He-can-no-longer-at-theA “ground-breaking” exhibition of works of 18th and 19th century Spanish painter and printmaker Francisco Goya opens to the Courtauld Gallery at Somerset House today. Goya: The Witches and Old Women Album brings together the previously widely scattered pages of one of the artist’s most celebrated private albums in the first exhibition to ever recompile one of them. The album – which features themes of witchcraft, dreams and nightmares and has been reconstructed into its original sequence – is thought to have been made between 1819-23, a period during which Goya completed the murals known as the Black Paintings. Runs until 25th May. Admission charges applies. For more, see www.courtauld.ac.uk/goya. PICTURE: © The Courtauld Gallery (He can no longer at the age of 98, c. 1819-23, J. Paul Getty Museum).

The ‘Wolsey Angels’ have been “saved for the nation” after a campaign to acquire them by the V&A. The museum has reported that more than £87,000 was raised in a national public appeal – around £33,000 of which was raised via donations and through the purchase of badges at the South Kensington premises – which, along with grants including a £2 million National Heritage Memorial Fund grant and a £500,000 Art Fund grant, will be used to acquire the four bronze angels which were originally designed for the tomb of Cardinal Thomas Wolsey, chief advisor to King Henry VIII. The four bronze angels, which have been in display at the V&A, will now undergo conservation treatment before going back on display. For more on the history of the angels, see our earlier post here. For more information on the V&A, see www.vam.ac.uk.

Closing Soon – A Victorian Obsession: The Pérez Simón collection at Leighton House Museum. This exhibition at the former Holland Park of Lord Leighton presents more than 50 rarely exhibited paintings by leading Victorian artists including Albert Moore, Dante Gabriel Rossetti, Edward Burne-Jones, John Everett Millais, John William Waterhouse, Edward Pointer, John Strudwick and John William Godward as well as six pictures by Leighton himself and the highlight, Lawrence Alma-Tadema’s The Roses of Heliogabalus. Runs until 29th March. Admission charge applies. See www.rbkc.gov.uk/subsites/museums/leightonhousemuseum/avictorianobsession.aspx for more.

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Wolsey-Angels

 

Four bronze angels, designed for the tomb of Cardinal Thomas Wolsey, have been temporarily reunited in the V&A’s Medieval & Renaissance galleries as the museum looks for funding to acquire them.

Once thought lost, the Wolsey Angels were commissioned in 1524 from Florentine sculptor Benedetto de Rovezzano for the tomb of Wolsey, chief advisor to King Henry VIII and one of the most powerful men in the kingdom. Each of the angels, which measure around a metre in height, was created between 1524 and 1529 – the period in which Wolsey was trying to have the pope annul Henry VIII’s marriage to Catherine of Aragon.

As is well-known, Wolsey failed to do so and died in 1530 in disgrace. Henry appropriated Wolsey’s assets including the tomb which the king apparently intended to use for himself. The work was slow, however, and when Henry died in 1547, it remained unfinished. His children – King Edward VI, Queen Mary I and Queen Elizabeth I – each said they would complete the tomb as a memorial to their father but didn’t and in 1565, Elizabeth moved parts of the tomb to Windsor.

During the English Civil War elements of the tomb were sold off to raise funds and only the black stone chest – now used to house the remains of Admiral Lord Nelson in the St Paul’s Cathedral crypt – were believed to have survived along with four large gilt-bronze candlesticks which were installed at St Bavo Cathedral in Ghent.

The angels passed out of sight until, in 1994, two of them appeared in a Sotheby’s sale. Acquired by a Parisian art dealer, they were later attributed to Benedetto. The remaining two angels were discovered at Harrowden Hall in Northamptonshire in 2008 – the hall is now owned by the Wellingborough Golf Club – and it was subsequently revealed that the other two had been stolen from the same site 20 years previously.

The V&A has embarked on a campaign – backed by Hilary Mantel, the Booker Prize winning author of Wolf Hall – to acquire the four angels, priced at £5 million. It has already been granted £2 from the National Heritage Memorial Fund and the Art Fund has pledged a further £500,000.

Mantel described the recovery of the angels as “one of those miracles that historians pray for; something that seems irrevocably lost has been there all the time”. “To claim the angels for the nation would connect us to one of the liveliest eras of our history and one of its most remarkable men.”

Donations can be made via the V&A’s website at www.vam.ac.uk/wolseyangels.

PICTURE: Wolsey Angels on display at the V&A/© Victoria and Albert Museum, London