Galleries

King James I’s London – 6. The Queen’s House, Greenwich

by exploringlondon

Long an admired landmark of Greenwich, the origins of the Queen’s House go back to the reign of King James I.

It was the Queen, Anne of Denmark, who commissioned the building of The Queen’s House in 1616 and gave it the name by which it is still known. Sadly, however, she died before it was completed.

King James I was said to have been a frequent visitor to the Tudor Palace of Greenwich (the building had earlier been known as the Palace of Placentia and was the birthplace of King Henry VIII in 1491).

King James  is traditionally said to have awarded the Manor of Greenwich to Queen Anne as an apology after he had publicly sworn at her when she had accidentally shot one of his favorite hunting dogs.

In 1616, Queen Anne decided to build a new property on the site as both a private retreat and a place where she could entertain and it was to the rising star Inigo Jones that she turned to for the design (in recognition of his growing status, he was appointed Surveyor of the King’s Works the following year).

The house was Jones’ most important job to date and the design he came up – based on a H with the two sides joined by a bridge over the Greenwich to Woolwich road – with is said to be the first Classical building in England.

Among the original features which survive to this day are the striking black and white geometrically patterned marble floor of the Great Hall (the room having been designed as a perfect cube), the painted ceiling of the Queen’s Presence Chamber and the iron balustrade the Tulip Stairs – said to be the first “geometric self-supporting spiral stair in Britain”.

Queen Anne became ill in 1618 and died the following year without seeing the end result of her commission. The work subsequently was shelved and only restarted (and completed in 1638) after King Charles I gave it to his wife, Queen Henrietta Maria.

She only had possession for a short time before Parliamentary forces seized it during the Civil War. After the Restoration, the Queen’s House was returned briefly to her by her son King Charles II (it was at this time that the original H-shape of the house was altered to a square) before part of it as later used as studio for painters and then as grace and favor apartments.

With the Old Royal Naval College now occupying the surrounding site, in 1805, King George III gave the property to the Royal Naval Asylum – a charity caring for the orphan children of seamen – and it later became part of the Royal Hospital School.

The National Maritime Museum took possession in 1934 and the building now houses the National Martime Museum’s collection of fine art. As an interesting aside, there have been several reported sightings of ghosts in the house, the latest as recently as 2002.

WHERE: The Queen’s House, National Maritime Museum, Greenwich (nearest DLR station is Cutty Sark); WHEN: 10am to 5pm daily (check website for closures); COST: Free; WEBSITE: www.nmm.ac.uk/places/queens-house

Treasures of London – ‘The Ambassadors’

by exploringlondon

A stunning portrait on a grand scale, The Ambassadors depicts two influential figures from the 16th century – Jean de Dinteville, the then 29-year-old French ambassador to England and Georges de Selve, the then 25-year-old bishop of Lavaur and sometime French ambassador to the Emperor, the Venetian Republic and the Holy See.

The oil on oak work, which is housed in room four of the National Gallery and is also one of the images featured online as part of the Google Art Project, was painted by Hans Holbein the Younger in 1533 and is meant as a portrait to show the men’s power, learning and wealth – they are surrounded by objects which include celestial and terrestrial globes, a portable sundial, a lute (and its case), and books including one of hymns and another of arithmetic as well as richly decorated furnishings.

Yet there’s more to this painting than initially meets the eye – a closer look reveals a distorted skull in the foreground which, when viewed from the painting’s right-hand side comes into its proper perspective. A reflection on mortality perhaps?

And though no typically viewed as a religious work, there are also some striking religious overtones to this image including a broken string on the lyre – often seen as a Christian symbol of disharmony – and, partly hidden behind the curtain on the far left of the painting as you look at it, a crucifix hanging on the wall.

Holbein painted the work during his second stint in England while depicting life at the Tudor court. Among his most famous other images are one of King Henry VIII (held in the National Portrait Gallery) and another of Christina of Denmark (also in the National Gallery – painted to show Henry VIII the image of a potential future wife although the relationship never went any further than that).

PICTURE: Ng1314, Hans Holbein the Younger, Detail of Jean de Dinteville and George de Selve (‘The Ambassadors’), 1533 © The National Gallery, London.

