LondonLife – London, 1879…
Areas of London
This Week in London – Natural History Museum scientists name new species; Ketna Patel at the Heath Robinson Museum; and, David Hoffman’s images of the East End…
• A snake named after actor Leonardo DiCaprio, fossilised dung named after the author of Winnie the Pooh and a piranha named after Sauron, the evil Lord of the Rings figure, are among 190 new species named by London’s Natural History Museum scientists in 2024. The Anguiculus dicaprioi, or DiCaprio’s Himalayan snake, was named after DiCaprio while Alococopros milnei is a fossilised dung named after AA Milne in recognition of Winnie the Pooh (get it?) and a vegetarian piranha, or pacu, was named Myloplus sauron due to its resemblance to JRR Tolkien’s Eye of Sauron. Other newly named species included a new dinosaur from the Isle of Wight, now known as Comptonatus chasei, which was named for fossil hunter, Nick Chase, and a new species of pterosaur which was named Ceoptera evansae. For more on the museum, see www.nhm.ac.uk.
• The work of British-Indian artist Ketna Patel is the subject of a new exhibition at the Heath Robinson Museum. REMIXOLOGY: The Art of Cultural Storytelling by Ketna Patel invites audiences to
“reflect on how identity is shaped – by ourselves and by society” and celebrates what is described as her “signature approach” to her work which involves remixing diverse cultural influences into something new. The display can be seen at the Pinner museum until 8th February. Museum admission charge applies. For more, see www.heathrobinsonmuseum.org.
• Now on: Endurance & Joy in the East End: The photography of David Hoffman. This exhibition, hosted by the Museum of the Home, features the work of one of the leading “photographers of protest” in the UK and spans a 10 year period starting in 1973 when Hoffman lived in a squat in Fieldgate Mansions and documented issues seen in Whitechapel including homelessness, racism and the rise of protest. Running until 30th March, it can be seen in the Undercroft at 136 Kingsland Road. For more, see www.museumofthehome.org.uk/whats-on/exhibitions-and-installations/endurance-and-joy-david-hoffman/
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LondonLife – Christmas fog…
LondonLife – London, wrapped for Christmas …
Cartier with a cosmic display in New Bond Street. PICTURE: JuliaC2006 (licensed under CC BY 2.0)
This Week in London – London homes at Christmas; Christmas Eve at the Dickens’; and, ‘Women & Freud’…
• The Museum of the Home in Shoreditch has once again redressed its ‘Rooms through Time’ display for the festive season. Located in the Grade I-listed Almshouses and adjoining Branson Coates Wing, the display spans the some 400 years and explores how seasonal festivals, culture and personal traditions” have shaped our lives at home during the winter months. This year the redressing also includes seven new period homes which reflecting the stories of East London. See everything from a Midwinter Celebration in 1630 to a Midnight Mass in 1956, a Christmas Party in 1978, and a futuristic New Year’s Eve in 2049. Runs until 12th January. Admission is free. For more, see www.museumofthehome.org.uk/whats-on/rooms-through-time/winter-past-2024-2025/.
• Join the Dickens family for Christmas. The Charles Dickens Museum in Bloomsbury is holding a special Christmas Eve opening with the house decorated in a traditional Victorian style. Guests, who each receive a free mince pie and mulled wine or soft drink alternative, will be able to watch adaptations of A Christmas Carol, including The Muppet Christmas Carol, throughout the day in ‘The Smallest Theatre in the World.’ Admission charge applies. To book, head to https://dickensmuseum.com/blogs/all-events/christmas-eve-at-the-charles-dickens-museum.
On Now: Women & Freud: Patients, Pioneers, Artists. This display at the Freud Museum in South Hampstead draws on manuscripts, images, objects, visuals, and film footage to bring to life the many women who shaped Freud’s life including everyone from the early “hysterics”, who Freud called “his teachers” to later patients such as Princesse Marie Bonaparte (who went on to become an analyst) through to his daughter Anna Freud and her partner Dorothy Burlingham, to artists such as Marie-Louise von Motesiczky, Louise Bourgeois, Paula Rego, Alice Anderson and Tracey Emin. The exhibition also celebrates the 100th anniversary of the first publication of Sigmund Freud’s work by Hogarth Press, founded and owned by Virginia and Leonard Woolf and a key feature in Bloomsbury life. Admission charge applies. Runs until 5th May. For more, see www.freud.org.uk/exhibitions/freuds-women/
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10 London mysteries – 5. The St Pancras walrus…
Archaeologists were excavating the former St Pancras Old Church burial ground ahead of the expansion of St Pancras Railway Station to accommodate the Eurostar in 2003 when they came across a rather unusual coffin.
