LondonLife – Beating the Bounds at All Hallows

Thursday is Ascension Day and, at All Hallows by the Tower in the City, that means conducting the ancient ceremony of Beating the Bounds.

The origins of the custom go back to medieval times when parishes annually reaffirmed their boundaries by undertaking a procession during which each parish boundary marker was beaten with wands while praying for protection and blessings.

At All Hallows, the beating party consists of students from Dunstan College in Catford (these students have an association with the church of St Dunstan-in-the-East which is now part of the parish of All Hallows) along with parish clergy and the masters of livery companies associated with the parish and Thames waterboatmen. (Pictured right is last year’s procession).

Highlights of the procession at All Hallows include the beating of the parish’s southern marker – this is located in the middle of the Thames and must be reached by boat – and the mock ‘confrontation’ which occurs between the beating party and the Governor and Yeoman Warders of the Tower of London.

The ‘confrontation’ relates to the fact that the parish and the tower share a boundary – this was apparently a common cause of dispute in the Middle Ages and led, in 1698, to a ‘battle’ between the people of the parish and those of the tower. The ceremony is followed by attendance at a festal evensong at the church.

For more, see www.ahbtt.org.uk/history/beating-the-bounds/

PICTURE: Courtesy of All Hallows by the Tower.

Curious London Memorials – 10. The Bard or not The Bard?

For the last in our series of curious London memorials, we’re looking at one which isn’t quite what it seems.

At first glance, the granite plinth topped by a bronze bust of William Shakespeare which stands in gardens at the junction of Love Lane and Aldermanbury in the City, looks like yet another tribute to the Bard.

But take a closer look and you’ll read that the inscriptions in fact refer to John Heminge and Henry Condell, two actors and friends of the Bard, who were responsible for collecting his works and giving them “to the world”.

The two men were partners with Shakespeare at the Globe and it was they who were behind the publication of his First Folio in 1623. They were both buried here in what was formerly the churchyard of St Mary Aldermanbury (first destroyed in the Great Fire of 1666 and then again in the Blitz although the surviving walls were later rebuilt in the US – more on that another time), Heminge on 12th October, 1630, and Condell on 29th December, 1627.

It’s worth quoting the inscription on the memorial – and there is a lot of it – at greater length. “The fame of Shakespeare,” it reads, “rests on his incomparable dramas. There is no evidence that he ever intended to publish them and his premature death in 1616 made this the interest of no-one else. Heminge and Condell had been co-partners with him in the Globe Theatre Southwark and from the accumulated plays there of thirty-five years with great labour selected them. No men living were so competent having acted with him in them for many years and well knowing his manuscripts. They were published in 1623 in folio, thus giving away their private rights therein. What they did was priceless, for the whole of his manuscripts with almost all those of the dramas of the period have perished.”

The memorial was erected by Charles Clement Walker, of Shropshire, in 1896. Walker, who has his own memorial in Northampton Square in Clerkenwell, was a Justice of the Peace for the counties of Salop and Stafford and a native of the parish of Clerkenwell.

The bronze bust of Shakespeare was by Charles Allen.

Treasures of London – The Whispering Gallery, St Paul’s Cathedral

Found 98 feet (30 metres) above the cathedral’s floor, the Whispering Gallery at London’s iconic St Paul’s Cathedral is an architectural marvel.

As with other “whispering galleries” found around the world, its construction is such that something whispered into the wall on one side of the gallery, which runs around the interior of the cathedral’s inner dome (part of the first ever ‘triple dome’), can be heard on the other side of the gallery, around 100 feet (30 metres) away.

The dome (pictured right), the design of which draws inspiration from that of St Peter’s Basilica in Vatican City, was constructed to the designs of Sir Christopher Wren. The cathedral, including the dome, was essentially completed in 1708.

As well as giving views down into the cathedral, the Whispering Gallery – a relatively easy climb of only 257 steps – also provides a close-up view of murals painted on the dome’s inner surface by Sir James Thornhill. Painted between 1715 and 1719, these depict images from St Paul’s life.

Two further galleries on the dome are also publicly accessible – the Stone Gallery, which stands 173 feet (53.4 metres) above the cathedral floor, and the Golden Gallery, which stands 280 feet (85.4 metres) above the cathedral floor and offers stunning views of the city as well as southward over the Thames. But be prepared for a long climb – 528 steps – up what are in places narrow, winding staircases.

The current ball and cross on top of the dome date from 1821 (these replaced those which had first topped the cathedral). Together they stand 23 feet (seven metres) high and weigh seven tonnes.

