London Police Stations
Amberley Publishing, Stroud, Gloucestershire, UK, 2021
ISBN – 978 1 3981 0016 9
Since the opening of the first purpose-built police station in Bow Street in 1831, police stations have grown to become a familiar feature in high streets across London.
But policing in the capital is in a state of flux with stations closing and resources consolidated. Thankfully comes Eileen Sanderson’s London Police Stations with the aim of capturing what is mainly a “pictorial record of these buildings as they exist now while these changes are occurring”.
Divided into six chapters – the first presenting a potted history of the Metropolitan Police Service and each thereafter covering a different geographical area of London, London Police Stations captures the diverse range of architectural styles that police stations are created in – from the late 19th century grandeur of stations like Kentish Town to more modern office blocks like that of Paddington Green.
It’s also filled with fascinating tidbits of police history. We learn about the small police station that was once located inside the top of Marble Arch overlooking Hyde Park (and another at the top of Wellington Arch on the other side of the park), that the original lamp from the now closed Vine Street Police Station hangs outside the modern Holborn Police Station, and how the lion-shaped brass doorknockers, stolen from Rotherhithe Police Station in 1881, turned up in 1952 following a death bed confession in which a man admitted that he had taken them as a drunken dare and had kept them hidden ever since.
A fascinating insight into the evolution of policing in London, London Police Stations will appeal to anyone interested in digging a little deeper into the fabric of London and its policing history.
This ornate triple stone entrance in the south-east corner of Hyde Park (better known as Hyde Park Corner), was designed by Decimus Burton when he was just 25-years-old.
Made of Portland stone, the gate, also known as the ‘Apsley Gate’ (after the nearby home of the Duke of Wellington) or the ‘Hyde Park Screen’, was installed in the late 1820s and replaced a former tollgate.
Several designs were proposed in the late 18th century but it was only after work started to transform Buckingham Palace from a home into the grand building we know today that Burton, who was already working on designing a series of gates, lodges and railings around Hyde Park for the Office of Woods and Forests, was asked to design the screen alongside plans for a grand memorial arch to serve as an entrance to Green Park which would be located opposite.
Burton’s designs for the Hyde Park gateway were approved by none other than King George IV and it now stands true to his original design. Decorative elements in the gate include scroll-topped columns and friezes by John Henning which were copied from the Elgin Marbles. Burton also designed the classical-style lodge house just inside the gates.
Burton’s initial plans for the Green Park arch, however, were deemed not to be grand enough – after all, this would be one of the approaches to Buckingham Palace – and so he produced a second design which is now largely embodied in what became the Wellington Arch.
While the Hyde Park gateway originally stood in line with Wellington Arch, traffic management matters saw the latter moved to its current position in the 1880s, putting it out of alignment with the gateway.
A view down Constitution Hill looking toward Whitehall, taken from the top of Wellington Arch at Hyde Park corner. To the left is Green Park and to the right, the grounds of Buckingham Palace. Constitutional Hill apparently has nothing to do with a document of any sort but takes its name from the fact that, considered to be a fine “constitutional” walk from St James’s Park to Hyde Park (King Charles II is rumoured to have been among those said to have taken their “constitutional” along this route while Queen Victoria survived a couple of assassination attempts on the road). The pillars at the near end are symbolic gates commemorating those who served Britain in World War I and II from the Indian subcontinent, Africa and the Caribbean (more on them in an upcoming post).
Known as ‘The Quadriga’, this bronze monument atop Wellington Arch at Hyde Park Corner depicts Nike, goddess of victory, in a four horse chariot. The work of English sculptor Adrian Jones, the quadriga was part of Decimus Burton’s original early 19th century design but it wasn’t until 1911-1912 that this colossal piece – once the largest bronze monument in Europe – was installed, replacing an equestrian statue of the Duke of Wellington which was moved to Aldershot (a smaller equestrian statue of the Duke now stands nearby). For more on the arch, see www.english-heritage.org.uk/visit/places/wellington-arch/.
