LondonLife – City of lights…

PICTURE: ale ber/Unsplash

LondonLife II – The Lady Mayor’s Show…

The historic Lady Mayor’s Show took place on Saturday through the streets of the City of London. Dame Susan Langley, the 697th Lord Mayor of London, is only the third woman to hold the post in more than 800 years, and is the first ever to be titled the ‘Lady Mayor of London’.

The new Lady Mayor of London, Dame Susan Langley, waves from her carriage at the Lady Mayor’s Show. PICTURE: Ben Turner/UK MOD © Crown copyright 2025.
Participants in the Lady Mayor’s Show. PICTURE: Cpl Danielle Dawson/UK MOD © Crown copyright 2025
A military band in the Lady Mayor’s Show. PICTURE: Cpl Danielle Dawson/UK MOD © Crown copyright 2025
Pikemen guard the Lady Mayor’s carriage outside The Royal Courts of Justice. PICTURE: Ben Turner/UK MOD © Crown copyright 2025

This Week in London – The first Lady Mayor’s Show; Joseph Wright ‘of Derby’ at the National Portrait Gallery; and, Audrey Hepburn’s Blue Plaque…

The State Coach at the Royal Courts of Justice in the 2013 Lord Mayor’s Show. PICTURE: S Pinter/iStockphoto.

The Lord Mayor’s Show – or this year, for the first time in its 800 year history, the Lady Mayor’s Show – takes place on Saturday as Dame Susan Langley is celebrated as the City of London’s 697th Lord Mayor of London. Langley, who takes office at Guildhall on Friday in the ancient ‘Silent Ceremony’, is the third woman to hold the role and the first to adopt the title “Lady Mayor”. The more than three mile-long procession, which kicks off at 11am, features around 7,000 participants, 200 horses and more than 50 decorated floats and travels from the Mansion House, the official mayoral residence, through the City to the Royal Courts of Justice, via St Paul’s Cathedral, before returning. The centrepiece as always is the State Coach carrying the Lady Mayor as she fulfills the dual purpose of showing herself to residents and swearing allegiance to the crown. For more – including details of the procession’s route, head to https://lordmayorsshow.london/.

The first exhibition dedicated to the work of 18th century artist Joseph Wright ‘of Derby’ opens at The National Gallery tomorrow. Wright of Derby: From the Shadows focuses on his career between 1765 and 1773 when he created his candlelight series. On show are a number of works from this series including Three Persons Viewing the Gladiator by Candlelight (1765), A Philosopher giving that Lecture on the Orrery in which a lamp is put in place of the Sun (1766), and the gallery’s own An Experiment on a Bird in the Air Pump (1768). Mezzotint prints of Wright’s works – key to the establishment of his international reputation – will also be on display. The exhibition, in the Sunley Room, runs until 10th May. Admission charge applies. For more, see www.nationalgallery.org.uk/exhibitions/wright-of-derby-from-the-shadows.

Hollywood icon Audrey Hepburn has been honoured with an English Heritage Blue Plaque on her former home in Mayfair. The plaque at 65 South Audley Street was where Hepburn lived in a flat with her mother between 1949 to 1954 as she launched her career as an actor. It was from here that she travelled to the West End to perform in chorus lines, appeared in British films such as 1951’s The Lavender Hill Mob and while living here that she was cast as the lead in Gigi on Broadway – a key stepping stone towards her breakthrough performance in 1953’s Roman Holiday. Hepburn was born in Brussels but had strong ties to London, training at the Ballet Rambert and working as a dancer and model before moving on to acting. Of course, as well as Roman Holiday, Hepburn performed notable roles SabrinaFunny FaceBreakfast at Tiffany’sMy Fair Lady, and Charade. She later dedicated herself to humanitarian work, serving as a UNICEF Goodwill Ambassador, and was awarded the Presidential Medal of Freedom shortly before her death in 1993. For more on English Heritage Blue Plaques, see www.english-heritage.org.uk/visit/blue-plaques/.

