Brixton

This Week in London – The Charles Dickens Museum celebrates 100 years; activist Olive Morris commemorated; and, ‘The Story of Soldier Magazine’…

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The Charles Dickens Museum. PICTURE: Courtesy of Google Maps

• The Charles Dickens Museum, located in the author’s former home at 48 Doughty Street in Bloomsbury, is marking its centenary this year, and to celebrate the occasion, it’s holding a special exhibition of highlights from its collection. The museum, which first opened its doors on 9th June, 1925, has brought together everything from Dickens’ hairbrush, walking stick and only surviving suit through to portraits and photographs made during his lifetime as well as original manuscripts, letters to his family and friends and rare first editions. The exhibition runs on 29th June. Admission charge applies. For more, see https://dickensmuseum.com/.

• Housing rights campaigner and activist Olive Morris has been commemorated with an English Heritage Blue Plaque in Brixton. Jamaican-born Morris (1952-1979), who dedicated her life to helping the oppressed and exploited, hosted Black women’s study groups and lived as a squatter at the three storey property at 121 Ralston Road in the 1970s. She was a significant figure in the British Black Panther movement, co-founded the Brixton Black Women’s Group and the Organization of Women of African and Asian Descent in 1978, and was one of the “Old Bailey three” who were acquitted after being prosecuted over a protest outside the Old Bailey, winning the right to a fair representation of Black people on the jury during the court proceedings. For more, see www.english-heritage.org.uk/visit/blue-plaques/.

• Soldier magazine, the official magazine of the British Army, is marking its 80th anniversary with an exhibition ay the National Army Museum. The Story of Soldier Magazine charts the publication’s history from March, 1945, when it was launched by Field Marshal Bernard Law Montgomery, through the role it’s played in covering every major conflict since as well as the issues shaping military life. Runs until 6th July. Admission is free. For more, see https://www.nam.ac.uk.

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This Week in London – Photographers honoured with Blue Plaques; David Hockney meets Piero dell Francesca; and ‘Taylor on Strings’ at Wembley Park…

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• Two pioneering photographers are being commemorated with English Heritage Blue Plaques today. Christina Broom (1862-1939) is believed to have been Britain’s first female press photographer while John Thomson (1837-1921) was a ground-breaking photo-journalist working at the advent of the medium. Broom’s plaque – the first to be located in Fulham – is being placed on 92 Munster Road, a terraced house of 1896, where she lived and worked for 26 years. Thomson’s plaque, meanwhile, will be located at what is now 15 Effra Road in Brixton where he and his family were living when one of his best-known and influential works, Street Life in London (1877-8), was published. For more, see www.english-heritage.org.uk/visit/blue-plaques/.

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‘My Parents’ (1977), David Hockney/© David Hockney. Photo: Tate, London

• Two of David Hockney’s key works – My Parents (1977) and Looking at Pictures on a Screen (1977) – which feature reproductions of 15th-century Italian painter Piero della Francesca’s The Baptism of Christ (probably about 1437–45) have gone on display alongside the Renaissance work at The National Gallery. Hockney and Piero: A Longer Look explores Hockney’s “lifelong association” with the National Gallery and its collections, particularly in the works of Piero della Francesca (1415/20–1492). Hockney once confessed that he would love to have The Baptism of Christ so he could look at it for an hour each day. My Parents features a reproduction of Piero’s work shown reflected in a mirror on a trolley behind the sitters while Looking at Pictures on a Screen depicts Hockney’s friend Henry Geldzahler, the Belgian-born American curator of 20th-century art at The Metropolitan Museum of Art in New York, peering at a folding screen in the artist’s studio on which are stuck four posters of National Gallery pictures including The Baptism of Christ. The display in Room 46 is free. Runs until 27th October. For more, see www.nationalgallery.org.uk.

The City String Ensemble. PICTURE: Catherine Frawley

• Experience a prelude of Taylor Swift at Wembley Park with with City String Ensemble playing more than a dozen interpretations of Taylor Swift songs. The free open air concert comes ahead of Swift’s return to Wembley Stadium later this month. ‘Taylor on Strings’ will be held at the Sound Shell from 6:30pm on 13th August. Tickets are free but must be booked with 30 released at 10am each day in the lead-up to the concert. For more, head to wembleypark.com/taylor-on-strings.

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LondonLife – Insights into the British Black experience…

by exploringlondon

Yinka_Shonibare_Diary_of_a_Victorian_Dandy__Yinka_Shonibare_Victoria_and_Albert_London

Part of Yinka Shonibare’s large scale series, Diary of a Victorian Dandy is one of more than 50 photographs exploring the experiences of black people in Britain in the latter half of the 20th century which feature in the V&A’s new exhibition, Staying Power: Photographs of Black British Experience 1950s-1990s. The photographs have been selected from 118 works by 17 artists which the South Kensington museum – working in partnership with Black Cultural Archives – has acquired over the last seven years in a project funded by the Heritage Lottery Fund. Along with Shonibare’s 1998 series, others on display include intimate portrayals of British-Caribbean life in London in the 1960s-70s by Neil Kenlock, Armet Francis, Dennis Morris and Charlie Phillips along with Raphael Albert’s depictions of the black beauty pageants he organised from the 1960s to the 1980s, and Norman ‘Normski’ Anderson’s colourful depictions of vibrant youth culture of the 1980s and Nineties. The display is accompanied by oral histories on a range of subjects – including recollections of the photographers, their relatives, and the people depicted in the images – which have been collated by Black Cultural Archives. Runs until 24th May in gallery 38A (admission is free) Coinciding with the exhibition, the BCA is presenting a display of 25 more photographs drawn from the V&A’s collection at their heritage centre in Brixton (runs until 30th June; admission is free). For more, see www.vam.ac.uk/stayingpower (and for the Brixton exhibition, see www.bcaheritage.org.uk) PICTURE: © Yinka Shonibare/Victoria and Albert, London.