This Week in London – Revamped National Army Museum opens; butterflies return to the NHM; and World War I reimagined…
March 30, 2017
• The National Army Museum opens today following a massive three year, almost £24 million redevelopment. Designed by architects BDP and exhibition design agency Event (with £11.5 million in funding from The National Lottery), the main site of the museum at Chelsea features five new permanent galleries and a temporary exhibition space. Laid out over four floors, the new galleries feature more than 2,500 objects arranged under the themes of ‘Soldier’, ‘Army’, ‘Battle’, ‘Society’ and ‘Insight’. Among the objects on display are Crimean Tom, a cat found during the Crimean War and brought back as a pet (‘Soldier’), a portrait of Khudadad Khan VC, the first Indian soldier to win the Victoria Cross (‘Army’), the famous ‘Siborne Model’ of the Battle of Waterloo (‘Battle’), the flak jacket, helmet, identity discs and press pass of journalist Kate Adie (‘Society’), and a cup from the 1745 Jacobite Rebellion (‘Insight’). The new 500 square metre temporary exhibition space, meanwhile, is initially hosting the exhibition War Paint: Brushes with Conflict which features more than 130 paintings and objects explores the complex relationship between war and the men and women who map, record, celebrate and document it. Other features at the museum include a new cafe, shop and play area for children known as Play Base. Entry to the museum is free. For more, see www.nam.ac.uk.
• Butterflies return to the Natural History Museum this week with the immersive exhibition, Sensational Butterflies. The experience, now in its ninth year, takes visitors on a trail through a tropical habitat as they encounter each aspect of the life-cycle of the butterfly with highlights including watching them hatch from delicate chrysalises and seeing them feed and engage with each other. The Butterfly House team will be on hand to answer questions and give advice and tips. Admission charge applies. Runs from Friday until 17th September. For more, see www.nhm.ac.uk/sensational-butterflies.
• A new exhibition exploring the personal stories of those who fought in World War I as well as those back home opens at the Guildhall Art Gallery tomorrow. Echoes Across The Century, conceived and delivered by the Livery Schools Link in partnership with the gallery, takes visitors on a “multi-sensory journey” exploring craftsmanship, memory and separation. It features Jan Churchill’s installation, Degrees of Separation, and the work of 240 students who were guided and inspired by Jane as they explored the impact of the war and imagined what life was like for those 100 years ago. Admission is free. Runs until 16th July. For more follow this link.
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Top posts of 2015 – A garden gem; London and the Peasant’s Revolt; and, the Duke of Wellington’s cloak…
December 28, 2015
10. Our 10th most popular post was published in July came from our special series on “10 small, ‘secret’ and historic gardens in central London” and looks at the origins of The Goldsmith’s Garden – 10 small, ‘secret’ and historic gardens in central London…1. Goldsmiths’ Garden…
9. Published in November, our ninth most popular post was from our current special series on London ‘battlefields’ and looks at the role the city played in the 14th century Peasant’s Revolt – 10 London ‘battlefields’ – 3. London sacked in the Peasant’s Revolt…
8. At number eight is a post from our long-running Treasures of London series, which, in the year of the 200th anniversary of the Battle of Waterloo, looks at a recent acquisition by the National Army Museum – Wellington’s cloak – Treasures of London – Duke of Wellington’s cloak…
We’ll look at numbers seven through five tomorrow…
September 18, 2015
Spattered with mud, the cloak is made from blue wool and trimmed with a navy collar and facings. Purchased by the museum at auction for £38,000, it will now form part of a collection of other Waterloo and Napoleonic items in the museum’s permanent collection.
The cloak can apparently be traced back to Lady Caroline Lamb, who had an affair with Wellington in the summer of 1815 and is believed to have been given the cloak as a memento. The first documented owner was Grosvenor Charles Bedford who was given the cloak in 1823 by the surgeon and anatomist Anthony Carlisle.
On presenting Bedford with the cloak, Carlisle had commented that it had been given to him by Lady Caroline who had received it from the duke. The cloak has been passed down within Bedford’s family ever since.
The National Army Museum in Chelsea already possesses a portrait of Wellington by Edward Stroehling (1768-1826) which depicts him wearing a similar cloak.
The cloak will go on display when the museum reopens next year. For more on the museum in the meantime, see www.nam.ac.uk.
PICTURE: Courtesy National Army Museum.