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Where’s London’s oldest…greeting card shop?
It’s that time of year and while it seems less people are these days sending Christmas cards, there are many who still do.
While we’ve previously written about the origins of greeting cards at Christmas (and who first sent them), today we’re taking a look at the oldest shop in which they’re still sold in London – often said to be the Medici Gallery in South Kensington.
The gallery was opened by the Medici Society in 1908. This organisation had been founded by Philip Lee Warner and Eustace Gurney with the intention of promoting the work of artists to a wider audience. It initially operated on a subscription basis under which subscribers pay a set rate and then obtain copies of prints but later became a limited company.
The name Medici was said to have been chosen as a homage to the Medici family known for, among other things, the promotion of the arts in Florence during the Renaissance.
The gallery first started selling greeting cards in the 1930s and continues to do so today.
For more on the shop at 26 Thurloe Street, see www.medici.co.uk/.
Lost London – Richmond Lodge…
Located close to the River Thames, Richmond Lodge was a royal hunting lodge before becoming a favoured residence for Hanoverian royals for several decades in the 18th century.
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This Week in London – One of the world’s most valuable watches at Science Museum; medieval silk bag (with a story) goes on show at Westminster Abbey; and, new electric bus display at London Transport Museum…
© The Museum for Islamic Art, Jerusalem
• One of the world’s most valuable watches – the No 160 watch which Abraham-Louis Breguet designed for Marie Antoinette but which wasn’t completed until the 1820s, well after her death – is the star of the show at the Science Museum’s new exhibition Versailles: Science and Splendour. Opening today, the exhibition, created in partnership with the Palace of Versailles, takes visitors on “a 120-year journey through the evolution of science at Versailles” and explores how Louis XIV, Louis XV and Louis XVI encouraged the pursuit of scientific knowledge and harnessed that knowledge as a tool of power. More than 100 objects are on display and, along with Breguet’s watch, they include Louis XV’s rhinoceros, a detailed map of the moon by Jean-Dominique Cassini, and Claude-Siméon Passemant’s Clock of the Creation of the World (1754). The watch, meanwhile, has its own fascinating history, including two decades in which its whereabouts were unknown after it was stolen in 1983 (in fact, its display in this exhibition marks the first time the timepiece has travelled abroad since its safe return to the LA Mayer Museum for Islamic Art in 2008). Runs until 21st April. Admission charge applies. For more, see sciencemuseum.org.uk/see-and-do/versailles.
• A medieval silk seal bag, which dates from the reign of King Henry III, has gone on public display for the first time in the Queen’s Diamond Jubilee Galleries at Westminster Abbey. The display follows the discovery by scholars that the bag’s material is a perfect match to the silk cloth used to wrap the remains of the Emperor Charlemagne when he was buried in Germany’s Aachen Cathedral (Charlemagne, seen as the first Holy Roman Emperor, died in 814 but was re-buried in the karlsschrein (Charles’s shrine) at Aachen in 1215). The bag at the abbey contains a wax seal, the Great Seal of King Henry III, which was attached to an inventory of the jewels and precious items on Edward the Confessor’s shrine located in the heart of the abbey. It was drawn up in 1267 when Henry III was in financial difficulties and forced to pawn items from the shrine to Italian merchants to raise funds (it is believed the items were all returned within 18 months). The silk used for Charlemagne’s shroud is believed to have been spun in the 12th century in Spain or the eastern Mediterranean and, while the small piece at the Abbey originates from a separate silk, it is understood that it would have been produced by the same weavers on the same loom. The bag can been seen until Easter next year. Admission charge applies. For more, see www.westminster-abbey.org/visit-us/plan-your-visit/the-queens-diamond-jubilee-galleries/.
