Galleries

This Week in London – Queen Elizabeth II’s fashion archive on show; London Transport Museum Depot’s open days; and, wartime London in art…

by exploringlondon
Janet Sutherland, the royal christening robe, 1841. © Royal Collection Enterprises Limited 2026 | Royal Collection Trust.

• A christening robe, first worn by Queen Victoria’s eldest child, Princess Victoria, at her christening in 1841, and subsequently by 61 other royal babies including Queen Elizabeth II, is one of the stars of a new exhibition opening at The King’s Gallery in Buckingham Palace tomorrow. Queen Elizabeth II: Her Life in Style features around 200 items from Queen Elizabeth II’s fashion archive – the largest exhibition of her clothing ever staged. Other highlights include a Norman Hartnell apple-green gown worn by the Queen a state banquet given for President Eisenhower at the British Embassy in Washington, DC, in 1957; a crinoline-skirted blue gown and matching bolero jacket worn by the late Queen for her sister Princess Margaret’s wedding in 1960; and, perhaps more surprisingly, a clear plastic raincoat made by Hardy Amies in the 1960s. The latter is just one example of late Queen’s private, off-duty wardrobe which is also included in the show. Other examples include a Harris tweed jacket and Balmoral Tartan skirt, designed by Norman Hartnell and worn in the 1950 and a green coat made by Angela Kelly. The exhibition runs until 18th October. Admission charge applies. For more, see www.rct.uk.

• Celebrate 120 years of the Bakerloo and Piccadilly Lines and 70 years of the Routemaster bus at a London Transport Museum Depot open day. The first to be held this year, the four open days at the Acton Town facility, will allow visitors to discover the more than 320,000 objects not on display at the museum’s Covent Garden site including the chance to climb aboard historic train stock dating from 1927 and 1938, get a close-up look at the pioneering RM1 and RM2 buses, and explore everything from rare signalling equipment to models, maps, station architecture and posters. A programme of talks is also taking place across the weekend along with activities for kids, heritage demonstrations, displays and stalls. The days run from today – 9th April – through to Sunday (12th April). Admission charges apply. For more, see www.ltmuseum.co.uk/whats-on/depot-open-days/icons-london.

• On Now: Beauty and Destruction: Wartime London in Art. This free exhibition at IWM London tells the story of London during World War II and features more than 45 paintings and drawings as well as photographs, films, objects and oral histories. Works include some by well-known artists such as Eliot Hodgkin, Graham
Sutherland, Henry Carr, Evelyn Dunbar, Duncan Grant and Edward Ardizzone as well as lesser known figures, many of whom were employed by the War Artists’ Advisory Committee. The works are presented under four themes -Travel, Thames, Street and Shelter – and highlights include Frances MacDonald’s Sketch for ‘London Docks’ (1944), John Edgar Platt’s Wartime traffic on the River Thames (1942) and fireman artist Leonard Rosoman’s The Houses of Parliament on Fire, May 1941 (1941) – which captures the last night of the Blitz. Other works in the display are Duncan Grant’s painting of that iconic symbol of wartime resistance, St Paul’s Cathedral, Henry Carr’s St Clement Dane’s Church on Fire after being Bombed (1941), Evelyn Gibbs’ WVS Clothing Exchange (1943) and Evelyn Dunbar’s Convalescent Nurses Making Camouflage Nets (1941). The display can be seen until 1st November. For more, see www.iwm.org.uk/events/beauty-and-destruction-wartime-london-in-art.

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This Week in London – Sophia Duleep Singh at Kensington Palace; ‘Fairy Tales’ at the British Library; astronomers at the National Maritime Museum; and, the Science Museum celebrates ‘Star Trek’…

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Historic Royal Palaces conservator Nelson Garcia prepares a banner used by the National Union of Women’s Suffrage Societies (NUWSS) in the early 20th century, for display in a new exhibition at Kensington Palace. The exhibition ‘The Last Princesses of Punjab’ explores the life of Sophia Duleep Singh; suffragette, Punjabi princess and goddaughter of Queen Victoria. PICTURE: © Historic Royal Palaces

• A new exhibition celebrating the 150th anniversary of Punjabi princess and suffragette Sophia Duleep Singh opens at Kensington Palace today. The Last Princess of Punjab: The story of Sophia Duleep Singh and the women who shaped her explores the life of Sophia Duleep Singh and her intersections with six other women including her sisters Catherine and Bamba, her mother Bamba Muller, grandmother Jind Kaur and godmother Queen Victoria. On show is an ornately painted rocking horse from Princess Sophia’s childhood at Elveden Hall in Suffolk which was remodelled to resemble an Indian Mughal palace, an original copy of The Suffragette featuring an iconic image of Sophia selling copies of the magazine on the gate of Hampton Court Palace, a “No Vote, No Tax’ banner used in the early 1900s protest marches, and Princess Sophia’s handwritten letter to Winston Churchill reporting police brutality at the Black Friday suffragette march. And, for the first time since 1886, an iconic portrait of Jind Kaur will be reunited with real earrings she wore in the image. The exhibition runs until 8th November. Admission charge applies. For more, see https://www.hrp.org.uk/kensington-palace/whats-on/the-last-princesses-of-punjab/.

• A celebration of the fantastical creatures, heroes and villains that populate the world of fairy tales opens at the British Library tomorrow. Fairy Tales takes visitors on a journey through an mysterious forest and enchanted palace as they discover the origins and evolution of fairy tales. Items on show include a Mervyn Peake illustration made for an edition of Household Tales by the Brothers Grimm, early printed editions of the legend of Mulan, puppets of Kai and Gerda from the Little Angel Theatre’s production of The Snow Queen, a copy of Cinderella illustrated by Arthur Rackham, a beautiful manuscript illustration of a dragon from the Persian legend, the story of Darab, and the original manuscript of Lewis Carroll’s Alice’s Adventures Under Ground. Admission charge applies. Runs until 23rd August. For more, see https://events.bl.uk/exhibitions/fairy-tales.

• A new temporary space-themed gallery opens at the National Maritime Museum in Greenwich tomorrow. Astronomers Take Over is a hands-on space that provides the opportunity to meet astronomers from the Royal Observatory just up the hill, participate in science demonstrations and ask questions about space and astronomy. The gallery also includes a planetarium which features live astronomers shows ranging from ‘Animals in Space’ for young visitors to ‘The Night Sky’ – a classical guide to the cosmos, and ‘Solar System Sightseeing’, an introduction to Earth’s celestial neighbourhood. Science theatre shows will also be held at the museum from 3rd April. Admission charge applies. The gallery is open to 2028. For more, see https://rmg.co.uk/takeover.

• The Science Museum in South Kensington is marking the 60th anniversary of Star Trek with a new program of events. They include the chance to see all 13 Star Trek films on one of the biggest screens in Europe as well as a free trail featuring iconic objects from the franchise’s archives and an exclusive range of anniversary merchandise for purchase. For more, see sciencemuseum.org.uk/star-trek-60.