This Week in London – Churchill’s Scientists; Waterloo online; a Chelsea murder case reopened; exploring Crossrail; and, astronomical photography…
February 5, 2015
• Marking the 50th anniversary of the death of Winston Churchill, a new exhibition at the Science Museum in South Kensington looks at his passion for science and the influence that had on bringing World War II to an end. Churchill’s Scientists celebrates the individuals who flourished under Churchill’s patronage (and , as well as helping to bring about the end of World War II, also launched a post-war “science renaissance”) – from Robert Watson-Watt (inventor of radar) through to Bernard Lovell (creator of the world’s largest telescope) – and also delves into more personal stories of Churchill’s own fascination with science and tech. The display include objects from the museum’s collection as well as original archive film footage, letters and photographs. Highlights include the high speed camera built at Aldermaston to film the first microseconds of the detonation of the UK’s first home grown atomic bomb, the cigar Churchill was smoking when he heard news of his re-election as PM in 1951, and a one-piece green velvet “siren suit” designed by Churchill to wear during air raids (only one of three originals known to exist, it’s never been on public display outside of the tailors who created it). The free exhibition runs until 1st March and is part of the Churchill 2015 programme of events. Visit www.sciencemuseum.org.uk/churchill for more. PICTURE: Churchill with a Spitfire from Castle Bromwich (Philip Insley, CBAF Archive Vickers ArchiveSyndics).
• The National Army Museum and Waterloo2oo have launched an online gallery which will eventually comprise images and information on more than 200 artefacts associated with the Battle of Waterloo ahead of the 200th anniversary in June. Among the objects featured on Waterloo200.org are the Duke of Wellington’s boots, a French eagle standard captured in battle and the saw used to amputate the Earl of Uxbridge’s leg. One hundred items – drawn from the Army Museum’s collection as well as from European museums and private collections – can already be seen on the site with a further 100 to be added before the bicentenary on 18th June.
• The Talk: Death in Disguise: The Amazing True Story of the Chelsea Murders. On 12th February, the Guildhall Library in the City of London will host Gary Powell as he examines the facts of this double murder which took place in Chelsea in May, 1870, and left Victorian society reeling. For more events at the library, follow this link.
• On Now: Breakthrough: Crossrail’s tunnelling story. This exhibition at the London Transport Museum in Covent Garden brings a new perspective on the massive Crossrail project currently underway in the city. Visitors will experience the tunnel environment through a five metre high walk-through installation featuring a computer simulation of a giant boring machine as well as learn about how the project is shaping up, play interactive tunnelling games and hear firsthand from those who work underground. Admission charge for adults applies. Runs until August. For more, see www.ltmuseum.co.uk.
• Extended: Astronomy Photographer of the Year Exhibition. This exhibition at the Royal Observatory Greenwich features the winning images from last year’s competition. They include the Briton James Woodend’s image of a vivid green aurora in the Icelandic night sky; American Patrick Cullis’ view of earth taken from 87,000 feet above ground; and, New Zealander Chris Murphy’s image of dusty clouds dancing across the Milky Way. The exhibition can be seen for free in the Observatory’s Astronomy Centre until 19th July. For more, see www.rmg.co.uk/astrophoto.
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November 7, 2014
This Sunday marks 25 years since the fall of the Berlin Wall so we decided it was a fitting time to mention the fragment of the wall which accompanies the bronze statue of former US President Ronald Reagan in Grosvenor Square, Mayfair.
The plaque also features quotes from President Reagan – including the famous line from his 1987 Brandenburg Gate speech, “Mr Gorbachev, open this gate. Mr Gorbachev, tear down this wall” – and other figures including former UK PM Margaret Thatcher and Mikhail Gorbachev as well as information about the wall itself.
In a dedication to the president, it further reads: “Ronald Reagan, the 40th President of the United States of America, was a principled fighter for freedom. With a clear vision and will, he gave hope to the oppressed and shamed the oppressors. His contribution to world history in the 20th century, culminated in his determined intervention to end the Cold War. President Reagan has left a lasting legacy as a campaigner for global peace.”
The memorial was unveiled on 4th July, 2011, outside the US Embassy by the Ronald Reagan Presidential Foundation, to mark the 100th birthday of the former president. Among those present at the unveiling of the statue were then Foreign Minister William Hague and former US Secretary of State Condoleezza Rice.
There are also larger sections of the wall outside the Imperial War Museum in Lambeth and in the National Army Museum in Chelsea (closed for redevelopment until 2016).
For more on London’s monuments, check out Andrew Kershman’s aptly named London’s Monuments.