Guns fired a royal salute in Hyde Park on Monday to mark the birth of the Duke and Duchess of Cambridge’s new daughter (and Prince George’s new sister), named Princess Charlotte Elizabeth Diana (or more formally, Her Royal Highness Princess Charlotte of Cambridge). Seventy-one horses pulling six World War I-era 13-pounder field guns from the King’s Troop Royal Horse Artillery rode out in procession with the Royal Artillery Band from Wellington Barracks, past Buckingham Palace, up Constitution Hill to Wellington Arch, and into Hyde Park to fire the salute. The 41 gun salute was fired at the same time as a 62 gun salute at the Tower of London. By custom, gun salutes are fired for the birth of every prince or princess, regardless of where they sit in the order of succession. A basic salute is 21 rounds with an additional 20 rounds fired because Hyde Park is a Royal Park while at the Tower of London an extra 20 rounds are fired because it is a royal palace along with a further 21 because of its City of London location. The princess, fourth in line to the throne, was born at 8:34am on Saturday at St Mary’s Hospital in Paddington, and weighed 8lbs, 3oz (3.7kg). PICTURE: © Courtesy of Ian Wylie Photo.
• The Battle of Waterloo comes under the microscope in a new exhibition opening at Wellington Arch on Hyde Park Corner tomorrow. Wellington Arch: Waterloo 1815 – The Battle for Peace provides an overview of the battle and the reasons which led to it, the people involved and the battle’s legacy. Displayed items include the sword the Duke of Wellington carried at the battle, his handwritten battle orders and an original pair of ‘Wellington boots’ as well as, of course, the arch itself, which was built in 1825-27 as a monument to Wellington’s victories over Napoleon. Admission charge applies. For more, see www.english-heritage.org.uk/visit/places/wellington-arch/.
• Shakespeare’s Globe in Southwark celebrates the Bard’s birthday with a Hamlet-themed day of free family events this Sunday. Along with an Elsinore bouncy castle, there will be sword-fighting demonstrations, ‘skull’ coconut shies and a grave-digging ball pool while actors who have taken on the role of Hamlet over the years while appear on stage attempting to deliver the quickest ever reading of the play and famous film adaptions of Hamlet will be playing on screen around the site. The day will also mark almost a year since Shakespeare’s Globe embarked on an unprecedented two year global tour of Hamlet taking in every country in the world in honour of last year’s 450th anniversary of Shakespeare’s birth. The birthday event at the Globe runs between 11am and 4.30pm. For more, see www.shakespearesglobe.com.
• The famous “cathedral on the marsh” – the Crossness Pumping Station – is open to the public this Sunday, the first of five days it will be open this year. The pumping station at Abbey Wood in south-east London was built by Sir Joseph Bazalgette as part of a general sewerage system upgrade and was opened by the Prince of Wales in 1865. The Grade I-listed Beam Engine House was constructed in the Romanesque-style and features some of the “most spectacular ornamental Victorian cast ironwork” to be found today. The day runs from 10.30am to 4pm. Admission charges apply but no booking is required. For more, see www.crossness.org.uk.
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• New galleries dedicated to exploring the history of World War I will open – along with the rest of the refurbished building – at the Imperial War Museum in Lambeth on Saturday. The First World War Galleries span 14 areas displaying everything from shell fragments and lucky charms carried by soldiers to weapons and uniforms, diaries and letters, photographs, art and film. Interactive displays include ‘Life at the Front’ featuring a recreated trench with a Sopwith Camel plane and Mark V tank, and ‘Feeding the Front’ featuring an interactive table of more than four metres long which looks how troops were kept fed. There are also reflective areas in which visitors are encouraged to reflect on some of the most difficult aspects of war. The museum – which features a dramatic new atrium – is also launching the largest exhibition and first major retrospective of British World War I art for almost 100 years. Truth and Memory includes works by some of the UK’s most important artists. Entry to both is free with Truth and Memory running until 8th March. For more, see www.iwm.org.uk.
• London’s memorials to those who died in World War I are the focus of a new exhibition which opened at Wellington Arch near Hyde Park Corner yesterday. The English Heritage exhibition, which has a particular focus on the six memorials cared for by English Heritage but also looks at other memorials, will include designs, statuettes and photographs of the memorials including the Cenotaph in Whitehall. Also featured in We Will Remember Them: London’s Great War Memorials are official documents – including a note of condolence and medals certificates – received by the family of author and broadcaster Jeremy Paxman on the death of his great uncle Private Charles Dickson, who died at Gallipoli in 1915. Runs until 30th November. Admission charge applies. For more see www.english-heritage.org.uk/daysout/properties/wellington-arch/. Meanwhile, coinciding with the opening of the exhibition has been news that five of London’s key war memorials – including the Edith Cavell Memorial in St Martin’s Place and the Royal Artillery Memorial at Hyde Park Corner – have had their heritage listing upgraded.
