This Week in London – Hans Holbein at The Queen’s Gallery; ‘Crown and Coronation’ at the Tower; Christmas at Kew; and, Charles Dickens’ friendship with Wilkie Collins explored…

Hans Holbein the Younger, 
Anne Boleyn (1532)/Royal Collection Trust / © His Majesty King Charles III 2023.

The largest exhibition of the work of Tudor-era artist Hans Holbein the Younger has opened at The Queen’s Gallery, Buckingham Palace. Holbein at the Tudor Court features more than 50 works by Holbein including intimate portrait drawings of the royal family and the Tudor nobility including one of few surviving drawings of Anne Boleyn made during her lifetime, drawings of Jane Seymour and Sir Thomas More, and an unfinished portrait of King Henry VIII’s son Prince Edward. Other portraits include that of Derich Born, a 23-year-old Steelyard merchant, and one of Richard Southwell, a convicted murderer who was one of King Henry VIII’s closest advisors. The exhibition also features objects including a Brussels tapestry, jewel-like miniatures and Henry VIII’s magnificent armour, usually on show at Windsor and in London for the first time in a decade. Runs until 14th April. Admission charge applies. For more, see www.rct.uk/collection/themes/exhibitions/holbein-at-the-tudor-court/the-queens-gallery-buckingham-palace

The White Tower looking south-east, showing a coloured light projection of St Edward’s Crown, the crown used at the moment of Coronation. PICTURE: © His Majesty King Charles III 2023 -Royal Collection Trust – Historic Royal Palaces

The magnificence of coronations and the Crown Jewels will be on show at the Tower of London from tomorrow night in a new light and sound show. Crown and Coronation – which has been created by Historic Royal Palaces in partnership with Luxmuralis as part of an artistic collaboration between artist Peter Walker and composer David Harper – brings the “spectacle, significance and shared experience” of coronations to life and demonstrates the pivotal role of the Crown Jewels in the ceremony as it takes visitors on a journey through the past 1,000 years. Images of the jewels will be projected on the White Tower in the show with visitors then able to view the actual jewels themselves in a special after hours opening. But you’ll have to be quick – the show can only be seen for nine days, ending on 25th November before it embarks on a two year UK-wide tour. Admission charge applies. For more, see www.hrp.org.uk/tower-of-london/.

The Palm House light show, part of Christmas at Kew. PICTURE: © Raymond Gubbay Ltd, Richard Haughton

Christmas returned to Kew this week with the launch of it’s new festive light trail featuring seven new installations. Highlights of this year’s trail include three metre tall illuminated flowers, cascading lights suspended from the tree canopy, one of the longest light tunnels to ever feature in Kew’s Christmas celebrations and the Hive – which recreates life inside a beehive – as well as the iconic Palm House light show, the twinkling tunnel of light inspired by arched church windows known as the ‘Christmas Cathedral’, and a ‘Fire Garden’ at the Temperate House. There’s also festive treats to sample and visitors can experience a traditional Christmas dinner at The Botanical Brasserie. Admission charges applies. Runs until 7th January (advance bookings only). For more, see www.kew.org/christmas.

Charles Dickens’ friendship and collaboration with writer Wilkie Collins is explored in a new exhibition at The Charles Dickens Museum in Bloomsbury. Dickens met Collins, who would become one of his most significant friends, in 1851 as they performed together in a play at the house of John Forster and their personal and professional relationship lasted more than 15 years. The display features works produced as a result of the friendship – everything from articles in Dickens’s Household Words through to novellas and plays such as The Lazy Tour of Two Idle Apprentices and The Frozen Deep – and features original letters, historic objects, and interactive displays focusing on everything from the pair’s moustache-growing contests and cruising international entertainment districts to co-writing side by side, discussing writer’s block and plot devices. Admission is included with general admission. Runs until 25th February. For more, see https://dickensmuseum.com.

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This Week in London – Georgian fashion; Shakespeare’s First Folio; what’s new at the British Museum…

Wedding dress worn by 
Princess Charlotte of Wales, 1816. PICTURE: Royal Collection Trust/© His Majesty King Charles III 2023

• The only royal wedding dress that survives from the Georgian period – the silk embroidered bridal gown of Princess Charlotte of Wales, daughter of King George IV – is one of the star sights at a new exhibition at The Queen’s Gallery, Buckingham Palace. Style and Society: Dressing the Georgians features more than 200 works from the Royal Collection including rare surviving examples of clothing and accessories as well as artworks by artists such as Gainsborough, Zoffany and Hogarth. Other highlights include a portrait of the wedding ceremony of George IV and Princess Caroline of Brunswick by John Graham – on display for the first time – as well as the original silver and gold dress samples supplied for the bride and other royal guests. There’s also a Thomas Gainsborough,’ depicting’s full-length portrait of Queen Charlotte wearing a magnificent court gown, a preserved gown of similar style worn at Queen Charlotte’s court in the 1760, and life-size coronation portraits of George III and Queen Charlotte by Allan Ramsay. Other items include a 1782 portrait of Prince Octavius, the 13th child of George III and Queen Charlotte, by Benjamin West in which the three-year-old wears a a style of dress known as a ‘skeleton suit’, jewellery including diamond rings given to Queen Charlotte on her wedding day and a bracelet with nine lockets – one with a miniature of the left eye of Princess Charlotte of Wales, and accessories such as a silver-gilt travelling toilet service acquired by the future George IV as a gift for his private secretary at a cost of £300. The exhibition can be seen until 8th October. Admission charges apply. For more, see www.rct.uk.