This Week In London: The London that might have been; the V&A’s Christmas tree; Christmas celebrations at the Geffrye; and, World War II recollections…
December 5, 2013
• A new exhibition looking at the London that might have been opened at Wellington Arch near Hyde Park Corner yesterday. Almost Lost: London’s Buildings Loved and Loathed uses digital technology to look at how several redevelopment proposals – including a 1950s conceptual scheme for a giant conservatory supporting tower blocks over Soho and a 1960s plan to redevelop Whitehall which including demolishing most of the Victorian and Edwardian buildings around Parliament Square – would have changed the face of the city. The exhibition also looks at how the latest developments in digital mapping can be used in the future and features ‘Pigeon-Sim’ which provides a bird’s-eye view of the city’s buildings with an interactive flight through a 3D photorealistic model of the city. The exhibition runs until 2nd February. Admission charge applies. For more, see www.english-heritage.org.uk/daysout/properties/wellington-arch/.
• A specially commissioned Christmas tree has been unveiled at the V&A in South Kensington. The 4.75 metre high ‘Red Velvet Tree of Love’ is the work of artists Helen and Colin David and will stand in the museum’s grand entrance until 6th January. The design of the tree – which is coated in red flocking and decorated with 79 sets of hand cast antlers and 67 white, heart shaped baubles – was inspired by an 1860 HFC Rampendahl chair in the V&A’s collection which features a real antler frame and velvet upholstery. For more, see www.vam.ac.uk.
• The annual Christmas Past exhibition is once again open at the Geffrye Museum in Shoreditch. Festive decorations have transformed the museum’s rooms and give an insight into how the English middle classes celebrated in times gone past. The exhibition runs until 5th January. Admission is free. Accompanying the exhibition are a series of events including an open evening celebrating an Edwardian Christmas between 5pm-8pm tonight. For more, see www.geffrye-museum.org.uk/whatson/christmas-past-2013/.
• The World War II experience of Chelsea Pensioners are being commemorated in a new display in the White Space Gallery at the National Army Museum in Chelsea. The Old and the Bold is the culmination of a year long collaboration between the museum and the Royal Hospital Chelsea and features nine interviews with 14 In-Pensioners. Their accounts span iconic moments in World War II history – from D-Day to North Africa and the Falklands and are supported by items from the museum’s collection. Runs until 3rd January. Admission is free. For more, see www.nam.ac.uk.
Around London: Masques of the Stuart Court; saving London’s heritage; IEDs at the NAM; and, Eighties fashion at the V&A…
July 18, 2013
• The sights and sounds of the elaborate masques of the early Stuart Court – described as a cross between a ball, an amateur theatrical, and a fancy dress party – are being recreated at the Banqueting House in Whitehall. Historic Royal Palaces have joined with JB3 Creative to create an “immersive theatrical experience” for visitors to the building – one of the last surviving parts of the Palace of Whitehall – with the chance to try on costumes, learn a masque dance and witness performance rehearsals for Tempe Restored, last performed in the building in 1632. Inigo Jones will be ‘present’ as masque designer to talk about his vision for the performance. Weekends will also see musicians performing period music and on 27th July there will be a one-off evening event at the Banqueting House based on Tempe Restored. Admission charge applies. Performing for the King opens tomorrow and runs until 1st September. For more, see www.hrp.org.uk/BanquetingHouse/. PICTURE: HPR/newsteam.
• A new exhibition looking at how some of London’s great Georgian and Victorian buildings were lost to bombs and developers before, after and during World War II – and how people such as poet John Betjeman campaigned to save them – opened in the Quadriga Gallery at Wellington Arch near Hyde Park Corner yesterday. Pride and Prejudice: The Battle for Betjeman’s Britain features surviving fragments and rare photographs of some of the “worst heritage losses” of the mid-20th century. They include Robert Adam’s Adelphi Terrace (1768-72) near the Strand, the Pantheon entertainment rooms (1772) on Oxford Street, and Euston Arch (1837). The English Heritage exhibition runs until 15th September. Admission charge applies. For more, see www.english-heritage.org.uk/daysout/properties/wellington-arch/.
• IEDs (Improvised Explosive Devices) will be ‘uncovered’ in a new exhibition opening tomorrow at the National Army Museum. Unseen Enemy will tell the stories of the men and women in Afghanistan who search for, make safe and deal with the impact of the IEDs through personal interviews, images and mementoes. The exhibition has been developed with “unprecedented access” from the British Army, Royal Air Force and Royal Navy and will include a range of equipment used in detecting and disarming the devices, such as bombsuits and robots as well as medical equipment used to help those injured in explosions. The exhibition is free. For more, see www.nam.ac.uk.
