Dr Samuel Johnson

This Week in London – After 80 years, NHM gallery reopens to the public; Britain’s first Black schoolteacher, Francis Barber, honoured with a Blue Plaque; and, London Sculpture Week…

by exploringlondon
The gallery when it was used as the Osteology gallery in 1893. PICTURE: The Trustees of the Natural History Museum London

• A gallery at the Natural History Museum which has been sealed off to the public for 80 years has reopened with a new display exploring our relationship with the natural world through 50 objects. Among the objects on show in the Nature and Us exhibition are a miniature model of a Crystal Palace dinosaur; Jenny, a Victorian skeleton of a monk seal; a bryozoan-encrusted Star Wars toy from the 1980s; and a 400,000-year-old handaxe whose discovery transformed our understanding of when humans first existed. Visitors will also be able to touch a replica jaw of one of Britain’s earliest known domesticated dogs, dating to around 14,300 years ago. The gallery is open for an initial 18 months and visitors can have their say on what appears in the permanent gallery when it opens in 2029. Located on the second floor of the main Museum’s Waterhouse building, the gallery historically served as both an osteology (skeleton) gallery and a mammals gallery and, after the herbarium was damaged in World War II, was repurposed to house the botanical collection. It has been closed to the public until now. For more on the new gallery, visit www.nhm.ac.uk.

The City of London Corporation relaunches its Blue Plaques Scheme with a plaque honouring Francis Barber, the first known Black schoolteacher in British history, at Dr Johnson’s House in Fleet Street Quarter. PICTURE: Paul Grover/ Fleet Street Quarter BID

• Britain’s first Black schoolteacher, Francis Barber, has been commemorated by a Blue Plaque at the writer’s townhouse in the heart of the City of London’s Fleet Street Quarter. The plaque commemorating Dr Samuel Johnson’s former servant, friend, and heir was unveiled on Dr Johnson’s House in Gough Square as the City launches a redesigned “modern, transparent, inclusive” City of London Blue Plaques Scheme and marks 150 years since the City’s oldest Blue Plaque was unveiled honouring Dr Johnson at same historic site. Barber, a West African man born into slavery in Jamaica, came to London as a child and lived at Dr Johnson’s house from 1752 to 1756 where he worked as his servant. Dr Johnson, who compiled the Dictionary of the English Language (1755), supported him and his family throughout his life, and helped secure his financial future. Dr Johnson also named Barber as the sole heir and beneficiary of a Trust established in his will. Barber later became the first known Black schoolteacher in British history. The 17th century townhouse known as Dr Johnson’s House is now a museum and believed to be the only surviving property in the City that was home to a formerly enslaved person who later lived there as a free man. The plaque was unveiled by Alderman Tim Hailes and Michael Bundock, director of Dr Johnson’s House Trust and author of The Fortunes of Francis Barber. 

• London Sculpture Week kicks off on Saturday in a citywide celebration of London’s public art. The week – which brings together sculptures in the Fourth Plinth, East Bank, Frieze Sculpture, Sculpture in the City and The Line – includes the chance to gain new insights into London’s outdoor artworks through talks, walking tours, film screenings and other activities. Highlights include the 16th Fourth Plinth commission, Lady in Blue, Frieze Sculpture’s 14th edition which features the work of 11 leading international artists sited throughout the historic English Gardens of The Regent’s Park, and a walking tour organised by East Bank featuring works commissioned for the London 2012 Olympic and Paralympic Games as well as recent East Bank commissions such as Larry Achiampong and David Blandy’s Trēow of Time and Thomas J Price’s A Place Beyond. There’s also a walking tour taking in the eight works in Sculpture in the City followed by the chance to sample canapés inspired by a selection of the sculptures, and a free wellbeing walk along The Line, East London’s public art trail. For the full programme, head to https://tinyurl.com/london-sculpture-week-2026.

Send all items to exploringlondon@gmail.com

10 notable blue plaques of London – 4. Oldest surviving blue plaque commemorating a woman…

by exploringlondon

Much has been made about the dearth of women featured on blue plaques in this 150th year of the scheme – according to English Heritage, only 13 per cent of the 900 odd blue plaques in London commemorate a woman.

Fanny-Burney-plaqueAmong them are ballet dancer Margot Fonteyn, suffragette Sylvia Pankhurst, socialite Nancy Astor, and, in recent times, cookery writer Elizabeth David.

The oldest surviving blue plaque commemorating a woman, however, is that commemorating what is today a less well-known name, that of Fanny Burney.

Burney (1752-1840), who was known as Madame D’Arblay after she married, was a widely applauded novelist who was also noted for her diaries which record her involvement in the literary circles around Samuel Johnson and the Bluestocking Group.