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This Week in London – Sculpture at the V&A East; ‘Londoners on Trial’; and, Elsa Schiaparelli…

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Artist Thomas J Price unveiling ‘A Place Beyond’, outside of London’s V&A East Museum ahead of its opening on East Bank in Queen Elizabeth Olympic Park on 18th April. PICTURE: David Parry/PA Media Assigbments for the V&A

• An 18 foot tall sculpture of a young person, holding a mobile phone and looking towards a horizon “full of possibilities”, has appeared outside the V& East Museum ahead of its public opening next month. A Place Beyond, the work of artist Thomas J Price, has been created from an amalgamation of images, 3D scans and observations and has been constructed in bronze using digital technologies and ancient techniques. Also announced this month have been the artists involved with New Work, the V&A’s new six-monthly rotating creative commissions programme. The artists – who include Turner Prize-nominated artist Rene Matić, Lawrence Lek, Laura Wilson, Tania Bruguera, Es Devlin, Shahed Saleem, Justinien Tribillon and Carrie Mae Weems – have been invited to reflect on east London’s layered histories and creative futures under the theme of Making East London. The works will be displayed across V&A East’s two sites – V&A East Museum and Storehouse – from the museum’s public opening on 18th April. For more, see vam.ac.uk.

• On Now: Londoners on Trial: Crime, Courts and the Public 1244-1924. This free exhibition at The London Archives explores the history of law and order in the city and draws on documents from famous cases involving the likes of 17th century pickpocket Moll Cutpurse, highwayman Dick Turpin, Jack Sheppard, Oscar Wilde, and suffragette Sylvia Pankhurst. runs until 25th February next year. For more, head to www.thelondonarchives.org/visit-us/exhibitions/londoners-on-trial.

• The work and impact of Elsa Schiaparelli, one of the 20th century’s most innovative fashion designers is the subject of a new exhibition at the V&A. Opening on Saturday in the Sainsbury Gallery, Schiaparelli: Fashion Becomes Art follows the fashion house’s evolution from its origins through to its present day incarnation under creative director Daniel Roseberry. It features more than 200 objects including garments, accessories, jewellery, paintings, photographs, sculpture, furniture, perfumes and archive materials. Highlights include the V&A’s Skeleton􏰋 dress and the Tear dress as well as a hat shaped to look like an upside-down shoe – all of which were conceived in collaboration with Salvador Dalí. There will also be artworks by Pablo Picasso, Jean Cocteau and Man Ray on display. Runs until 1st November. Admission charge applies. For more, see vam.ac.uk.

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This Week in London – St Patrick’s Day celebrations; Banqueting House ‘sneak peeks’; and, George Stubbs…

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St Patrick’s Day celebration in 2022. PICTURE: Sebastien Mercier/iStockphoto

• The St Patrick’s Day parade and celebrations in Trafalgar Square take place this Sunday. The parade, which features Irish County􏰀Associations, marching bands, dancers, musicians and carnival performers, kicks off at noon and heads along Piccadilly, through Piccadilly Circus, down Regent Street and then Cockspur Street before ending in the square. In the square, Irish comedian Rachel Galvo will host the main stage where acts will include traditional and contemporary performances from the likes of Irish Culture Centre Hammersmith’s Singing and Reminiscence Choir, Moonlight: The Philip Lynott Enigma, Carrie Baxter, Cór na nÓg Caisleán, Jig and Swig and the London Bodhrán Band, The Wran, Nell Mescal, Huartan, David Keenan and Robert Arkins ‘Commitments’. There’s also a tent hosting comedy, spoken word, music, and Irish film and TV shorts, an exhibition, Irish language lessons, children’s arts and crafts, and the ‘Oldbog Cottage’ experience. Meanwhile, celebrity chef Anna Haugh and The Wee Sister restaurant will be serving Irish dishes while the square will also host a range of stalls offering food, crafts and other Irish delights. For more, see london.gov.uk/events/st-patricks- festival-2026

Oil on canvas, 268 x 244.5 cm, ‘Scrub, a bay horse belonging to the Marquess of Rockingham’, George Stubbs, about 1762

• George Stubbs’ (1724-1806) monumental portrait of a rearing horse is at the centre of an exhibition which opened at The National Gallery this week. Alongside Scrub, a bay horse belonging to the Marquess of Rockingham (c1762), Stubbs: Portrait of a Horse also features other paintings and works on paper by the artist and visitors can compare the large-scale equine portrait with another of Stubbs’ masterpieces, Whistlejacket (c1762), which is on display nearby in Room 34. The exhibition can be seen in Room 1 until 31st May. Admission is free. For more, see www.nationalgallery.org.uk/.

• People are invited to visit the Banqueting House in Whitehall for a “sneak preview” following a major project to upgrade visitor facilities ahead of its formal reopening this summer. The 400-year-old building boasts a new passenger lift offering step-free access to the main hall, home, of Peter Paul Rubens’ masterpiece ceiling, for the first time while a new heating system has been installed along with a new sustainably sourced English Oak floor. The sneak previews will take place on 20th March, 3rd April, 1st May, 29th May and 26th June ahead of its reopening on 1st August. Admission charge applies. For more, see www.hrp.org.uk/banqueting-house/.

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This Week in London – Jock McFadyen’s large-scale Tube paintings revisited; Rose Wylie at the RA; new galleon arrives at Kensington Gardens; and, IWM Duxford’s new rooms…

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• Jock McFadyen’s large-scale Tube paintings have come together in a new exhibition opening at the Guildhall Art Gallery on Friday. Jock McFadyen with Jem Finer: Underground (and Surface) revisits McFadyen’s Underground series from the late 1990s and also features a layered soundscape by The Pogues’ Jem Finer which were composed from field recordings on the Northern and Central lines. Admission is by Pay What You Can. Runs until 20th September, 2026. For more, see www.cityoflondon.gov.uk/events/underground-and-surface-exhibition.

Rose Wylie, ‘Study for Red Twink’ (2002) Graphite and coloured pencil on paper, 31 × 42.5 cm (overall) Courtesy the artist and David Zwirner © Rose Wylie. Courtesy the artist and David Zwirner. Photo: Jack Hems

• The largest survey to date of celebrated British artist and Royal Academician Rose Wylie opens at the Royal Academy on Saturday. Rose Wylie: The Picture Comes First features more than 90 works, including Wylie’s most iconic, alongside new paintings and drawings. Works on show include those depicting memories of
family life and bombing raids in London during World War II such as Wing Tips and Blue Doodlebugs (2022/23), Room Project (2002-3) – Wylie’s first major series to receive significant critical acclaim, works on paper such as Bottom Teeth, Self-Portrait (2016), and works from the series Film Notes. It concludes with four large monochromatic paintings of animals in ginger, black, blue and red made directly by the artist onto the canvas using her hands. Runs in the Main Galleries until 19th April. Admission charge applies. For more, see www.royalacademy.org.uk/exhibition/rose-wylie.

• A life-sized wooden galleon has arrived in Kensington Gardens where it will become the centrepiece of the Diana, Princess of Wales Memorial Playground when it reopens this summer. The ship has been manufactured in Frasdorf, Germany, and is predominately made from mountain larch wood drawn from sustainably managed forests in the Bavarian Alps. It’s part of a £3 million renewal of the free-to-enter playground, which is inspired by the adventures of Peter Pan. For more, see www.royalparks.org.uk/visit/parks/kensington-gardens/diana-memorial-playground.