• In case you missed it, the 24th annual Festival of Archaeology kicked off last weekend and features a range of events across London. Highlights include the chance again to go ‘mudlarking’ on the Thames river bank below the Tower of London and have your finds assessed by archaeologists (this Saturday and Sunday from 11am to 4pm), guided 90 minute walks around Islington and Highbury this weekend with a particular focus on the 1940s, and a look behind the scenes at the London Metropolitan Archives (2pm to 5pm today). The festival continues until 27th July. Check the website for a full program of events – www.archaeologyfestival.org.uk.
First up, apologies that we were unable to launch our new Wednesday series yesterday due to some technical difficulties (stayed tuned for next week). And now, on with the news…
• William Shakespeare’s influence on successive generations of theatrical performance is the subject of a new exhibition at the V&A to mark the 450th anniversary of his birth on 23rd April. Shakespeare: Greatest Living Playwright centres on the Bard’s First Folio which, published in 1623, contains 36 plays including 18 works – Macbeth, The Tempest and Twelfth Night among them – which would be unknown without it. The display includes interviews, archive footage and photography and objects from the V&A collections as well as an audio-visual presentation by Fifty Nine Productions featuring interviews with contemporary theatre practitioners such as actors, directors and designers. Objects on display include a skull used by Sarah Bernhardt when playing Hamlet in 1899, an embroidered handkerchief used by Ellen Terry when playing Desdemona in 1881 at the Lyceum Theatre, and a pair of red boots worn by actor-manager Henry Irving in an 1887 production of Richard III. Runs in the V&A’s Theatre and Performance Galleries until 21st September. Admission is free. For more, see www.vam.ac.uk. PICTURE: Sarah Bernhardt as Hamlet, 1899, © Victoria and Albert Museum, London.
• A skeletal horse and a giant hand giving a thumbs up will adorn the Fourth Plinth in Trafalgar Square during 2015-16. Hans Haacke’s Gift Horse is derived from an etching by painter George Stubbs and, while being a comment on the equestrian statue of King William IV which was intended for the plinth, also features an electronic ribbon displaying a live ticker of the London Stock Exchange on its front leg. Meanwhile David Shrigley’s Really Good is a 10 metre high hand giving a thumbs up – sending a positive message to those who see it. For more, see www.london.gov.uk/priorities/arts-culture/fourth-plinth.
• The impact of the car on England’s landscape and the listed buildings of motoring history are the focus of a new exhibition in Wellington Arch. Carscapes: How the Motor Car Reshaped England features archive photographs, historic advertising, cartoons and motoring magazines as well as a 1930s traffic light, a petrol pump and other accessories and memorabilia. Wellington Arch, which is managed by English Heritage, is a fitting location for the exhibition – it was moved to its current position due to increasing traffic back in 1883. Admission charge apply. For more, see www.english-heritage.co.uk.
• A new exhibition exploring some of the true and not-so-true stories inspired by and produced in London opens at the London Transport Museum in Covent Garden tomorrow. London Stories features the best entries from The Serco Prize for Illustration 2014 with more than 50 works of art on display depicting a well-known or obscure London narrative. The short-listed illustrations tackle everything from ghost buses to Buffalo Bill’s Wild West Show of 1887, a Pearly King and Queen, Lenin’s ‘Love letter to London’ and an escaped monkey jazz band. There’s also a host of musical and literary references – everything from Mary Poppins to Sweeney Todd and Oranges and Lemons. Tomorrow there will be a late opening of the exhibition complete with cash bar, DJ and story-telling for adults as well as the chance to create your own London story with illustration workshops and a photo-booth. Organised by London Transport Museum in partnership with the Association of Illustrators, it runs until 6th April. Admission charge applies. For more, see www.ltmuseum.co.uk.
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• A new exhibition looking at the London that might have been opened at Wellington Arch near Hyde Park Corner yesterday. Almost Lost: London’s Buildings Loved and Loathed uses digital technology to look at how several redevelopment proposals – including a 1950s conceptual scheme for a giant conservatory supporting tower blocks over Soho and a 1960s plan to redevelop Whitehall which including demolishing most of the Victorian and Edwardian buildings around Parliament Square – would have changed the face of the city. The exhibition also looks at how the latest developments in digital mapping can be used in the future and features ‘Pigeon-Sim’ which provides a bird’s-eye view of the city’s buildings with an interactive flight through a 3D photorealistic model of the city. The exhibition runs until 2nd February. Admission charge applies. For more, see www.english-heritage.org.uk/daysout/properties/wellington-arch/.
