CCambridge took the honours over Oxford in both the men’s and women’s races as well as both reserve races and the lightweight men’s and women’s races in the annual rowing event on the River Thames in west Londonon Sunday.
The Cambridge women’s team, wearing the light “duck egg” blue, celebrate their win over the Dark-Blues (Oxford). ALL PICTURES: Courtesy of Row360
The Light-Blues won the men’s race by five-and-a-half lengths – their sixth victory in seven years, while the women won by two-and-a-half lengths in their eighth consecutive win.
Cambridge celebrations.
There was controversy when the women’s race had to be restarted – the first time its happened on the Championship Course (the women’s race moved there in 2015 having earlier been held at Henley-on-Thames and before 1977 on the River Isis in Oxford and the Cam in Cambridge – and history was also made in the men’s race with Sarah Winckless the first female umpire.
The crowd along the River Thames shoreline at Barnes.
The first men’s race was held in 1829 and the first women’s in 1927. It takes place over what is known as the Championship Course which covers 4.25 miles between Putney and Mortlake.
Located in what was the gatehouse of Westminster Abbey, this small prison dates from 1370.
It was built by Walter de Warfield, then the abbey’s Cellarer, and featured two wings, built at right angles to each other.
The Gatehouse Prison in an 18th century depiction. PICTURE: Wikipedia
Under the jurisdiction of the Abbot, the prison had two sections – one for clerics and one for laymen. The Abbey’s Janitor was its warder.
Among the most famous inmates was the Cavalier poet Richard Lovelace who was imprisoned for petitioning to have the Clergy Act 1640 annulled. While inside, he wrote the famous work, To Althea, from Prison which features the famous lines: “Stone walls do not a prison make, Nor iron bars a cage”.
Other notables include Sir Walter Raleigh, held here on the night before he was beheaded in Old Palace Yard on 29th October 1618, diarist Samuel Pepys – detained for a few weeks in 1689 on suspicion of being a Jacobite (but released because of ill health), and Gunpowder Plot conspirator Thomas Bates.
Falling into a state of decay, the prison was demolished in 1776-77 (although one wall stood until the 1830s). A gothic column, the Westminster Scholars’ Memorial which is also known as the Crimea and Indian Mutiny Memorial, now stands on the site.
Attributed to R. & S. Garrard, ‘Love Trophy’ Collar, 1901
Charles Baugniet, ‘After the Ball’: a Lady in a Ballgown Asleep on a Sofa, c1860–67
• The glamour and opulence of the Edwardian era – and the two royal couples that exemplified it – is the subject of a new exhibition opening at The King’s Gallery at Buckingham Palace tomorrow.The Edwardians: Age of Elegance takes an in-depth look at the lives of King Edward VII and Queen Alexandra, and King George V and Queen Mary, exploring not only their family interactions but their glittering social circles, travel adventures and, of course, the royal events they attended. More than 300 items are on display in the exhibition – almost half on show for the first time – with highlights including Queen Mary’s ‘Love Trophy’ Collar necklace which is on display for the first time, a Cartier crystal pencil case set with diamonds and rubies, and, a blue enamel Fabergé cigarette case featuring a diamond-encrusted snake biting its own tail which was given to King Edward VII in 1908 by his favourite mistress as a symbol of eternal love. There’s also a never-before-seen photograph of Edward wearing fancy-dress as a knight of the Order of Malta as he attended a ball celebrating Queen Victoria’s 1897 Diamond Jubilee, a previously unseen study of Sleeping Beauty by the Pre-Raphaelite artist Sir Edward Burne-Jones, and, Charles Baugniet’s After the Ball which is on show for the first time in more than a century. Runs until 23rd November. Admission charge applies. For more, see www.rct.uk.
