Queens of England

Treasures of London – The Crown Jewels

by exploringlondon

No series on the treasures of London would be complete without a mention of the Crown Jewels, housed – except when being used – under tight security in the same place they’ve been since the early 1300s – the Tower of London.

The jewels, which are described as a ‘working collection’, include the coronation regalia and feature some 23,578 gems  – the Imperial State Crown alone boasts 2,868 diamonds, 273 pearls, 17 sapphires, 11 emeralds and five rubies.

The regalia itself is made up of the crowns of the sovereigns, consorts and Princes of Wales as well as sceptres, orbs, rings, swords, spurs, bracelets, robes, and the oldest piece, a 12th century anointing spoon.

It and three steel coronation swords are the only pieces to survive the destruction of all the pre-Civil War regalia in 1649-50, carried out at the behest of Oliver Cromwell following the execution of King Charles I (many of the earlier crown jewels, dating from the Anglo-Saxon period, had already been replaced in the early 13th century after items were lost while being taken across The Wash during the reign of King John in 1216).

Following Cromwell’s destruction, new regalia was made on the orders of King Charles II. Modelled on that of his father, it was used in the king’s coronation on 23rd April, 1661, and cost more than £12,000.

Today, St Edward’s Crown – with which the sovereign is crowned by the Archbishop of Canterbury – is the principal piece of the regalia. Other items include the Sovereign’s Sceptre, topped with 530 carat First Star of Africa – the largest flawless cut diamond in the world, Queen Victoria’s small diamond crown, and the Imperial Crown of India. There is also a crown made for Queen Elizabeth, the Queen Mother, for her 1937 coronation which features the famous Koh-i-Nur (‘Mountain of Light’) diamond.

Until 1303, the Crown Jewels had been housed at Westminster Abbey. Following a successful robbery that year, however (after which most items were recovered), they were moved to the Tower.

The most famous attempt to steal the Crown Jewels was made by an Irishman, Colonel Thomas Blood, in 1671. He and his gang had arranged to see the jewels (this could be done for a fee) but when they arrived, used a mallet to knock out the jewel keeper before stabbing him.

Colonel Blood had hidden King Charles II’s crown under his cloak, squashing its arches of in the process, while his companion Robert Perot had stuck the coronation orb down his breeches and Blood’s son was in the process of sawing the sceptre in half when the keeper’s son returned unexpectedly and raised the alarm.

Arrested, Blood got off rather lightly – King Charles II decided, apparently for some unknown reason, to pardon him. Security around the jewels, however, was tightened – iron bars were used instead of wooden ones and people were thenceforth forbidden from handling the jewels.

The Crown Jewels are now housed in the Jewel House at the Tower, built in 1967 in the west wing of the Waterloo Barracks, and guarded by the Yeomen Warders.

WHERE: Tower of London (nearest tube station Tower Hill); WHEN: 9am to 4.30pm, Tuesday to Saturday, 10am to 4.30pm Sunday to Monday (until 28th February); COST: £18.70 adults; £10.45 children under 15; £15.95 concessions; £51.70 for a family (prices, which include a voluntary donation, are valid until 28th February); WEBSITE: www.hrp.org.uk/toweroflondon/. For more on the Crown Jewels, see www.royal.gov.uk/MonarchUK/Symbols/TheCrownJewels.aspx or the Royal Collection website, http://bit.ly/i9FM3

Curious London memorials – 2. The Albert Memorial

by exploringlondon

No list of London’s memorials could ever be complete without mentioning the extravagant Albert Memorial in Kensington Gardens.

Completed in 1876 at a cost of £120,000, the monument – officially known as the Prince Consort National Memorial – was commissioned by the Queen after Prince Albert died of typhoid in 1861. Queen Victoria, devastated at his loss and wanting a public memorial for Albert, invited seven leading architects to submit designs. In the end she chose the designs of Sir Gilbert Scott which featured an ornate canopy and spire standing to a height of 176 feet (54 metres) over a larger-than-life gilded bronze figure of Prince Albert sitting in regal splendour.

The resulting memorial – described “visual feast” – is an exemplar monument of the Victorian era’s Gothic Revival style. It highlights Albert’s role as a patron of the arts. Around the base of the podium is a frieze containing images of sculptors, composers, painters, architects and poets while at the four corners of the canopy are four clusters of statuetry relating to agriculture, commerce, engineering and manufacturing.

