The King’s Gallery

This Week in London – The glamour of the Edwardian Royals; tulips at Hampton Court; and, Cartier jewels at the V&A…

by exploringlondon
Attributed to R. & S. Garrard, ‘Love Trophy’ Collar, 1901
Charles Baugniet, ‘After the Ball’: a Lady in a Ballgown Asleep on a Sofa, c1860–67

• The glamour and opulence of the Edwardian era – and the two royal couples that exemplified it – is the subject of a new exhibition opening at The King’s Gallery at Buckingham Palace tomorrow. The Edwardians: Age of Elegance takes an in-depth look at the lives of King Edward VII and Queen Alexandra, and King George V and Queen Mary, exploring not only their family interactions but their glittering social circles, travel adventures and, of course, the royal events they attended. More than 300 items are on display in the exhibition – almost half on show for the first time – with highlights including Queen Mary’s ‘Love Trophy’ Collar necklace which is on display for the first time, a Cartier crystal pencil case set with diamonds and rubies, and, a blue enamel Fabergé cigarette case featuring a diamond-encrusted snake biting its own tail which was given to King Edward VII in 1908 by his favourite mistress as a symbol of eternal love. There’s also a never-before-seen photograph of Edward wearing fancy-dress as a knight of the Order of Malta as he attended a ball celebrating Queen Victoria’s 1897 Diamond Jubilee, a previously unseen study of Sleeping Beauty by the Pre-Raphaelite artist Sir Edward Burne-Jones, and, Charles Baugniet’s After the Ball which is on show for the first time in more than a century. Runs until 23rd November. Admission charge applies. For more, see www.rct.uk.

• More than 100,000 tulip bulbs are springing to life at Hampton Court Palace for its annual Tulip Festival. The display includes an installation of 10,000 tulips in the palace’s Fountain Court, floating tulip bowls in the Great Fountain, a vintage horse cart spilling tulips in the Clock Court, free-style planting, inspired by the tulip fields of the Netherlands, in the Kitchen Garden and rare, historic and specialist varieties of tulips in the Lower Orangery. There will be daily “tulip talks” in the palace’s wine cellar exploring the history of the flower and how Queen Mary II introduced them to the palace. Runs from Friday until 5th May. Included in general admission. For more, see www.hrp.org.uk.

Rose clip brooch, Cartier London, 1938. Diamonds and platinum. Vincent Wulveryck, Collection Cartier © Cartier

• The first major exhibition in 30 years dedicated to Cartier jewels and watches opens at the V&A this Saturday. Cartier, which is being held in The Sainsbury Gallery, charts the rise of the globally recognised jewellery house and how it became known as “the jeweller of kings and the king of jewellers”. The display features more than 350 objects with highlights including the Williamson Diamond brooch which was commissioned by Queen Elizabeth II in 1953 and which features the rare 23.6 carat pink Williamson diamond; the Scroll Tiara commissioned in 1902 and worn to the coronation of Elizabeth II and later by Rihanna on the cover of W magazine in 2016; Grace Kelly’s engagement ring (1956) that she wore in her final film High Society; Mexican film star María Félix’s snake necklace (1968); and, a selection of Cartier timepieces that embody its pioneering approach to watchmaking, including the Crash wristwatch, designed by Cartier London (1967). The exhibition runs until 16th November. Admission charge applies. For more, see vam.ac.uk/exhibitions/cartier.

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This Week in London – Medieval women at the British Library; Renaissance drawings at The King’s Gallery; and, ‘Duo’ in the Painted Hall…

by exploringlondon
Christine de Pizan, The Book of the City of Ladies (Add Harley MS 4431, f. 290r). © British Library

• The lives of medieval women are the subject of a new exhibition at the British Library. Medieval Women: In Their Own Words features more than 140 objects with highlights including a letter bearing the earliest known signature of Joan of Arc which has never before been displayed outside France, a manuscript made in the early 15th century under the personal supervision of Christine de Pizan – the first professional women author in Europe, a 12th   century ivory carving which belonged to Sybilla of Flanders, and, the oldest surviving Valentine’s Day letter, sent by Margery Brews in 1477. There’s also the book Behinat Olam Mantua, published between 1476 and 1480 by Estellina Conat who was the first recorded woman to print a book in Hebrew, the only surviving copy of the earliest known autobiography in English, The Book of Margery Kempe, which was probably written around 1438, a 15th century birthing girdle and the largest hoard of medieval gold coins ever discovered in Britain which was probably gathered as a result of Margaret of Anjou’s fundraising efforts in support of the Lancastrian side in the Wars of the Roses. The display is a multi-sensory experience which, as well as the objects on show, features scent installations, films, music and interactive digital technologies. The exhibition, which is accompanied by a programme of events, can be seen until 2nd March. Admission charge applies. For more, see www.bl.uk.

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Annibale Carracci, ‘A landscape with a lobster’, c1590. © Royal Collection Enterprises Limited 2024 | Royal Collection Trust

• An exhibition of the widest range of drawings from the Italian Renaissance ever to be shown in the UK opens at The King’s Gallery in Buckingham Palace on Friday. Drawing the Italian Renaissance features more than 160 works by more than 80 artists including Leonardo da Vinci, Michelangelo, Raphael and Titian. The works are all drawn from the Royal Collection and more than 30 are on display for the first time while a further 12 have never been shown in the UK. Highlights include Raphael’s The Three Graces in red chalk (c1517-18), Fra Angelico’s The bust of a cleric (c1447-50), a chalk study of an ostrich attributed to Titian (c1550), Leonardo da Vinci’s A costume study for a masque (c1517-18), Michelangelo’s The Virgin and Child with the young Baptist (c1532), and works by lesser-known artists such as Paolo Farinati’s 1590 study of three mythological figures under an arch. Admission charge applies. Can be seen until 9th March. For more, head to www.rct.uk/collection/exhibitions/drawing-the-italian-renaissance/the-kings-gallery-buckingham-palace

• Melek Zeynep Bulut’s postponed installation Duo can be seen in the Painted Hall at the Old Royal Naval College in Greenwich – but only until Sunday. Presented in partnership with the London Design Festival, Duo is a suspended installation which explores the concepts of duality and interaction. Admission charge applies. For more, see https://ornc.org/whats-on/ldf/.

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