• A specially commissioned Christmas tree has been unveiled at the V&A in South Kensington. The 4.75 metre high ‘Red Velvet Tree of Love’ is the work of artists Helen and Colin David and will stand in the museum’s grand entrance until 6th January. The design of the tree – which is coated in red flocking and decorated with 79 sets of hand cast antlers and 67 white, heart shaped baubles – was inspired by an 1860 HFC Rampendahl chair in the V&A’s collection which features a real antler frame and velvet upholstery. For more, see www.vam.ac.uk.
• The annual Christmas Past exhibition is once again open at the Geffrye Museum in Shoreditch. Festive decorations have transformed the museum’s rooms and give an insight into how the English middle classes celebrated in times gone past. The exhibition runs until 5th January. Admission is free. Accompanying the exhibition are a series of events including an open evening celebrating an Edwardian Christmas between 5pm-8pm tonight. For more, see www.geffrye-museum.org.uk/whatson/christmas-past-2013/.
• The World War II experience of Chelsea Pensioners are being commemorated in a new display in the White Space Gallery at the National Army Museum in Chelsea. The Old and the Bold is the culmination of a year long collaboration between the museum and the Royal Hospital Chelsea and features nine interviews with 14 In-Pensioners. Their accounts span iconic moments in World War II history – from D-Day to North Africa and the Falklands and are supported by items from the museum’s collection. Runs until 3rd January. Admission is free. For more, see www.nam.ac.uk.
• The sights and sounds of the elaborate masques of the early Stuart Court – described as a cross between a ball, an amateur theatrical, and a fancy dress party – are being recreated at the Banqueting House in Whitehall. Historic Royal Palaces have joined with JB3 Creative to create an “immersive theatrical experience” for visitors to the building – one of the last surviving parts of the Palace of Whitehall – with the chance to try on costumes, learn a masque dance and witness performance rehearsals for Tempe Restored, last performed in the building in 1632. Inigo Jones will be ‘present’ as masque designer to talk about his vision for the performance. Weekends will also see musicians performing period music and on 27th July there will be a one-off evening event at the Banqueting House based on Tempe Restored. Admission charge applies. Performing for the King opens tomorrow and runs until 1st September. For more, see www.hrp.org.uk/BanquetingHouse/. PICTURE: HPR/newsteam.
• A new exhibition looking at how some of London’s great Georgian and Victorian buildings were lost to bombs and developers before, after and during World War II – and how people such as poet John Betjeman campaigned to save them – opened in the Quadriga Gallery at Wellington Arch near Hyde Park Corner yesterday. Pride and Prejudice: The Battle for Betjeman’s Britain features surviving fragments and rare photographs of some of the “worst heritage losses” of the mid-20th century. They include Robert Adam’s Adelphi Terrace (1768-72) near the Strand, the Pantheon entertainment rooms (1772) on Oxford Street, and Euston Arch (1837). The English Heritage exhibition runs until 15th September. Admission charge applies. For more, see www.english-heritage.org.uk/daysout/properties/wellington-arch/.
• IEDs (Improvised Explosive Devices) will be ‘uncovered’ in a new exhibition opening tomorrow at the National Army Museum. Unseen Enemy will tell the stories of the men and women in Afghanistan who search for, make safe and deal with the impact of the IEDs through personal interviews, images and mementoes. The exhibition has been developed with “unprecedented access” from the British Army, Royal Air Force and Royal Navy and will include a range of equipment used in detecting and disarming the devices, such as bombsuits and robots as well as medical equipment used to help those injured in explosions. The exhibition is free. For more, see www.nam.ac.uk.