The blue plaque commemorating her residence at 11 Bolton Street in Mayfair was erected in 1885 by the Society of Arts (which means that like others erected by the society, later the Royal Society of Arts, it’s brown not blue).

Burney, whose most profitable work, Camilla, was published in 1796 after she had spent five years as Second Keeper of the Robs to Queen Charlotte, lived in the house following the death of her husband, the Frenchman Alexandre D’Arblay.

She spent 10 years here – from 1818 until 1828 – and had apparently thought it would be her last residence but she went on to move into three further properties after this one.

PICTURE: Simon Harriyott/CC BY 2.0

10 notable blue plaques of London – 3. The City of London’s only ‘blue plaque’ (and it’s not even blue)…

by exploringlondon

Samuel-Johnson-plaqueThere is only one official blue plaque in the square miles of the City of London – that which marks the property of lexicographer Dr Samuel Johnson in Gough Square (he always did like to stand out from the crowd) – and, like many of the plaques in the scheme, it’s not even blue.

Samuel-Johnson-plaque2The plaque was among the 35 erected in the first 35 years of the scheme – this one in 1876 – and was done so by the Society of Arts which then ran the scheme (later the Royal Society of Arts). In common with most of the first 35 plaques, it is brown in colour.

In 1879, just three years after this plaque was erected, the Society of Arts came to an agreement with the Corporation of the City of London that the corporation – the governing body of the square mile – would commemorate sites of historic significance within its boundaries and the agreement has stood ever since.

The hundreds of “blue plaques” since erected by the City of London Corporation are rectangular in nature and commemorate everything from structures like the long-gone historic gate of Aldgate (88 Aldgate High Street) to homes of the notable such as martyred Archbishop of Canterbury Thomas á Becket (86 Cheapside).

There’s a searchable database of all the City of London plaques which can be found here.

And, of course, Dr Johnson’s house, which he lived in from 1748-59 which compiling his famous A Dictionary of the English Language (the first comprehensive English language dictionary), is now a museum – for details of that, see our earlier post here.

Famous Londoners – Dr Richard Mead…

by exploringlondon

Eighteenth century physician Dr Richard Mead is noted not only for his attendance on the rich and famous of his time – including royalty – but also for his philanthropy, his expansive collections and, importantly, his contributions in the field of medicine.

Born in Stepney, London, on the 11th August, 1673, as the 11th of 13 children of nonconforming minister Matthew Mead, Mead studied both Utrecht and Leiden before receiving his MD in Italy. Returning to England in 1696, he founded his own medical practice in Stepney.

He married Ruth Marsh in 1699 and together the couple had at least eight children, several of whom died young, before her death in 1720 (he subsequently married again, this time to Anne, daughter of a Bedfordshire knight, Sir Rowland Alston).

Having published the then seminal text – A Mechanical Account of Poisons – in 1702, the following year Mead was admitted to the Royal Society. He also took up a post as a physician at St Thomas’ Hospital, a job which saw him move to a property in Crutched Friars in the City – his home until 1711, when he relocated to Austin Friars.

It was after this that he become friends with eminent physician John Radcliffe who chose Mead as his successor and, on his death in 1714, bequeathed him his practice and his Bloomsbury home (not to mention his gold-topped cane, now on display at the Foundling Museum – see note below).

Following Radcliffe’s death, in August of that year Dr Mead attended Queen Anne on her deathbed. Other distinguished patients over his career included King George I, his son Prince George and daughter-in-law Princess Caroline – in fact he was appointed as official physician to the former prince when elevated to the throne as King George II – as well as Sir Isaac Newton, lexicographer Dr Samuel Johnson, Alexander Pope, Sir Robert Walpole and painter Antoine Watteau.

Mead, who had been named a governor of St Thomas’ in 1715 and elected a fellow of the Royal College of Physicians in 1716, was over the years recognised as an expert in a range of medical fields – including, as well as poisons, smallpox, scurvy and even the transmission of the plague.

Among the many more curious stories about Dr Mead is one concerning a ‘duel’ (or fistfight) he apparently fought with rival Dr John Woodward outside Gresham College in 1719 over their differences in tackling smallpox and others which concern experiments he conducted with venomous snakes to further his knowledge of venom before writing his text on poisons.

Dr Mead was also known for his philanthropy and became one of the founding governors of the Foundling Hospital (as well as being its medical advisor) – a portrait of him by artist Allan Ramsay (for whom he was a patron), currently hangs at the museum.

Dr Mead, who by this stage lived in Great Ormond Street in Bloomsbury (the property, which backed onto the grounds of the Foundling Museum and which Mead had moved into after his first wife’s death, later formed the basis of the Great Ormond Street Hospital for Children), is also noted for the large collection he gathered of paintings – including works by Dürer, Holbein, Rembrandt, and Canaletto, a library of more than 10,000 books, antiquities and classical sculpture as well as coins and jewels, all of which scholars and artists could access at his home (it took some 56 days to sell it all after his death).