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London Explained – Police in London…

London has several police forces so let’s explain.

PICTURE: Tadas Petrokas/Unsplash

The largest police force in London (and the UK as a whole) is the Metropolitan Police. They are responsible for policing the Greater London area and its 8.6 million residents (with some exceptions – more on that in a moment).

The Met, currently led by Commissioner Sir Mark Rowley, was founded by Sir Robert Peel in 1829 and across the almost 200 years since has grown to a service of more than 33,000 police officers, 11,000 staff, almost 1500 police community support officers and more than 1,100 special officers.

They are headquartered at New Scotland Yard on Victoria Embankment in Westminster.

The Met’s jurisdiction comprises some 620 square miles – the 32 boroughs of Greater London.

An exception within Greater London is within the Square Mile of the City of London, home to some 8,000 residents but host to an additional 500,000 workers, tourists and others each day. This falls under the jurisdiction of the much smaller City of London Police.

The London City Police officially formed in 1832 but became the City of London Police with the passing of the City of London Police Act 1839.

Led by Commissioner Peter O’Doherty, the 17th City of London police commissioner, the service consists of more than 1,000 officers and staff and as well as providing policing services locally, the City of London Police also leads policing efforts nationally on fraud and cyber-crime.

They are currently temporarily headquartered at Guildhall.

A number of other police services also operate in London. They include the British Transport Police, responsible for policing the railway network including track and stations as well as the London Underground and Docklands Light Railway.

The Ministry of Defence Police, meanwhile, are responsible for policing Ministry of Defence property in London including the ministry itself in Whitehall while the tiny Kew Constabulary is responsible for policing Kew Gardens (the former Royal Parks Constabulary merged with the Met in 2004 – the parks are now policed through a specialist unit in the Met).

LondonLife – Millennium Bridge bubbles…

PICTURE: Philippe BONTEMPS/Unsplash

This Week in London – Rare Tudor choirbook at Lambeth; Sculpture in the City returns; and, picturing Blondie…

One of only two surviving choirbooks from the reign of King Henry VIII is on display in a new exhibition at the Lambeth Palace Library. Sing Joyfully: Exploring Music in Lambeth Palace Library displays the ‘Arundel’ or ‘Lambeth’ Choirbook (Arundel, Sussex, c. 1525) – this year marking its 500th birthday – along with other items from the library’s collection such as two leaves of a 14th century polyphony recently discovered in the binding of an early printed book. The exhibition, which is free, can be seen until 6th November. For more, see www.lambethpalacelibrary.info/sing-joyfully/.

Looping Loop, © Andrew Sabin, Courtesy of the artist and Brooke Benington. PICTURE © Nick Turpin

On Now: Sculpture in the City. The 14th edition of the annual sculpture exhibition in the City of London features 11 pieces including three new works as well as six works which have been retained from previous iterations of the exhibition and two permanent acquisitions. The new works include: Ai Weiwei’s Roots: Palace, a cast-iron tree root sculpture located outside St Botolph without Bishopsgate which, as part of a series created in collaboration with Brazilian artists and communities, explores the concept of unrootedness; Jane and Louise Wilson’s Dendrophiles which, located beneath the escalators of The Leadenhall Building, combines ink drawings based on images of DNA with 3D scans of ancient oak wooden samples; and, Andrew Sabin’s Looping Loop which, located outside 70 St Mary Axe, which forms a continuous loop creating what’s described as a “lively, pulsating sensation”. Runs until April. For more – including a map of the locations – see https://www.sculptureinthecity.org.uk/.

Rare, behind the scenes images of US band Blondie have gone on show at the Barbican Music Library from today. Taken by photographer Martyn Goddard during the group’s breakthrough year of 1978, the 50 images show the band in concert, backstage, in the studio and during photo shoots. The display of photographs is complemented by poster prints, album covers, tour and concert memorabilia, period cameras, and photographic equipment. There are also items lent by Alan Edwards, who has handled Blondie’s publicity since 1978, from his private collection. Blondie in Camera 1978 runs until 5th January. Admission is free. For more see, www.cityoflondon.gov.uk/services/libraries/barbican-music-library.

