Pentonville

What’s in a name?…Pentonville…

by exploringlondon

This north London district owes its name to the family estate on which it was developed.

The district, one of the first planned residential developments in London, was developed in the early 1770s along what was known as New Road. It can be found to the north of Clerkenwell with King’s Cross to the west and Angel to the east.

Corner of Chapel Market and Penton Street, Pentonville. PICTURE: Courtesy of Google Maps

Set within rolling fields, it was named for the family who owned the land which it was developed – that of Henry Penton, a Lord of the Admiralty, whose family, who hailed from Winchester, had owned the land for a couple of generations. The suffix “ville” was added to give the land sales appeal (a move which proved less popular after the rise of Napoleon thanks to its associated with French).

The new suburb was laid out mostly in a grid pattern on Islington Hill with the first street, named Penton Street, was completed in 1773. Building of further streets continued sporadically over the ensuing decades until the 1840s.

A church – St James Pentonville – was built halfway up the hill on Pentonville Road; it survived until its demolition in 1984. The burial grounds now form a public park – the Joseph Grimaldi Park (named for the clown who is buried within it). Other notable burials include Henry Penton.

Chapel Market was built as a residential street in 1790 but gradually transformed into a market and shops (it still contains some original properties).

Other landmarks include St Silas Church, Pentonville, which opened in 1863 and still stands in Risinghill Street, and the Church of St Mark the Evangelist, which opened in Myddleton Square in 1855, and was demolished in 1970.

Please consider supporting Exploring London for just £3 a month – and get access to all our content!

Initially a fashionable place to live, this led to the term ‘Pentonville’ being used to describe an area beyond its original boundaries (Charles Dickens was apparently guilty of doing this). But its reputation began to fade during the mid-19th century as some homes were converted into businesses and others became boarding houses and tenements. By the turn of the century it was one of London’s poorest districts.

The area was partly redeveloped with council housing during the period between the two world wars – this was continued to a greater degree after World War II.

Incorporated into the London Borough of Finsbury in 1899, Pentonville became part of the London Borough of Islington in 1965 (there was Pentonville ward in the borough until 1978).

Famous residents have included philospher and economist John Stuart Mill (born at 13 Rodney Street in 1806) and Vladimir Lenin, who lived with his wife at 30 Holford Square just off Pentonville Road briefly in 1902-03.

Pentonville Road, formerly part of New Road, shares the name and a number of other streets also feature related names including, of course, the aforementioned Penton Street. Interestingly, the (in)famous HM Prison Pentonville, is not located in the area but in Caledonian Road in Barnsbury, some distance to the north.

Of course, Pentonville (in the form of Pentonville Road) can also be found in the pale blue section of properties on the Monopoly board.

Famous Londoners – Joseph Grimaldi…

by exploringlondon

Grimaldi-memorialThe most renowned of English clowns, Joseph Grimaldi rose to the heights of fame in early 19th century London despite a private life characterised by hardships and pain.

Grimaldi was born in Clare Market, London on 18th December, 1778, the son of actor and clown Joseph Giuseppe Grimaldi (known simply as the “Signor”), and Londoner Rebecca Brooker, a dancer who was more than 50 years younger than Grimaldi when she become one of a string of mistresses.

Grimaldi-imageJoe was groomed for the stage by his father from an early age and made his debut at Sadler’s Wells Theatre in late 1780. He was soon also working at Drury Lane Theatre, running between the two to make performances (at the same time, he did attend a theatrical academy in Putney known for educating the children of performers).

Joe’s father died when he was just nine-years-old and he became the family’s main breadwinner and while he was still able to work at both Sadler’s Wells and Drury Lane, his pay was cut after his father’s death meaning the family had to move out of their home in Holborn and into the slum of St Giles where they took lodgings in Great Wild Street.

In 1799, having met three years before, he married Maria Hughes, the eldest daughter of Richard Hughes, the proprietor of Sadler’s Wells Theatre. The newlyweds moved to a home at 37 Penton Street in Pentonville. It was not to be a long-lasting marriage – Maria died during childbirth on 18th October, 1800.

Further hardship was to come soon after when, while performing at Drury Lane Theatre, he accidentally shot himself in his foot and was forced to bed to recover. But there was a silver lining – his mother employed a dancer, Mary Bristow, to look after him during his rehabilitation and they formed a bond which led to them being married on 24th December, 1801.

After recovering from his injury, meanwhile, he had resumed his hectic schedule at London theatres as well as country venues and it was during this period that he redesigned the way in which he painted his face – adopting a white face design still used by many clowns today – and created the iconic clown which he named simply ‘Joey’.

In 1802, his only child was born – Joseph Samuel, known simply as ‘JS’ – and from the age of 18 months, he was introduced to the theatre, making his own acting debut at Sadler’s Wells in 1814.

In 1806, Joe played what is arguably his most famous roles – as both Bugle and the Clown in Thomas Dibdin’s Harlequin and Mother Goose, which opened at the Covent Garden Theatre on 29th December, 1806, and ran for the next two years.

Financial need saw him continue to take on roles in London and elsewhere but finally, in 1823, ill health – the consequence of his many years of physically abusing his body for his act – forced him into retirement. In 1828, two farewell benefit performances were held in which he had a limited role, his last was at Drury Lane on 27th June.

The last years of his life were marked with tragedy – relations which his son were strained (and they spent years estranged) before JS died on 11th December, 1832, at just the age of 30 while his wife died in 1834.

Grimaldi spent the last years of his life living alone in Southampton Street, Islington, before he was found dead in his bed by his housekeeper on 1st June, 1837. He was buried in St James’s churchyard, Pentonville, on 5th June, 1837 – the area is now Joseph Grimaldi Park and features, as well as his grave, a coffin-shaped memorial (pictured, top) that plays musical notes when danced upon (it’s apparently possible to play his signature song, Hot Codlins when “dancing upon his grave”).

Described as being the pre-eminent entertainer of his day, Grimaldi is credited with transforming the role of the Clown in pantomime and ushering in a whole new era in the art of clowning. His legacy – still remembered by clowns everywhere – received a boost when after his death, Charles Dickens edited his memoirs in 1838.

He is remembered in an annual service held on the first Sunday in February every year in Holy Trinity Church, Hackney (the Sunday just past), an event which is attended by clowns in full get-up.

For a detailed look at the life of Grimaldi, see Andrew McConnell Stott’s The Pantomime Life of Joseph Grimaldi: Laughter, Madness and the Story of Britain’s Greatest Comedian.