This Week in London – Luxury and power in the ancient world; St Francis of Assisi; and, St Bart’s 900 year history…

Panagyurishte Treasure

The relationship between luxury and power in the ancient world is explored in a new exhibition at the British Museum. Luxury and power: Persia to Greece focuses on the period between 550-30 BC in the Middle East and south-east Europe, a period during which the Persian empire of ancient Iran clashed with the cities and kingdoms of Greece before it was conquered by Alexander the Great. Highlights include Bulgaria’s Panagyurishte Treasure which, on loan, consists of nine richly decorated Persian gold vessels including eight rhyta used to pour wine and one bowl to drink it. There’s also a Persian gilt silver rhyton shaped as a griffin, Athenian examples of drinking vessels, and, a gold wreath from Turkey which consists of two branches with a bee with two cicadas and showcases how styles evolved into the period after the death of Alexander in 323 BC. The exhibition in the Joseph Hotung Great Court Gallery can be seen until 13th August. Admission charge applies. For more, see www.britishmuseum.org/luxuryandpower.

Sandro Botticelli, ‘Saint Francis of Assisi with Angels’ (about 1475-80)/Tempera and oil on wood/
© The National Gallery, London

The first major art exhibition to explore the life and legacy of Saint Francis of Assisi has opened at The National Gallery. Saint Francis of Assisi, which features works spanning the period from the 13th century to today, includes 40 works, ranging from medieval painted panels to relics, manuscripts and even a Marvel comic book. Highlights include Francisco de Zurbarán’s Saint Francis in Meditation (1635‒9), Antony Gormley’s Untitled (for Francis) (1985), Sandro Botticelli’s Saint Francis of Assisi with Angels (about 1475‒80 – pictured), El Greco’s Saint Francis Receiving the Stigmata (1590‒5), Giovanni Costa’s Frate Francesco e Frate Sole (1878‒86), and Matthew Paris’ drawings in the Chronica maiora, which present some of the earliest English depictions of Saint Francis. There’s also a relic of Francis’s habit from Santa Croce, Florence, and a small section of the exhibition is dedicated to Saint Clare, one of the first followers of Francis. The exhibition in the Ground Floor Galleries can be seen until 30th June. Admission is free. For more, see nationalgallery.org.uk.

England’s oldest hospital, St Bartholomew’s Hospital, is being celebrated in an outdoor exhibition in the City of London. Founded in 1123 – 900 years ago this year, the history of the hospital is being being told using photographs, art, and history drawn from Barts Health NHS Trust Archives’ extensive collections. The display can be seen in Guildhall Yard until 6th June after which it will move to Aldgate Square until 5th July before finally moving to St Bartholomew’s Hospital Square until 1st August. The exhibition is part of Barts900. For more on the programme of events, see Barts900 website.

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10 sites commemorating the Great Fire of London – 2. The Golden Boy of Pye Corner…

Golden-Boy-of-Pye-CornerWe’ve mentioned this memorial before but it’s worth a revisit. While last week’s entry looked at a plaque marking the site of the start of the Great Fire of London in September, 1666, this week we’re taking a (second) look at one of the sites where it was stopped.

Positioned high on a building on the corner of Giltspur Street and Cock Lane in Smithfield, this small wooden gilt 17th century statue, by an unknown maker, was once located on front of the pub, The Fortune of War, which stood on the site until it was demolished in 1910 (it was apparently used by body-snatchers as a place to display stolen corpses for surgeons from the nearby St Bartholomew’s Hospital to take their pick from).

The statue marks one of the locations on the city fringes where the fire was ‘stayed’ through the demolition of buildings. It bears an inscription which reads “This Boy is in Memmory put up for the late Fire of London Occasion’d by the Sin of Gluttony 1666”.

Well below it is an explanatory note below explains that the boy was made deliberately fat (the statue was apparently originally known as ‘The Fat Boy’ although to the modern eye it doesn’t look particularly so) in reference to the rather odd claim the fire was started in Pudding Lane as a result of the sin of gluttony and not by Papists as had been originally claimed on The Monument.

It has been said that the statue – which is believed to have once had wings and which is the reason why the building it is upon carries a Grade II heritage listing – was merely a shop sign and originally had nothing to do with the Great Fire, which may well be the case, but that said it is known that the fire stopped here (sparing St Bart’s further up Giltspur Street).

PICTURE: David Adams

10 (more) curious London memorials…3. William Wallace Memorial…

William-Wallace-memorialHe was captured in Scotland but it was actually at Smithfield in London that the Scottish leader, Sir William Wallace, was put to death on 23rd August, 1305.

Erected in 1956 by “Scots and friends at home and abroad”, a plaque located on the wall of St Bartholomew’s Hospital overlooking the former execution ground commemorates the “Scottish patriot” Wallace, saying that from the year 1296 “fought dauntlessly in defence of his country’s liberty and independence in the face of fearful odds and great hardship”. It goes on to note that he was “eventually betrayed”, captured and executed “near this spot”.

Elsewhere the memorial reads: “His example, heroism and devotion inspired those who came after him to win victory from defeat and his memory remains for all time a source of pride, honour and inspiration to his countrymen”.

Having co-led the Scottish to victory against the army of King Edward I at the Battle of Stirling Bridge in 1297, Wallace was later knighted for his efforts and subsequently served as a Guardian of the Kingdom of Scotland.

Following his defeat at English hands in the Battle of Falkirk in 1298, he escaped and continued to evade capture until he was apprehended near Glasgow in August 1305. Brought to London where he was put on trial in Westminster Hall. Summarily found guilty of treason, he was stripped naked and dragged to Smithfield and it was there that he suffered the horrible death of being hung, drawn and quartered.

And while the 1995 movie, Braveheart, had Wallace crying out “Freedom” as he died, his last words are actually not recorded. His tarred head was subsequently displayed on a pike atop London Bridge while his limbs were sent to towns including Stirling in Scotland.