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Treasures of London – The Anglo-Saxon archway, All Hallows by the Tower…

PICTURE: JRennocks/Wikipedia (licensed under CC BY-SA 4.0)

This rounded arch in the Church of All Hallows is believed to be oldest surviving arch of the Anglo-Saxon period surviving in the City of London.

The arch can be found at the west end of the nave and dates from an earlier church on the site, possibly built as early as the 7th century (the church was later rebuilt and expanded several times, survived the Great Fire in 1666, and was then largely destroyed during the Blitz before being rebuilt and reconsecrated in 1957).

Roman tiles have been reused in the arch’s construction as well as Kentish ragstone and it doesn’t include a keystone.

The arch was fully revealed after a bombing during the Blitz in 1940 brought down a medieval wall and revealed it.

The arch has given some weight to the idea that the Anglo-Saxon church was founded not long after Erkenwald founded Barking Abbey in the 7th century (he went on to become the Bishop of London in 675).

WHERE: All Hallows by the Tower, Byward Street (nearest Tube station is Tower Hill); WHEN: 8am to 5pm Monday to Friday; 10am to 5pm Saturday and Sunday; COST: Free; WEBSITE: https://www.ahbtt.org.uk/

Special – Roman London’s first basilica found under an office block – here’s what it reveals about the ancient city

In an article first published on The Conversation, LACEY WALLACE of the University of Lincoln, looks at the recent discovery….

Archaeologists from the Museum of London have discovered a well-preserved part of the ancient city of London’s first Roman basilica underneath the basement of an office block. The basilica was constructed for use as a public building in the 70s or early 80s AD.

A section of the wall from the Roman basilica. PICTURE: MOLA

In a Roman town, a basilica was a multi-functional civic building. Often paid for by leading local inhabitants, it provided a large indoor space for public gatherings. These ranged from political speeches to judicial proceedings.

Along with the connected forum – an arrangement of buildings that surrounded an open courtyard space – the building formed the centre of administrative and civic life in the ancient Roman city of Londinium.

Other walls of London’s basilica and forum have been known by archaeologists since the early 1880s. But they were only recognised as remains of the social and civic centre of Londinium in 1923.

The story until now

Peter Marsden, the author of The Roman Forum Site in London (1987), compiled disconnected evidence for the different phases of London’s forum basilica complex.

Referring to the current area of excavations (on Gracechurch Street), he noted that: “More than half of the archaeological deposits still remain, and should be carefully excavated when the opportunity arises, since only then will the history of the site be elucidated.”

Occasional opportunities have arisen to reveal small parts of the forum basilica. For example, during construction of a shaft to install a lift at 85 Gracechurch Street, some important remains from the first century were found. But the excavated area was too small to contribute greatly to our knowledge.

In contrast, the recent work is part of a major redevelopment. It has opened targeted excavation areas where walls of the basilica were expected to be found, exposing substantial parts of the building.

Archaeologists have found one-metre-wide foundations and walls of the interior, some of which probably extend for more than 10 metres in length. The walls are constructed of flint, tile and Kentish ragstone (a type of limestone quarried in Kent), and some stand at four metres high.

What was the basilica for?

Londinium was constructed on an unoccupied site beginning in about AD47 or 48. It began to gain the trappings of a Roman-style town, including a basilica building, in the lead-up to its destruction in the Boudican Revolt in AD60 or 61.

The city did not have a monumental forum and basilica complex until later, however, when a major programme of public and private construction was undertaken in the Flavian period (AD69–96).

London’s Flavian basilica took the plan of a long rectangle (44m x 22.7m) divided into three aisles. There is good evidence from the deeper central aisle (nave) wall foundations that the nave roof was raised to two storeys, to allow for windows to provide internal light.