Further out, on the corners of the base, stand another four groups of statues – these relate to the continents of Europe, Asia, America and Africa. The canopy itself features mosaics and statues depicting historical figures associated with the arts as well as statues depicting the artistic and scientific disciplines, and angels and virtues.

The statue of Albert, sculpted by John Henry Foley, gazes benevolently towards Royal Albert Hall – another monument dedicated to the Prince Consort – and holds in its hand a catalogue of the Great Exhibition of 1851 (Albert was a key player in the exhibition’s organisation).

The monument, which was apparently used as a landmark by German bombers and Zeppelin pilots in World War I, underwent an extensive restoration in the 1990s which involved dismantling its entire upper half and then reassembling it.

While entry to the memorial is free, there are paid for tours available for those keen to find out more about the monument. For more information about the tours, see www.royalparks.org.uk/parks/kensington_gardens/tours/index.cfm.

WHERE: Kensington Gardens (nearest tube station is High Street Kensington or South Kensington); WHEN: Accessible when the park is open (6am to dusk) but it can be seen from Kensington Gore; COST: Entry is free (there are paid tours, see above); WEBSITE: Royal Parks has a page on its website, www.royalparks.org.uk/parks/kensington_gardens/tours/index.cfm.

Lost London – Nonsuch Palace

by exploringlondon

Built as a symbol of the triumphal reign of the Tudor dynasty (not to mention as a response to the French King Francis I’s palace Château de Chambord), Nonsuch Palace near Ewell in Surrey, now part of greater London, was the last palace constructed by King Henry VIII.

Construction on the palace started in 1538, the 30th year of Henry’s reign and only six months after the birth of Henry’s son and heir, later King Edward VI. The medieval village of Cuddington was demolished to make way for the new premises.

The multi-storied building was designed around an inner and an outer courtyard, each entered through a fortified gatehouse, with the royal apartments located in the latter. While plain on the outside, the inner courtyard interior was decorated with stucco reliefs depicting, among other things, Roman emperors, gods and goddesses and Henry VIII with his son Edward. To cap it off, there were two great octagonal towers built at either end.

While the bulk of of the work had been completed when Henry died in 1547, it is believed that the palace may still have been unfinished. In any case, it only remained a royal property for a short time before Queen Mary I sold it to Henry Fitzalan, the Earl of Arundel. It passed back into royal hands when the earl’s son-in-law, John Lumley, was forced to sell it back to Queen Elizabeth I to settle a debt. The queen was said to have stayed frequently at the palace.

King James I granted the palace to his wife, Queen Anne of Denmark, and it was also used by his son Henry, Prince of Wales. King Charles I also granted the palace to his wife, Queen Henrietta Maria, before it was sold off by Parliamentary commissioners after the Civil War. When King Charles II came to the throne, the palace was once again given to Henrietta Maria and then, when she died in 1669, to Barbara Villers, Countess of Castlemaine, a mistress of the king.

The building was demolished in 1682 with the materials and sale of the land used to pay off the countess’ gambling debts. While some parts of the building were carted off to be incorporated into others, no trace of the building remains above the ground but its former site, on the west side of what is now Nonsuch Park in Cheam, is marked by three granite bollards. A separate banqueting house and extensive gardens were also built near the site.

The building, which was only depicted a few works, can be confused with Nonsuch Mansion House, the oldest parts of which date from the 18th century, which still stands on the east side of the park and was probably built on the site of a former keeper’s lodge.

There are exhibitions on the palace in the Honeywood Museum (the heritage centre for the London Borough of Sutton) in Carshalton and in the Tudor house known as Whitehall in Cheam. The Epson and Ewell History Explorer website also have a trail you can follow which encompasses the former site of the palace.

PICTURE: Nonsuch Palace in an engraving by Joris Hoefnagel. Source: Wikipedia.

Lost London – London Bridge

by exploringlondon

In the first of a new regular series looking at “lost” London, Exploring London takes a look at London Bridge.

It’s a commonly confused fact that many first-time visitors to London think Tower Bridge and London Bridge are the same. As Londoners know, London Bridge (pictured right with St Paul’s and the city in the background) lies west of Tower Bridge. It’s not a particularly inspiring bridge having been built in the early Seventies. But there’s been a bridge spanning the Thames here for almost 2,000 years. So what happened to Old London Bridge?

