This Week in London – The extraordinary story of George King; Guildhall statues survive (with explanations); and, Wildlife Photographer of the Year…

The extraordinary story of 18th century foundling and sailor George King, who fought in the Battle of Trafalgar, is the subject of a new exhibition opening at the Foundling Museum in Bloomsbury tomorrow. Fighting Talk: One Boy’s Journey from Abandonment to Trafalgar features King’s hand-written account of his life, a fragment of the flag from Nelson’s coffin, letters between the Foundling Hospital’s matron and Lady Emma Hamilton (annotated by Nelson himself) and two rare Naval General Service Medals, of which only 221 were awarded retrospectively when the medal was first issued in 1849, belonging to King and the foundling William South, who served aboard HMS Victory. There is also a display of works by contemporary artist and photographer Ingrid Pollard – Ship’s Tack – which reflects on the Foundling Hospital’s connections with Empire, trade and the Navy and which includes newly commissioned work responding directly to George’s autobiography. Runs until 27th February. Admission charge applies. For more, see www.foundlingmuseum.org.uk.

Two Guildhall statues portraying figures with links to the slave trade will be retained but have information added detailing those links. The City of London Corporation’s Court of Common Council voted last week to keep the statues of William Beckford and Sir John Cass which will have plaques or notices placed alongside them containing contextual information about the two men’s links to slavery. William Beckford was an 18th century slave owner and two-time Lord Mayor of London, while Cass – an MP and philanthropist – was a key figure in the Royal African Company, which traded in slaves in the 17th and 18th centuries. Sir John Cass’s Foundation Primary School in the City and the nearby Cass Business School have already changed their names to remove the association with their founder and his links to slavery.

•  French underwater photographer and biologist Laurent Ballesta has won the Natural History Museum’s Wildlife Photographer of the Year for an image showing camouflage groupers exiting their milky cloud of eggs and sperm in Fakarava, French Polynesia. The image was selected out of 50,000 entries from 95 countries and is being displayed with 100 images in an exhibition opening at the museum on Friday. Meanwhile 10-year old Vidyun R Hebbar, who lives in Bengaluru, India, was awarded the Young Wildlife Photographer of the Year 2021 for his colourful image, Dome home, showing a tent spider as a tuk-tuk passes by. The exhibition can be seen until 5th June next year. Admission charge applies. For more, see www.nhm.ac.uk/visit/exhibitions/wildlife-photographer-of-the-year.

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This Week in London – City statues to be removed; 800-year-old window at centre of upcoming Becket exhibition; and, weavers give £100,000 for new museum…

Statues of two prominent men with links to the trans-Atlantic slave trade will be removed from Guildhall, the City of London has said. The City of London Corporation’s policy and resources committee voted to remove statues of William Beckford and Sir John Cass following a recommendation from the corporation’s Tackling Racism Taskforce. The statue of Beckford, a two-time Lord Mayor of London in the late 1700s who accrued wealth from plantations in Jamaica and held African slaves, will be replaced with a new artwork while the likeness of Sir John Cass, a merchant, MP and philanthropist in the 17th and 18th centuries who also profited from the slave trade, will be returned to its owner, the Sir John Cass Foundation. The corporation will now set up a working group to oversee the removal of the statues and replacement works and will also consider commissioning a new memorial to the slave trade in the City.

A detail from the healing of Ralph de Longeville in the Miracle window, Canterbury Cathedral, early 1200s. © The Chapter, Canterbury Cathedral.

An 800-year-old stained glass window from Canterbury Cathedral will form the centrepiece of an upcoming exhibition on Thomas Becket. Now scheduled for April after delays due to the coronavirus pandemic, Thomas Becket: murder and the making of a saint will feature more than 100 objects as it tells the story of Becket’s life, death and enduring legacy. The ‘Miracle Window’ – one of seven surviving from an original series of 12 – will be shown in its original arrangement of the first time in more than 350 years. The fifth in the series, it depicts miracles which took place in the three year after Becket’s death including the healing of eyesight and the replacement of lost genitals. The exhibition will represent the first time a complete stained glass window has been lent by the cathedral. Details of tickets will be announced soon. For more, see www.britishmuseum.org/becket.

The Worshipful Company of Weavers this week announced the donation of £100,000 towards the creation of the new Museum of London in former market buildings at West Smithfield. The donation is one of the largest ever awarded by the livery company which, having a Royal charter dating from 1155, is the oldest surviving. The masterplan for the new museum received planning permission in June last year.

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