• Further Afield – Historic Duxford: Air Crew Room, Pilot’s Briefing Room and Pilots Locker Room. Three newly transformed historic rooms opened at IWM Duxford just south of Cambridge late last year, each of which contains newly acquired objects and interactive elements. The air crew room, located beside the Battle of Britain Hangar, tells the stories of the US 8th Air Force and RAF Bomber Command through personal objects belonging to former pilots and crew. They include false identity papers and the diary of American fighter pilot Lonnie Moseley of Duxford’s 78th Fighter Group who was forced to bail out of his P-47 Thunderbolt over France in 1944 and took shelter with a local French farmer’s family until returning to England. Nearby in the pilot’s briefing room, meanwhile, visitors can enjoy an audio-visual recreation of a real-life briefing given on D-Day in which they can sit among their ‘fellow pilots’. And in the pilot’s locker room, the everyday life of pilots who were stationed at Duxford in 1940 is explored including with interactive elements such as the opportunity to try on replica uniforms and see lockers containing recreated details of some of the pilots such as a conversation between 19 Squadron’s George ‘Grumpy’ Unwin and 302 (Polish) Squadron’s Julian Kowalski. The rooms can be visited with standard admission. For more, see www.iwm.org.uk/visits/iwm-duxford.

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This Week in London – Lunar New Year celebrations; Aardman at the Young V&A; and, the women in Dickens’ life…

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PICTURE: Sandra Tan/Unsplash

• Lunar New Year festivities will be held in Chinatown in central London this weekend including lion dances and the Chinese New Year Parade. Lion dances will be held throughout Chinatown on Saturday and Sunday while the parade kicks off at 10am on Sunday just east of Trafalgar Square reaching the square at 12 where an afternoon of festivities will be held. For more, see www.london.gov.uk/events/lunar-new-year-festival-spring-2026. Meanwhile, Lunar New Year celebrations will also be held in Greenwich on Saturday. The celebrations include lion dances, musical and dance performances, a martial arts demonstration, workshops including one on Tibetan dance and another on lantern making and the chance to sample Asian food. For more, see www.rmg.co.uk/lunarnewyear.

• A new exhibition at the Young V&A in Bethnal Green takes a look behind the scenes of stop-motion classics such as Wallace & Gromit, Chicken Run and Shaun the Sheep. Inside Aardman: Wallace & Gromit and Friends, created primarily for children and families and marking Aardman’s 50th annversary, features some 150 objects including never-seen-before models, sets and storyboards from Aardman’s archives as well as interactive activities ranging from designing characters and experimenting with lighting through to creating live action videos. Among the items on show are early sketches of Wallace & Gromit, a hand-drawn storyboard from The Wrong Trousers (1993) train chase, Wallace & Gromit’s motorbike and sidecar from Vengeance Most Fowl (2024), and the airship model from The Pirates! (2012). Admission charge applies. Runs until 15th November. For more, see vam.ac.uk/young.

• The women who influenced Charles Dickens are at the centre of a new exhibition at the Charles Dickens Museum. Extra/Ordinary Women features a portrait of Dickens’ daughters, Katey and Mamie, on display for the first time, Catherine Dickens’s cookbook, and a draft preface to an 1857 manual for educating working class children written by penned by Angela Burdett Coutts and including edits by Dickens in blue ink as well as items owned by Ellen Ternan, best known for her 12-year extra-marital relationship with Dickens. Admission charge applies. Runs until 6th September. For more, see https://dickensmuseum.com/blogs/all-events/extra-ordinary-women.

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This Week in London – Lucian Freud’s etching plates and prints; The Jolly Postman at the Postal Museum; and, Beano at the Tower…

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• Newly acquired etching plates and prints of Lucian Freud’s go on display for the first time in a new exhibition at The National Portrait Gallery. Lucian Freud: Drawing into Painting, the UK’s first museum exhibition to focus on the artist’s works on paper, features rarely-seen drawings and preparatory studies alongside iconic paintings and is said to offer “unprecedented insight” into Freud’s creative process and working methods. The display features some 170 drawings, etchings and paintings and includes a look at the childhood drawings, sketchbooks, letters and unfinished paintings as well as a number of drawings and etchings that have a relationship with specific paintings. Runs until 4th May. Admission charge applies. For more, see www.npg.org.uk.

• An interactive exhibition celebrating 40 years of the much-loved children’s book The Jolly Postman opens at the Postal Museum on Saturday. Visitors are invited to follow Janet and Allan Ahlberg character on his postal rounds, from the Three Bears’ cottage, to Cinderella at the palace, and the Wicked Witch’s gingerbread bungalow with magical surprises at every stop and a treasure trove of original artwork, much of which is on display for the first time. The display shows how the Ahlbergs drew inspiration from the everyday magic of the post arriving through the letterbox to create their classic book. Admission charge applies (includes a ride on Mail Rail, and access to all the museum’s exhibitions, including The Jolly Postman for one year after the date of first visit). Runs until January 2027. For more, see www.postalmuseum.org/event/the-jolly-postman/.

• Beano arrives at the Tower of London for the February half-term with a twisting outdoor trail. With pieces of the Beano crews’ go-cart scattered across history, visitors are charged with helping track them down, repair the tangled timeline and transport Dennis and his pals back to Beanotown. Beano Mischief at the Tower of London runs from 14th until 22nd February. Admission charge applies. For more, see www.hrp.org.uk/tower-of-london/whats-on/beano-mischief-at-the-tower-of-london/.

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This Week in London – ‘Samurai’ at the British Museum; V&A East’s first exhibition; and, Jane Austen and the Royal Navy…

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Domenico Tintoretto, Portrait of Itō Mancio, Oil on canvas, Italy (1585), Property of Fondazione Trivulzio, Milan

• The evolution of the samurai over the past 1,000 years is the subject of a new exhibition at The British Museum. Samurai brings together around 280 objects and digital media as it explores the role of samurai as warrior as well as the later roles they fulfilled, during a prolonged peace after 1615, as government officials, scholars and patrons of the arts with women making up half of the samurai class. On display will be a suit of samurai armour, complete with helmet and golden standard, which was recently acquired by the museum as well as a vermillion red woman’s firefighting jacket, a rare portrait of Itō Mancio, a 13-year-old samurai who led an embassy to the Vatican in 1582, by Domenico Tintoretto (pictured), and a portrait of Henry, Count of Bourbon, which portrays him as a samurai warrior and which was commissioned by him while visiting Japan in 1889. The exhibition, which opens on 3rd February, runs until 4th May in The Sainsbury Exhibitions Gallery. Admission charge applies. For more, see www.britishmuseum.org/exhibitions/samurai.