• More than 100,000 tulip bulbs are springing to life at Hampton Court Palace for its annual Tulip Festival. The display includes an installation of 10,000 tulips in the palace’s Fountain Court, floating tulip bowls in the Great Fountain, a vintage horse cart spilling tulips in the Clock Court, free-style planting, inspired by the tulip fields of the Netherlands, in the Kitchen Garden and rare, historic and specialist varieties of tulips in the Lower Orangery. There will be daily “tulip talks” in the palace’s wine cellar exploring the history of the flower and how Queen Mary II introduced them to the palace. Runs from Friday until 5th May. Included in general admission. For more, see www.hrp.org.uk.
• The first major exhibition in 30 years dedicated to Cartier jewels and watches opens at the V&A this Saturday.Cartier, which is being held in The Sainsbury Gallery, charts the rise of the globally recognised jewellery house and how it became known as “the jeweller of kings and the king of jewellers”. The display features more than 350 objects with highlights including the Williamson Diamond brooch which was commissioned by Queen Elizabeth II in 1953 and which features the rare 23.6 carat pink Williamson diamond; the Scroll Tiara commissioned in 1902 and worn to the coronation of Elizabeth II and later by Rihanna on the cover of W magazine in 2016; Grace Kelly’s engagement ring (1956) that she wore in her final film High Society; Mexican film star María Félix’s snake necklace (1968); and, a selection of Cartier timepieces that embody its pioneering approach to watchmaking, including the Crash wristwatch, designed by Cartier London (1967). The exhibition runs until 16th November. Admission charge applies. For more, see vam.ac.uk/exhibitions/cartier.
• The first major exhibition on mudlarking opens at the Museum of London Docklands tomorrow. Secrets of the Thames: Mudlarking London’s lost treasures features some of the fascinating finds made along the Thames foreshore – from a Tudor head-dress and a medieval gold ring to an an elaborately decorated Viking era dagger and a pair of 18th century false teeth. While mudlarking was historically an activity of the poor, often children, during the 19th century, it has evolved into a popular hobby for some (albeir permits are required) and in recent years led to some spectacular finds. Others among the more than 350 objects on show include a 16th century ivory sundial, the nationally significant Iron Age Battersea Shield, a pair of medieval spectacles, 16th century wig curlers, and a Roman badge decorated with a phallus. The exhibition also features the installation, The Moon by artist Luke Jerram, which highlights the role the moon and tides play in creating the unique conditions for mudlarks to explore the river’s banks. Admission charge applies. Runs until 1st March next year. For more, see www.londonmuseum.org.uk/whats-on/secrets-thames/.
• The hidden world of MI5 is being revealed in a new exhibition opening at the National Archives in Kew on Saturday.MI5: Official Secrets features original case files, photographs and papers alongside equipment used by spies and spy-catchers during the organisation’s 115 year history. Among the items on show are first-hand account of Kim Philby’s confession in 1963, papers related to the past activities of Cambridge spy Anthony Blunt, M15’s first camera – a pocket-sized ‘Ensignette’ made by Houghton Ltd from 1910, evidence that led to German spy Josef Jakobs being the last person executed at the Tower of London, and, advanced radio equipment found buried in the garden of Soviet spies Helen and Peter Kroger in the 1960s. The exhibition also features video insights from former MI5 directors general, intelligence experts including Professor Christopher Andrew – author of MI5’s official history, and Baroness May, former Prime Minister and one of Britain’s longest serving Home Secretaries. The exhibition is free to visit and runs until 28th September. For more, see https://www.nationalarchives.gov.uk/mi5-official-secrets/.
• The first new permanent gallery at the Natural History Museum – Fixing Our Broken Planet – opens today. The new gallery brings together pioneering research from the museum’s scientists with advice from environmentalists and young changemakers on how to better care for the planet and its future and aims to be a “definitive destination for those looking to explore the threats to our natural world whilst discovering where solutions can be found”. Visitors will come face-to-face with more than 250 specimens including a Sumatran rhinoceros, parasitic worms and whale’s earwax; each telling an important story about our fragile relationship with the natural world and will also see research showing how fungi is used to fertilise crops, how bacteria can be harnessed to extract copper from mine waste, how bison are helping to engineer forests in the UK to store more carbon and how vital DNA analysis on mosquitos is being used to fight mosquito-borne diseases, such as malaria. The new display is located in the restored original 1881 Waterhouse building. The gallery is free to visit. For more, see www.nhm.ac.uk.