• A new interactive electric bus display has opened at the London Transport Museum in Covent Garden. The Wrightbus Electroliner display – which has been provided by Transport UK London Bus – is based on an electric vehicle bus type which has been part of the fleet of buses operating in London since 2023. The new display features the front of the bus and includes an interactive driver cab and passenger space. Admission charge applies. For more, see www.ltmuseum.co.uk.
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10 London mysteries – 4. How did King Henry VI die?
The Tower of London is known for many mysteries – the most famous, perhaps, being the fate of the two ‘Princes in the Tower’. But among the other mysterious deaths which took place behind the closed doors of the fortress is the death of the deposed King Henry VI.
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LondonLife – Christmas intersection…
Looking toward the Royal Exchange in the City of London.
This Week in London – Queen Victoria’s Christmas childhood; Parmagianino’s Madonna and Child with Saints; and, Buckingham Palace winter tours…
• Step back in time at Kensington Palace this Christmas with an experience inspired by Queen’s Victoria’s childhood at the palace. Victoria’s Childhood Christmas features intricately designed installations – everything from trees hung with sugar ornaments and handmade paper decorations to bespoke illustrations and period-style gifts – as well as an exploration of how some of the traditions still celebrated today – such as arranging numerous Christmas trees on table tops and displaying unwrapped presents around them – can be traced back to the 1830s at Kensington Palace. There’s also a pop-up theatre set which captures the magic of Victoria’s winter trips to London opera houses and a festive-themed afternoon tea inspired by Princess Victoria’s Christmas traditions served in The Orangery. The experience, which is included in general admission, can be seen until 5th January. For more, see www.hrp.org.uk/kensington-palace/
• Parmigianino’s Madonna and Child with Saints (1526‒7) returns to display in The National Gallery for the first time in a decade in honour of the gallery’s 200th anniversary. The work, which is also known as The Vision of Saint Jerome, was presented to the gallery in 1826 and is being displayed with a selection of some of the most important preparatory drawings providing a rare opportunity to follow the artist’s creative process. The painting can be seen in Room 46 until 9th March. Entry is free. For more, see nationalgallery.org.uk.
• The Buckingham Palace State Rooms are open for one hour tours on select dates throughout winter. Led by an expert guide, the tours, which have a maximum of 30 people, include a complimentary guide. For more, see https://www.rct.uk/whatson
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10 London mysteries – 3. Where is Boudicca buried?
The location of Queen Boudicca’s grave has remained a mystery for almost 2,000 years and, dare we say it (yes, thinking of you, King Richard III), is likely to remain so.
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LondonLife – Christmas comes to 10 Downing Street…
Prime Minister Keir Starmer and his wife Victoria Starmer turned on lights on the Christmas tree outside 10 Downing Street on 2nd December. The couple were joined by NHS workers, military personnel and members of the police. The Christmas tree is the winner of a competition run by the British Christmas Tree Growers Association, chosen for showcasing “the finest dedication, craftsmanship and commitment of British Christmas tree growers”. This year’s Nordmann Fir was grown by Evergreen Christmas Trees – a family run business based on the Welsh border who have been growing Christmas trees since 1992. The runner-up in the Christmas tree competition – Cadeby Tree Trust from Warwickshire – have supplied two Christmas trees for inside Downing Street. The wreath for the famous door at Number 10, meanwhile, was provided by Santa Trees, a Christmas tree farm from Cornwall. Lights on London’s most famous Christmas tree – that in Trafalgar Square – are being turned on this Thursday (5th December).