• Tickets are now on sale for the V&E East Museum’s first exhibition, The Music is Black: A British Story. The multi-sensory exhibition features more than 200 objects ranging from musical instruments to soundtracks,
artworks, fashion, and personal belongings of world-famed artists including Winifred Atwell’s piano, the Nintendo Jme used for early music experiments, fashion worn by Little Simz, Seal, Dame Shirley Bassey and Skin and newly acquired photographs of Kemistry and Storm, Mis-Teeq, and Skepta. The exhibition opens on 18th April. Admission charge applies. For more, see www.vam.ac.uk/exhibitions/the-music-is-black-a-british-story

An etching print of the Canopus signed by artist Richard Henry Nibbs (c1849). PICTURE: ©National Maritime Museum, Greenwich, London.

• On Now: Jane Austen and the Royal Navy. This display at the National Maritime Museum marks the 250th anniversary of Jane Austen’s birth and features manuscripts relating to her youngest brothers Francis and Charles Austen, both of whom had naval careers, and explores Jane’s connections to the Royal Navy and the influence her brothers had in her works. Francis – known as Frank (born in 1774) – entered the Royal Navy at the age of 12 and rose through the ranks to eventually captain the HMS Canopus during the Napoleonic Wars while Charles (born in 1779) also entered the Navy at age 12, was on board the Endymion when it captured the French ship Le Scipio, was captain of the Phoenix when it was wrecked at sea and ended his career as commander-in-chief of the East Indies and China Station. The display in the Caird Library can be seen until March. Admission is free. For more, see www.rmg.co.uk/national-maritime-museum.

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This Week in London – Art deco at the London Transport Museum; art storage during WWII commemorated; and, William Dobson’s self-portrait…

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• An exhibition exploring the influence of the art deco movement on graphic poster design in on now at the London Transport Museum in Covent Garden. Art deco: the golden age of poster design features more than a hundred original 1920s and 1930s transport posters and poster artworks alongside photography, short films, ceramics and other objects to mark the centenary of the 1925 Paris exhibition where art deco originated. In the UK, Frank Pick, then-chief executive of London Transport, was the individual most responsible for advancing this form of graphic style, master-minding the publicity for the Underground and LT from 1908 onwards. A number of the posters in the exhibition in the Global Poster Gallery have never been put on public display before. Admission charge applies. For more, see www.ltmuseum.co.uk/whats-on/art-deco.

Jeremy Deller, designed and carved by John Neilson ‘Manod Slate Tablet’, 2025 © Jeremy Deller / John Neilson
Photo: The National Gallery, London

• An inscribed stone tablet commemorating the Welsh quarry where The National Gallery’s art was protected during World War II has been put on permanent display in the gallery. The tablet, made from slate taken from the Manod quarry in Eryri (Snowdonia), was conceived by the artist Jeremy Deller and designed and carved by letter-carver John Neilson. The work, which was commissioned by Mostyn, an art gallery in Llandudno and supported by CELF – the national contemporary art gallery for Wales, can be seen in the Portico Vestibule, close to Boris Anrep’s floor mosaic of Sir Winston Churchill depicted in war time. The Manod slate mine in north Wales was chosen to store the art after an earlier proposal to evacuate the works to Canada was vetoed over fears of U-boat attacks. At the mine, explosives were used to enlarge the entrance to allow access for the the largest paintings and several small brick ‘bungalows’ were built within the caverns to protect the paintings from variations in humidity and temperature. What was known as an ‘elephant’ case was constructed to transport the paintings on trucks from London and, by the summer of 1941, the entire collection had moved to its new subterranean home, where it was to remain for four years, returning to London only after the end of the war in 1945. For more see www.nationalgallery.org.uk/.

William Dobson, ‘Self-Portrait’, c1635-40. Image courtesy of Tate and the National Portrait Gallery

• A self-portrait by William Dobson, widely considered to be the first great painter born in Britain, has gone on display at Tate Britain alongside a Dobson’s portrait of his wife. Dobson’s painting, which was acquired by the Tate and the National Portrait Gallery, was made between 1635 and 1640 and is said to be a “groundbreaking example of English self-portraiture”. His Portrait of the Artist’s Wife (c1635-40), which joined Tate’s collection in 1992, depicts Dobson’s second wife Judith and would have been conceived around the time of their marriage in December, 1637. Dobson rose to the role of King Charles I’s official painter before his career was cut tragically short when he died at the age of 35. For more, see tate.org.uk/visit/tate-britain.

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This Week in London – Trafalgar Square Christmas tree to light up; new location for returning Sir John Tenniel plaque; and, Chinese crafts at the V&A…

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• The lights will be turned on the Trafalgar Square Christmas tree tonight. This year marks the 78th anniversary of the gift of the first Christmas tree to the people of London from the Norwegian city of Oslo in acknowledgement of the support Britain gave to Norway during World War II. The festivities will include the choir of St-Martin-in-the-Fields singing some well known Christmas carols to music led by the Regent Hall Band of the Salvation Army, the reading of a poem written by children who live in Westminster, a display by The Corps of Drums from the Band of His Majesty’s Royal Marines Collingwood and a performance by Det Norske Jentekor, The Norwegian Girls’ Choir, conducted by Anne Karin Sundal-Ask. Festivities start at 5pm and the lights switch on at 6pm. The tree will be in the square until 5th January after which it will be recycled. You can follow the tree on Instagram at  @TrafalgarTree, on TikTok at @TrafalgarTree, and on X at @TrafalgarTree.

• A Blue Plaque commemorating Alice in Wonderland illustrator and political cartoonist Sir John Tenniel has been returned to London’s streets – but to a different location than that where it was first positioned. The plaque, which is actually jade-green and white, was originally unveiled by the London County Council in 1930 at Tenniel’s longtime Maida Vale home (the colour was due to the request of the house-holder). But following its removal when the house was demolished in 1959, the plaque was so damaged that its destruction was authorised. But this wasn’t carried out and the plaque, which features an early “wreathed” design, has been in storage since. Following restoration, however, it has now been relocated to a new home – a property at 52 Fitz-George Avenue in West Kensington where Tenniel spent the final years of his life.

Figure from the ‘Century Doll’ series, glazed porcelain, by Yao Yongkang, 2004, Jingdezhen, China

• The first major UK exhibition exploring contemporary studio crafts in China is on now at the V&A South Kensington. Dimensions: Contemporary Chinese Studio Crafts features more than 80 objects including almost 50 new acquisitions and puts a spotlight on “contemporary and modern makers who build upon longstanding tradition to reinvent ancient practices, pioneer alternative techniques, and develop new channels for self-expression”. Many of the objects – displayed in the China and Ceramics galleries – sit in dialogue alongside permanent displays of historic Chinese craftsmanship. Highlights include large scale works such as Lin Fanglu’s She’s Bestowed Love (2025), that transforms intricate tie-dye practices into a monumental textile sculpture, more delicate pieces such as Zhang Huimin’s Golden Mammary 4 (2025), a brooch produced by pushing the boundary of filigree in a reinvention of traditional practice, a wall hanging by pioneering artist of studio pottery Tan Chang, as well as works by the three potters who were the first to be exhibited in China under the mantle of ‘modern ceramics’: Mei Wending, Zeng Li and Zeng Peng. Runs until 27th September next year. Free admission. For more, see www.vam.ac.uk/exhibitions/dimensions-contemporary-chinese-studio-crafts.