A complex of three docks located on the Isle of Dogs, the West India Docks were founded more than 200 years ago and in recent decades have been redeveloped as the financial centre of Canary Wharf.
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This pub, located in Southwark, just north of Borough Market (and Southwark Cathedral), owes its name to the proximity of the river and the traditional practice of mudlarking – a word used to describe the idea of scavanging the banks of the Thames for valuables.
Mudlarking rose to prominence in the 18th and 19th centuries and the mudlarks were often children, mostly boys, who would undertake the dangerous activity of scavanging the foreshore of the tidal Thames on a daily basis in an effort to supplement the family income.
The 19th century journalist Henry Mayhew wrote about mudlarks he encountered on the river, including a nine-year-old who, dressed in nothing but trousers that had been worn away to shorts, had apparently already been about the activity for three years.
The mudlarks were after anything that could be sold for a small income – coal, ropes, bones, iron and copper nails.
The pub sign as it is now. PICTURE: Google Maps
The practice continues today – and has unearthed some fascinating historic finds – but anyone wanting to do so needs a permit from the Port of London Authority (and must respect rules around their finds that are of an historical nature).
The pub, meanwhile, originally dates from the mid-1700s and used to feature child mudlarks on its sign (it now has a hand holding a mudlark’s find of a coin).
It is (unsurprisingly, given the location) said to be popular with market traders and attendees.
• A major exhibition tracing the changing depictions of pirates through the ages and revealing their often brutal role in history opens at the National Maritime Museum in Greenwich on Saturday. Pirates deconstructs some of the myths which have developed around buccaneers as it reveals the real-life stories of the likes of Edward ‘Blackbeard’ Teach, William Kidd, Anne Bonny and Mary Read. The exhibition features almost 200 objects ranging from the costume worn by Orlando Bloom in Pirates of the Caribbean: The Curse of the Black Pearl, to copies of A General History of the Pyrates by Captain Charles Johnson (first published in 1724), a hanging believed to have been part of a shrine captured from a junk in the fleet of the mid-19th century Chinese pirate Shap Ng-tsai, and a silver centerpiece depicting the bombardment of Algiers, 1816, when a combined British Dutch force attacked Algiers in an attempt to resolve the longstanding issue of piracy on the North coast of Africa. Runs until 4th January. Admission charge applies. For more, see www.rmg.co.uk/pirates.
• The ‘design of swimming’ – covering everything from fashions to architecture – is the subject of a new exhibition opening at the Design Museum tomorrow. Splash! A Century of Swimming and Style is split across three sections focusing on three locations in which people swim – the pool, the lido and nature – and starts in the 1920s when beach holidays exploded in popularity. More than 200 objects are on display including Pamela Anderson’s Baywatch swimsuit, the first Olympic solo swimming gold medal won by a British woman, the banned ‘technical doping’ LZR Racer swimsuit, one of the earliest surviving examples of a bikini, and a detailed architectural model of the Zaha Hadid-designed London 2012 Aquatics Centre. Runs until 17th August. Admission charge applies. For more, see https://designmuseum.org.
• Mexico’s most celebrated 19th century painter, José María Velasco (1840–1912), is the subject of a new exhibition opening at The National Gallery on Saturday.José María Velasco: A View of Mexico – which coincides with the 200th anniversary of the establishment of diplomatic relations between the UK and Mexico, explores how he approached drawing and painting and how he explored the relationship between different cultures, Mexico’s mountainous terrain, flora and fauna, and the impact of industrialisation on the landscape. The display also considers the links between Velasco’s work and paintings in the gallery’s collection, in particular Édouard Manet’s The Execution of Maximilian (1867–8), which depicts the execution of the Austrian ruler imposed on Mexico. Runs until 17th August. Admission charge applies. For more, see nationalgallery.org.uk.