• On Now: Club to Catwalk – London Fashion in the 1980s. This exhibition at the V&A explores the “creative explosion” of London fashion during the decade and features more than 85 outfits by designers including John Galliano, Vivienne Westwood and Katherine Hamnett as well as accessories by designers such as Stephen Jones and Patrick Cox. While the ground floor gallery focuses on young fashion designers who found themselves on the world stage, the upper floor focuses on club wear, grouping garments worn by ‘tribes’ such as Fetish, Goth, High Camp and the New Romantics and featuring clothes such as those worn by the likes of Boy George, Adam Ant and Leigh Bowery. The exhibition also includes a display of magazines of the time. Entry charge applies. Runs until 16th February, 2014. For more, see www.vam.ac.uk. Meanwhile, tomorrow (Friday) night the V&A will celebrate the 25th anniversary of designer Jenny Packham with a series of four free catwalk shows in its Raphael Gallery. Booking is essential. Head to the V&A website for details.
March 15, 2013
An amazing feat of model-making, Siborne’s Large Model is a painstakingly detailed model reconstruction of the Battle of Waterloo on display at the National Army Museum. Controversial even to this day, the story behind the model’s creation is an incredible tale of one man’s perseverance.
A career soldier, Captain William Siborne was commissioned in 1830 by Lord Rowland Hill, then Commander-in-Chief of the British Army, to construct a model of the Battle of Waterloo, fought between British and allied forces under the command of the Duke of Wellington and Prussian field marshal Gebhard von Blücher and French forces under the command of the Emperor Napoleon on 18th June, 1815.
Siborne, who hadn’t been present at the battle but had previously been involved in the construction of a model of the Battle of Borodino, extensively researched it before beginning work including spending eight months surveying the entire field where the battle took place and corresponding with hundreds of those who had fought there.
The model wasn’t completed until 1838, partly due to the fact that Siborne still had military duties to perform and also due to the fact that he ran out of funds and, when the authorities refused to pay up, ended up financing the project out of his own pocket (and then spent much time trying to recover the funds).
In his fascinating book, Wellington’s Smallest Victory: The Duke, the Model Maker and the Secret of Waterloo (well worth a read if you’re interested in learning more about the history of this amazing model), Peter Hofschroer writes in detail about the acrimonious relationship the Duke of Wellington developed with Siborne, thanks to a clash over the model’s depiction of the battle which shows the crisis point in the battle at 7pm – when the French Imperial Guard attacked Wellington’s centre – and has the Prussians helping to win the day.
The model was placed on public display in October 1838 at the Egyptian Hall in Piccadilly after which it went on tour around the UK. He went on to write up his research in a book on the battle, published in 1844, and it was while preparing this – in 1841 – that he announced he had changed his mind and would revise the model, eventually removing figures representing some 40,000 Prussians from the model and thus reducing the role they played at the decisive moment of the battle – a move which could only be seen as a win for Wellington.
It’s also worth mentioning that Siborne created a second, larger scale model of just part of the battlefield, exhibited in 1844 in London and later in Berlin (it’s now on display at the Royal Armouries Museum in Leeds). Siborne’s subsequent efforts to sell either model didn’t bear fruit before he died, said to have been a “broken man”, on 13th January, 1849.
After his death the large model was subsequently purchased by the United Service Museum and can now be found at the National Army Museum in Chelsea.
WHERE: National Army Museum, Royal Hospital Road, Chelsea (nearest Tube station is Sloane Square); WHEN: 10am to 5.30pm daily; COST: Free; WEBSITE: www.nam.ac.uk.
Around London – Royal Court treasures at V&A; Sir Michael Caine celebrated; a tunic with a past; and, George Catlin’s American Indian portraits…
March 7, 2013
• A new exhibition opens at the V&A in South Kensington this Saturday which charts the development of cultural trade and diplomacy between Britain and Russia from the founding of the Muscovy Company in 1555 until the end of King Charles II’s reign in 1685. Treasures of the Royal Courts: Tudors, Stuarts and the Russian Tsars reveals the “majesty and pageantry” of the royal courts of both countries – from that of King Henry VIII to King Charles II in Britain and from that of Ivan the Terrible (Ivan IV) to the early Romanovs in Russia. The display features more than 150 objects including heraldry and processional armour, furnishings, clothing, jewellery and portraiture including paintings and miniatures painted by court artists. Highlights include a rarely viewed portrait of Queen Elizabeth I, the Barbor Jewel – a pendant set with an onyx cameo of the queen; a hand-colored map of ‘Muscovy’ dating from 1570, and literature including Shakespeare’s First Folio as well as a showcase of British and French silver given to the Tsars by British merchants and kept in the Kremlin. The 20 pieces include the Dolphin Basin, made by Christiaen van Vianen – said to be a favoured silversmith of King Charles I and II – in 1635. The exhibition marks the 400th anniversary of the Romanov dynasty. Admission charge applies. Runs from Saturday, 9th March, until 14th July. For more, see www.vam.ac.uk. PICTURE: Water pot (1604-05), Historic collectino of the Armoury, © The Moscow Kremlin Museums.