A reconstruction drawing of the first London forum. PICTURE: PeterMarsden/MOLA

Shallow foundations crossing the nave are evidence of a raised dais or platform at the eastern end. The speaker or judge would sit there, elevated above the crowds, increasing both his visibility and status. This platform, or “tribunal”, is the area that has recently been revealed.

The basilica would have risen above the north side of the buildings that formed the forum courtyard. It would have dominated the high ground of this monumental space at the highly visible crossroads leading straight up from the Roman Thames bridge.

It would have been the largest building in the area and firmly announced that the people of Londinium were constructing a high-status Roman city.

Rebuilding following the British Queen Boudica’s revolt had been swift. The post-Revolt fort that was built only 100 metres or so down the street had likely been decommissioned and the people were ready to embark on a new phase and a major expansion of the urban centre.

The designs of late first century forum basilica complexes varied across the provinces. But generally they combined religious, civic, judicial and mercantile space.

An artist’s impression of the proposed exhibition space that will showcase the newly discovered walls. PICTURE: Woods Bagot/MOLA

In places like Pompeii, the forum had developed over time. But, when the town was buried by the ash of Vesuvius in AD79 (approximately the same time the forum basilica of London was built), the focus of the elongated monumental space was the Temple of Jupiter, symbol of the Roman state.

Although a classical temple was constructed to the west of the exterior of Londinium’s Flavian forum, it was clearly separate. No forum in Britannia was dominated by a temple, setting the core of urban space in this province apart from most examples in the rest of the empire.

The Flavian forum basilica at Londinium is one of the earliest examples to demonstrate this characteristic, along with that at Verulamium (St Albans). There, an inscription links the circa AD79–81 construction to the governor Agricola, who is well known among historians from the celebratory biography written by his son-in-law, Tacitus.

The Flavian basilica and forum only stood for about 20 or 30 years, however. With increased prosperity in the early second century, they were demolished and replaced by a new structure which was five times larger, leaving the remains of the first basilica underneath the surface of the later courtyard space.

Museum of London Archaeology will now analyse and publish the results of its find, applying modern methods to advance our understanding of the development of the first forum basilica. We can expect refined dating evidence and an improved understanding of the architecture from the post-excavation analyses. An exhibition space to make the remains visible for the public is also planned.

The Conversation

Lacey Wallace is a senior lecturer in Roman history & material culture at the University of Lincoln. This article is republished from The Conversation under a Creative Commons license. Read the original article.

10 London mysteries – 8. The Ceremony of the Rendering of the Quit Rents…

Every year an ancient ceremony takes place in the City of London which, thanks to the passing of time, has become somewhat shrouded in mystery.

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London pub signs – The Ship Tavern, Holborn…

This Holborn pub apparently has a history dating back to 1549.

It is believed to have been established to cater to farm labourers working in nearby Lincoln’s Inn Fields.

PICTURE: Edwardx (licensed under CC BY-SA 3.0)

Its name, however, is said to be related to its proximity to the now-underground River Fleet which runs through Holborn and linked the area with the River Thames. It’s said that the pub’s clientele soon included dock workers and that it may have even had connections to smuggling and pirates. It was apparently these connections that gave the pub the name it still has today.

These days tucked down a narrow alleyway at 12 Gate Street in a building dating from 1923 (apparently considerably bigger than the original), the pub, which features wood panelled walls and leaded windows, has a storied history.

Having been established during the reign of King Edward VI, the pub is known to have provided a space for banned Catholic worship (complete with spotters to warn if officials were seen in the area and hiding places for the priests should the officials decide to raid the premises).

Indeed, the pub would have also served those who attended executions of Catholics such as Robert Morton and Hugh More who were executed in 1588 in the nearby Lincoln’s Inn Fields (other executions there included that of Anthony Babington, executed in 1586 after being convicted of plotting against Queen Elizabeth I, and Lord Russell, executed in 1683 for his involvement in the Rye House Plot).

Other clientele, meanwhile, may have come from the nearby thoroughfare of Whetstone Park which was once notorious for gambling houses and other illicit behaviours.

