Created by Russian-born artist Erik Bulatov to mark the centenary of the revolution, the 10 foot high steel Cyrillic letters, some of which appear to have fallen over, spell out the word ‘forward’ four times and are arranged in a circle. Forward 2016 is Bulatov’s first sculpture and was apparently conceived after a visit to a decommissioned 19th century iron foundry in France which Bulatov, who was born in 1933, felt represented – through its sheer scale and lost sense of power and energy – not only the aspirations of his generation but the disillusionment they experienced. While the bright colours of the letters create a sense of energy and movement, their distribution in a closed loop seem to imply that progress may not really be possible. The work, which is installed on the south terrace of the Tate Modern, will remain on display throughout the summer as a precursor to two major art exhibitions being held at the gallery in autumn – Ilya and Emilia Kabakov: Not Everyone Will Be Taken Into The Future, the UK’s first major exhibition of the works of this pioneering couple (from 18th October), and Red Star Over Russia, an exploration of visual culture and design in the decades following the revolution (from 18th November). For more, see www.tate.org.uk. PICTURE: Courtesy of Tate Photography.