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This Week in London – Christmas at Hampton Court; Caravaggio’s Victorious Cupid; and, Romani art, culture and heritage…

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PICTURE: paulafrench/iStockphoto

• Christmas has come to Hampton Court Palace with the one-time home of King Henry VIII decorated with traditional decorations and hosting a range of Christmas-related activities. Musicians located throughout the palace are playing a mixture of classical tunes and familiar Christmas melodies while in the Wine Cellar “intriguing history” of Christmas is being brought to life in story-telling sessions. The culinary Christmas traditions of the Tudors, meanwhile, are on display in the historic kitchens with, between 20th December and 4th January, the Historic Kitchens team recreating recipes from the Tudor court. The Magic Garden is hosting a special playful outdoor adventure for younger ones between 17th December and 4th January. The Hampton Court Palace Ice Rink has also returned (until 4th January) and there’s a Christmas market being held in the Great Fountain Garden on 5th to 7th December and again on 12th to 14th December. The Festive Fayre will feature more than 100 independent exhibitors offering artisan food and drink, unique gifts and stocking fillers while there will be live music on the East Front bandstand and horse and cart rides in the grounds. Admission charge applies. For more on Christmas activties at the palace head to www.hrp.org.uk/hampton-court-palace/whats-on/christmas-festivities/.

• Caravaggio’s Victorious Cupid – never-before seen in public in the UK – is at the centre of a new exhibition which has opened at the Wallace Collection. The sculpture is presented with two Roman sculptures that along with the Caravaggio were all once part of the portfolio of Marchese Vincenzo Giustiniani (1564–1637), one of the most celebrated collectors of his day. The life-sized Cupid was once displayed along with works by the likes of Raphael, Titian and Giorgione in his grand palazzo located near the Pantheon in Rome along with an extensive gallery of classical sculpture. Caravaggio’s Cupid, which is free to enter, can be seen in the Exhibition Galleries until 12th April. For more, see www.wallacecollection.org/whats-on/exhibitions-displays/caravaggios-cupid/.

• A new display honouring the livelihoods, creativity and craft of Romani communities and their contribution to British society has opened at the London Museum Docklands. By Appointment Only: Romani art, culture and heritage centres on three works, Sugar Coated (2025) by Corrina Eastwood, Tap Your Heels Together Three Times (2025) by Delaine Le Bas and What Makes a Home? (2025) by Dan Turner. There’s also timeline by John-Henry Phillips which illustrates the history of Romani communities from 500-1000 up to 2022. This is displayed along with the Historic England film Searching for Romani Gypsy Heritage with John Henry Phillips (2024) and an oral history piece both of which contextualise the timeline. The exhibition in the Reflections Room is free. For more, see www.londonmuseum.org.uk/whats-on/by-appointment-only/.

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This Week in London – Wes Anderson’s archive explored; Edwin Austin Abbey at The National Gallery; and, Christmas at the Tower…

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• The first retrospective of the work of film-maker Wes Anderson has opened at the Design Museum in South Kensington. Wes Anderson: The Archives draws on the director’s own archives to chart the evolution of his films from early experiments in the 1990s and collaborations to an exploration of the design stories behind films such as The Royal Tenenbaums, The Grand Budapest Hotel, Fantastic Mr Fox and Isle of Dogs. The display features more than 700 objects including original storyboards, polaroids, sketches, paintings, handwritten notebooks, puppets, miniature models and costumes. Highlights include a candy-pink model of the Grand Budapest Hotel, vending machines from Asteroid City, a FENDI fur coat worn by Gwyneth Paltrow as Margot Tenenbaum in The Royal Tenenbaums, stop motion puppets used to depict the fantastical sea creatures in The Life Aquatic with Steve Zissou and Mr Fox wearing his signature corduroy suit and show dog Nutmeg alongside miniature sets. There’s also a screening of Bottle Rocket, Anderson’s first short film, created in 1993. Runs until 26th July. Admission charge applies. For more, see https://designmuseum.org/exhibitions/wes-anderson-the-archives.

Edwin Austin Abbey, ‘Study for The Hours in the Pennsylvania State Capitol’ (about 1909–11), oil on canvas, 381 × 381 cm Yale University Art Gallery, Edwin Austin Abbey Memorial Collection. PICTURE: Courtesy of Yale University Art Gallery

• A design for the ceiling of the House of Representatives in the Pennsylvania State Capitol in the US has gone on show at The National Gallery as part of a new exhibition dedicated to its creator Edwin Austin Abbey (1852-1911). The 12-feet diameter half-scale design for The Hours, newly conserved by the Yale University Art Gallery, depicts 24 female figures representing the 24 hours of the day. The display, Edwin Austin Abbey: By the Dawn’s Early Light, also features six preparatory drawings for his work, The Apotheosis of Pennsylvania, a vast wall mural featuring representations of 16th and 17th century English explorer Sir Walter Raleigh and American frontiersman Daniel Boone behind the Speaker’s dais. Abbey, who lived and worked in the UK, displayed the first of his Harrisburg murals at the University of London in 1908 prior to shipping them to the US – guests included King Edward VII and Queen Alexandria. The free display can be seen in the HJ Hyams Room (Room 1) until 15th February. For more, see www.nationalgallery.org.uk/exhibitions/edwin-austin-abbey-by-the-dawn-s-early-light

• The Tower of London is being transformed into a “magical storybook world” to mark Christmas this year. A Storybook Christmas at the Tower of London features royal romances, legendary figures and treasured traditions which include animals who once lived in the Tower’s royal menagerie, the famous tower ravens, the chance to step onto a regal throne for a family portrait and find storybook backdrops among Christmas trees and wreaths, and an opportunity to explore the story of the Tower’s Royal Observatory where the first Royal Astronomer was appointed in 1675. The “storybook Christmas” opens on Sunday and runs until 4th January. Included in general admission. For more, see www.hrp.org.uk/tower-of-london/.

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This Week in London – The first Lady Mayor’s Show; Joseph Wright ‘of Derby’ at the National Portrait Gallery; and, Audrey Hepburn’s Blue Plaque…

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The State Coach at the Royal Courts of Justice in the 2013 Lord Mayor’s Show. PICTURE: S Pinter/iStockphoto.

• The Lord Mayor’s Show – or this year, for the first time in its 800 year history, the Lady Mayor’s Show – takes place on Saturday as Dame Susan Langley is celebrated as the City of London’s 697th Lord Mayor of London. Langley, who takes office at Guildhall on Friday in the ancient ‘Silent Ceremony’, is the third woman to hold the role and the first to adopt the title “Lady Mayor”. The more than three mile-long procession, which kicks off at 11am, features around 7,000 participants, 200 horses and more than 50 decorated floats and travels from the Mansion House, the official mayoral residence, through the City to the Royal Courts of Justice, via St Paul’s Cathedral, before returning. The centrepiece as always is the State Coach carrying the Lady Mayor as she fulfills the dual purpose of showing herself to residents and swearing allegiance to the crown. For more – including details of the procession’s route, head to https://lordmayorsshow.london/.