This Week in London – ‘Electric Dreams’ at Tate Modern; The Reflection Room; and, last chance to get NYE tickets…
“Arte Virtual”, Metro Opera, Madrid, Spain, 1994 (detail). ZKM Karlsruhe. © Monika Fleischmann and Wolfgang Strauss
• Early innovators of optical, kinetic, programmed and digital art are being celebrated in a new exhibition which opens today at Tate Modern. Electric Dreams: Art and Technology Before the Internet features the work of more than 70 artists who worked between the 1950s and the dawn of the internet age and “who took inspiration from science to create art that expands and tests the senses”. Works on show include Electric Dress (1957) by Japanese artist Atsuko Tanaka of the Gutai group which is being shown alongside her circuit-like drawings, German artist Otto Piene’s Light Room (Jena) which surrounds viewers in a continuous light ‘ballet’, British-Canadian Brion Gysin’s homemade mechanical device, Dreamachine no.9 (1960-76) which creates kaleidoscopic patterns, and Tatsuo Miyajima’s eight-metre-long wall installation of flashing LED lights, Lattice B (1990), which is a meditation on time. A series of rooms, meanwhile, explores the art shows which played a key role in the development of digital art including London’s groundbreaking ‘Cybernetic Serendipity’ exhibition held at the ICA in 1968, and the exhibition also features the work of early adopters including US artist Rebecca Allen and Palestinian Samia Halaby as well as some of the earliest artistic experiments in virtual reality such as Monika Fleischmann and Wolfgang Strauss’ interactive installation Liquid Views (1992). Runs until 1st June. Admission charge applies. For more, see tate.org.uk.
• The Museum of London Docklands is launching The Reflection Room, a new display space for artists on Friday. The new space, which the museum says will offer “room to explore a range of ideas and perspectives that foreground emotions and human experiences connected to London’s history”, will open with British-Caribbean artist Zak Ové’s mixed media installation Exodus. The installation, which is said to suggest a “reflection on today’s discourse around migration” will be accompanied by a wall of historic maps that present a visual sense of data on international migration, agricultural trade, and tourism between 1500 and 2005. Exodus can be seen until May. Admission is free. For more, see www.londonmuseum.org.uk/docklands/.
• The final tranche of tickets for London’s New Year’s Eve fireworks display go on sale on Monday, 2nd December, at noon. Tickets must be bought in advance to attend and cost between £20 and £50 depending on the viewing area while Londoners will pay £15 less on each ticket booked than those living outside of the capital. Tickets will be available at www.ticketmaster.co.uk. For more on the event, see www.london.gov.uk/nye.
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10 London mysteries – 2. Who was Jimmy Garlick?
This week we look at a mysterious mummified figure who was “discovered” in the vaults beneath the floor of St James Garlickhythe in the 1850s.
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London pub signs – The Betjeman Arms…
This St Pancras pub – located inside St Pancras International Station itself – bears the name of poet, writer, broadcaster and activist Sir John Betjeman.
Betjeman, who was Poet Laureate from 1972 until his death in 1984, did have a particular connection to this location: he helped save the George Gilbert Scott-designed station from demolition in the 1960s with the station eventually awarded Grade I listed status in 1967.
The campaign to save St Pancras was just one of the many to save historic buildings that Betjeman was involved in, although not all were successful.
Betjeman is also remembered in a larger-than-life statue of the man which is located on the station concourse. Martin Jennings’ bronze statue depicts the poet and stands on a slate roundel featuring a selection of his writings.
The pub, which features a Betjeman ale, is now part of the Young’s group. For more, head to www.thebetjemanarms.co.uk/.
Treasures of London – Charles Hare’s uniform…
Newly acquired by the National Maritime Museum in Greenwich is the uniform of an officer in the French Imperial Customs Service (Les Douanes) worn by a Naval midshipman during his escape from Napoleonic France.
The son of a naval officer in Lincolnshire, Charles Hare had joined the Royal Navy at the age of 11 in 1801 and was serving as a naval midshipman on board the ship Minerva when it was captured off Cherbourg in 1803.
Along with the other officers, Hare, just 13-years-old, was sent to a the walled town of Verdun which served as a prison depot and allowed to live within the walls on parole. In 1806, however, he was transferred to the prison fortress of Sarre Libre (now Saarlouis in modern Germany).
On 12th August, 1809, Hare – now aged 19 and wearing the above mentioned uniform which includes a dark green coat with stripes of silver lace at the collar and a shako, a tall and cylindrical military cap featuring a plume of green and white feathers – made his escape from Sarre Libre.