WHERE: Room 4, National Gallery, Trafalgar Square (nearest tube stations Leicester Square and Charing Cross); WHEN: 10am to 6pm (Fridays 10am to 9pm); COST: Free; WEBSITE: www.nationalgallery.org.uk. The image is also available online as part of the Google Art Project here:www.googleartproject.com/museums/nationalgallery/the-ambassadors.

Around London – Happy St Patrick’s Day; 18th century workhouse saved; David Gestetner honored; and, Watteau’s drawings…

by exploringlondon

• First-up, we’d like to wish you all a happy St Patrick’s Day! And if you missed the St Patrick’s Day Parade and free festival in London last Sunday, don’t worry, there’s still plenty of Irish cheer on the city streets with the London Eye and Battersea Power Station both turning green to mark the occasion while the green beer is flowing at the city’s many Irish pubs.

• The building some believe served as a model for the workhouse in Charles Dickens’ novel Oliver Twist has been saved from demolition with a Grade II listing. Completed in 1778, the Covent Garden Workhouse in Cleveland Street became the workhouse of The Strand Poor Law Union in 1836 and was later used as an infirmary before more recently serving as the outpatients department of the Middlesex Hospital. The workhouse is believed to the most well preserved of the three surviving 18th century workhouses in London. Announcing the listing this week, John Penrose, Minister for Heritage and Tourism, said that while it is unknown whether or not the building was the inspiration for the workhouse featured in Oliver Twist, “we know that it is the sole survivor of the workhouses  that were operating in the capital when Dickens wrote his famous novel and that as a young man he lived just nine doors along from it”. Simon Thurley, chief executive of English Heritage, said the listing also recognised the association between the workhouse and Dr Joseph Rogers, whose direct experience of the workhouse when working as Chief Medical Officer led him to launch important reforms of the system of healthcare provision for the poor.

• David Gestetner, a key player in the development of office copying technology, has been commemorated with a blue plaque outside his former residence at 124 Highbury New Park in Islington. The Hungarian-born Gestetner lived at the property for 41 years until his death in 1939. The plaque was unveiled on Tuesday by two of his great grand-children.

• On Now: Watteau: The Drawings. The first retrospective exhibition of the drawings of French artist Jean-Antoine Watteau opened last Saturday at the Royal Academy of Arts. Watteau is known for inventing the genre of fetes galantes (small pictures of social gatherings of elegant people in parkland settings) and for his mastery of the ‘three chalks’ or trois crayons technique using red, black and white. The exhibition features more than 80 works on paper. There is an admission charge. Runs until 5th June. See http://www.royalacademy.org.uk for more information.

Around London – Sir John Soane’s private apartments to be restored; Highland cattle to return to Richmond; and two new photographic exhibitions…

by exploringlondon

• An appeal has been launched to raise the final £500,000 of a £7 million project to restore Sir John Soane’s private apartments in his former home overlooking Lincoln’s Inn Fields in Holborn. Phase one of the three year restoration project, Opening up the Soane, is expected to be complete by late 2012 with the entire project – which will see all of the rooms open to the public – to be completed by 2o14. The eight rooms being restored in the project, all of which are located on the second floor of No. 13 Lincoln’s Inn Fields – one of three adjoining properties Soane owned , include the architect’s bedroom, bathroom, oratory and book passage as well as Mrs Soane’s morning room and a room containing Soane’s architectural models. The building  already contains the Sir John Soane Museum which features an eclectic and at time outright strange mix of artefacts Soane, designer of the Bank of England (although it has since been substantially altered), collected during his lifetime. For more information, see www.soane.org.

• Highland cattle will return to Richmond Park in autumn to help create patches of bare ground for wildflowers to grow after the success of a recent grazing trial. Richmond Park has the most extensive area of natural grassland in London and the type of grassland – known as ‘acid grassland’ – is a nationally rare habitat. Richmond Park is already home to 650 red and fallow deer. For more information, see www.royalparks.org.uk.