WHERE: St Paul’s Cathedral, St Paul’s Churchyard (nearest tube station is St Paul’s); WHEN: The galleries are open from 9.30am to 4.15pm, Monday to Saturday (small children must be accompanied by an adult)/Cathedral is open from 8.30am;  COST: £14.50 an adult/£13.50 concessions and students/£5.50 a child (6-18 years)/£34.50 a family of four; WEBSITE: www.stpauls.co.uk

Curious London memorials – 9. The Golden Boy of Pye Corner

It’s widely known that Pudding Lane was the place where the Great Fire of London is believed to have started in 1666 – hard to miss given the site is commemorated nearby in the form of The Monument, the world’s tallest freestanding stone column – but what about where it was stopped? Standing in a niche on the corner of a building overlooking the junction of Giltspur Street and Cock Lane is a small gilt statue known as the ‘Golden Boy of Pye Corner’.

It’s not known how old the statue is but it is known that it was previously located on the front of a pub, The Fortune of War, which stood on the site until it was demolished in 1910 (and was apparently used by body-snatchers as a place to display stolen corpses for surgeons to peruse).

The statue – which apparently marks the place where the fire was ‘stayed’ (that is, buildings were destroyed to stop the fire spreading any further) –  is accompanied by an inscription which reads “This Boy is in Memmory put up for the late Fire of London Occasion’d by the Sin of Gluttony 1666”.

Below it an explanatory note below explains that the boy was made deliberately fat in reference to the fact the fire was started in Pudding Lane as a result of gluttony and not by Papists as was claimed on The Monument (this reference – “But Popish frenzy, which wrought such horrors, is not yet quenched” – was added to the inscriptions on the Monument in 1681 but was removed in 1831).

Where’s London’s oldest…lived in house?

Like many in our series on London’s oldest, this one is a little subjective. But based on our survey of the data out there, we’re opting for 41-42 Cloth Fair, right beside St Bartholowmew the Great, in the City.

The only house to have survived the Great Fire of London in 1666, this five bedroom property – which we can confirm is still up for sale with a guide price of more than £5.9 million following a major restoration – was apparently completed around 1614.

It was originally constructed as part of a development initiated by Robert, Baron Rich, which featured 11 houses around a courtyard and was known as Launders Green (being located on what was the former laundry ground of the monastery at St Barts).

The red brick house, which was awarded a City Heritage award in 2000 for the sensitive restoration work, retains many of its original features.

Interestingly, windows on the second floor contain autographs of some of the famous people who have been to the property over the years including Queen Elizabeth, the Queen Mother, former PM Winston Churchill and Poet Laureate John Betjeman.

Around London – Burial place of Bunyan, Defoe and Blake gets Grade I listing; Kew Gardens joins Streetview; and, Afghan treasures on show…

The London burial place of writers John Bunyan and Daniel Defoe and artist and poet William Blake has been recognised as one of the city’s most significant historic landscapes with a Grade I listing on the national Register of Parks and Gardens. The news, which was announced last month, also sees 75 tombs located within Bunhill Fields Cemetery individually listed. Bunhill, located between City Road and Bunhill Row, is one of 106 registered cemeteries in London (and now one of only seven Grade I listed cemeteries). It was established in 1660 and, thanks to its not being associated with Anglican place of worship, is viewed as the “pre-eminent graveyard for Nonconformists in England” . About 123,000 burials took place in its four acres before it was closed in 1869. The oldest monument is that of theologian Theophilus Gale, who died in 1678. As well as the tombs of Buynan, Defoe and Blake, others listed on the register include that of Dame Mary Page, who died in 1728 and whose tomb inscription talks of her stoicism in the face of 240 gallons of water being taken out of her prior to her death, and Joseph Denison, a banker who died in 1806 and was one of England’s wealthiest commoners at the time. The listing was made by the Department of Culture, Media and Sport following advice from English Heritage. For more on Bunhill Fields, follow this link

Kew Gardens has joined Google Streetview, meaning it’s now possible to navigate your way around the gardens from the comfort of your own home. More than 26 kilometres of paths and the interiors of some of the garden’s glasshouses – including the Palm House and the Temperate House – can now be seen on Streetview which offers 360 degree views. Professor Stephen Hopper, director at Kew, says the new technology is “bound to encourage people to visit us and experience Kew for themselves”. Follow this link to see the gardens on Streetview.