The Ship also has Freemason connections, being officially consecrated as a Masonic Lodge in 1736 by the then-Grand Master, the Earl of Antrim.

Famous figures said to have been associated with this pub include Richard “Trusty Dick” Penderell, who aided Charles I’s escape after the Battle of Worcester in September, 1651, the antiquarian John Bagford, the French diplomat and spy Chevalier d’Eon who lived both as a man and, later in life, as a woman, and John Smeaton, the builder of a lighthouse once located at Eddystone in Cornwell. It’s even been suggested Shakespeare visited.

There’s also said to be a number supernatural clients at the pub with mysterious figures seen sitting at tables and glasses being moved around (it’s been suggested some of these relate to the persecution of Catholics on the site).

For more, visit theshiptavern.co.uk.

10 London mysteries – 2. Who was Jimmy Garlick?

This week we look at a mysterious mummified figure who was “discovered” in the vaults beneath the floor of St James Garlickhythe in the 1850s.

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10 London mysteries – 1. The murder of Robert Pakington…

London’s rich layers of history has left its fair share of mysteries and in this series we’re going to take a look at 10, some well-known and others, such as this first one, less so…

First up, it’s a 500-year-old murder mystery. The victim was Robert Pakington, an MP and prominent member of the Worshipful Company of Mercers, who is often said to be the first victim to be murdered with a handgun.

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This Week in London – Lord Mayor’s Show; ‘Poppy Fields at the Tower’; and, ‘The Great Mughals’ at the V&A…

The Lord Mayor’s Show – featuring the 696th Lord Mayor of London, Alastair King – will be held this Saturday. The three-mile long procession – in which the Lord Mayor will ride in the Gold State Coach – features some 7,000 people, 250 horses, and 150 floats. It will set off from Mansion House at 11am and travel down Poultry and Cheapside to St Paul’s Cathedral before moving on down Ludgate Hill and Fleet Street to the Royal Courts of Justice. The return journey will set off again at 1:10pm from Temple Place and travel via Queen Victoria Street back to Mansion House where he will take the salute from the Pikemen and Musketeers at 2:40pm. For more information, including where to watch the show, head to https://lordmayorsshow.london.

 Poppy Field at the Tower. PICTURE: © Luxmuralis / Historic Royal Palaces.

An immersive sound and light show commemorating World War I and II opens at the Tower of London tomorrow ahead of Armistice Day and Remembrance Sunday. Historic Royal Palaces has partnered with Luxmuralis to present Poppy Fields at the Tower with visitors invited to go inside the Tower where – recalling the 2014 display Bloodswept Lands and Seas of Red in the Tower of London moat to mark the centenary of World War I – the walls will not only be illuminated with tumbling poppies but also historic photographs, documents and plans. The display is being accompanied by music composed by David Harper, and poetry recordings. Visitors will also be granted special access to see the Crown Jewels after-hours to learn more about their removal from the Tower during both World Wars. Runs until 16th November and should be pre-booked. Admission charges apply. For more, see https://www.hrp.org.uk/tower-of-london/whats-on/poppy-fields-at-the-tower/.

Akbar handing the imperial crown to Shah Jahan in the presence of Jahangir, Bichitr. Dated regnal year 3 (18th January 1630–7 January 1631), the borders c1630–1640. Opaque watercolour and gold on paper. Folio
from the Minto Album. © CC BY – 4.0. Chester Beatty, Dublin

An exhibition celebrating the golden age of the Mughal Court opens at the V&A in South Kensington on Saturday. The Great Mughals: Art, Architecture and Opulence examines the “creative output and internationalist culture” of Mughal Hindustan during the age of its greatest emperors, a period spanning c1560 to 1660. More than 200 objects are on display arranged in three sections corresponding to the reigns of the Emperor Akbar (1556-1605), Jahangir (1605 to 1627) and Shah Jahan (1628 to 1658). The objects include paintings, illustrated manuscripts, vessels made from mother of pearl, rock crystal, jade and precious metals. Highlights include four folios from the Book of Hamza, commissioned by Akbar in 1570, and the Ames carpet which was made in the imperial workshops between c1590 and 1600 and is on display for the first time in the UK. There’s also a unique wine cup made from white nephrite jade in the shape of a ram’s head for Shah Jahan in 1657, two paintings depicting a North American Turkey Cock and an African zebra created by Jahangir’s artists, and a gold dagger and scabbard set with over 2,000 rubies, emeralds and diamonds. Runs in Galleries 38 and 39 until 5th May. Admission charge applies. For more, see www.vam.ac.uk.