• On Now – A new exhibition of street photography in London has just opened at the Museum of London. London Street Photography showcases 200 candid images of everyday life in the city with images ranging from sepia-toned scenes of horse-drawn cabs captured by tripod mounted cameras through to the use of digital cameras in snapping images of 21st century residents. Among the 59 photographers whose work is on display is that of Paul Martin, who pioneered the idea of candid street photography in London in the early 1890s, freelance photojournalist Henry Grant who photographed London’s streets in the Fifties and Sixties, and Stephen McLaren, known for his contemporary “quirky and colorful” street images. Entry is free. The exhibition runs until 4th September. For more information, see www.museumoflondon.org.uk.

• On Now – The first major exhibition in 30 years of the work of EO Hoppe has opened at the National Portrait Gallery. Hoppe, who lived from 1878 to 1972, is considered one of the most important photographers of the early 20th century and is described as the “prototypical celebrity photographer”, shooting among others Margot Fonteyn, George Bernard Shaw, King George V, David Lloyd George and Ezra Pound. He also published the Book of Fair Women – photographs of women he believed to be the most beautiful of earth – in 1922 and in the Twenties and Thirties increasinly spent time outside the studio photographing street life. Hoppe Portraits: Society, Studio and Street runs until 30th May. For more information, see www.npg.org.uk.

Around London – Year of the Rabbit celebrations; virtual art galleries; and, to the moon and back on ‘Boris bikes’

by exploringlondon

• London will celebrate Chinese New Year this Sunday as it once again hosts the largest celebrations outside of Asia attracting some 250,000 people from around the globe. The event programme, which celebrates 2011 as the Year of the Rabbit, kicks off at 11am on the main stage in Trafalgar Square with firecrackers at noon, a Lion and Dragon performance at 1.10pm and dance and song during the afternoon culminating in a finale just before 6pm. There will also be a stage in Shaftesbury Avenue with performances throughout the day. Roads in the area will be closed for the event.

• You no longer have to be in London to walk through the galleries of the Tate Britain or the National Gallery. Both institutions are among 17 around the world taking part in the Google Art Project which allows web surfers to virtually “walk” around the museum using the organisation’s Street View technology and turn 360 degrees to view the artworks in situ on the walls. The project also allows viewers to look through images of more than 1,000 artworks and, in addition, each institution has selected one artwork which then captured in “super high resolution” and then placed on line (Hans Holbein’s The Ambassadors‘ for the National Gallery, Chris Ofili’s No Woman, No Cry for the Tate). See www.googleartproject.com for more.

• Cyclists have ridden the distance to the moon and back 13 times – 10 million kilometres – since the launch of Mayor Boris Johnson’s cycle scheme. Transport for London released figures this week showing riders have made more than 2.5 million journeys on the “Boris bikes” since the scheme was launched six months ago. The TfL has announced plans to expand the Barclays Cycle Hire scheme to new areas of east London including all of the Borough of Tower Hamlets, North Shoreditch, Bethnal Green, Bow, Canary Wharf, Mile End and Poplar by spring 2012. Almost 110,000 people are now signed up to the scheme. www.tfl.gov.uk.

• The youngest Spitfire pilot in the Battle of Britain is to be granted the Freedom of the City of London in a special ceremony next month. Squadron Leader Geoffrey Wellum was awarded the Distinguished Flying Cross for his service in a front line squadron during the battle.

Around London – Dulwich celebrates 200 years, and Tube life captured on lens…

by exploringlondon

• The Dulwich Picture Gallery  in south London is celebrating its bicentenary this year and to celebrate it’s holding a day of celebrations on Sunday (9th January). The gallery was founded in 1811 when art dealer Sir Francis Bourgeois bequeathed his collection of old masters for the “inspection of the public”. Interestingly, Sir Francis and his colleague Noel Desenfans had assembled the collection at the behest of the Polish King, Stanislaus Augustus, but when Poland was annexed by Russia and the king forced into exile, the two dealers were left with the goods. Sunday’s programme of events includes music, falconry displays and a family costume workshop as well as fireworks. For more information, see www.dulwichpicturegallery.org.uk.

• Artist Belinda Dawley had captured life on the Underground with a series of photographs of people riding the escalators. Called, appropriately enough, Escalators, the work features portraits of travellers on 14 different escalators. To see the image, head to www.belindalawley.com.