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The oldest riverside wet dock in London (and for many years the largest), the origins of the expansive Greenland Dock in Rotherhithe go back to the late 17th century.
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A rectangular block of pale yellow sandstone decorated with a Latin cross, the Stone of Scone, also known as the Stone of Destiny, long featured in the crowning of Scottish kings. But in 1296, it was seized by King Edward I as a trophy of war.
He brought it back to England (or did he? – it has been suggested the stone captured by Edward was a substitute and the real one was buried or otherwise hidden). In London, it was placed under a wooden chair known as the Coronation Chair or King Edward’s Chair on which most English and later British sovereigns were crowned.
On Christmas Day, 1950, four Scottish nationalist students – Ian Hamilton, Kay Matheson, Gavin Vernon and Alan Stuart – decided to liberate the 152 kilogram stone and return it to Scotland.
The stone broke in two when it was dropped while it was being removed (it was later repaired by a stone mason). The group headed north and, after burying the greater part of it briefly in a field to hide it, the stone was – on 11th April, 1951 – eventually left on the altar of Arbroath Abbey in Scotland.
No charges were ever laid against the students.
It was brought back to the abbey and used in the coronation of Queen Elizabeth II in 1953.
The stone was eventually returned to Scotland in 1996 on the proviso it could be temporarily relocated back to London for coronations and now sits in Edinburgh Castle. It was taken to London temporarily in 2023 for the coronation of King Charles III but has since been returned.
The replica Stone of Scone at Scone Castle in Scotland. PICTURE: David Adams
There is a replica of the stone at Scone Castle in Scotland.
Yeoman Warders at the Tower of London. PICTURE: David Adams
• Almost 200 garments from the Royal Ceremonial Dress Collection are able to be explored online thanks to a new collaboration between Historic Royal Palaces, which looks after six royal palaces including Hampton Court Palace and the Tower of London, and Google Arts & Culture. Drawing on ultra-high-resolution photography and 3D scanning, the garments – which include everything from ceremonial uniforms such as those worn by Yeoman Warders and a rare Bristow hat which may have been worn by King Henry VIII to Queen Victoria’s silk shoes, a waistcoat worn by King George III and a dress worn by the future Queen Elizabeth II in 1927 when she was just 18-months-old – can now be viewed in unprecedented detail (a billion pixels per image) without the risk of the damage which can occur thanks to light, humidity, and handling. The Royal Ceremonial Dress Collection comprises over 10,000 pieces of historic dress and related materials spanning the period from the 16th century to the present day and features garments worn by monarchs and key historical figures, including, as well as the aforementioned, Prince Albert, Princess Margaret, and Diana, Princess of Wales. To see the items, head to goo.gle/royalwardrobe.
• Author, politician and artist Victor Hugo’s rarely seen works on paper have gone on show at the Royal Academy of Arts. Astonishing Things: The Drawings of Victor Hugo features around 70 works drawn from European collections and follows his preoccupation with drawing from early caricatures and travel drawings to later landscapes and abstract works. Arranged across four sections, the works on show include everything from Mushroom (1850) – which depicts a giant anthropomorphic toadstool, some of his many works depicting castles such as The cheerful castle (c 1847), and drawings that Hugo created in tandem with writing his 1866 novel The Toilers of the Sea, set in Guernsey in the years following the Napoleonic Wars, as well some relating to his most famous work, Les Misérables. The exhibition, being held in theJillian and Arthur M Sackler Wing of Galleries, can be seen until 19th June. Admission charge applies. For more, see royalacademy.org.uk.
• A “ground-breaking” exhibition showing the outsized impact British Black music has had on the world stage over the past 100 years has opened at the Barbican Music Library. Black Sound London highlights artists who created their own platforms, audiences, and spaces, often without mainstream support and spans genres including jazz, lovers’ rock, jungle, grime, and drill. Among the objects on show are vintage mixtapes, iconic magazine covers, and fly-posted walls. Runs until 19th July. For more, see www.cityoflondon.gov.uk/services/libraries/barbican-music-library.