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LondonLife – John Keats at Moorgate…

The new sculpture of John Keats with Lord Mayor of the City of London, Michael Mainelli.. PICTURE: Courtesy of the City of London Corporation.

A new sculpture of Romantic poet John Keats has been unveiled near his birthplace in Moorgate to mark the 229th anniversary of his birth.

The work of British artist Martin Jennings, the sculpture is a bronze cast of an enlarged life mask of Keats which was made when he was 21 (he died just four years later of consumption in 1821).

A plaster cast of the life mask is owned by Keats House, in Hampstead, and it was scanned and digitally enlarged as the basis for the sculpture which is mounted on a stone plinth. The plinth in turn is set in a circular slate base inscribed with some words from the Keat’s Ode on Idolence.

The new statue, which was unveiled last Thursday, was funded by former City of London Corporation Alderman, Bob Hall, who has donated it to the City of London Corporation. Hall has previously funded a statue of poet John Donne – the work of Nigel Boonham – which sits outside St Paul’s Cathedral.

Keats was son of an ostler at an inn and livery stable called The Swan and Hoop, which stood not far from the modern-day Moorgate station.

LondonLife – City lights…

PICTURE: Vitalijs Barilo/Unsplash

This Week in London – Dick Whittington explored at the Guildhall Library; Francis Bacon’s portraits; and, the 60th Photographer of the Year competition…

PICTURE: Courtesy of the City of London Corporation

A new exhibition exploring the life of one of the City of London’s most famous Lord Mayors has opened at the City of London’s Guildhall Library. Marking the library’s 600th anniversary, Whittington, the Man, the Myth and the Cat uses chapbooks (small printed booklets used for street literature in early modern Europe), children’s books, and works relating to pantomimes, to investigate Whittington’s story (including the question of whether or not he owned a cat). The exhibition details Whittington’s “rags to riches” tale and the many myths that later grew up around him, revealing information about his many loans to to kings (Richard II, Henry IV and Henry V), how he was three times Lord Mayor of London (1397, 1406 and 1419) and how he paid for the building of public lavatories at St Martin Vintry and a refuge for unmarried mothers at St Thomas’ Hospital as well as the rebuilding of Newgate Prison, and the establishment of the first library at Guildhall. Addressing the myth of the Whittington’s cat, it explains how it may have come about as a result of a play on words – ‘cat’ (or cattes) being a word used to describe a fleet of boats used for importing and exporting which was a mistranslation of the French word, ‘achat’, for trade. The exhibition, which runs until April next year, is free to visit. For more, see www.cityoflondon.gov.uk/services/libraries/guildhall-library.

The first exhibition in almost 20 years to focus on Francis Bacon’s portraits opened at the National Portrait Gallery, off Trafalgar Square, this week. Francis Bacon: Human Presence charts the artist’s career through 50 of his works arranged in five sections – ‘Portraits Emerge’, ‘Beyond Appearance’, ‘Painting from the Masters’, ‘Self Portraits’, and ‘Friends and Lovers’. Works on show include self-portraits as well as Head VI (1949), Study for a Pope I (1961), Three Studies for a Portrait of Isabel Rawsthorne (1965) and Portrait of a Man Walking Down Steps (1972). The exhibition also includes photographic portraits and film of Bacon by some of the century’s leading photographers, including Cecil Beaton, Arnold Newman, and Bill Brandt. Can be seen until 19th January. Admission charge applies. For more, see www.npg.org.uk.

