Smithfield

Famous Londoners – William Hogarth

by exploringlondon

An artist with a social conscience, William Hogarth’s sketches and paintings summed up much of what was rotten with 18th century England – the society in which he lived – much as Dickens’ writing did in the following century.

Hogarth was a native Londoner – he was the son of Richard Hogarth, a Latin teacher and publisher, in Smithfield in 1697. Despite the ups and downs of his father’s fortunes (during Hogarth’s childhood, Richard Hogarth was confined to the Fleet Prison for debt for five years following an unsuccessful venture running a coffee house), at the age of 16 William was apprenticed to an engraver named Ellis Gamble.

Following his apprenticeship, he set up his own shop in 1720 and it was at this time that he started producing political satires. Hogarth was also painting  and around this time met with artist Sir James Thornhill. He became a regular visitor to Thornhill’s art academy in Covent Garden and their friendship grew, so much so that Hogarth eventually married Thornhill’s daughter Jane in 1729.

In the early 1730s, having established himself as a painter – both of portrait groups and some early satirical painting – Hogarth turned to painting his ‘moral tales’, the first of which, A Harlot’s Progress, was published in 1732 and tells the story decline of a country girl after coming to London. It was followed by A Rake’s Progress in 1733-35 (now at the Sir John Soane’s Museum).

In 1735 Hogarth was also successful in lobbying to have an act passed to protect the copyright of artistic works – it was unofficially known as “Hogarth’s Act”. The same year he also established St Martin’s Lane Academy – a school for young artists and a guild for professionals.

In the late 1730s, Hogarth turned his hand to individual portraits of the rich and famous. Among his most famous works at this time is a magnificent portrait of Captain Thomas Coram (founder of the Foundling Hospital – it can still be seen at what is now the Foundling Museum), and another of actor David Garrick as Richard III for which he was paid the substantial sum of £200, an amount he apparently claimed was more than any other artist had received for a single portrait.

In 1743, Hogarth completed his landmark work Marriage a-la-mode, a series of six paintings which can now be seen at the National Gallery. He was also painting historical scenes – like Moses brought before Pharoah’s Daughter (for the council room of the Foundling Hospital) and Paul before Felix (for Lincoln’s Inn). In 1747, he published a series of 12 engravings, Industry and Idleness, which tells the parallel stories of two apprentices – one successful, the other not – and this was followed by a series of prints such as Beer Street, Gin Lane, and The Four Stages of Cruelty illustrating some of the less savory aspects of everyday life.

Other works completed around this time included The March of the Guards to Finchley – which looks back to the mid-1740s when the Scottish Pretender’s Army was believed to be about to threaten London, The Gate of Calais – which draws on Hogarth’s own experience of being arrested as a spy when he visited France in 1748, and the Election series – four painting which take for their subject the Oxfordshire election of 1754.

There were some clouds on his horizon at this time with unfavourable criticism of his works and beliefs about art but even as he was engaging in a robust debate with critics of his works (largely through a written work he produced called The Analysis of Beauty), Hogarth was appointed in 1757 to the post of Sergeant-Painter to King George II (he commemorated the event in a painting).

Hogarth ran into further trouble in his later years with works deliberately created to provoke – among the more famous was The Times, a work which led to a breach in his friendship with influential MP John Wilkes who then launched a personal and devastating attack on Hogarth in his newspaper The North Briton. Hogarth responded with a non-flattering engraving of Wilkes.

His last work – The Bathos, an apocalyptic piece – seems to capture his gloomy mood at the time, and having suffered a seizure in 1763, Hogarth died at his house in Leicester Fields on the 25th or 26th October, 1764, possibly of an aneurism. Buried in the churchyard of St Nicholas in Chiswick, he was survived by his wife Jane to whom he left his properties – these included his country home in Chiswick, now known as Hogarth’s House. She made her living reprinting his works until her own death five years later.

Hogarth’s legacy lies in the impact of his works which not only attacked some of the evils of his day but have since inspired countless artists and been adapted in all manner of artistic endeavours over the ensuring centuries. Hogarth’s works can still be seen at various galleries around town – including that of the Foundling Museum – and there is a fine statue of him and his pug dog, Trump, in Chiswick High Road (pictured) as well as a bust in Leicester Square.

Famous Londoners – Sir William Walworth

by exploringlondon

Twice Lord Mayor of London, Sir William Walworth is best remembered as the man who killed the leader of the Peasant’s Revolt, Wat Tyler.

Believed to have been born in the first half of the 14th century to a couple in Durham, Walworth at some point moved to London where he was apprenticed to the leading fishmonger John Lovekyn (he was also one of London’s biggest exporters of wool).

In 1368, following Lovekyn’s death, Walworth replaced Lovekyn as the alderman of Bridge Ward. Two years later, in 1370, he was elected sheriff and the following year he became an MP (by this stage, he was also already a major lender of money to the crown). Walworth was first elected as mayor in 1374, elected again as an MP in 1377, and again as mayor in 1380.

It was on 13th June, 1381, Walworth, still London’s mayor, led the defence of London Bridge against Wat Tyler and the rebels. He was later with the king, Richard II, when he subsequently met with Tyler and others at Smithfield. During that encounter Walworth stabbed Tyler and later had him beheaded. The reason for Walworth’s stabbing of Tyler remains unclear.

Walworth was knighted on the field for his efforts in defending the king during the rebellion and was later involved in restoring the peace in London and in the counties of Kent and Middlesex.

