10 London sites related to St Thomas Becket – 5. The Tower of London…

Thomas left the employ of Theobold, Archbishop of Canterbury, in 1154 when he took up the role of Chancellor for the newly crowned King Henry II (on Theobold’s recommendation).

The new role meant he wasn’t much in London over the next eight years – King Henry II spent less than two-and-a-half years in England during that period and Becket’s new role meant he was expected to be with the King.

The Tower of London (the expansive St Thomas’s Tower is on the front left). PICTURE: flicksmores (licensed under CC BY-NC-ND 2.0)

One London connection during this period came about, however, when King Henry II awarded him the custody of the Tower of London (the role which is now known as Constable of the Tower and was apparently then referred to as Keeper of the Tower).

Interestingly, Becket is just one of four Archbishops of Canterbury who held the post (although he was Archbishop later) but is the only saint to have done so.

During his time as Constable of the Tower, Becket did carry our substantial repairs on the complex (while Chancellor he also oversaw repairs to other buildings including the Palace of Westminster).

There is a further connection between Becket and the Tower – King Edward I, during his rather dramatic renovations and expansion of the fortress, included a chapel dedicated to the martyred St Thomas in the royal quarters. To this day, the tower which fronts the Thames is known as St Thomas’s Tower (the naming of Traitor’s Gate, formerly known as Water Gate, under it occurred much later and had nothing to do with him).

Around London – A West End institution reopens; Barnet’s Foundling Hospital under the spotlight; English landscape masters at the RA…

• A West End institution which has hosted a who’s who of Londoners – including the likes of Oscar Wilde, Arthur Conan Doyle, Rudyard Kipling and Winston Churchill as well as, more recently, David Bowie, Mick Jagger and Princess Diana – has reopened its doors to the public after a four year redevelopment. Originally opened in 1865 by French wine merchant Daniel Nicholas Thévenon and his wife Celestine, Café Royal at 68 Regent Street – overlooking Piccadilly Circus – has been relaunched as five star hotel featuring more than 150 rooms, six historic suites and a variety of dining venues – including the spectacular Grill Room – as well as a private members club, meeting rooms and wellbeing centre. The redevelopment of this storied building, which centres on the original premises – retaining John Nash’s Grade I-listed facade, has seen the restoration of grand public rooms, originally dating from the 1860s and 1920s, as well as an expansion into neighbouring buildings – all under the watchful eye of David Chipperfield Architects and Donald Insall Associates. For more, see www.hotelcaferoyal.com.

 • One of six small hospitals set up by the Bloomsbury-based Foundling Hospital, the Barnet branch operated in Monken Hadley in west London from 1762-1768. It’s now the subject of one of two new exhibitions which opened at the Barnet Museum at the beginning of the month. The Barnet Foundling Hospital, Monken Hadley, 1762-1768, features a range of objects relating to some of the children placed in the hospital including identifying coin tokens left by mothers, and letters written by manager Prudence West. The exhibition initially runs until 14th January – after which objects will be replaced with prints – and then until 28th February. The second exhibition, Foundling Voices, is on tour from the Foundling Museum and features oral histories of some of the last people to be cared for by the Foundling Hospital in Berkhamsted which closed in 1954. This runs until 13th January. Admission to both is free. For more, see www.barnetmuseum.co.uk.

On Now: Constable, Gainsborough, Turner and the Making of Landscape. This exhibition, recently opened in the John Madejski Fine Rooms and Weston Rooms at the Royal Academy of Arts, features works of art by three “towering figures” of English landscape painting – John Constable, Thomas Gainsborough and JMW Turner. The 120 works on display includes paintings, prints, books and archival material. Highlights include Gainsborough’s Romantic Landscape (c 1783), Constable’s The Leaping Horse (1825) and Boat Passing a Lock (1826), and Turner’s Dolbadern Castle (1800). There are also works by their 18th century contemporaries and artifacts including letters written by Gainsborough, Turner’s watercolour box, and Constable’s palette. Admission charge applies. Runs until 17th February. For more, see www.royalacademy.org.au.