• On Now: Afghanistan’s heritage is on display in a newly opened exhibition at the British Museum. Afghanistan: Crossroads of the Ancient World showcases more than 200 objects from the National Museum of Afghanistan as well as some items from the British Museum and includes sculptures, ivory inlays once attached to furniture, Roman glassware and Egyptian stone tableware, and inlaid gold ornaments once worn by the area’s “nomadic elite”. The objects were found between 1937 and 1978 and were preserved thanks to officials who kept them out of harm’s way during the Soviet and Taliban eras. The museum announced this week that they would be joined by carved ivory fragments that were stolen from Afghanistan’s national museum in the early 1990s and only recently presented to the British Museum by a benefactor with the idea that they will eventually be returned to Kabul. The exhibition runs until 3rd July. There is an admission charge. For more information, see www.britishmuseum.org.

Lost London – Newgate Prison

The most notorious of London’s many prisons, Newgate remained in use for more than 700 years.

The prison – located on the corner of Newgate Street and Old Bailey on the site of what is now London’s Central Criminal Court (known as the Old Bailey thanks to its position on the street known as Old Bailey) – was apparently first constructed around the end of the 1100s on the orders of King Henry II at the site of one of the gates in the Roman wall (see picture).

It was enlarged and renovated several times over the ensuing centuries (including a complete rebuilding after the Great Fire of London in 1666 and another to the design of George Dance after the prison was badly damaged during the Gordon Riots of 1780, sparked by opposition to Catholic emancipation).

The prison, which was infamous for the squalid conditions in which prisoners were housed, was used for a range of purposes including housing debtors and the incarceration of people awaiting execution (by the 18th century, it’s said that more than 350 crimes had become punishable by death).

In 1783 public executions were moved from Tyburn, west of the city, to a site just outside the prison. In 1868, executions were no longer open to the public at large and the gallows moved inside. The prison closed in 1902 and was eventually demolished in 1904.

Famous prisoners who spent time in Newgate include Shakespeare’ contemporary Ben Jonson (for killing a man in a duel), 17th century author Daniel Defoe (for his authorship of political pamphlets), Captain William Kidd (for piracy), and William Penn, Quaker and founder of Pennsylvania (for contempt of court during a case brought after he was accused of having illegally preached ).

But perhaps the most infamous is the 18th century criminal Jack Sheppard, known for having escaped from the prison several times before finally being hanged at Tyburn (close to where Marble Arch now stands).

The only surviving part of the prison in its original location is part of the prison wall which can be seen in Amen Corner.

PICTURE: Wikipedia.com

LondonLife – Jonquils in Bow Lane

Jonquils add a splash of color on a grey day during a busy lunchhour in Bow Lane in the City. Bow Lane runs from Poultry down to the junction of Queen Victoria and Cannon Streets.

The return of the Temple Bar

Temple Bar, LondonIt’s been a while since I was in London so I was delighted to find that the Temple Bar had been restored (not to its original site, but to the city as a whole!). The only surviving gateway into the city of London, it was constructed in 1672 to replace a crumbling wooden predecessor and was designed by Sir Christopher Wren (he of St Paul’s fame). The Temple Bar stood at the junction of Fleet Street and the Strand until 1878 when, to help traffic flow, it was removed. Apparently it was intended that it would be rebuilt somewhere else in the city, but time passed and no suitable site was found, so it eventually ended up on an estate in Hertfordshire. Where it remained until 2004 when – thanks to the work of the Temple Bar Trust – it was able to be returned to the city – it is now located between St Paul’s and Paternoster Square – for all to now enjoy.

WHERE: Between Paternoster Square and St Paul’s Cathedral. Nearest tube station is St Paul’s. COST: Free to see (actual building not open to public). WEBSITE: www.thetemplebar.info.

The Temple Bar isn’t the only ‘monument’, for want of a better word, which has been relocated in London. Another is the Wellington Arch, a magnificent structure which was originally finished (though not really completed) in 1830. Then known as the Green Park Arch, it stood parallel with the Hyde Park Screen (it was created to be seen in conjunction with it) and was later adorned with a huge – and controversial – statue of Wellington. But by the 1880s, traffic flow was again a problem and so it was decided to move the arch to its current location, perpendicular to the Hyde Park Screen. As a footnote, when the arch was moved in 1883, the statue of Wellington was not placed back on top but moved to a new site – Aldershot, where it is now.

WHERE: Grosvenor Place, Westminster, SW1X 7. Nearest tube station is Hyde Park Corner. COST: Adults £3.70/child £1.90 (English Heritage members free – there is a joint offer for others combined with Apsley House). WEBSITE: www.english-heritage.org.uk/daysout/properties/wellington-arch/.