This Week in London – Hawai’i’s history and culture; Green Plaque commemorates FA; and, Turner and Constable at the Tate…

‘ahu ʻula (feathered cloak) sent by Kamehameha I to King George III, received by George IV © Royal Collection Enterprises Limited 2025 | Royal Collection Trust

The history and artistry of Hawaii along with its relationship with Britain is the subject of a new exhibition at the British Museum. Hawai􏰄i: a kingdom crossing oceans commemorates 200 years since a series of events including the visit of Hawaiian King Liholiho (Kamehameha II) and Queen Kamāmalu to London with a royal delegation to seek alliance and protection from the Crown. Building from the visit of the Hawaiian party to the British Museum, the exhibition features around 150 objects and artworks, many of which have never seen seen before, with highlights including an ‘ahu ‘ula (feathered cloak) which was sent in 1810 by the first king of united Hawai’i, Kamehameha I, to King George III, a nine foot ki’i image of the god Kū, and the Anglo-Franco proclamation of 1843, on loan from The National Archives, which highlights the UK and France’s formal recognition of Hawai’i’s independence and emphasises diplomatic bonds between these nations. Opening today, the exhibition can be seen until 25th May in The Joseph Hotung Exhibition Gallery􏰊 (Room 35). Admission charge applies. For more, see britishmuseum.org/hawaii.

The former headquarters of the Football Association (FA) has been commemorated with a City of Westminster Green Plaque at 22 Lancaster Gate, an address synonymous with the FA from the early 20th century until the 1990s. In a statement, the City of Westminster said the plaque, which was unveiled late last year, “celebrates the cultural and historical significance of the FA’s presence in the area and its role in English football history”.

On Now: Turner & Constable. An exhibition at the Tate Britain focuses on two of Britain’s greatest painters, JMW Turner and John Constable, who were also great rivals. The display, which marks 250 years since their births – Turner in 1775 and Constable in 1776, features more than 170 paintings and works on paper as it explores their intertwined lives and legacies. Highlights include Turner’s momentous The Burning of the Houses of Lords and Commons (1835), not seen in Britain for more than 100 years, and Constable’s The White Horse (1819). Admission charge applies. Runs until 12th April. For more, see www.tate.org.uk/whats-on/tate-britain/turner-and-constable/exhibition-guide.

Send all items to exploringlondon@gmail.com.

This Week in London – New insights into Canaletto’s Venice; a rare Shakespearean opportunity; and, a Green Plaque for William Henry Hudson…

Methods employed by world renowned 18th century Venetian painter Canaletto in creating his evocative images of the city where he lived are the subject of a new exhibition which opens at The Queen’s Gallery in Buckingham Palace tomorrow. Canaletto & the Art of Venice showcases the findings of recent research in an exhibition which focuses on the Royal Collection’s remarkable group of paintings, drawings and prints by the artist – a collection obtained by King George III in 1762 from dealer (and the then-British Consult in Venice) Joseph Smith. Royal Collection Trust conservators used infrared technology to uncover previously hidden marks on drawings, providing new insights into Canaletto’s artistic techniques and casting doubt on a long held theory that he used a camera obscure to achieve topographical accuracy in his work. The exhibition, which features more than 200 paintings, drawings and prints, displays his work alongside that of contemporary artists Sebastiano, Marco Ricci, Rosalba Carriera, Francesco Zuccarelli, Giovanni Battista Piazzetta and Pietro Longhi. Runs until 12th November. Admission charge applies. For more, see www.royalcollection.org.uk. PICTURE: Canaletto, The Grand Canal looking East from Campo San Vio towards the Bacino, c.1727-8, from a set of 12 paintings of the Grand Canal. Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

• A rare ‘First Folio’ of William Shakespeare’s work – widely regarded as one of the most perfect copies in existence – will be available for viewing before an outdoor performance of Twelfth Night next month. Five actors from acting company The Three Inch Fools will perform the comedy in the St Mary Aldermanbury’s Garden on 1st June at 7pm, the same garden where Henry Condell and John Heminges, two of the Bard’s co-partners at the Globe Theatre and the men behind the production of the First Folio in 1623, were buried. Those attending the performance will be given the chance to view the folio in the nearby Guildhall Library before the performance. Tickets to this one night only opportunity can be purchased from Eventbrite.

Author and naturalist William Henry Hudson, whose work so inspired author Ernest Hemingway that his name was referenced in Hemingway’s first novel The Sun Also Rises, has been commemorated with a City of Westminster Green Plaque in Leinster Square, Bayswater. Born the son of British parents in Argentina, Hudson came to Westminster after leaving South America in 1874. An early support of the Royal Society for the Protection of Birds, his books on the English countryside became famous and helped foster the back to nature movement of the 1920s and 1930s.

Send all items for inclusion to exploringlondon@gmail.com.