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Located just to the east of the Tower of London, St Katharine Docks were opened in 1828 following the demolition of more than 1,000 houses along with a brewery and what was left of the medieval St Katharine’s Hospital.
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This north London district owes its name to the family estate on which it was developed.
The district, one of the first planned residential developments in London, was developed in the early 1770s along what was known as New Road. It can be found to the north of Clerkenwell with King’s Cross to the west and Angel to the east.
Corner of Chapel Market and Penton Street, Pentonville. PICTURE: Courtesy of Google Maps
Set within rolling fields, it was named for the family who owned the land which it was developed – that of Henry Penton, a Lord of the Admiralty, whose family, who hailed from Winchester, had owned the land for a couple of generations. The suffix “ville” was added to give the land sales appeal (a move which proved less popular after the rise of Napoleon thanks to its associated with French).
The new suburb was laid out mostly in a grid pattern on Islington Hill with the first street, named Penton Street, was completed in 1773. Building of further streets continued sporadically over the ensuing decades until the 1840s.
A church – St James Pentonville – was built halfway up the hill on Pentonville Road; it survived until its demolition in 1984. The burial grounds now form a public park – the Joseph Grimaldi Park (named for the clown who is buried within it). Other notable burials include Henry Penton.
Chapel Market was built as a residential street in 1790 but gradually transformed into a market and shops (it still contains some original properties).
Other landmarks include St Silas Church, Pentonville, which opened in 1863 and still stands in Risinghill Street, and the Church of St Mark the Evangelist, which opened in Myddleton Square in 1855, and was demolished in 1970.
Initially a fashionable place to live, this led to the term ‘Pentonville’ being used to describe an area beyond its original boundaries (Charles Dickens was apparently guilty of doing this). But its reputation began to fade during the mid-19th century as some homes were converted into businesses and others became boarding houses and tenements. By the turn of the century it was one of London’s poorest districts.
The area was partly redeveloped with council housing during the period between the two world wars – this was continued to a greater degree after World War II.
Incorporated into the London Borough of Finsbury in 1899, Pentonville became part of the London Borough of Islington in 1965 (there was Pentonville ward in the borough until 1978).
Famous residents have included philospher and economist John Stuart Mill (born at 13 Rodney Street in 1806) and Vladimir Lenin, who lived with his wife at 30 Holford Square just off Pentonville Road briefly in 1902-03.
Pentonville Road, formerly part of New Road, shares the name and a number of other streets also feature related names including, of course, the aforementioned Penton Street. Interestingly, the (in)famous HM Prison Pentonville, is not located in the area but in Caledonian Road in Barnsbury, some distance to the north.
Of course, Pentonville (in the form of Pentonville Road) can also be found in the pale blue section of properties on the Monopoly board.
This rounded arch in the Church of All Hallows is believed to be oldest surviving arch of the Anglo-Saxon period surviving in the City of London.
The arch can be found at the west end of the nave and dates from an earlier church on the site, possibly built as early as the 7th century (the church was later rebuilt and expanded several times, survived the Great Fire in 1666, and was then largely destroyed during the Blitz before being rebuilt and reconsecrated in 1957).
Roman tiles have been reused in the arch’s construction as well as Kentish ragstone and it doesn’t include a keystone.
The arch was fully revealed after a bombing during the Blitz in 1940 brought down a medieval wall and revealed it.
The arch has given some weight to the idea that the Anglo-Saxon church was founded not long after Erkenwald founded Barking Abbey in the 7th century (he went on to become the Bishop of London in 675).