• On Now: Club to Catwalk – London Fashion in the 1980s. This exhibition at the V&A explores the “creative explosion” of London fashion during the decade and features more than 85 outfits by designers including John Galliano, Vivienne Westwood and Katherine Hamnett as well as accessories by designers such as Stephen Jones and Patrick Cox. While the ground floor gallery focuses on young fashion designers who found themselves on the world stage, the upper floor focuses on club wear, grouping garments worn by ‘tribes’ such as Fetish, Goth, High Camp and the New Romantics and featuring clothes such as those worn by the likes of Boy George, Adam Ant and Leigh Bowery. The exhibition also includes a display of magazines of the time. Entry charge applies. Runs until 16th February, 2014. For more, see www.vam.ac.uk. Meanwhile, tomorrow (Friday) night the V&A will celebrate the 25th anniversary of designer Jenny Packham with a series of four free catwalk shows in its Raphael Gallery. Booking is essential. Head to the V&A website for details.
• A landmark exhibition looking at fashion in the Tudor and Stuart eras opens at The Queen’s Gallery, Buckingham Palace, tomorrow. In Fine Style: The Art of Tudor and Stuart Fashion features everything from a diamond ring given by King Charles I to his then 19-year-old wife Henrietta Maria, an ornate set of armour which belonged to 13-year-old Henry, Prince of Wales (the older brother of King Charles I – he died of typhoid fever at the age of 19), and a diamond-encrusted box in which Queen Mary II kept black fabric patches worn to conceal blemishes or highlight the creaminess of skin. A 58.5 carat pearl, named ‘La Peregrina’ (‘The Wanderer’) and given to Queen Mary I as an engagement gift from Philip II of Spain (and later presented to Elizabeth Taylor by Richard Burton on Valentine’s Day, 1969), is also among the objects on show along with a pendant featuring a miniature of Queen Elizabeth I. The exhibition also features more than 60 portraits from the Royal Collection showing the fashions of the time, including a portrait by Sir Peter Lely of court beauty Frances Stuart, Duchess of Richmond, who famously refused to become King Charles II’s mistress. Admission charge applies. Runs until 6th October. For more, see www.royalcollection.co.uk. PICTURE: Sir Anthony van Dyck, Queen Henrietta Maria, 1609-69. Royal Collection Trust/© 2013, Her Majesty Queen Elizabeth II.
• A medieval crozier and bejewelled ring discovered in Cumbria in 2010 are on public display for the first time in a new exhibition at Wellington Arch. The artefacts, which were discovered at Furness Abbey, are featured in an English Heritage exhibition, A Monumental Act: How Britain Saved Its Heritage, which explores how the Ancient Monuments Act of 1913 helped protect Britain’s historical fabric. Other objects in display include some of the historic artefacts found in the 20 years following the act – a Roman bronze weight from Richborough Roman Fort in Kent and a 13th century sculpture of Christ found at Rievaulx Abbey in Yorkshire. Admission charge applies. The exhibition runs until 7th July. For more, see www.english-heritage.org.uk/daysout/properties/wellington-arch/.
• The Hunterian Museum at the Royal College of Surgeons is celebrating its bicentenary this year and to mark the occasion, they’re holding a free exhibition focusing on the museum’s collections of human anatomy and pathology; natural history and artworks. The display will consider how the objects in the collection have informed the medical world and fallen under the gaze of visitors who have included surgeons as well as monarchs. The exhibition in the Qvist Gallery at the museum in Lincoln’s Inn Fields opens on Tuesday, 14th May, and runs until 9th November. For more, see www.rcseng.ac.uk/museums/hunterian.
• The world comes to Regent Street this Sunday with the ‘InsureandGo The World on Regent Street’ festival. Representatives from countries including Argentina, Egypt, Trinidad and Tobago, Turkey and China as well as the UK will showcasing the best of each country’s culture, music and dance, art, food and fashion. Activities will include tango lessons from Argentina, professional henna drawing from Egypt, a steel band from Trinidad and Tobago, and a Chinese drumming performance and lion dancing. The street will be closed for the day. For more, see www.regentstreetonline.com.
• On Now: Kaffe Fassett – A Life in Colour. This exhibition at the Fashion and Textile Museum in Bermondsey Street celebrates the work of American-born artist Kaffe Fassett and features more than 100 works including nine foot wide knitted shawls, coats and throws, patchwork quilts and a ‘feeling wall’ where visitors can touch the textiles on display. Admission charge applies. Runs until 29th June. For more, see www.ftmlondon.org.