The first bridge built across the River Thames on or close to the current site of London Bridge is thought to have been a wooden pontoon bridge constructed by the Romans around 50 AD. It was quickly followed by a more permanent bridge (rebuilt after it was destroyed by Boudicca and her marauding army in 60 AD).

Following the end of the Roman era, the bridge fell into disrepair although it’s known that there was a wooden Saxon bridge on the site by around the year 1,000. A succession of Norman bridges followed the Conquest and in 1176, during the reign of Henry II, construction of a new stone bridge began under the supervision of the priest Peter de Colechurch to service to growing numbers of pilgrims travelling from London to Thomas a Becket’s shrine in Canterbury. The new bridge, which had a chapel dedicated to St Thomas at the centre, wasn’t finished until 1209.

The bridge had 19 arches sitting on piers surrounding by protective wooden ‘starlings’ and a drawbridge and defensive gatehouse. The design of the bridge meant the water shot rapidly through the arches, leading boatmen to describe the practice of taking a vessel between the starlings as “shooting the bridge”.

King John, in whose reign the bridge was completed, licensed the building of houses on the bridge and it soon became a place of business with some 200 shops built upon its length, many of them projecting over the sides and reducing the space for traffic to just four metres. Many of the buildings actually connected at the top, creating a tunnel-like effect.

One of the more remarkable buildings on the bridge was Nonsuch House, built in 1577. A prefabricated building, it had been assembled in the Netherlands before being taken apart, shipped to London, and then reassembled. No nails were used in its construction, just timber pegs.

The practice of putting the heads of traitors on pikes above the southern gatehouse (see picture right, dating from 1660) started in 1305 with Scottish rebel William Wallace’s head and continued until it was stopped after 1678 when goldsmith William Stayley’s head was the last to be displayed there. Famous heads to adorn the gateway over the years included Peasant’s Revolt leader Wat Tyler in 1381, rebel Jack Cade in 1450, the former chancellor Sir Thomas More and Bishop John Fisher in 1535, Thomas Cromwell in 1540 and Guy Fawkes in 1606.

Some of the bridge’s arches collapsed over the years and had to be restored and there were several fires which destroyed houses upon it, including those which occurred during the Peasants’ Revolt in 1381 and Jack Cade’s rebellion in 1450.

Congestion reached such a state by the 18th century that in 1756 Parliament passed an act which allowed for the demolition of all the shops and houses upon it (it had remained the only bridge spanning the Thames east of Kingston until Westminster Bridge was completed in 1750). This was carried out in 1758-62 along with the removal of two central arches which were replaced with a single wider span.

With traffic only increasing – by 1896, 8,000 people and 900 vehicles were reportedly crossing the bridge every hour – it was clear a new bridge was needed and work on a new stone bridge with five arches – following a design competition won by John Rennie – began in 1824. The old bridge, located about 30 metres east of the new one, remained in use until the new one was opened in 1831. Widening work carried out the early 20th century, however, was too much for the bridge’s foundations and it began to sink.

What followed was one of the strangest episodes in the bridge’s history when in 1967 the Common Council of the City of London decided to sell the bridge. It was sold the following year to Missourian entrepreneur Robert P. McCulloch of McCulloch Oil for $US2.5 million.

Carefully taken apart piece by piece, the bridge was then transported to the desert resort of Lake Havasu City in Arizona in the US and rededicated in 1971.

The current London bridge, designed by Mott, Hay and Anderson, was built from 1967 to 1972 and opened by Queen Elizabeth II in 1973. It stands on the same site as the previous bridge.

As for the song, “London Bridge is falling down”? There’s several stories to explain its origins – one being that it came about as the result of an attack by a joint force of Saxons and Vikings on Danish held London in 1014 during which they pulled the bridge down, and another being that it became popular after Henry III’s wife, Queen Eleanor, was granted the tolls from the bridge by her husband but instead of spending them on maintenance, used it for her own personal use. Hence, “London Bridge is falling down, my fair lady”.

PICTURES: Top: © Steven Allan (istockphoto.com); Bottom – London Bridge (1616) by Claes Van Visscher. SOURCE: Wikipedia.