• The first exhibition dedicated to the work of 18th century artist Joseph Wright ‘of Derby’ opens at The National Gallery tomorrow. Wright of Derby: From the Shadows focuses on his career between 1765 and 1773 when he created his candlelight series. On show are a number of works from this series including Three Persons Viewing the Gladiator by Candlelight (1765), A Philosopher giving that Lecture on the Orrery in which a lamp is put in place of the Sun (1766), and the gallery’s own An Experiment on a Bird in the Air Pump (1768). Mezzotint prints of Wright’s works – key to the establishment of his international reputation – will also be on display. The exhibition, in the Sunley Room, runs until 10th May. Admission charge applies. For more, see www.nationalgallery.org.uk/exhibitions/wright-of-derby-from-the-shadows.

• Hollywood icon Audrey Hepburn has been honoured with an English Heritage Blue Plaque on her former home in Mayfair. The plaque at 65 South Audley Street was where Hepburn lived in a flat with her mother between 1949 to 1954 as she launched her career as an actor. It was from here that she travelled to the West End to perform in chorus lines, appeared in British films such as 1951’s The Lavender Hill Mob and while living here that she was cast as the lead in Gigi on Broadway – a key stepping stone towards her breakthrough performance in 1953’s Roman Holiday. Hepburn was born in Brussels but had strong ties to London, training at the Ballet Rambert and working as a dancer and model before moving on to acting. Of course, as well as Roman Holiday, Hepburn performed notable roles Sabrina, Funny Face, Breakfast at Tiffany’s, My Fair Lady, and Charade. She later dedicated herself to humanitarian work, serving as a UNICEF Goodwill Ambassador, and was awarded the Presidential Medal of Freedom shortly before her death in 1993. For more on English Heritage Blue Plaques, see www.english-heritage.org.uk/visit/blue-plaques/.

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This Week in London – The story of Henry VIII’s lost dagger; ‘Secret Maps’ at the British Library; and, ‘Connection and Identity’ at Greenwich…

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Strawberry Hill House. PICTURE: claudiodivizia/iStockphoto

• The disappearance of a jewelled Ottoman dagger which is believed to have once belonged to King Henry VIII has inspired a new exhibition at Strawberry Hill House, Horace Walpole’s former home in Twickenham in London’s west. Henry VIII’s Lost Dagger: From the Tudor Court to the Victorian Stage looks at the history of the 16th century dagger which, said to have been richly decorated with “a profusion of rubies and diamonds”, was once part of Horace Walpole’s collection. When the collection was sold in 1842, the dagger passed into ownership of the Shakespearean actor Charles John Kean who directed private theatricals for Queen Victoria at Windsor Castle. Kean (1811-1868) pioneered what critics dubbed “living museums” on the Victorian stage by using real artifacts, including the dagger, during performances. But after Kean’s death the dagger vanished without a trace. Dr Silvia Davoli, the principal curator at Strawberry Hill House, launched an investigation to find the dagger and instead found six almost identical daggers scattered around the globe. Two of these daggers – known as the Vienna and Welbeck Abbey examples – are featured in the exhibition alongside reproductions of 18th century materials which related to Walpole’s lost dagger from Yale University’s Lewis Walpole Library. The exhibition can be seen from Saturday until 16th February. Admission charge applies. For more, see www.strawberryhillhouse.org.uk.

• The role maps have played in preserving secrets for the benefit of their creators from the 14th century to the present day is the subject of a new exhibition at the British Library. Secret Maps features more than 100 items ranging from hand-drawn naval charts given to Henry VIII to maps of cable networks used to intercept messages between the world wars; and the satellite tracking technology used by apps today. Among highlights are a map from 1596 attributed to Sir Walter Raleigh on an expedition in search of the mythical city of El Dorado in what is now Guyana in South America; a map produced in 1946 of British India (modern-day India, Pakistan and Bangladesh) with a ‘top secret’ report investigating the potential economic and military impact of partition for the proposed state of Pakistan; one of only two known existing copies of a secret map produced by Ordnance Survey during the General Strike of 1926 amid fears of a public uprising; and a 1927 Cable Map of the world which reveals a global network of censorship stations and was used by the British government to intercept messages sent via submarine and overland cables. Runs until 18th January (and accompanied by a programme of events). Admission charge applies. For more, see https://events.bl.uk/exhibitions/secretmaps.

• Staffordshire-based artist Peter Walker’s large scale interactive artworks, Connection and Identity, can be seen in the Painted Hall at the Old Royal Naval College in Greenwich from Friday. Identity features eight columns suspended within the hall which shift in colour and light while Connection showcases “a dramatic and modern reinterpretation of Michelangelo’s Creation of Adam“. The installation, which is located in the hall sometimes described as “Britain’s Sistine Chapel”, is accompanied by music specially composed by David Harper. Runs until 25th January. Admission charge applies. For more, see https://ornc.org/whats-on/connection-and-identity/.

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This Week in London – Turner’s ‘The Battle of Trafalgar’ returns to public display; Halloween at Hampton; Diwali at Greenwich; and, NYE tickets…

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The Queen’s House, Greenwich. PICTURE: Frank Chou/Unsplash

• Artist JMW Turner’s only royal commission has returned to public display in Greenwich to mark the 250th anniversary of the artist’s birth. The more than three metre-wide painting (Turner’s largest completed work), The Battle of Trafalgar, went on display on Tuesday – 220 years to the day since the battle it depicts – at the Queen’s House. The 1824 painting, which was commissioned by King George IV, commemorates the victory of the British Royal Navy over a combined French and Spanish fleet off Cape Trafalgar on 21st October, 1805. First displayed at St James’s Palace, it was transferred to the Naval Gallery at Greenwich Hospital in 1829. It was removed from public display in March last year to protect it during a works project at the National Maritime Museum and has now found a new home at the Queen’s House. Admission is free. For more, see www.rmg.co.uk/queens-house.

• The ghosts of King Henry VIII and Oliver Cromwell are among those which can be encountered at Hampton Court Palace from Friday as it marks Halloween. Immersive Halloween-inspired installations with unearth the stories of some of the palace’s former residents while outside there’s a Haunted Garden complete with skeletal horse and carriage. Halloween season at the palace runs until 2nd November and is included in general admission. For more, see www.hrp.org.uk/hampton-court-palace/whats-on/halloween-at-hampton-court-palace/.

• Diwali, the annual Hindu celebration, comes to the National Maritime Museum in Greenwich this Saturday with the ‘Illuminate’ festival. The free festival, which runs from 11am to 5pm and is curated by Mehala Ford – founder of South Asian art collective COMMONGROUND&, includes performances, creative workshops including traditional Rangoli art and Henna art, storytelling sessions including a puppet show telling the epic story of Ramayana, and a lantern parade around Greenwich Park. There ares also talks and Diwali-inspired food. For more, see www.rmg.co.uk/whats-on/national-maritime-museum/diwali.

• Tickets to London’s New Year’s Eve celebrations have gone on sale. The 12 minute show celebrating the new year will kicks off with the familiar sounds of Big Ben’s chimes, before thousands of fireworks and hundreds of lights help to illuminate the night sky around the London Eye all set to a wide-ranging soundtrack. Around 100,000 Londoners and visitors are expected to attend. Ticket prices are between £20 and £35 for Londoners and £40 and £55 for visitors. For more, see www.london.gov.uk/nye.