Apologies for missing our series on Great Victorian Projects yesterday. It will resume next week. In the meantime…
• Fourteen rare Victorian paintings of life in prehistoric times have gone on display at Wellington Arch near Hyde Park Corner. The watercolors – which were commissioned by MP and archaeologist Sir John Lubbock in 1869 and have never before been displayed in public together – form the centrepiece of a new English Heritage exhibition, The General, The Scientist & The Banker: The Birth of Archaeology and the Battle for the Past. The “ground-breaking” works were painted by animal illustrator Ernst Griset and were ‘informed’ by then-recent archaeological finds including stone tools and fossils. The exhibition, which also includes rare artefacts, drawings and manuscripts tells the story of archaeological pioneers who fought to bring about recognition and legal protection for Britain’s ancient monuments and looks in detail at the achievements of three men – scientist Charles Darwin, archaeologist General Pitt-Rivers and banker Sir John Lubbock. The exhibition is the first of five being held in the arch’s Quadriga Gallery to mark the centenary of the 1913 Ancient Monuments Act. Runs until 21st April. Admission charge applies. For more, see www.english-heritage.org.uk/daysout/properties/wellington-arch/.
• Get Carter or The Ipcress File? Alfie or Educating Rita? The Museum of London is asking fans to vote for their favourite Michael Caine movie ahead of the opening of their new free exhibition on the actor next month. Voting for Caine on Screen can be found by following this link and closes at 5pm on 14th March after which the top four films will be revealed. A full list of Sir Michael’s movies – and there’s more than 100 – is available on the voting form. More on the exhibition to come.
• On Now: Lichtenstein: A Retrospective. This exhibition on level two of the Tate Modern on South Bank is the first major retrospective on the Pop artist Roy Lichtenstein (1923-1997) for 20 years and brings together more than 125 of his most definitive paintings and sculptures as it reassesses his work and legacy. Key works include Look Mickey (1961), Whaam! (1963) and Drowning Girl (1963). Co-organised by The Art Institute of Chicago and Tate Modern, it runs until 27th May. Admission charge applies. For more, see www.tate.org.uk.
• On Now: In search of Classical Greece: Travel drawings of Edward Dodwell and Simone Pomardi, 1805-1806. This free exhibition at the British Museum looks at Greece through the eyes of classical late eighteenth and early nineteenth century scholar Edward Dodwell and his Italian artist Simone Pomardi and features works produced during their travels in 1805-06. Lent by the Packard Humanities Institute, the works have never been seen in public before. See them in Room 90. Runs until 28th April. For more, see www.britishmuseum.org.
• The influence of ancient Egypt on English architecture and interiors is under the spotlight in a new English Heritage exhibition inside Wellington Arch’s Quadriga Gallery at Hyde Park Corner. Egypt in England reveals that the Egyptian style, while it has been used in 18th century gardens in England, first rose to popularity after Napoleon’s invasion of Egypt in 1798, continued when the discovery of Tutankhamun’s tomb in 1922 triggered a new wave of ‘Egyptomania’ and went onto into the later 20th century where its influence can be seen on buildings like cinemas and shops. The exhibition features photographs of Egyptian-style buildings and landmarks from across England – including London sites such as the The Egyptian Avenue and Circle of Lebanon Vaults at Highgate Cemetery and The Egyptian Hall at Harrods – alongside images of the Egyptian sources which inspired them. There are also 19th century travel brochures, a number of shabtis (the small mummy-like figurines placed in tombs which were often taken home by visitors as souvenirs) and Wedgewood ceramics designed in the Egyptian style. The display also tells the story of London landmark Cleopatra’s Needle, a 3,500-year-old obelisk which sits on the north bank of the Thames (see our earlier post on it here). Admission charge applies. Runs until 13 January. For more, see www.english-heritage.org.uk/daysout/properties/wellington-arch/.
• A new exhibition of photographs taken by celebrated snapper Dorothy Bohm opens at the Museum of London tomorrow. Women in Focus will feature 33 color photographs dating from the 1990s to the present which juxtapose women who work and live in London with the ever-present images of women in advertising, artwork and shop windows. The images show women in their varied roles in society – from parents to professionals – and reflects on how they are seen in London’s public spaces. Runs until 17th February. For more, see www.museumoflondon.org.uk.
