
William Blake, one of the UK’s most lauded artists and poets, was born in a property at 28 Broad Street (now Broadwick Street) in Carnaby Market, Soho, on 28th November, 1757.
Blake was the third of seven children (although two died in infancy) born to James and Catherine (he was baptised at nearby St James’s Church, Piccadilly, on 11th December). His father ran a hosiery store and the residence was located above his father’s shop (Blake worked as a delivery boy while a child).
Behind the premises was a workhouse and Blake’s memories of this flavoured some of his later works including Nurse’s Song.
Blake lived in the property until he was 25-years-old, during which time he completed an apprenticeship to engraver James Basire located in Great Queen Street and became a student at the Royal Academy in Old Somerset House in The Strand.
He moved to Green Street with his new wife, Catherine Boucher, in 1782.
His oldest brother James took over his father’s shop following his death in 1784 and, in 1809, the first floor of the premises hosted Blake’s only – and unsuccessful – solo exhibition.
The house survived until the 1960s but despite its famous heritage, the property was razed and a block of flats – William Blake House – was erected in its place. A plaque commemorating Blake’s birth in the former property is all that remains.
Who in the world gave the permission to raze the home of the most well-known British poets?
At the age of nineteen, I was on my own in London for the first time. On that occasion, I stumbled upon his works and Tuner’s art at Tate Gallery in Pimlico. I was in awe. It was in 1970