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LondonLife – ‘Goavve-Geabbil’ at the Tate Modern…

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Hyundai Commission: Máret Ánne Sara: Goavve-Geabbil installation view featuring -Geabbil at Tate Modern 2025. © Máret Ánne Sara. PICTURE: © Tate/Larina Fernandez.

Described as an “immersive work honouring the reciprocal relationship between the Sámi people, the reindeer, and the land”, the Goavve-Geabbil is a monumental new sculptural installation by Sámi artist Máret Ánne Sara and has been made using materials which sustain her community in Sápmi, the territory of the Indigenous Sámi people which spans the countries of Norway, Sweden, Finland and Russia.

In this, Sara’s first major work in the UK, the artist draws on her experience as member of a reindeer herding family to highlight ecological issues impacting Sámi life and has combined hides and bones derived from traditional reindeer herding practices along with wood, industrial materials, sound and scent.

The Hyundai Commission: Máret Ánne Sara: Goavve-Geabbil can be seen in the Turbine Hall at the Bankside institution until 6th April. Admission is free. For more, see tate.org.uk/visit/tate-modern.

Hyundai Commission: Máret Ánne Sara: Goavve-Geabbil installation view featuring -Geabbil at Tate Modern 2025. © Máret Ánne Sara. PICTURE: © Tate/Sonal Bakrania.
Hyundai Commission: Máret Ánne Sara: Goavve-Geabbil installation view featuring Goavve- at Tate Modern 2025. © Máret Ánne Sara. PICTURE: © Tate (Larina Fernandez).

This Week in London – Wildlife Photographer of the Year exhibition; 20th century conflicts; Jennie Baptiste at Somerset House; and Nigerian Modernism…

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Wim van den Heever’s winning entry, Ghost Town Visitor.

• An exhibition of entries into the annual Wildlife Photographer of the Year competition opens tomorrow at the National History Museum in South Kensington. The exhibition features 100 images selected from a record-breaking 60,636 entries and follows from this week’s announcement of the winners at a ceremony held at the museum earlier this week. The display includes the winning image – ‘Ghost Town Visitor’ which, captured by South African wildlife photographer Wim van den Heever depicts a brown hyena near the ruins of a long-abandoned diamond mining town in Kolmanskop, Namibia – as well as the winner of the Young Wildlife Photographer of the Year 2025 – 17-year-old Italian Andrea Dominizi’s After the Destruction which spotlights a longhorn beetle in the Lepini Mountains of central Italy, an area once logged for old beech trees, with a background of abandoned machinery. Other images on show include the winner of the Impact Award – Brazilian photographer, Fernando Faciole’s Orphan of the Road depicting an orphaned giant anteater pup following its caregiver after an evening feed at a rehabilitation centre – as well as category winners. The exhibition can be seen until 12th July next year. Admission charge applies. For more, head here.

• Three 20th century conflicts which broke out in Malaya, Kenya and Cyprus after World War II are the subject of a new exhibition at the Imperial War Museum in Lambeth. Emergency Exits: The Fight for Independence in Malaya, Kenya and Cyprus looks at how these three conflicts, known as “emergencies” to the British Government, shaped and continues to shape Britain, its former territories and the wider world today. The display includes more than 70 objects such as propaganda posters, flags and artworks as well as oral histories and personal belongings which belonged to those impacted by them. As well as telling the stories of the three conflicts, Emergency Exits also explores Operation Legacy, the British Government’s attempt to prevent publication of sensitive documents related to the conflicts which included evidence of human rights abuses. The free exhibition, which opens on Friday, runs until 26th March. For more, see iwm.org.uk/events/emergency-exits-the-fight-for-independence-in-malaya-kenya-and-cyprus.

• The first major solo exhibition focusing on the work of pioneering Black British photographer Jennie Baptiste opens in the Terrace Rooms at Somerset House on Friday. Jennie Baptiste: Rhythm & Roots, which is a highlights of Somerset House’s 25th birthday programme, charts how Baptiste used her lens to capture youth culture, music, fashion, and urban life within the Black British diaspora in London in the past few decades. The exhibition can be entered under a “pay what you can” model. Runs until 4th January. For more, see www.somersethouse.org.uk/whats-on/jennie-baptiste-rhythm-and-roots.

Ben Enwonwu, ‘The Durbar of Eid-ul-Fitr, Kano’, Nigeria 1955. © Ben Enwonwu Foundation. Private Collection

• On Now: Nigerian Modernism. The Tate Modern is hosting the first UK exhibition to trace the development of modern art in Nigeria with more than 250 works by more than 50 artists on display. The exhibition, which spans the period from the 1940s to today, features works by globally celebrated artists of the 1940s, Ben Enwonwu and Ladi Kwali, as well as works by The Zaria Arts Society members Uche Okeke, Demas Nwoko, Yusuf Grillo, Bruce Onobrakpeya, and Jimo Akolo, Nsukka Art School members including Obiora Udechukwu, Tayo Adenaike and Ndidi Dike, and concludes with a spotlight on the work of Uzo Egonu. The display can be seen until 10th May. Admission charge applies. For more, see www.tate.org.uk/whats-on/tate-modern/nigerian-modernism.

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This Week in London – Lee Miller at the Tate; the Hallelujah Chorus’ origins and impact, and conkers on Hampstead Heath…

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• The UK’s largest retrospective of trail-blazing 20th century surrealist photographer Lee Miller opens at Tate Britain today. Lee Miller features around 230 vintage and modern prints, some of which are on display for the first time, which reveal how her approach pushed boundaries and led to the creation of some of the most iconic images of last century. Highlights include the newly discovered solarisation exemplar, Sirène (Nimet Eloui Bey) (c1930-32), her celebrated surrealist image of Egypt’s Siwa Oasis, Portrait􏰊of Space (1937), London-based works such as You will not lunch in Charlotte Street today (1940) and Fire Masks􏰘(1941) which convey the “pathos and absurdity” of the city in wartime, and war-related images including portraits of Miller and David E Scherman in Hitler’s private bath in April, 1945, as well as a rare 1950 self-portrait showing Miller posed in Oskar Kokoschka’s London studio flanked by artworks. Runs until 15th February. Admission charge applies. For more, see www.tate.org.uk/whats-on/tate-britain/lee-miller

• The initial and enduring impact of the Hallelujah Chorus is the subject of a new display at the Foundling Museum in Bloomsbury. A Grand Chorus explores the profound impact music can have on listeners and performers and brings together musical scores, librettos, and musical instruments as well as paintings, photographs, audio, video, personal testimonies􏰞, and other archival material spanning three centuries. Originally􏰞composed as part of his famous Messiah oratorio, George Frideric Handel later incorporated the Hallelujah Chorus into an anthem he created specially􏰞for the Foundling Hospital that premiered in 1749 as a fund-raising exercise. The exhibition also showcases a major sound and video installation by􏰞Mikhail Karikis – We are Together􏰈 Because (2025), described as a modern counterpart to the Hallelujah Chorus. Runs until 29th March. Admission charge applies. For more, see https://foundlingmuseum.org.uk/event/a-grand-chorus-the-power-of-music/.