Treasures of London – Cleopatra’s Needle

by exploringlondon

Sited relatively unobtrusively on the north bank of the Thames at Victoria Embankment, it’s easy to overlook this ancient Egyptian obelisk which was erected on its current site in 1878.

Although it’s commonly known as “Cleopatra’s Needle”, the red granite obelisk is in fact one of a pair originally constructed in the 15th century BC and placed in the Egyptian city of Heliopolis at the behest of Pharoah Thutmose III (the second one is now in New York’s Central Park and is also known by the name, Cleopatra’s Needle). The inscriptions were added later by Ramsses II. Both obelisks were subsequently moved to Alexandria and placed in a temple honoring Mark Antony. They later toppled over (and were covered in sand, which apparently helped with preservation).

The obelisk was given to the United Kingdom in 1819 by the grateful ruler of Egypt and Sudan, Mehemet Ali, in commemoration of British victories over the French at the Battle of the Nile and the Battle of Alexandria in 1801.

After the British government decided not to transport the obelisk to London due to the high expense, it remained in Alexandria until 1877 when Sir William James Erasmus Wilson contributed £10,000 toward the cost in an act of publicly-minded benevolence. After an eventful journey it which at one point it and the iron cylinder it was encased in – dubbed the Cleopatra – were declared sunk before being found again (tragically six crew drowned in the incident), it was finally erected in October 1878.

A time capsule is buried at the base of the obelisk which contains, among other things, a portrait of Queen Victoria, hairpins, copies of the Bible in several languages and a map of London. One of the two bronze sphinxes which these days guard the obelisk, meanwhile, still bears the scars of damage which took place in World War II when a bomb landed nearby.

Wren’s London – 9. Marlborough House

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We’re nearing the end of our series on Wren’s London (next week we’ll take a final look at some of the Wren designs we’ve not yet mentioned), so this week we look at one of his lesser known (and less accessible) designs – Marlborough House.

Tucked away behind high brick walls next to St James’ Palace just off Pall Mall, Marlborough House was built for Sarah Churchill, the Duchess of Marlborough – a confidant of Queen Anne – and completed in 1711.

The duchess, who secured a lease of the site from Queen Anne, selected Sir Christopher as the architect in preference to Sir John Vanbrugh, but she later fell out with Wren and, after dismissing him, oversaw the completion of the building herself. It is believed that the design of the house was actually the work of Wren’s son, also named Christopher, although the plans were undoubtedly drawn up under Wren senior’s watchful eye.

The house, built of red Dutch bricks brought to England as ballast in troop transports, was noted for its plain design. But the walls of the central salon and staircases were decorated with scenes of battles the Duke had fought in.

The property remained in the hands of the Dukes of Marlborough until it was acquired by the Crown in 1817. The building – which was substantially extended in the mid 1800s to the designs of Sir James Pennethorne – was subsequently used by members of the royal family including Princess Charlotte (only daughter of the future King George IV) and her husband Prince Leopold (later the King of the Belgians), Queen Adelaide, widow of William IV, Edward, Prince of Wales (later Edward VII), George, Prince of Wales (later George V), King Edward VII’s widow, Queen Alexandra, and, lastly, Queen Mary, widow of  George V.

Following the death of the Queen Dowager in 1953, Queen Elizabeth II donated it for use by the Commonwealth Secretariat who still occupy the building today.

WHERE: Pall Mall (nearest Tube stations are Green Park and Piccadilly); WHEN: Two hour tours are usually held every Tuesday morning (check first); WEBSITE: www.thecommonwealth.org/Internal/191086/34467/marlborough_house/

Wren’s London – 8. Old Royal Naval College, Greenwich

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Hunkering down on the south bank of the Thames, the Old Royal Naval College at Greenwich is yet another Wren masterpiece and the centrepiece of the UNESCO-listed Greenwich Maritime World Heritage Site.

What is now known as the college was originally designed as a ‘hospital’ or retirement home for old or infirm sailors. Established by Royal Charter in 1694, it was King William III who pushed the project into fruition as per the wishes of his then late wife Queen Mary II.

Wren was selected to design the building and along with the diarist John Evelyn, who had been appointed treasurer, laid the foundation stone on 30th June, 1696.

Wren’s initial design – for a three side courtyard facing the river – was rejected by Queen Mary who insisted the view from the existing Queen’s House to the river be maintained. So, instead, the hospital was built as a series of four pavilions, each with its own court, with the Queen’s House standing as it’s centrepiece when viewed from the river.

