mosque have included King Saud of Saudi Arabia and the Crown Prince Faisal Bin Abdul-Aziz, who visited in 1935. In more recent times, Prince Edward, the Earl of Wessex, and Justin Welby, the Archbishop of Canterbury, have both visited the property.

The fourth caliph, Mirza Tahir Ahmad, lived in an apartment in a separate building on the premises, originally built for the mosque’s imam, after migrating from Pakistan where prohibitions were placed on the Ahmadis, banning them from any public expression of the Islamic faith.

It remained so until his death in 2003 after which the current caliph, Mirza Masroor Ahmad, lived there until relocating to the estate known as Islamabad in Tilford in 2019.

During this period between 1984 and 2019, the mosque at 16 Gressenhall Road served as the de facto headquarters of the Ahmadiyya Muslim Community worldwide.

This Week in London – ‘Making Egypt’ at the Young V&A; new memorial to humanitarian aid workers; and, Science Museum’s ‘Exploring Space’ gallery to close soon…

Wooden Funerary Boat approx. 3000 years old. PICTURE: Courtesy of Chiddingstone Castle

A new exhibition exploring how stories and images from ancient Egypt continue to influence art, design and popular culture today opens at the Young V&A in Bethnal Green on Saturday. Making Egypt is divided into three sections – Storytelling, Communicating and Making – and features more than 200 objects which, as well as ancient artifacts, include contemporary responses from jewellery and fashion designers, graphic novelists and ceramic artists throughout. Highlights include everything from a 4000-year-old small wooden painted model funerary boat and an amulet of Taweret, goddess of childbirth and fertility, dating from between 664 BC to 332 BC to a rare carved wooden scribe’s palette which was used to hold ink and brushes, and Egyptian faience shabtis dating from between 380 BC to 343 BC which represent just a handful of more than 300 small funerary figures discovered in the tomb of Djedhor. Runs until 2nd November. Admission charge applies. For more, see vam.ac.uk/young.

A new plaque commemorating humanitarian aid workers has been unveiled in the crypt of St Paul’s Cathedral. Located near the memorial to Florence Nightingale, the plaque “celebrates the bravery of those who dedicate their lives to helping others and remembers those who have been murdered or injured while delivering humanitarian assistance”. Hand-carved by stonemason Martin Gwilliams, the plaque reads: “In celebration of Humanitarian Aid Workers. Helping those in need whoever and wherever they are. And in remembrance of those who have died in the pursuit of their calling.” The plaque is the first in the UK in a public space to honour humanitarian aid workers and their work in conflict zones and disaster-stricken areas around the world. For more, see www.stpauls.co.uk.

After almost 40 years, the Science Museum’s ‘Exploring Space’ gallery at the South Kensington institution will partially close on 22nd April and fully close in early June as part of preparations for the museum’s new ‘Space’ gallery. Key objects on display include the Soyuz spacecraft that carried astronaut Tim Peake back to Earth, the spacesuit worn by Helen Sharman, the first Briton in space, during a 1991 spaceflight and a three-billion-year-old piece of the Moon. Other items include a British Black Arrow rocket and a United States Scout rocket suspended from the gallery’s ceiling, a RL10 rocket engine and a J-2 rocket engine which powered the Apollo astronauts to the Moon. For more, see www.sciencemuseum.org.uk

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10 London mysteries…9. The “Beast of Sydenham”…

A black cat the size of a labrador? The first sighting of the panther-like creature – which later became known as the Beast of Sydenham, was first reported in south-east London in 2002.

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LondonLife – Fern stands sentinel…

PICTURE: Sung Jin Cho/Unsplash

Fern the diplodicus stands in the Jurassic Garden outside the Natural History Museum in South Kensington.

This Week in London – The Charles Dickens Museum celebrates 100 years; activist Olive Morris commemorated; and, ‘The Story of Soldier Magazine’…

The Charles Dickens Museum. PICTURE: Courtesy of Google Maps

The Charles Dickens Museum, located in the author’s former home at 48 Doughty Street in Bloomsbury, is marking its centenary this year, and to celebrate the occasion, it’s holding a special exhibition of highlights from its collection. The museum, which first opened its doors on 9th June, 1925, has brought together everything from Dickens’ hairbrush, walking stick and only surviving suit through to portraits and photographs made during his lifetime as well as original manuscripts, letters to his family and friends and rare first editions. The exhibition runs on 29th June. Admission charge applies. For more, see https://dickensmuseum.com/.