• Now On: Mario Testino: British Royal Portraits. This display at the National Portrait Gallery features eight portraits of Royal Family members taken by Mario Testino between 2003 and 2010. As well an official portrait of Prince Charles taken in 2003, others include a portrait of Prince William taken the same year for his 21st birthday, another of Prince Harry on his 21st birthday, a portrait of Prince Charles and Duchess Camilla commissioned by British Vogue in 2006 and official engagement portraits of Prince William and Duchess Catherine taken in 2010. It is the first time the portraits have all been shown together. The exhibition runs in Room 40 until 3rd February. Admission is free. For more, see www.npg.org.uk.
• Now On: A Bigger Splash: Painting after Performance. This newly opened exhibition at the Tate Modern explores the changing relationship between performance and painting, spanning the period from 1950 to today and featuring works from more than 40 artists including David Hockney, Yves Klein, Jackson Pollock and Cindy Sherman. Themes examined in the exhibition include how the painted canvas has been used as an ‘arena’ in which performance is carried out, the use of the human body as a surface and how contemporary artists are using painting to create social and theatrical spaces. Runs until 1st April. Admission charge applies. For more, see www.tate.org.uk.
The latest in the series in which we ask you to identify where in London this picture was taken and what it’s of. If you think you can identify this picture, leave a comment below. We’ll reveal the answer early next week. Good luck!
This image is one of many found in a subterranean tunnel surrounding Hyde Park Corner Underground Station and depicts, of course, the 1st Duke of Wellington, Arthur Wellesley, enjoying his latter years. The ‘Iron Duke’ has strong connections to Hyde Park Corner – his former home, Apsley House, No 1. London, is located there as is the Wellington Arch, the Decimus Burton memorial to him. For more on the Duke, see our earlier post here and for more on Wellington Arch, see our earlier ‘Where is it?’ post here.
One of the stranger sights in London during this week of Olympic celebration are the many statues around the city adorned with hats – including Trafalgar Square’s iconic statue of Admiral Lord Nelson which now wears a Union Jack hat featuring a replica of the Olympic flame. Designed by Sylvia Fletcher and made by London’s oldest hatters Lock & Co, makers of Nelson’s original bicorn hat, the hat is one of 20 which has been placed upon London statues. It’s all part of Hatwalk, an initiative which aims to take visitors on a tour of the city by bringing some of its most well-known statues to life. Other statues wearing hats include those of former US President Franklin D Roosevelt and former British PM Winston Churchill in Bond Street, the Duke of Wellington near Wellington Arch, and William Shakespeare in Leicester Square. Hatwalk, which features hats designed by some of the UK’s top milliners, was commissioned by the Mayor of London, in partnership with BT, Grazia magazine, the British Fashion Council and the London 2012 Festival. The hats, which appeared on the statues yesterday, will remain on the statues for only four days before they are auctioned for charity. For more on Hatwalk and a map of where the hats are, see www.molpresents.com/hatwalk
• Europe’s tallest building marks the completion of its exterior structure today with a spectacular light show. The Shard, a £450 million development located over London Bridge Station in Southwark, stands 310 metres tall and was designed by Italian architect Renzo Piano. The controversial glass clad structure, work on which commenced in 2009, features a jagged top with the design reportedly referencing the city’s many church spires. While the exterior of the building is now complete, work is expected to continue on the building’s interior – which will contain offices, luxury shops and restaurants, a five star hotel and 10 top-end apartments (the highest in the UK) – until next year. It is expected that the building’s viewing decks – which offer panoramic 360 degree views over the city – will become a major new tourist attraction in the city. The Shard will be formally opened today by Qatari Prime Minister Hamad bin Jassem al-Thani and Prince Andrew, Duke of York. The hour long light show, which features lasers and searchlights, kicks off at 10pm and those who can’t see it in person can watch it streamed live at the-shard.com.
• A skeleton from the St Bethlehem Burial Ground and 55 million-year-old fragments of amber are among the artefacts which will go on display this Saturday at a special public exhibition of archaeological discoveries made during the construction of Crossrail. Almost 100 objects found at 10 different sites will be in the Bison to Bedlam – Crossrail’s archaeology story so far exhibition which marks the halfway point of the Crossrail archaeology program, first launched in 2009. Finds have dated from prehistoric times through to the Industrial Revolution and, as well as those aforementioned, also include some medieval ceramic wig curlers, 17th century gravestone markers and stakes made out of animal bone. All the items will be eventually donated to the Museum of London or Natural History Museum. The exhibition will be held from 10am to 5pm this Saturday at the Music Room, Grays Antiques, 26 South Molton Street (nearest Tube station is Bond Street). For more, see www.crossrail.co.uk.