WHERE: All Hallows by the Tower, Byward Street (nearest Tube station is Tower Hill); WHEN: 8am to 5pm Monday to Friday; 10am to 5pm Saturday and Sunday; COST: Free; WEBSITE:https://www.ahbtt.org.uk/
• Never-before-seen royal clothing is going on show at a new exhibition opening at Kensington Palace today. Dress Codes, which includes rarely seen highlights from the Royal Ceremonial Dress Collection, explores the codes and conventions of royal clothing, and the impact fashion can make “when boundaries are pushed and dress codes evolve”. Highlights include two matching Liberty print floral cotton dresses, worn in 1936 by Queen Elizabeth II (then Princess Elizabeth) and her younger sister Princess Margaret, a glittering red Bruce Oldfield gown worn by Diana, Princess of Wales, for a state visit to Saudi Arabia in 1987, and a Catherine Walker green silk velvet tuxedo-style dress which was shared with the world as one of 79 dresses famously auctioned to raise money for HIV/AIDS and cancer charities in 1997. There also two dresses worn by Princess Margaret which are going on show for the first time in the UK – a 1978 Thea Porter evening ensemble and a colourful green embroidered evening gown by the Filipino designer Jose Pitoy Moreno, worn in 1980. Other items include a never-before-displayed black mourning bodice worn by Queen Victoria. Runs until 30th November. Admission charges apply. For more, see www.hrp.org.uk/kensington-palace/whats-on/dress-codes.
• The first ever exhibition of Edvard Munch portraits opens at the National Portrait Gallery. The display, Edvard Munch Portraits, include Munch’s portraits of lawyer Thor Lütken and physicist Felix Auerbach as well as early family portraits such as Evening (1888) which shows his sister Laura on a family holiday and Andreas Munch Studying Anatomy (1886). Other works include The Brooch (1902) and full-length portraits of Jappe Nilssen, the painter Ludvig Karsten and writer Christian Gierløff – all from the group of men he called his ‘Lifeguards’ or ‘Guardians’. Runs until 15th June. Admission charge applies. For more, see www.npg.org.uk.
• The St Patrick’s Day Parade and Festival returns to London this Sunday. Irish Paralympic gold medal winning cyclist Katie-George Dunlevy and Olympic gold medal winning boxer Kellie Harrington are serving as this year’s Grand Marshals of the parade which, with more than 50,000 participants, will feature floats, marching bands, and dance troupes. The parade kicks off at noon and will make its way from Hyde Park Corner past Piccadilly and Trafalgar Square and on to Whitehall. Meanwhile, Trafalgar Square will host an afternoon of entertainment hosted by Irish-Indian-Malaysian DJ and broadcaster Tara Kumar and featuring a wide range of family-friendly performances by the likes of Kíla, Irish Women in Harmony and Ragz-CV. Celebrity chef Anna Haugh will provide Irish cooking demonstrations and there will be an exhibition celebrating Ireland’s unsung women heroes as well as the chance to learn Irish dancing and a dedicated zone for kids with free creative workshops. For more, see https://www.london.gov.uk/events/st-patricks-day-2024.
• An audio-led exploration of Hampton Court Palace after dark kicks off next Wednesday to mark International Women’s History Month. Still The Hours uses a layered soundscape to guide visitors through the palace’s darkened halls as established actors including Kathryn Hunter (Harry Potter, Black Doves, Poor Things) and Miranda Richardson (Harry Potter, Good Omens, The Hours) can be heard alongside up-and-coming female voices to “weave a vivid tapestry” of women’s lives at the palace. The stories explored in the hour long presentation range from a suffragette to a mistress and a queen to a maid. Runs until 30th March. Admission charge applies (for ages 14+, under 16s must be accompanied by an adult). For more, see www.hrp.org.uk.
UNESCO’s World Heritage List includes as many as 1223 properties right across the globe which the World Heritage Committee considers as having “outstanding universal value”.
Most of them are cultural sites (952) but they also include some 231 natural sites and 40 which have both qualities.
The UK is actually home to 35 sites on the list, ranging from Stonehenge and the English Lake District to neolithic Orkney and the City of Bath.