Sir William did marry but he and his wife Margaret, who died in 1394, had no children. Following his death in 1386 at his house in Thames Street (later the Fishmonger’s Hall), he was buried at the church of St Michael, Crooked Lane, to which he had already made some substantial donations.

He subsequently became a hero in popular story-telling and in 1592 was included in Richard Johnson’s book Nine Worthies of London. A wooden statue of him was placed at the Fishmonger’s Hall in 1685. There is a much later statue of Sir William on the Holborn Viaduct (pictured).

This article has been updated.

King James I’s London – 4. Charterhouse

by exploringlondon

The Charterhouse School was founded in 1611 – the seventh year of King James I’s reign – on the site of a former Carthusian monastery in Smithfield.

It owes its creation to Thomas Sutton (1532-1611) who bought the site – which then contained a Tudor mansion – from Thomas Howard, Earl of Suffolk, in 1611, the year of Sutton’s death.

A Yorkshireman, Sutton (who is buried in the chapel in Charterhouse) is said to have been the “wealthiest commoner in England” at the time, having made a fortune after discovering coal. He used his resources to endow a school and an almshouse on the site.

Among the school’s alumni were John Wesley, founder of the Methodist Church, and novelist William Makepeace Thackeray.

The school – which is this year celebrating its 400th anniversary – moved to Godalming in Surrey in 1872 and the site was subequently occupied by the Merchant Taylor’s School while the almhouse continued to operate on the western part of the land (it still does today under the name Sutton’s Hospital in Charterhouse).

The school later became the medical college of the nearby St Bartholomew’s Hospital and is now occupied by Barts and The London School of Medicine and Dentistry.

For more on the Charterhouse, see www.thecharterhouse.org (tours run on Wednesday afternoons at 2.15pm from April until August and cost £10 per person). For more on the Charterhouse School, see www.charterhouse.org.uk.

Where’s London’s oldest…hospital?

by exploringlondon

London’s oldest hospital – St Bartholomew’s Hospital in what is known now as Smithfield – was founded in the 12th century.

The hospital owes its foundations – like the neighbouring Priory of St Bartholomew (London’s oldest church – see our previous story on this here) – to Rahere, a courtier (possibly a minstrel or jester) at the court of King Henry I who, tired with triviality, may have become a priest.

In any event, after the death of Henry’s son William – he is believed to have drowned when the White Ship foundered in November 1120 – and that of his wife Queen Matilda, Rahere went on pilgrimage to Rome. He did so but contracted malaria while there and, while under the care of  monks, he vowed to found a hospital for poor men if he recovered.

He did recover and on his return journey had a vision of St Bartholomew who informed him that it was he who had helped him to recover and now desired him to found a church in Smithfield (then known as Smedfield).

Back in London, Rahere as he’d promised and, after petitioning the king, was granted a royal charter in 1122 to found the priory of Augustinian canons and the hospital.Work began in March 1123 and it was completed by 1145 when Rahere died (his tomb can still be seen in the church).

The hospital – one of a number in London at the time – was probably little more than a single hall with a chapel at one end. Other buildings and some cloisters were added later as was the Church of St Bartholomew the Less.

Under a charter of 1147, it was open to the needy, orphans, outcasts and the poor as well as sick people and homeless wanderers. In the 14th century, the definition was honed to include the sick until they recovered, pregnant women (until delivery) and for the maintenance of children born there until they were seven-years-old.

As well as the master (Rahere was the first), other ‘staff’ at the hospital initially included eight Augustinian brothers and four sisters but the hospital gradually became independent of the priory and by 1300, the hospital has its own dedicated master. By 1420, the two institutions had apparently become completely separate.

Following the Dissolution in 1539, the hospital was refounded in the 1540s thanks to a deal brokered between King Henry VIII and the Corporation of the City of London. Along with Bethlem, Bridewell and St Thomas’, St Bartholomews was one of four Royal Hospitals administered by the City.

The first regular physician – a Portuguese man by the name of Roderigo Lopez – was appointed around 1567 (he was later hung, drawn and quartered for an allegedly plotting against Queen Elizabeth I). Among the most famous physicians to serve at St Barts in later years was William Harvey, renowned for having ‘discovered’ the circulatory system.

The hospital survived the Great Fire in 1666 but in the 1700s most of the medieval buildings, with the exception of the tower in the Church of St Bartholomew the Less, were demolished as the hospital was rebuilt to the design of James Gibbs. The new design featured a central courtyard with a Great Hall contained in the north wing, reached by a ‘Grand Staircase’ decorated with images of the Good Samaritan and Christ at the Pool of Bethesda by celebrated artist William Hogarth.

The famous Henry VIII gate (pictured above) dates from 1702, slightly before Gibb’s rebuilding project. Other buildings have been added in more recent times.

In more recent times, the hospital was amalgamated with The Royal London and the London Chest Hospitals in 1994 with the establishment of The Royal Hospitals NHS Trust (now known as the Barts and The London NHS Trust). St Barts is now a specialist cancer and cardiac hospital.

There is a museum at the hospital which houses exhibits including a facsimile of Rahere’s grant of 1137 (now in the hospital’s archives), amputation instruments dating from the early 1800s once used by surgeon John Abernathy and a display on William Harvey. Hogarth’s paintings are visible from the museum.  There are also guided tours of the hospital.

WHERE: Museum at St Barts Hospital (nearest tube station is Barbican); WHEN: 10am to 4pm Tuesday to Friday ; COST: Free (donations welcomed); WEBSITE:  www.bartsandthelondon.nhs.uk/about-us/museums-and-archives/st-bartholomew-s-museum/