• Alderman Jeffrey Evans (Ward of Cheap) and Nigel Pullman have been elected the new sheriffs of the City of London in a poll held late last month. The office of the sheriffs dates back to the Middle Ages – current duties include assisting the Lord Mayor of London in his official duties and attending sessions of the Central Criminal Court at the Old Bailey. The two new sheriffs take up their post in late September.
• On Now: Blackpool: Wonderland of the World. A new exhibition held in the Quadriga Gallery at the Wellington Arch, Hyde Park Corner, this looks at how Blackpool transformed in the 19th century from a small village to become became the first resort in the world to cater for the working classes. Focusing on two of the town’s key attractions – the Winter Gardens and the Blackpool Tower – the exhibition’s highlights include a silver model of Blackpool Tower dating from 1893, rare Victorian and vintage posters advertising performances by some of the stars who shone there, and early 20th century photographs of the interiors of the Winter Gardens. In addition, two crowns will illuminate the top of Wellington Arch in a taste of Blackpool’s famous light show. Organised by English Heritage in partnership with Blackpool Council, it runs until 27th August. Admission fee applies. See www.english-heritage.org.uk/daysout/properties/wellington-arch/exhibitions-at-the-arch/current-exhibition/ for more.
A newly refurbished Wellington Arch reopened last week with a new exhibition dedicated to Stonehenge. Stonehenge: Monumental Journey, which runs until 24th June in the arch’s Quadriga Gallery, show how visitors to the monument have interacted with it over time and look at how it new works will see it reconnected with the landscape around it. Other exhibitions in the Quadriga Gallery later this year include Blackpool: The Wonderland of the World, The Ladies of Kenwood, and Egypt in England. The refurbished arch also now contains a bookshop dedicated to English Heritage publications. For more on the history of Wellington Arch, see our previous entry here.
WHERE: Aspley Way, Hyde Park Corner (nearest Tube station is Hyde Park Corner); WHEN: 10am to 5pm, Wednesday to Sunday (until 28th March, 2013); COST: £4 an adult/£2.40 a child/£3.60 concession/£21.30 family (English Heritage members free); WEBSITE: www.english-heritage.org.uk/daysout/properties/wellington-arch/
• South Bank is celebrating the 60th anniversary of the 1951 Festival of Britain with a four month series of events. The official celebrations kicked off yesterday and will run until early September. Highlights of the celebrations include the Museum of 1951 – a temporary museum located in Royal Festival Hall featuring exhibits relating to the 1951 festival, themed weekends including next weekend’s ‘London in Love’, featuring performances by Billy Bragg, and a Festival of Britain-inspired ‘Meltdown’ curated by Ray Davies of The Kinks (runs from 10th to 19th June). The original Festival of Britain was opened on 3rd May, 1951, with the intention of developing a sense of “recovery and progress” among the British in the aftermath of World War II and marked the centenary of the 1851 Great Exhibition. The South Bank Exhibition was at the heart of what were national celebrations and was attended by more than eight million people. For more information on what’s happening, see www.southbankcentre.co.uk.
• Historic royal wedding cakes have been recreated this Easter weekend in an exhibition celebrating the lead-up to this Friday’s Royal Wedding. The English Heritage-event Let Them Eat Cake, which is being held at Wellington Arch near Hyde Park Corner, features a “four-and-20 blackbirds pie” of the sort King Henry VIII gave to his new wife Anne Boleyn as well as recreations of Prince Charles and Lady Diana’s wedding cake and that of Queen Elizabeth II. The event, which is sponsored by Tate & Lyle Sugars, involves some of Britain’s leading bakers. For more, see www.english-heritage.org.uk/daysout/events/765107/. See Exploring London this week for more on the upcoming Royal Wedding.
• The Mayor of London, Boris Johnson, confirmed this week that work will begin on a new cable car to cross the Thames River in East London this summer. The 34 gondola cable car will stretch for 1.1 kilometres, connecting Greenwich Peninsula and the O2 on the river’s south bank with Royal Victoria Docks and the ExCel centre on the north and carrying up to 2,500 people every hour. Construction will be carried out by a consortium of firms led by Mace – the company currently building the Shard Tower – and it is hoped it will be completed before next year’s Olympics.