He travelled by carriage to Mainz and then took a number of boats along the Rhine including on a barge hosting a wedding where he had to join in the drinking of brandy and singing. He eventually reached the port of Rotterdam in what is now The Netherlands.
On the 25th August, fishermen rowed Hare and his dog out to the British warship Royal Oak which was involved in a blockade of the Dutch coast. A few days later he sailed back to Britain where later that month Hare was reunited with his mother and sisters (his father had died in the year he joined the Navy) in the village of Fillingham, Lincolnshire.
Astonishingly, along with the uniform, the museum was also able to acquire a hand-written account of Hare’s escape which he apparently wrote for his young son George.
In it, Hare talks about the risk he was taking in wearing a “military habit” (he could have been executed as a spy if discovered) and his pet English terrier dog which he had been given while at Verdun and which accompanied him throughout the escape.
Hare soon returned to his career in the navy and eventually settled in Canada.
Following conservation work, the uniform – the most complete surviving example of its type from the Napoleonic era – can be how seen in the Nelson, Navy, Nation gallery at the National Maritime Museum.
WHERE: Nelson, Navy, Nation gallery at the National Maritime Museum, Romney Road, Greenwich (nearest DLR is Cutty Sark; nearest train stations are Greenwich and Maze Hill); WHEN: 10am to 5pm daily; COST: Free (booking recommended): WEBSITE: rmg.co.uk.
This Week in London – Photographing the 80s; Tirzah Garwood at Dulwich; and, Mars comes to Greenwich…
• The largest survey of the development of photography in Britain across the 1980s to date goes on show at the Tate Britain today. The 80s: Photographing Britain draws on almost 350 images and archive materials from the period to explore how photographers responded to the “seismic social, political, and economic shifts around them” during the decade. It features the work of more than 70 lens-based artists and collectives and features images taken from across the UK – from John Davies’ post-industrial Welsh landscape to Tish Murtha’s portraits of youth unemployment in Newcastle and Don McCullin’s portraits of London’s disappearing East End. Along with documentary photography capturing key political events such as John Harris and Brenda Prince’s images of the miners’ strikes and
Syd Shelton and Paul Trevor’s images of anti-racism demonstrations, the exhibition also includes
a series of thematic displays, featuring works such as Roy Mehta and Vanley Burke images of their multicultural communities, which explore how photography became a compelling tool for representation. Other subjects covered include countercultural movements that took place in the 80s and the presence and visibility of the LGBTQ+ community during the period of the AIDS epidemic. Runs until 5th May. Admission charge applies. For more, see www.tate.org.uk.
• The first major exhibition devoted to the British artist and designer Tirzah Garwood has opened at the Dulwich Picture Gallery. Tirzah Garwood: Beyond Ravilious comes 10 years after the critically acclaimed show celebrating the work of Eric Ravilious, husband of Garwood who was a celebrated artist and printmaker in her own right. More than 80 of Garwood’s work are on show including most of her existing oil paintings. Along with Garwood’s works – which include everything from woodgravings to a series of experimental marbled papers and collaged paper portraits – are 10 watercolours by her husband which draw out the couple’s “thematic similarities, shared interests and distinct artistic personalities”. Runs until 26th May. Admission charge applies. For more, see www.dulwichpicturegallery.org.uk.
• Luke Jerram’s massive travelling installation Mars is unveiled at the Painted Hall in Greenwich this Saturday. Measuring seven metres in diameter and internally lit, the work features detailed NASA imagery of the Martian surface, recreated to scale (but about a million times smaller than the actual planet). The installation, which follows on from Jerram’s earlier artworks Gaia and Museum of the Moon, features a surround sound composition by BAFTA-winning composer Dan Jones which includes clips from NASA missions to Mars. Can be seen until 28th January. Admission charge applies. For more, see https://ornc.org/whats-on/mars/.
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10 London mysteries – 1. The murder of Robert Pakington…
London’s rich layers of history has left its fair share of mysteries and in this series we’re going to take a look at 10, some well-known and others, such as this first one, less so…
First up, it’s a 500-year-old murder mystery. The victim was Robert Pakington, an MP and prominent member of the Worshipful Company of Mercers, who is often said to be the first victim to be murdered with a handgun.
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