While Dr Mead – who died on 16th February, 1754 – was buried in the Temple Church, there is a monument to him – including a bust by Peter Scheemakers – in the north aisle of Westminster Abbey.

Dr Mead is currently being honoured in an exhibition at the Foundling Museum – The Generous Georgian: Dr Richard Mead – which runs until 4th January. There’s an accompanying blog here which provides more information on his life and legacy.

Lost London – The Devil Tavern…

by exploringlondon

Famous as the home of the Apollo Club, the Devil – more completely the Devil and St Dunstan or The Devil and the Saint, thanks to its sign which showed the saint tweaking the Devil’s nose with pincers – was a Fleet Street institution.

The-Devil-TavernLocated at number 2, Fleet Street close to the Temple Bar, the tavern’s origins date back to at least 16th century but it was Elizabethan playwright Ben Jonson who made it home to the literary dining club known as the Apollo Club (the moniker comes from the name of the room in the tavern in which the club was located).

As well as Jonson, members of the club are said to have included William Shakespeare, Jonathan Swift, Alexander Pope and Dr Samuel Johnson. Samuel Pepys is also said to have frequented the tavern.

A bust of Apollo was mounted over the door to the room and a verse of welcome on the wall – they apparently still exist inside the bank of Child & Co (now part of the Royal Bank of Scotland) which now occupies the site on which the tavern once stood. The ‘rules’ of the club – which have been penned by Jonson – also apparently hung over the fireplace (and the name of the club lives on in Apollo Court over the road).

The tavern is also noted for its associations with ‘Mull Sack’ (aka chimney sweep turned 17th century highwayman John Cottington) and hosted concerts and other important gatherings including that of the Royal Society which held its annual dinner here in 1746.

It was demolished in the 1787 when the site was annexed by the neighbouring bank. A plaque can now be seen on the bank’s wall in Fleet Street.

PICTURE: Open Plaques

London Pub Signs – The Anchor…

by exploringlondon

While the first official records of this Bankside pub only date from 1822, the pub’s history goes back much further. Like many pubs in London, nailing down its exact origins is tough but the story goes that it was named The Anchor by seventeenth century merchant Josiah Child.

The-AnchorChild owned the brewhouse which had been established in 1616 by James Monger at a site known as Dead Man’s Place (close to where the original Globe Theatre had stood before burning down in 1613) and was also a merchant who supplied the navy with everything from masts and spars to stores and beer. Hence the name The Anchor.

It’s speculated that William Shakespeare himself might have had a drink here and it’s believed to be from this pub – “a little alehouse on Bankside” – that diarist Samuel Pepys witnessed the destructive power of the Great Fire of London in 1666.

Dr Samuel Johnson – apparently a close friend of later brewery owners, Henry and Hester Thrale – was among regular drinkers. Other patrons, according to the pub’s website, included the artist Joshua Reynolds, Irish poet Oliver Goldsmith, actor David Garrick and Irish statesmen Edmund Burke.

The pub was apparently rebuilt a couple of times after being destroyed by fire. The brewery, meanwhile, rose to become one of the largest in the world before it was finally demolished in 1981 leaving the pub, the brewery tap, still standing.

Refurbished in recent years, the pub today contains a room dedicated to The Clink prison, the Bishop of Winchester’s lock-up which was located in nearby Clink Street.

The waterside pub at 34 Park Street is now part of the Taylor Walker chain. You can find out more about it here.

PICTURE: Ewan Munro/Flickr

Where is it?…#45

by exploringlondon


The latest in the series in which we ask you to identify where in London this picture was taken and what it’s of. If you think you can identify this picture, leave a comment below. We’ll reveal the answer early next week. Good luck!

Congrats to Mike, Debbie, Janet, and Zoe (on Facebook), this is indeed the back of the statue of Hodge the cat in Gough Square in the City of London, just outside Dr Johnson’s House at No 17. One of the cats of the famed lexicographer, Dr Samuel Johnson, Hodge had his own moment of stardom in James Boswell’s Life of Johnson in which Dr Johnson is heard remarking that he’s had better cats than Hodge before, apparently in response to Hodge’s reaction, stating that he was “a very fine; a very fine cat indeed” (Johnson was apparently unusual for his love of cats; Boswell did not suffer the same love). This bronze statue of Hodge, by sculptor Jon Bickley and placed here in 1997, has Hodge sitting on a copy of Dr Johnson’s famous dictionary and beside him is some empty oyster shells, referring to Dr Johnson’s habit of buying oysters for his cats to eat. For more on Dr Johnson’s House (where Dr Johnson lived from 1747-59), see www.drjohnsonshouse.org.