One of the finest copies of Shakespeare’s First Folio goes on display at the City of London’s Guildhall Library for just one day on Monday, 24th April, as part of the celebrations surrounding the 400th anniversary of its publication. The document will be on display between 10.30am to 3.30pm with a 10-minute introductory talk given on the hour throughout the day. Two small and original copies (‘Quartos’) of Henry IV Part One and Othello will also be on display, next to a replica copy of the First Folio that visitors can look through. The First Folio brought together 36 plays in one volume and was published in an edition of around 750 copies on 8th November, 1623 – seven years after Shakespeare’s death. It is now regarded as one of the most valuable books in the literary world. For more, see www.cityoflondon.gov.uk/things-to-do/history-and-heritage/guildhall-library.

Prints and drawings acquired by the British Museum over the past five years have gone on show in Room 90. New acquisitions: Paul Bril to Wendy Red Star features works ranging from an early 17th-century study for a fresco by the Flemish artist Paul Bril to 19th century drawings by Dante Gabriel Rossetti, 2019 prints by the Apsáalooke (Crow) artist Wendy Red Star and Cornelia Parker’s From H to B and back again – made during with the COVID-19 pandemic. Can be seen until 10th September. Admission is free. For more, see britishmuseum.org/exhibitions/new-acquisitions-paul-bril-wendy-red-star.

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This Week in London – A celebration of Spain and the Hispanic world; Lunar New Year at Greenwich; and, RA gifts at The Queen’s Gallery…

Joaquín Antonio de Basarás y Garaygorta, ‘Indian Wedding, in Origen, costumbres y estado presente de mexicanos y filipinos’ (1763); Illustrated manuscript on paper (41 x 65.7 cm). On loan from The Hispanic Society of America, New York, NY

• The collection of the Hispanic Society Museum & Library in New York is being celebrated in a new exhibition opening at the Royal Academy of Arts. Opening Saturday, Spain and the Hispanic World: Treasures from the Hispanic Society Museum & Library features more than 150 works from the collection – founded in 1904 by Archer M Huntington – which range from paintings and sculptures to jewellery, maps and illuminated manuscripts. Highlights include Francisco de Goya’s painting The Duchess of Alba (1797), Pedro de Mena’s reliquary bust, Saint Acisclus (c1680), earthenware bowls from the Bell Beaker culture (c2400-1900 BC), Celtiberian jewellery from the Palencia Hoard (c150-72 BC), and Hispano-Islamic silk textiles including the Alhambra Silk (c1400). There’s also a beautifully illuminated Hebrew Bible (after 1450-97), an exceptionally rare Black Book of Hours (c1458), and, Giovanni Vespucci’s celebrated world map from 1526. The exhibition runs until 10th April. Admission charge applies. For more, see www.royalacademy.org.uk.

The Lunar New Year is being celebrated in Greenwich this Saturday with a series of events at the National Maritime Museum. Activities range from Mahjong workshops to seeing a traditional lion dance, lantern making, a tea ceremony demonstration and, of course, the chance to find out about the items in the museum’s collection with Asian connections. For more, see www.rmg.co.uk/whats-on/national-maritime-museum/lunar-new-year.

Royal Collection Trust staff conduct final checks of a display opening today at The Queen’s Gallery, Buckingham Palace, showcasing 20 contemporary artworks gifted to Queen Elizabeth II to mark the Platinum Jubilee. PICTURE: Royal Collection Trust / © His Majesty King Charles III 2023.

Twenty contemporary artworks gifted by the Royal Academy of Arts to Queen Elizabeth II ar on display at The Queen’s Gallery in Buckingham Palace. The works on paper – created by Royal Academicians elected in the past decade – were presented to the Queen to mark her Platinum Jubilee in 2022. They include Wolfgang Tillmans’ Regina – a photograph taken during Queen Elizabeth II’s Golden Jubilee celebrations in 2002 depicting the Queen in the Gold State Coach passing along Fleet Street, Yinka Shonibare’s Common Wealth – a digital print of an orchid against a collage of platinum leaf and Dutch wax printed fabric, and Sir Isaac Julien’s Lady of the Lake – a fictionalised portrait of the American abolitionist Anna Murray Douglass as well as a digital print of Thomas Heatherwick’s design for the Tree of Trees project. This 21-foot sculpture incorporates 350 saplings and was erected outside Buckingham Palace as part of The Queen’s Green Canopy and was illuminated during a special Platinum Jubilee ceremony on 2nd June last year. The works can be seen until 26th February. Admission charge applies. For more, see www.rct.uk.

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