• The life and work of Sir Michael Caine – who turns 80 this month – is the focus of a new free exhibition at the Museum of London. Michael Caine, which opens tomorrow, features photographs including some never exhibited before as well as iconic portraits by the likes of David Bailey and Terry O’Neill as well as a selection of audio and film clips from movies such as Alfie, The Italian Job, Get Carter, Hannah and Her Sisters and Educating Rita. The exhibition follows Sir Michael’s life from “Cockney rebel, through to Hollywood legend and inspirational Londoner” and looks at how the city influenced his life and career. Runs until 14th July. To coincide with the exhibition, the Museum of London Docklands is running Caine on Screen, a selection of free films which can been voted for by the public (see our earlier post here). The schedule of films will be announced after 14th March. For voting details and more information, see www.museumoflondon.org.uk.
• A bullet-pierced military tunic worn during the Indian Mutiny in the mid 19th century has been donated to the National Army Museum in Chelsea. The tunic, worn by Lieutenant Campbell Clark, of the 2nd Bengal European Fusiliers, at Cawnpore in 1857. The lieutenant was ambushed by rebels Indian infantry and shot at point-blank range. Despite being grievously wounded (the musket ball had passed through his stomach and remained in the wound), he survived the injury and the military hospital he was taken to and went on to have a long career, rising to the rank of colonel. He died in 1896 in Sussex. The tunic was donated to the museum by Clark’s great-great-nephew, John Gordon Clark. For more, see www.nam.ac.uk.
• On Now: George Catlin: American Indian Portraits. Opening today, this exhibition at the National Portrait Gallery is the first major exhibition of the American artist’s works to be held in Europe since the 1840s and has been designed to demonstrate to the viewer how Catlin constructed a particular view of Native Americans in the minds of his audiences. Catlin made five trips into the western United States in the 1830s before the Native American peoples had been subsumed into the United States and, inspired by those trips, went on to create an Indian Gallery which featured 500 portraits, pictures and indigenous artefacts. He subsequently toured with the gallery in both the US and Europe. The exhibition is organised in collaboration with the Smithsonian American Art Museum in Washington. Runs until 23rd June. Admission charge applies. For more, see www.npg.org.uk.
Around London – Tate acquires photographic collection; new additions to Army museum; Picasso at the British Museum; and, Zoffany at the Royal Academy…
May 3, 2012
• A major collection of photographs of London, including works by Henri Cartier-Bresson, Robert Frank and Irving Penn, has been promised to the Tate Gallery. The collection, which will more than double the Tate’s photographic holdings, was assembled by Eric and Louise Franck over a 20 year period. It comprises around 1,400 photographs taken by 120 photographers between the 1880s and 2000s and is a record of the lives of people living in London. Highlights include Henri Cartier-Bresson’s work, Waiting in Trafalgar Square for the Coronation Parade of King George VI (1937), Bruce Davidson’s Girl with Kitten (1962), Elliot Erwitt’s Bus Stop, London (1962), Robert Frank’s London (Child Running from Hearse) (1951) and Irving Penn’s Charwomen, London (1950). More than two-thirds of the collection is being donated to the Tate Gallery, carrying an estimated value of more than £1 million, while the remaining works will be purchased. A selection from the collection will be exhibited in Another London, opening at the Tate Britain on 27th July. For more, see www.tate.org.uk.
• An Afghan schoolbook which uses bullets and Kalashnikovs as counting tools, Operational Service Medals and charm bracelets have been added to the National Army Museum’s Conflicts of Interest gallery. The gallery explores over 40 conflicts in which the British Army has been involved including that in Afghanistan. The illustrated childrens’ textbook dates from the time of the Soviet War in Afghanistan in the 1980s and was found by Captain Daniel Hinxman in 2007. Other artefacts added to the gallery include an Operational Service Medal for Afghanistan awarded to Sapper Dewi Allen for service in 2009-10, a memorial writsband produced by the family of Corporal David Barnsdale after he was killed in an IED attack in 2010 and a ‘lucky charm’ bracelet made by an Afghan for Lance Corporal Jose Cravalho De Matos. For more, see www.nam.ac.uk.