Housing rights campaigner and activist Olive Morris has been commemorated with an English Heritage Blue Plaque in Brixton. Jamaican-born Morris (1952-1979), who dedicated her life to helping the oppressed and exploited, hosted Black women’s study groups and lived as a squatter at the three storey property at 121 Ralston Road in the 1970s. She was a significant figure in the British Black Panther movement, co-founded the Brixton Black Women’s Group and the Organization of Women of African and Asian Descent in 1978, and was one of the “Old Bailey three” who were acquitted after being prosecuted over a protest outside the Old Bailey, winning the right to a fair representation of Black people on the jury during the court proceedings. For more, see www.english-heritage.org.uk/visit/blue-plaques/.

Soldier magazine, the official magazine of the British Army, is marking its 80th anniversary with an exhibition ay the National Army Museum. The Story of Soldier Magazine charts the publication’s history from March, 1945, when it was launched by Field Marshal Bernard Law Montgomery, through the role it’s played in covering every major conflict since as well as the issues shaping military life. Runs until 6th July. Admission is free. For more, see https://www.nam.ac.uk.

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10 London mysteries – 8. The Ceremony of the Rendering of the Quit Rents…

Every year an ancient ceremony takes place in the City of London which, thanks to the passing of time, has become somewhat shrouded in mystery.

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LondonLife – Celebrating Lunar New Year…

Lanterns in Gerrard Street, London’s Chinatown. PICTURE: Sung Jin Cho/Unsplash

This Week in London – Peru’s orchids celebrated at Kew; Brazilian Modernism at the Royal Academy; and a tribute to The Clash’s Joe Strummer…

From a previous Orchid Festival at Kew Gardens which celebrated the biodiversity of Madagascar. PICTURE: © RBG Kew

• Kew Garden’s iconic orchid festival returns this Saturday with a Peruvian twist. The gardens’ 29th orchid festival explores some of the 3,000 species of orchids found in Peru’s varied landscapes. Inside the Princess of Wales Conservatory will be a floral recreation of the scenery of Peru including a cornucopia sitting on a grass island in the central pond which was inspired by Lake Titicaca and, in a smaller pond, floral parihuanas (flamingoes) stand proud in front of the iconic Machu Picchu. The display also includes the world’s largest bromeliad – Puya raimondii (commonly known as the Queen of the Andes) – which will be shown alongside floral sculptures inspired by the plant. The country’s diverse wildlife, meanwhile, is celebrated with an orchid aviary that brings to life the diverse bird populations of Peru, and visitors are welcomed by an alpaca bedecked in orchids. Visitors can also wander under a starry night sky adorned with dazzling allium flower heads, which will be recycled from Kew’s outdoor garden displays. There is also large-scale photography taken by celebrated Peruvian photographer Mariano Vivanco and new artworks created for the exhibition of Lima-born artist Gisella Stapleton. Runs until 2nd March. Admission charge applies (advance booking required). For more, see www.kew.org.

The diversity of 20th century Brazilian art is being celebrated in a new exhibition which opened at the Royal Academy this week. Brasil! Brasil! The Birth of Modernism features more than 130 works by 10 important Brazilian artists and spans the period from the 1910s to the 1970s. The artists include pioneers of Brazilian modernism such as Anita Malfatti, Vicente do Rego Monteiro, Jewish Lithuanian emigré Lasar Segall, Candido Portinari and Tarsilo do Amaral as well as self-taught artists such as Alfredo Volpu, Djaniro da Motta e Silva, Rupert Valentim, Geraldo de Barros, and the artist and architect Flávio de Carvalho. The exhibition also features a section dedicated to the historic Exhibition of Modern Brazilian Paintings, which took place at the Royal Academy in 1944 and was the first exhibition of modern Brazilian art in the UK. Runs until 21st April. Admission charge applies. For more, see www.royalacademy.org.uk.

A “legacy stone” commemorating the former residence of musician and former lead singer of The Clash, Joe Strummer, has been unveiled in North Paddington. The stone was installed in the newly refurbished Maida Hill Market on the corner of Walterton Road, a location where Strummer, who died in 2002, squatted during the 1970s ( in fact, his address of 101 Walterton Road inspired the name for the band the 101ers). The stone is inscribed with lyrics sung by Strummer in the song Clampdown from The Clash’s 1979 album London Calling including “the future is unwritten” and “No man born with a living soul can be working for the clampdown”. The stone was installed as part of Westminster City Council project to revitalise the market and Market Hill Area.

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10 London mysteries – 7. The mysterious pyramid of St Anne’s Limehouse…

On first glance, this stone pyramid standing in the churchyard of St Anne’s Limehouse appears to be a grave marker or tomb, albeit a rather unusual one.

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