Wren himself never lived to see the building’s completion – it was in the end completed by a number of other famous architects including Sir John Vanbrugh, Thomas Ripley, and Wren’s pupil Nicholas Hawksmoor. Fortunately Wren had laid out all the foundations which ensured the basic design conformed to his plans.

The first 42 pensioners moved in in 1706 and the numbers grew as buildings were completed to a peak of 2,710 in 1814. However, declining numbers of pensioners by the mid 1800s – thanks to a period of peace on the seas and the success of a program which saw more pensioners living with their families, eventually led to the hospital’s closure in 1860.

In 1873, the Royal Naval College took over the premises, assuming the role of both the former Naval College at Portsmouth and the School or Naval Architecture and Marine Engineering which had been based in South Kensington. The Naval Staff College opened on the site in 1919 and further navy departments including the Department of Nuclear Science and Technology moved there in later years. The Royal Navy left the college in 1998.

Now in the care of the Greenwich Foundation, the college is now used by the University of Greenwich and the Trinity College of Music as well as for public events. The public can also visit certain parts of the former college including the grounds, the spectacular Painted Hall and the Chapel.

The domed Painted Hall, which features a series of classically themed paintings with King William III and Queen Mary II at its heart, was originally planned by Wren to be the hospital’s dining hall but due to the length of time it took for Sir James Thornhill to complete – 19 years – his paintings it was never used as such. Instead it stood empty until the body of Admiral Lord Nelson was brought there to lie in state in January 1806. In 1824 it became the National Gallery of Naval Art but in the 1930s became a dining room again with the gallery’s contents transferred to the National Maritime Museum.

The Chapel of St Peter and St Paul, meanwhile was completed in 1751 to the design of Sir Thomas Ripley but was gutted by fire only 28 years later. It was then rebuilt, largely to the designs of James “Athenian” Stuart with some of the detailing designed by his Clerk of Works William Newton, and was reopened in 1789. Restored in the 1950s, it is said to look “almost as it was” when it opened in 1789. The chapel is still in use for services.

WHERE: Located adjacent to Greenwich Pier with entry from Cutty Sark Gardens, College Approach, Romney Road Gate, Royal Gate or Park Row, Greenwich (nearest DLR station is Cutty Sark for Maritime Greenwich); WHEN: The Painted Hall and Chapel are open daily from 10am to 5pm (chapel used for worship on Sunday mornings, open for sightseeing  from 12.30pm); COST: Free (Booked guided tours are available for £5 an adult/children under 16 free); WEBSITE: www.oldroyalnavalcollege.org

Wren’s London – 7. Kensington Palace

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A once favored residence of British monarchs, Kensington Palace’s connections with royalty date back to 1689 when, then a private country home known as Nottingham House, the building was purchased by King William III and Queen Mary II.

The royal couple turned to Sir Christopher Wren, then Surveyor of the King’s Works, who was charged with adapting the property into a suitably regal residence.

Wren’s work included the addition of four new pavilions – one at each corner – to provide extra accommodation for the king and queen. The King’s Apartments, approached by a Grand Staircase, were located in the south east, and the Queen Apartment’s in the north west. While many later additions were made, the basic layout of these buildings remains true to Wren’s original design.

Among the many spectacular original rooms is the King’s Gallery, built for William in 1695. It features an 1694 wind dial connected to a weather vane which turns according to the direction of the prevailing wind.

The property’s subsequent royal residents have included Queen Anne, King George I and King George II (it was King George III who made Buckingham Palace his primary London residence). Princess (later Queen) Victoria was born here in 1819 (it was she who first opened the State Apartments to visitors in 1899) while more recent residents in the palace’s private areas have included Princess Margaret and, of course, Diana, Princess of Wales.

WHERE: The Broad Walk, Kensington Gardens, Kensington (nearest tube stations are High Street Kensington or Queensway); WHEN: Daily 10am to 5pm (last admission 4pm); COST: £12.50 adult/£11 concession/£6.25 child/£34 family (online booking discounts available, Historic Royal Palaces members free); WEBSITE: www.hrp.org.uk/KensingtonPalace

PICTURE: Historic Royal Palaces/newsteam.co.uk