• Swing a conker at the Hampstead Heath Conker Championships this Sunday. People are all ages are invited to join in, whether a conker veteran or a newcomer, with competitions held in a range of age categories. The competition is being held near the Parliament Hill Bandstand from 1pm to 4pm. Entry is free. For more, see www.cityoflondon.gov.uk/events/go-conkers-on-hampstead-heath-5-october.

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This Week in London – Marie Antoinette; ‘Theatre Picasso’, ‘Exploring Space’ at the Science Museum; and Talk Like A Pirate Day…

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Portrait de Marie-Antoinette à la rose, Élisabeth-Louise Vigée Le Brun © Château de Versailles, Dist. Grand Palais RMN / Christophe Fouin.

• The UK’s first exhibition to focus on the French Queen, Marie Antionette, opens at the V&A on Saturday. Marie Antoinette Style explores the dress and interiors adopted by the Queen, an early modern “celebrity”, during the final decades of the 18th century. It features some 250 objects including loans from Versailles which have never before been seen outside of France. There are personal items worn by the Queen including fragments of court dress, her silk slippers and jewels from her private collection as well as items from the Queen’s dinner service at the Petit Trianon, accessories and intimate items from her toilette case and even recreated scents from the court and a perfume which was favoured by the Queen. There also contemporary couture pieces by designers such as Moschino, Dior, Chanel, Erdem, Vivienne Westwood and Valentino and costumes, including shoes, made for screen, such as for Sofia Coppola’s Oscar winning film Marie Antoinette. The exhibition can be seen in Galleries 38 and 39 until 22nd March. Admission charge applies. For more, see vam.ac.uk/exhibitions/marie-antoinette.

Pablo Picasso, The Three Dancers (1925) Tate. © Succession Picasso/DACS, London 2025.

• Around 50 works by famed artist Pablo Picasso have been brought together for a new exhibition at the Tate Modern to mark the centenary of the artist’s work The Three Dancers (1925). Staged by contemporary artist Wu Tsang and write and curator Enrique Fuenteblanca, Theatre Picasso explores aspects of performance in his works and features the Tate’s entire collection of Picassos which, alongside The Three Dancers, also includes Weeping Woman (1937) and Nude Woman in a Red Armchair (1932). There are also loans from key museums in France as well as prints, drawings, sculptures, textile works and collages. These include the wool and silk tapestry Minotaur (1935) which is being displayed in the UK for the first time. Accompanying the works is Henri-George Clouzot’s 1959 film The Mystery of􏰱Picasso. Admission charge applies. Runs until 12th April. For more, see

• A new free gallery revealing the stories behind space exploration opens at the Science Museum in South Kensington on Saturday. The gallery – Exploring Space – showcases iconic items from the history of space exploration including a chunk of Moon rock nicknamed ‘Great Scott’ which was collected in 1971, the Soyuz TMA-19M descent module that carried astronaut Tim Peake, and the Sokol KV-2 rescue suit worn by Helen Sharman in 1991. There are also new technologies from the space sector including prototype electric propulsion technology from Magdrive and the ‘rolly-polly’ LEV-2 Moon rover, the result of the first collaboration between a space agency (JAXA) and a toy company (Takara Tomy). For more, see www.sciencemuseum.org.uk/see-and-do/space.

British astronaut, Helen Sharman’s Sokol spacesuit made by Zvezda. Sharman wore this rescue suit during the space flight on board the SOYUZ-TM-12 and MIR spacecraft in May 1991. Space suit model number KV-2 No. 167.

• “Ahoy me hearties!” It’s International Talk Like A Pirate Day on Friday and the National Maritime Museum in Greenwich is celebrating from Friday across the weekend with talks about everything from Barbary corsairs to sea shanties, character actors and two-for-one discounts on tickets to the Pirates exhibition. Visitors over the weekend who dress like a pirate will be in the chance to win prizes including Cutty Sark rig climb tickets, annual passes to the Old Royal Naval College, and a family tour of The Golden Hinde. And to brush-up on your pirate lingo, “Abbey-Lubber” means a lazy sailor avoiding work, and ‘Jack Ketch’ a hangman or executioner. For more, see rmg.co.uk/whats-on/national-maritime-museum/international-talk-pirate-day.

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This Week in London – Open House London; Georges Seurat and the Neo-Impressionists; and, the Burma campaign remembered…

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• The week-long Open House London kicks off this Saturday and features a range of activities across all 33 London boroughs – from “drop-ins” at and guided tours of buildings to talks, exhibitions, workshops and, of course, walking tours. Highlights include architect guided tours of Rana Begum’s Little Citadel retreat compound in Stoke Newington, rare access to the Islip and Nurses’ Chapels in Westminster Abbey, tours of several facilities at Queen Elizabeth Olympic Park including the new Sadler’s Wells theatre, the Lee Valley VeloPark and the Hackney Wick Fish Island Creative Enterprise Zone, and walking tours exploring Roman London. For the full programme, head to https://programme.openhouse.org.uk/.

Georges Seurat, Le Chahut (1889-90), Oil on canvas, 141 x 170 cm © Collection Kröller-Müller Museum, Otterlo, the Netherlands

• Georges Seurat’s painting of cancan dancers Let Chahut (1889-90) goes on display in the Sainsbury Wing of The National Gallery on Saturday. Radical Harmony: Helene Kröller-Müller’s Neo-Impressionists, which draws on the collection of the German art collector Helene Kröller-Müller (1869‒ 1939), at the Kröller-Müller Museum, Otterlo, in the Netherlands, also features several other works by Seurat as well as other radical works of French, Belgian and Dutch artists, painted from 1886 to the early 20th century. Among the highlights are Seurat’s Sunday at Port-en-Bessin (1888) and The Canal of Gravelines, in the Direction of the Sea (1890), Théo van Rysselberghe’s In July – before Noon (1890), Jan Toorop’s Sea (1899), Henry van de Velde’s Twilight (about 1889) and Paul Signac’s The Dining Room (1886-87). Runs until 8th February. Admission charge applies. For more, see www.nationalgallery.org.uk/exhibitions/radical-harmony-neo-impressionists

• Marking 60 years since VJ (Victory over Japan) Day, the National Army Museum is hosting the first national museum exhibition on the Burma campaign during World War II in the 21st century. Beyond Burma: Forgotten Armies features more than 180 objects including artworks, weapons, uniforms and photographs and explores the retreat from Burma in 1942, the transformation and resurgence of British and Indian forces in India in 1943 and the campaign against the Imperial Japanese Army during 1944-45. Highlights include the abstract painting And the World was covered in darkness by Major Conrad ‘Dick’ Richardson Romyn who experienced intense fighting in Burma, a bottle of Army anti-mosquito cream and a vial of anti-malarial tablets representing the treatment of soldiers, a tin identity bracelet and food bowl used by Gunner Moss Simon, who spent three years as a prisoner of war, and a military medal awarded to Corporal Dogo Manga who served with 1st Battalion, the Nigeria Regiment, Royal West African Frontier Force. Opens on Tuesday and runs until 13th April next year. Admission is free. For more, see www.nam.ac.uk/whats-on/beyond-burma.

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