• Marking 100 years since the end of World War I, a new exhibition opening at the Tate Britain on Tuesday explores the immediate impact of the war on British, German and French art including an examination of how artists responded to Europe’s new physical and psychological scars. Aftermath: Art in the Wake of World War One features more than 150 works spanning the period from 1916 to 1932 by artists including George Grosz, Fernand Léger and CRW Nevinson. They range from battlefield landscapes and images of soldiers’ graves – such as William Orpen’s A Grave in a Trench (1917) and Paul Jouve’s Tombe d’un soldat serbe a Kenali (1917) – to sculptural public memorials commemorating the conflict by the likes of Käthe Kollwitz, André Mare and Charles Sargeant Jagger and more personal memorials created using battlefield relics like shrapnel and mortar shells as well as images depicting the wounded and disabled in the post-war world such as George Grosz’s Grey Day (1921) and Otto Dix’s Prostitute and Disabled War Veteran (1923). The display also features works relating to the birth of dada and surrealism – among those featured are Hannah Höch’s data photomontages – and looks at how the rebuilding of post war society inspired artists like Georges Braque, Christian Schad and Winifred Knights to return to classicism and tradition while pushing others, like Léger, Paul Citroen and Nevinson to create visions of a technological future. Opening on 5th June, it runs until 16th September at the Millbank site. For more, see www.tate.org.uk. PICTURE: George Grosz (1893-1959), Grey Day (1921), Oil paint on canvas, 1150 x 800 mm, Staatliche Museen zu Berlin, Nationalgalerie. Acquired by the Federal State of Berlin. © Estate of George Grosz, Princeton, N.J. 2018.
• The story of Jamaican feminist poet Una Marson – the first black woman employed by the BBC, Trinidadian JJ Thomas’ scathing rebuttal of English colonialism, and, manuscripts of Andrea Levy’s novel Small Island are among highlights of a new exhibition at the British Library. Windrush: Songs in a Strange Land marks 70 years since the MV Empire Windrush first carried hundreds of migrants to London and explores why they came, what they left behind and how they came to shape Britain. The free exhibition in the library’s Entrance Hall on Euston Road, which opens Friday, also features Benjamin Zephaniah’s poem What Stephen Lawrence Has Taught Us, personal reflections from some of the first Caribbean nurses to join the NHS and sounds of the Caribbean including jazz to calypso music. Runs until 21st October. For more, see www.bl.uk.
• Join in a celebration of London’s ‘grassroots music’ in June. Sounds Like London features more than 200 gigs across the capital including a series of gigs aimed at raising money for the Music Venue Trust’s Emergency Response service which supports grassroots music venues threatened by closure, 11 ‘Airbnb Concerts’ and X-pose, an event showcasing the capital’s leading deaf musicians and DJs. The full programme of events can be found at www.london.gov.uk/sounds-like-london.
• The political orator, writer and elocutionist John Thelwall (1764-1834) has been commemorated with an English Heritage Blue Plaque located on the site of his pioneering institution of elocution. Thelwall, described as one of the most popular and effective orators of his day and known as a champion of free speech and universal suffrage as well as being a fierce critic of the French Revolution, opened his ‘Seminary for the cultivation of the science and practice of elocution, and the cure of impediments of speech’ at 40 Bedford Place in Bloomsbury in 1806. The Grade II-listed property, now in use as a hotel, was newly built at the time. The institution remained at the site for seven years before moving to Lincoln’s Inn Fields. For more, see www.english-heritage.org.uk/visit/blue-plaques/
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One thought on “This Week in London – WWI impact on art explored; recalling Windrush; ‘Sounds Like London’; and, John Thelwall commemorated…”
Thank you. My students are very interested in the exhibition opening at the Tate Britain because we too are exploring the immediate impact of world war one on contemporary art. Battlefield landscapes, memorials, portraits and graves are particularly important.