• On Now: Picasso Prints: The Vollard Suite. The British Museum is hosting this exhibition featuring Pablo Picasso’s most celebrated series of etchings, The Vollard Suite – the first time a complete set of the etchings has been shown in a British public institution. The suite consists of 100 etchings produced between 1930 and 1937, at a time when Picasso was involved in an affair with his nurse and muse Marie-Therese Walter. The predominant them of the suite is that of the sculptors studio – the artist was at this stage making sculpture at his new home outside Paris. The etchings, which have no titles and were not assigned an order, will be displayed alongside examples of the type of classical sculpture and objects which inspired the artist as well as Rembrandt etchings, Goya prints and Ingres drawings which also influenced Picasso’s works. The exhibition is being held in Room 90 and runs until 2nd September. Entry is free. For more, see www.britishmuseum.org.
• On Now: Johan Zoffany RA: Society Observed. This exhibition at the Royal Academy of Arts re-evalutes the life and career of the Frankfurt-born artist Zoffany, who moved to London in 1760 where he created portraits and subject pictures which attracted the patronage of the likes of actor David Garrick and courtiers of King George III. The exhibition, arranged into eight sections, features more than 60 oil paintings and a selection of drawings and prints taken from British and international collections, both public and private, with many of the items never before exhibited. Runs until 10th June. Admission charge applies. For more, see www.royalacademy.org.uk.
Around London – New picture gallery at V&A; remembering the 5th of November; War Horse – the exhibition; and, celebrating Private Eye…
November 3, 2011
• The Victoria and Albert Museum has opened a new permanent gallery displaying highlights from its internationally renowned collection of photographs in what amounts to a chronicle of the medium stretching from its invention in 1839 to the 1960s. The gallery, which opened in late October, initially features works such key figures as Henri Cartier Bresson, Man Ray, Alfred Stieglitz, Diane Arbus and Irving Penn. Among highlights are the oldest photograph in the V&A’s collection – a daguerrotype of Parliament Street taken from Trafalgar Square in 1839, a Robert Howlett portrait of Isambard Kingdom Brunel standing in front of the Great Eastern, and an early botanical photography taken without a camera in 1854. The display also includes two “in focus” sections, looking at the lives of two photographers – initially British photographer Julia Margaret and the influential Henri Cartier-Bresson – in depth. The V&A was the first museum to start collecting photographs when it did so in 1856. Entry is free. For more, see www.vam.ac.uk.
• Remember, remember, the 5th of November! This weekend is Bonfire Night (aka Guy Fawkes Night) and across London communities will be gathering around bonfires to gasp at fireworks displays. We don’t have the capacity to collect all the details of where they’re taking place but thankfully the people at View London do. Follow this link to see its listing of where fireworks displays are taking place. To see our previous entry looking at the origins of the night, follow this link. For more on the Gunpowder Plot, see our previous entry here.
• On Now – War Hose: Fact & Fiction. A book, a long running stage performance and a soon to be released film, War Horse is now also the subject of a major exhibition at the National Army Museum. War Hose: Fact & Fiction is a family-friendly exhibition which tells the real-life story of horses in war and includes archive material from the animal charity The Brooke, which was founded after Dorothy Brooke rescued some former war horses being sold into a life of hard labour in Cairo (Brooke, who rescued some 5,000 horses, went on to found the Old War Horse Memorial Hospital in Cairo in 1934). The exhibition also features content from Michael Morpurgo, author of the novel War Horse, as well as the National Theatre’s production and the upcoming Spielberg-directed movie. Entry is free. Runs until August 2012. For more, see www.nam.ac.uk.
On Now: Private Eye: The First 50 Years. A celebration of the irreverent Private Eye magazine which, since it was founded in October 1961, has distinguished itself through a combination of satire and hard-hitting journalism. The exhibition features more than 120 of the magazine’s funniest cartoons and a display of the magazine’s distinctive covers with one of from each year chosen by editor Ian Hislop. It also shows how surprisingly low-tech the magazine’s production remains despite great changes in technology, and there’s a recreation of the editor’s Soho office. Admission is free. Runs until 8th January. For more, see www.vam.ac.uk.