‘The Swarm of Life’ by Shane Gross, Canada, winner of the 60th Wildlife Photographer of the Year competition.

A Canadian marine conservation photojournalist, Shane Gross, has won this year’s Wildlife Photographer of the Year competition for an image capturing the magical underwater world of western toad tadpoles. The Swarm of Life is among 100 prize-winning images which are going on show at the Natural History Museum in South Kensington from tomorrow as it celebrates the 60th year of its Photographer of the Year competition. This year’s contest attracted a record-breaking 59,228 entries from 117 countries and territories. Among the other images on display are German Alexis Tinker-Tsavalas’ Life Under Dead Wood  depicting the fruiting bodies of slime mould with a tiny springtail (Tinker-Tsavalas won Young Wildlife Photographer of the Year). Wildlife Photographer of the Year is developed and produced by the Natural History Museum, London. The exhibition runs until 29th June. Admission charge applies. For more, see www.nhm.ac.uk/wpy.

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Where’s London’s oldest…bollard?

PICTURE: GrindtXX (licensed under CC BY-SA 4.0)

London is filled with bollards designed to prevent vehicles, old and new, from travelling where they shouldn’t. And, of course, there’s much debate over which is the oldest.

The oldest may well be a rather rusty looking one in the courtyard outside the Church of St Helen’s Bishopsgate.

In what was a practice replicated elsewhere in the City around the time, it’s apparently made out of the French naval cannon dating from the 18th century.

The cannon’s muzzle end has been embedded into the pavement with the non-loading end sticking up.

Legend says that another cannon bollard, located just outside the Globe Theatre on South Bank, comes from French ships captured at the Battle of Trafalgar. While it is indeed said to be a cannon, many have cast doubt on its origins as coming from Trafalgar.

Correction: We’ve correct the story to say it was the non-loading end sticking up.

A Moment in London’s History…London Mithraeum refound…

It was on 18th September, 1954 – 70 years ago this month – that archaeologists working on a site in central London discovered one of the greatest archaeological finds in London of the 20th century – a head of Mithras in the remains of a mid-3rd century Roman temple.

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This Week in London – ‘Lucky Jim’ reunited with historic plane; Banksy work related to Guildhall Yard; and, a new Kew audio tour…

‘Lucky Jim’, a toy cat mascot belong to Jim Alcock – pilot of the first trans-Atlantic flight, has been reunited with the Vickers Vimy biplane aircraft that made the flight for the first time since 1919. The cat accompanied the famous aviator and his navigator Arthur Whitten Brown on their historic 17 hour, 1,880 mile journey. Following preservation efforts is now displayed alongside the aircraft in the Flight gallery at the Science Museum in South Kensington. Lucky Jim was previously displayed at the Science and Industry Museum in Manchester until 2019. A cartoon version of the cat is also the star of a new family trail around the gallery. For more, see https://www.sciencemuseum.org.uk/see-and-do/flight.

The Palm House at Kew Gardens. PICTURE: Annie Spratt/Unsplash

Explore the plants of Kew Gardens’ historic Palm House with a new audio tour. Created by Kew’s Community Horticulture Programme in collaboration with outreach participants, Pollinators of the Palm House puts a spotlight on some of the remarkable stories and pollination tricks of incredible plants inside the 175-year-old structure. These include the giant cycad (Encephalartos altensteinii) – officially the oldest pot plant in the world, and the traveller’s palm (Ravenala madagascariensis), which is pollinated by lemurs in the wild on Madagascar. For more, see www.kew.org.

An artwork by Banksy has been relocated to Guildhall Yard for its protection. The work, which depicts swimming piranhas, appeared on a sentry box near Ludgate Hill earlier this month. A City of London Corporation spokesperson saying a permanent home would be found “in due course”.

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Lost London – The Guildhall Chapel…

Used by the Lord Mayor of London and his retinue as a location for weekly worship for more than 200 years, the Guildhall Chapel was once an important part of the City infrastructure.

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