This Week in London – Newly restored ‘Nativity’ back on display for Christmas; Tutankhamun 100 years on; and, ‘Museum of the Moon’ at Greenwich…

Following a restoration, early Renaissance artist Piero Della Francesca’s The Nativity has gone on display in The National Gallery in time for Christmas. The painting, created circa 1470, had been in the possession of Piero’s family until it came to London in the 1860s. Then in a poor condition, it was acquired by The National Gallery in 1874. It has now been restored by the gallery’s senior restorer Jill Dunkerton with panel work by Britta New in a process which has shed new light on the painting. This includes the understanding that while it was previously framed and displayed as an altarpiece, instead the work is now believed to have been a very grand, domestic painting which Piero may even have painted for himself. To complement this new interpretation, the gallery has been able to acquire a carved walnut frame, of almost exactly the correct dimensions, date and probable origin. You can see a video of the conservation process below. For more, see www.nationalgallery.org.uk.

• Marking the 100th anniversary of the discovery of Tutankhamun’s tomb in Egypt in November, 1922, the British Museum has opened a new display looking at the way the ancient Egyptian pharaoh was viewed, both by his contemporaries and by people today. The free Asahi Shimbun Display Tutankhamun Reimagined features artwork by contemporary Egyptian graffiti artist Ahmed Nofal alongside a statue of Tutankhamun which was discovered before his tomb was even found. Accompanying the display is a trail through the Egyptian Sculpture Gallery (Room 4) in which visitors can learn more about Tutankhamun and his times. Can be seen until 29th January. For more, see www.britishmuseum.org.

Artist Luke Jerram – of Gaia fame – is returning to the Old Royal Naval College in Greenwich next week with his artwork Museum of the Moon. The large scale installation, which will hang in the Painted Hall, features NASA imagery of the lunar surface. Visitors are invited to lean back on daybeds to experience the installation which is accompanied by a surround sound composition by BAFTA-winning composer Dan Jones. Runs from Tuesday, 13th December, to 2nd February. Admission charge applies. For more, see https://ornc.org/whats-on/museum-of-the-moon/.

Send all items to exploringlondon@gmail.com.

This Week in London – English Heritage sites online; and, The Painted Hall in virtual reality…

With historic properties and cultural institutions closed across London, we’re showcasing some of the online opportunities that are available to continue your explorations of the city…

London’s Eltham Palace and Kenwood House (pictured above) are among 29 English Heritage sites around the country which are being showcased on the Google Arts & Culture platform. English Heritage, which first announced the partnership with Google Arts & Culture, was the first heritage organisation and multi-site installation to do so and the Google site now contains a plethora of information and immersive experience about the English Heritage properties. To explore the site, head to https://artsandculture.google.com/project/english-heritage. And for those looking for more online experiences, the organisation is also pointing to its Stonehenge Skyscape site which allows visitors to experience a live sunrise over Stonehenge as well as see the journey of the stars and the moon from within the stone circle and learn about the monument’s design and how its builders may have understood their place in the cosmos. For more, see www.english-heritage.org.uk/skyscape/. PICTURE: It’s No Game (licensed under CC BY 2.0)

Reopened in 2019, The Painted Hall at the Old Royal Naval College in Greenwich following a two year conservation project. To celebrate the reopening – and the new life given to Sir James Thornhill’s 40,000 square feet of painted walls and ceilings – a virtual, 360 degree online tour was also launched so people could visit from the comfort of their own home. You can access the tour by following this link.

Send all items for inclusion to exploringlondon@gmail.com.

This Week in London – Marking the transatlantic cable’s 150th; Sir James Thornhill celebrated; and, food at the Foundling Museum…

commerce-and-sea-power_william-lionel-wyllie

• This year marks the 150th anniversary of the transatlantic cable connecting Europe and America and in celebration of the event, the City of London Corporation’s Guildhall Art Gallery is holding an exhibition looking at the impact of cable telegraphy on people’s understanding of time, space and the speed of communication. Victorians Decoded: Art and Telegraphy, a collaboration between the gallery, King’s College London, The Courtauld Institute of Art and the Institute of Making at University College London, features never-before-seen paintings from the gallery’s collection as well as rare artefacts such as code books, communication devices, samples of transatlantic telegraph sales and ‘The Great Grammatizor’, a messaging machine that will enable the public to create a coded message of their own. It took nine years, four attempts and the then largest ship in the world, the Great Eastern, to lay the cable which stretched from Valentia Island in Ireland to Newfoundland in Canada and enabled same-day messaging across the continents for the first time. Displayed over four themed rooms – ‘Distance’, ‘Resistance’, ‘Transmission’ and ‘Coding’, the exhibition features works by artists including Edward John Pointer, Edwin Landseer, James Clarke Hook, William Logsdail, William Lionel Wyllie and James Tissot. The free exhibition, which runs until 22nd January, is accompanied by a series of special curator talks. For more information, see www.cityoflondon.gov.uk/victoriansdecoded. PICTURE: Commerce and Sea Power, William Lionel Wyllie/Courtesy Guildhall Art Gallery.

• The life of artist Sir James Thornhill – the painter behind the remarkable Painted Hall at the Old Royal Naval College in Greenwich, has opened at The Stephen Lawrence Gallery in Greenwich. A Great and Noble Design: Sir James Thornhill’s Painted Hall explores the story behind the commissioning of the Painted Hall, painted between 1708 and 1727, through a series of preparatory sketches made by the artist, including three newly-conserved original sketches by Thornhill. Also on show will be the results of new research undertaken into the paintings in the light of upcoming conservation work on the hall’s ceiling. The free exhibition runs at the centre at Stockwell Street until 28th October. For more, see www.ornc.org.

The food served at the Foundling Hospital comes under scrutiny in a new show at The Foundling Museum in Bloomsbury. Based on new research, Feeding the 400 looks at the impact food and eating regimes had on children at the hospital between 1740 and 1950 through an examination of art, photographs, objects including tableware and the voices of former student captured in the museum’s extensive sound archive. Guest curated by Jane Levi, the exhibition also includes a newly commissioned sound work which evokes the experience of communal eating. A programme of events accompanies the exhibition which runs until the 8th January. Admission charge applies. For more, see www.foundlingmuseum.org.

Send all items for inclusion to exploringlondon@gmail.com.

10 iconic London film locations…4. Greenwich’s Old Royal Naval College becomes Lilliput…

Old-Royal-Naval-College

When the makers of the 2010 Jack Black movie Gulliver’s Travels were looking for suitably grand buildings to represent the Lilliputian capital, they turned to the Old Royal Naval College in Greenwich.

Designed by Sir Christopher Wren, the World Heritage-listed site made a grand backdrop for the film in which a supersized Black plays Gulliver, the hero of Jonathan Swift’s book (incidentally Blenheim Palace near Oxford also makes an appearance in the film).

It’s not the first time, of course, that the location has featured in recent films – in fact, such has been its popularity that Empire asked last year whether it was the most popular film location in the world.

Other films in which the Old Royal Naval College appears have included The Dark Knight Rises (where it features in the epilogue), Les Miserables (where the buildings represent a part of a Paris featuring a gigantic wooden elephant which is home to the street urchin Gavroche), and Pirates of the Caribbean: On Stranger Tides (where the spectacular Painted Hall, designed by Wren and Nicholas Hawksmoor, represents the King’s palace).

It has also appeared in both of the recent Sherlock Holmes films as well as a host of others – everything from The Mummy Returns to The Madness of King George and Charlotte Gray.

For more on the history of the Old Royal Naval College, check out our previous post here and here.