London itself is home to four internationally recognised UNESCO World Heritage Sites. These include the Tower of London, the Royal Botanic Gardens in Kew, the Palace of Westminster and Westminster Abbey (including the neighbouring St Margaret’s Church), and maritime Greenwich.
The first of the four to be added to the list was the 10 hectare site of Palace of Westminster and Westminster Abbey in 1987 (described as being of “great historic and symbolic significance”). It was followed by the Tower of London in 1988, and the 109 hectare area covering the Queen’s House, Old Royal Naval College and Royal Observatory known as maritime Greenwich in 1997.
The 132 hectare site of the Royal Botanic Gardens at Kew was the most recent addition to the list in 2003.
As well as being added to the list, sites can also be removed as happened when Liverpool became the third site to be removed from the list in 2021 due to what the World Heritage Committee said was “the irreversible loss of attributes conveying the outstanding universal value of the property”.
Concerns have been raised over the Tower of London’s future on the list due to surrounding development and, of course, there are always other sites that can be added (we vote for Hampton Court Palace, among others).
• Paintings by some of the greatest Italian artists of the 14th century have been reunited in a new exhibition opening at the National Gallery on Saturday. Siena: The Rise of Painting 1300‒1350, which is being held to mark the gallery’s 200th anniversary, features around 100 works including some of the most innovative in the Western tradition. Highlights include Maestà, painted by Sienese artist Duccio di Buoninsegna (active 1278, died 1319). The first double-sided altarpiece in Western painting, it was dismantled in the 18th century and the National Gallery’s own three panels are now reunited with others from the original ensemble including Christ and the Woman of Samaria from the Museo Thyssen- Bornemisza in Madrid, and The Calling of the Apostles Peter and Andrew from the National Gallery of Art in Washington DC. Another work being reunited for the exhibition is the Orsini Polyptych by Sienese artist Simone Martini (1284‒1344). A folding work of art made for private devotion, probably for Cardinal Napoleone Orsini, it is today divided into six works held by the Louvre, Paris, the Royal Museum of Fine Arts, Antwerp and the Gemäldegalerie, Berlin. All six panels are being brought together for the National Gallery’s exhibition. Two triptychs by Duccio which seem to have been conceived as a single work are also being reunited and the display also features works by Pietro Lorenzetti (active possibly 1306; died probably 1348) and his brother Ambrogio Lorenzetti (active 1319; died 1348/9) as well as Sienese works in a variety of media (metalwork, enamel, gilded glass, wood, marble, and manuscript illumination). The display runs until 22nd June. Admission charge applies. For more, see www.nationalgallery.org.uk.
Hylozoic/Desires, ‘The Hedge of Halomancy’, 2025. PICTURE: Courtesy the artists
• An installation featuring new work by artist duo Hylozoic/Desires (Himali Singh Soin & David Soin Tappeser) has opened at Tate Britain. In The Hedge of Halomancy, which runs in parallel with a large-scale new commission by Hylozoic/Desires at Somerset House, the artists excavate the lost archive of the Inland Customs Line, a 4,000 kilometre-longe barrier which comprised 2,500 kilometres of planted hedge and was created by the British Empire in the 19th century to prevent salt smuggling between British-occupied territories and neighbouring independent states. A 23-minute film at the heart of the installation focuses on Mayalee, a character inspired by a courtesan who defied the British Empire’s attempts to cut off her stipends of salt. Alongside it sits an embroidered tapestry, entitled Mokshapat (Snakes and Ladders) which was woven as mashru fabric – cotton on one side and silk on the other. Runs until 25th August. Admission is free. For more, see www.tate.org.uk.
• On Now: Unfolding Time: The Medieval Pocket Calendar. A “remarkable” set of medieval concertina-fold almanacs grappling with the concept of time is on display at the Lambeth Palace library. Less than 30 such manuscripts are known to exist and the display brings a group of the works, in which time is expressed in colourful pictures, poems, tables and devices, together for the first time. Runs until 15th May. For more, see https://www.lambethpalacelibrary.info.
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